Then I go back to hoeing. Important to keep patch of corn in shape. No weeds. Carry water when it needs. Soil work up nice and soft. Scare off crows when plant. Scare off coon and deer when corn come into ear. Full time job, for which many thanks. Also is important. George use corn to make the moon. Other patches of corn for food. But mine is use for moon. Me and George is partners. We make real good moonshine. Grandpa and Pa and Uncle John consume it with great happy. Any left over boys can have. But not girls. Girls don’t use moonshine.
I do not understand use of food and booze. Grandpa say it taste good. I wonder what is taste. It make Uncle John see snakes. I do not understand that either.
I am hoeing corn when there is sound behind me. I look and there is Joshua. He is reading Bible. He always reading Bible. He make big job of it. Also he is stepping on my hills of corn. I yell at him and run at him. I hit him with the hoe. He run out of patch. He know why I hit him. I hit him before. He know better than stepping on the corn. He stand under tree and read. Standing in the shade. That is putting on. Only folk need to stand in shade. People don’t.
Hitting him, I break my hoe. I go to Smith to fix. Smith he glad to see me. always glad to see each other. Smith and me are friend. He drop everything to fix hoe. Know how important corn is. Also do me favor.
We talk of Janglefoot. We agree is wrong the way he speak. He speak heresy. (Smith he tell me that word. Joshua, once he get unmad at me for hitting him, look up how to spell.) We agree, Smith and me, folk are genteel folk, not kind said by Janglefoot. Agree something should be done to Janglefoot. Don’t know what to do. We say we think more of it.
George come by. Say he need me. Folk out of drinking likker. So I go with him while Smith is fixing hoe. George he has nice still, real neat and clean. Good capacity. Also try hard to age moonshine but never able to. Folk use it up too fast. He have four five-gallon jugs. We each take two and walk to house.
We stop at hammock where three still are. Tell us leave one jug there, take three to woodshed, put away, bring back some glasses. We do. We pour out glasses of moonshine for Grandpa and Pa. Uncle John he says never mind no glass for him, just put jug beside him. We do, leaving it uncork. Uncle John reach in pocket and bring out little rubber hose. Put one end in jug, other end in mouth. He lean back against tree and start sucking.
They make elegant picture. Grandpa look peaceful. Rocking in hammock with big glass of moon balance on his chest. We happy to see them happy. We go back to work. Smith has hoe fix and very sharp. It handle good. I thank him.
He say he still confuse at Janglefoot. Janglefoot claim he read what he say. In old record. Found record in old city far away. Smith ask if I know what city is. I say I don’t. We more confuse than ever. For that matter, don’t know what record is. Sound important, though.
I am hoeing corn when the Preacher pass and stop. Joshua gone somewhere. I tell him should have come sooner, Joshua standing under tree, reading Bible. He say Joshua only reading Bible, he interpret it. I ask him what interpret is. He tell me. I ask him how to spell it. He tell me. He know I try to write. He is helpful people. But pompous.
Night come on and moon is late to rise. Can no longer hoe for lack of seeing. So lean hoe against tree. Go to still to help George now making moonshine. George is glad of help. He running far behind.
I wonder to him why Janglefoot say same thing over and over. He say is repetition. I ask him repetition. He not sure. Say he think you say thing often enough people will believe it. Say folk use it in olden day. Make other folk believe thing that isn’t so.
I ask him what he know of olden day. He say not very much. He say he should remember, but he doesn’t. I should remember too, but I can’t remember. Too long ago. Too much happen since. It is not important except for what Janglefoot is saying.
George has good fire burning under still and it shine on us. We stand around and watch. Make good feeling in the gizzard. Owl talk long way off in swamp. Do not know why fire feel good. No need of warm. Do not know why owl make one feel lonesome. I no lonesome. Got George right here beside me. There is so many things I do not know. What city is or record. What taste is. What olden day is like. Happy, though. Do not need to understand for happy.
People come from house, running fast. Say Uncle John is sick. Say he need doctor. Say he no longer seeing snakes. Seeing now blue alligator. With bright pink spots. Uncle John must be awful sick. Is no blue alligator. Not with bright pink spots.
