by Alice Feeney
Praise for Alice Feeney
‘Clever, compulsive… You will never guess the ending of this one!’
Louise Candlish
‘Twisty and gripping’
Jane Fallon
‘Stiletto-sharp writing, and characters so real you’ll be looking over your shoulder long after the final page’
Christina Dalcher
‘A rollercoaster of a ride. Alice Feeney goes where others might fear to tread. I loved it!’
Jane Corry
‘A fiendishly well-plotted, deliciously dark and twisting read’
Lucy Foley
‘Dark, but utterly compelling. I couldn’t stop reading it’
Ruth Jones
‘Boldly plotted, tightly knotted – a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvellous’
A J Finn
‘A bold and original voice – I loved this book’
Clare Mackintosh
‘A gripping debut with a brilliant twist, I loved it’
B A Paris
‘Expect perfectly imbedded twists and sharply drawn characters. A brilliant thriller’
Ali Land
ALICE FEENEY is a New York Times bestselling author and journalist. Her debut novel, Sometimes I Lie, was an international bestseller, has been translated into over twenty languages, and is being made into a TV series by Warner Bros. starring Sarah Michelle Gellar. His & Hers is also being adapted for screen by Jessica Chastain’s Freckle Films. Alice was a BBC Journalist for fifteen years, and now lives in the British countryside with her family. Rock Paper Scissors is her fourth novel.
Also by Alice Feeney
Sometimes I Lie
I Know Who You Are
His & Hers
Copyright
An imprint of HarperCollins Publishers Ltd
1 London Bridge Street
London SE1 9GF
First published in Great Britain by HQ in 2021
Copyright © Alice Feeney 2021
Illustrations copyright © Rhys Davies
Alice Feeney asserts the moral right to be identified as the author of this work.
A catalogue record for this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Ebook Edition © July 2021 ISBN: 9780008371005
Version 2021-07-24
Note to Readers
This ebook contains the following accessibility features which, if supported by your device, can be accessed via your ereader/accessibility settings:
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Page numbers taken from the following print edition: ISBN 9780008370985
For my Daniel, of course.
Contents
Cover
Praise
About the Author
Booklist
Title Page
Copyright
Note to Readers
Dedication
Amelia
Adam
Rock
Adam
Amelia
Paper
Amelia
Adam
Cotton
Amelia
Adam
Leather
Amelia
Robin
Amelia
Robin
Amelia
Adam
Amelia
Adam
Amelia
Adam
Amelia
Robin
Linen
Amelia
Adam
Wood
Robin
Amelia
Adam
Amelia
Robin
Amelia
Robin
Iron
Adam
Robin
Amelia
Copper
Robin
Amelia
Adam
Amelia
Robin
Bronze
Amelia
Pottery
Adam
Tin
Amelia
Adam
Robin
Steel
Amelia
Silk
Amelia
Adam
Scissors
Adam
Sam
Acknowledgements
About the Publisher
Amelia
February 2020
My husband doesn’t recognise my face.
I feel him staring at me as I drive, and wonder what he sees. Nobody else looks familiar to him either, but it is still strange to think that the man I married wouldn’t be able to pick me out in a police line-up.
I know the expression his face is wearing without having to look. It’s the sulky, petulant, I told you so version, so I concentrate on the road instead. I need to. The snow is falling faster now, it’s like driving in a white-out, and the windscreen wipers on my Morris Minor Traveller are struggling to cope. The car – like me – was made in 1978. If you look after things, they will last a lifetime, but I suspect my husband might like to trade us both in for a younger model. Adam has checked his seatbelt a hundred times since we left home, and his hands are balled into conjoined fists on his lap. The journey from London up to Scotland should have taken no more than eight hours, but I daren’t drive any faster in this storm. Even though it’s starting to get dark, and it seems we might be lost in more ways than one.
Can a weekend away save a marriage? That’s what my husband said when the counsellor suggested it. Every time his words replay in my mind, a new list of regrets writes itself inside my head. To have wasted so much of our lives by not really living them makes me feel so sad. We weren’t always the people we are now, but our memories of the past can make liars of us all. That’s why I’m focussing on the future. Mine. Some days I still picture him in it, but there are moments when I imagine what it would be like to be on my own again. It isn’t what I want, but I do wonder whether it might be best for both of us. Time can change relationships like the sea reshapes the sand.
He said we should postpone this trip when we saw the weather warnings, but I couldn’t. We both know this weekend away is a last chance to fix things. Or at least to try. He hasn’t forgotten that.
It’s not my husband’s fault that he forgets who I am.
Adam has a neurological glitch called prosopagnosia, which means he cannot see distinguishing features on faces, including his own. He has walked past me on the street on more than one occasion, as though I were a stranger. The social anxiety it inevitably causes affects us both. Adam can be surrounded by friends at a party and still feel like he doesn’t know a single person in the room. So we spend a lot of time alone. Together but apart. Just us. Face blindness isn’t the only way my husband makes me feel invisible. He did not want children – always said that he couldn’t bear the t
hought of not recognising their faces. He has lived with the condition his whole life, and I have lived with it since we met. Sometimes a curse can be a blessing.
My husband might not know my face, but there are other ways he has learned to recognise me: the smell of my perfume, the sound of my voice, the feel of my hand in his when he still used to hold it.
Marriages don’t fail, people do.
I am not the woman he fell in love with all those years ago. I wonder whether he can tell how much older I look now? Or if he notices the infiltration of grey in my long blonde hair? Forty might be the new thirty, but my skin is creased with wrinkles that were rarely caused by laughter. We used to have so much in common, sharing our secrets and dreams, not just a bed. We still finish each other’s sentences but these days we get them wrong.
‘I feel like we’re going in circles,’ he mutters beneath his breath, and for a moment I’m not sure whether he’s referring to our marriage or my navigational skills. The ominous-looking slate sky seems to reflect his mood, and it’s the first time he’s spoken for several miles. Snow has settled on the road ahead, and the wind is picking up, but it’s still nothing compared with the storm brewing inside the car.
‘Can you just find the directions I printed out and read them again?’ I say, trying but failing to hide the irritation in my voice. ‘I’m sure we must be close.’
Unlike me, my husband has aged impossibly well