George say he go to house to help, me run for Doc. George and house people leave, going very fast. I leave for Doc, also going fast.
Finally find Doc in swamp. He has candle lantern and is digging root. He always digging root. Great one for root and bark. He make stuff out of them for repairing folk. He is folk mechanic.
He standing in muck, up to knee. He cover with mud. He is filthy people. But he feel bad, hearing Uncle John is sick. Do not like blue alligator. Next he say is purple elephant and that is worst of all.
We run, both of us. I hold lantern at alligator hole while Doc wash mud off him. Never do to let folk seeing him filthy. We go to hut where Doc keep root and bark. He get some of it and we run for house. Moon has come up now, but we keep lantern. It help moonlight some.
We come to foot of hill with house on top of hill. All lawn between foot of hill and house. All lawn except for trees that hold up hammock. Hammock still is there, but empty. It blow back and forth in breeze. House stand up high and white. Windows in it shining.
Grandpa sit on big long porch that is in front of house, with white pillars to hold up roof. He sit in rocking chair. He rock back and forth. Another rocking chair beside him. He is only one around. Can see no one else. Inside of house womenfolk is making cries. Through tall window I can see inside. Big thing house people call chandelier hang from ceiling. Made of glass. Many candles in it. Candles all are burning. Glass look pretty in light. Furniture in room gleam with light. All is clean and polish. House people work hard to keep it clean and polish. Take big pride.
We run up steps to porch.
Grandpa say, you come too late. My son John is dead.
I do not understand this dead. When folk dead put them into ground. Say words over them. Put big stone at their head. Back of house is special place for dead. Lot of big stones standing there. Some new. Some old. Some so old cannot read lettering that say who is under them.
Doc run into house. To make sure Grandpa say right, perhaps. I stay on porch, unknowing what to do. Feel terrible sad. Don’t know why I do. Except knowing dead is bad. Maybe because Grandpa seem so sad.
Grandpa say to me, Sam sit down and talk.
I do not sit, I tell him. People always stand.
It was outrage of him to ask it. He know custom. He know as well as I do people do not sit with folk.
God damn it to hell, he say, forget your stubborn pride. Sitting is not bad. I do it all the time. Bend yourself and sit.
In that chair, he say, pointing to one beside him.
I look at chair. I wonder will it hold me. It is built for folk. People heavier than folk. Have no wish to break a chair with weight. Take much time to make one. Carpenter people work for long to make one.
But I think no skin off my nose. Skin off Grandpa’s nose. He the one that tell me.
So I square around so I hit the chair and bend myself and sit. Chair creak, but hold. I settle into it. Sitting feel good. I rock a little. Rocking feel good. Grandpa and me sit, looking out on lawn. Lawn is real pretty. Moonlight on it. First lawn and then some trees and after trees cornfield and other fields. Far away owl talk in swamp. Coon whicker. Fox bark long way off.
It do beat hell, say Grandpa, how man can live out his life, doing nothing, then die of moonshine drinking.
You sure of moon, I ask. I hate to hear Grandpa blaming moonshine. George and me, we make real good moonshine.
Grandpa say, it couldn’t be nothing el
se. Only moonshine give blue alligator with bright pink spots.
No purple elephant, so say Grandpa.
I wonder what elephant might be. So much that I don’t know.
Sam, say Grandpa, we a sorry lot. Never had a chance. Neither you nor us. Ain’t none of us no good. We folk sit around all day and never do a thing. Hunt a little, maybe. Fish a little. Play cards. Drink likker. Feel real energetic, maybe I’ll play some horseshoe. Should be out doing something good and big. But we never are. While we live we don’t amount to nothing. When we die we don’t amount to nothing. We’re just no God damn good.
He went on rocking, bitter. I don’t like the way he talk. He feel bad, sure, but no excuse to talk the way he was. Elegant folk like him shouldn’t talk that way. Lay in hammock all day long, shouldn’t talk that way. Balance moonshine on his chest, shouldn’t talk that way. I uncomfortable. Wish to get away, but impolite to leave.
Down at bottom of hill, where lawn begin, I see many people. Standing, looking up at house. Pretty soon come slow up lawn and look closer at house. Saying nothing, just standing. Paying their respect. Letting folk know that they sorrow too.
We never was nothing but white trash, say Grandpa. I can see it now. Seen it for long, long time but could never say it. I can say it now. We live in swamp in houses falling down. Falling down because we got no gumption to take care of them. Hunt and fish a little. Trap a little. Farm a little. Sit around and cuss because we ain’t got nothing.
Grandpa, I say, I want him to stop. I don’t want to hear. Don’t want him to go on saying what Janglefoot been saying.
But he pay me no attention. He go on saying.
Then, long, long ago, he say, they learn to go in space very, very fast. Faster than the light. Much faster than the light. They find other worlds. Better than the Earth. Much better worlds than this. Lot of ships to go in. Take little time to go there. So everybody go. Everyone but us. Folk like us, all over the world, are left behind. Smart ones go. Rich ones go. Hard workers go. We are left behind. We aren’t worth the taking. No one want us on this world. Have no use for us on others. They leave us behind, the misfits, the loafers, the poor, the crippled, the stupid. All over the world these kind are left behind. So when they all are gone, we move from shacks to houses the rich and smart ones lived in. No one to stop us from doing it. All of them are gone. They don’t care what we do. Not any more they don’t. We live in better houses, but we do not change. There is no use to change even if we could. We got you to take care of us. We have got it made. We don’t do a God damn thing. We don’t even learn to read. When words are read over my son’s grave, one of you will read them, for we do not know how to read.
Grandpa, I say. Grandpa, Grandpa. Grandpa. I feel crying all inside. He had done it now. He had took away the elegant. Took away the pride. He do what Janglefoot never could.
Now, say Grandpa, don’t take on that way. You got no reason to be prideful either. You and us we are the same. Just no God damn good. There were others of you and they took them along. But you they left behind. Because you were out of date. Because you were slow and awkward. Because you were heaps of junk. Because they had no need of you. They wouldn’t give you room. They left both you and us because neither of us was worth the room we took.
Doc came out of door fast and purposeful. He say to me I got work for you to do.
All the other people coming up the lawn, saying nothing, slow. I try to get out of chair. I can’t. For first time I can’t do what I want. My legs is turned to water.
Sam, say Grandpa, I am counting on you.
When he say that, I get up. I go down steps. I go out on lawn. No need for Doc tell me what to do. I done it all before.
I talk to other people. I give jobs to do. You and you dig grave. You and you make coffin. You and you and you and you run to other houses. Tell all the folk Uncle John is dead. Tell them come to funeral. Tell them funeral elegant. Much to cry, much to eat, much to drink. You get Preacher. Tell him fix sermon. You get Joshua to read the Bible. You and you and you go and help George make moonshine. Other folk be coming. Must be elegant.
All done. I walk down the lawn. I think on pride and loss. Elegant is gone. Shiny wonder gone. Pride is gone. Not all pride, however. Kind of pride remain. Hard and bitter pride. Grandpa say Sam sit down and talk. Grandpa say Sam I am counting on you. That is pride. Hard pride. Not soft and easy pride like it was before. Grandpa need me.
No one else will know. Grandpa never bring himself again to tell what he tell me. Secret between us. Secret born of sad. Life of others need not change. Go on thinking same. Janglefoot no trouble. No one believe Janglefoot if he talk forever. No one ever know that he tell the truth. Truth is hard to take. No one care except for what we have right now. We go on same.
Except I who know. I never want to know. I never ask to know. I try not to know. But Grandpa won’t shut up. Grandpa have to talk. Time come man will die if he cannot talk. Must make clean breast of it. But why to me? Because he love me most, perhaps. That is prideful thing.
But going down the lawn, I crying deep inside.
The Call from Beyond
This story originally appeared in Super Science Stories in May 1950, and a brief entry in one of Cliff’s mostly blank journals shows that he was paid $135 the same year for a story entitled “Flight to Pluto.” This is another of several Simak stories in which alien music plays a part, but the story appears to my eye to be a sort of homage to the works of H. P. Lovecraft, the master of tales of extradimensional horror—but with a touch of technology and several embedded themes that are pure Simak.
—dww
CHAPTER ONE
The Pyramid of Bottles
The pyramid was built of bottles, hundreds of bottles that flashed and glinted as if with living fire, picking up and breaking up the misty light that filtered from the distant sun and still more distant stars.
Frederick West took a slow step forward, away from the open port of his tiny ship. He shook his head and shut his eyes and opened them again and the pyramid was still there. So it was no figment, as he had feared, of his imagination, born in the darkness and the loneliness of his flight from Earth.
It was there and it was a crazy thing. Crazy because it should not be there, at all. There should be nothing here on this almost unknown slab of tumbling stone and metal.
For no one lived on Pluto’s moon. No one ever visited Pluto’s moon. Even he, himself, hadn’t intended to until, circling it to have a look before going on to Pluto, he had seen that brief flash of light, as if someone might be signaling. It had been the pyramid, of course. He knew that now. The stacked-up bottles catching and reflecting light.
Behind the pyramid stood a space hut, squatted down among the jagged boulders. But there was no movement, no sign of life. No one was tumbling out of entrance lock to welcome him. And that was strange, he thought. For visitors must be rare, if, indeed, they came at all.
Perhaps the pyramid really was a signaling device, although it would be a clumsy way of signaling. More likely a madman’s caprice. Come to think of it, anyone who was sufficiently deranged to live on Pluto’s moon would be a fitting architect for a pyramid of bottles.
The moon was so unimportant that it wasn’t even named. The spacemen, on those rare occasions when they mentioned it at all, simply called it “Pluto’s moon” and let it go at that.
No one came out to this sector of space any more. Which, West told himself parenthetically, is exactly why I came. For if you could slip through the space patrol you would be absolutely safe. No one would ever bother you.
No one bothered Pluto these days. Not since the ban had been slapped on it three years before, since the day the message had come through from the scientists in the cold laboratories which had been set up several years before that.
No one came to the planet now. Especially with the space patrol on guard … although the
re were ways of slipping through. If one knew where the patrol ships would be at certain times and build up one’s speed and shut off the engines, coasting on momentum in the shadow of the planet, one could get to Pluto.
West was near the pyramid now and he saw that it was built of whisky bottles. All empty, very empty, their labels fresh and clear.
West straightened up from staring at the bottles and advanced toward the hut. Locating the lock, he pressed the button. There was no response. He pressed it again. Slowly, almost reluctantly, the lock swung in its seat. Swiftly he stepped inside and swung over the lever that closed the outer lock, opened the inner one.
Dim light oozed from the interior of the hut and through his earphones West heard the dry rustle of tiny claws whispering across the floor. Then a gurgling, like water running down a pipe.
Heart in his mouth, thumb hooked close to the butt of his pistol, West stepped quickly across the threshold of the lock.
A man, clad in motheaten underwear, sat on the edge of the cot. His hair was long and untrimmed, his whiskers sprouted in black ferocity. From the mat of beard two eyes stared out, like animals brought to bay in caves. A bony hand thrust out a whisky bottle in a gesture of invitation.
The whiskers moved and a croak came from them. “Have a snort,” it said.
West shook his head. “I don’t drink.”
“I do,” the whiskers said. The hand tilted the bottle and the bottle gurgled.
West glanced swiftly around the room. No radio. That made it simpler. If there had been a radio he would have had to smash it. For, he realized now, it had been a silly thing to do, stopping on this moon. No one knew where he was … and that was the way it should have stood.
West snapped his visor up.
“Drinking myself to death,” the whiskers told him.
West stared, astounded at the utter poverty, at the absolute squalor of the place.
“Three years,” said the man. “Not a single sober breath in three solid years.” He hiccoughed. “Getting me,” he said. His left hand came up and thumped his shrunken chest. Lint flew from the ragged underwear. The right hand still clutched the bottle.
I Am Crying All Inside and Other Stories Page 24
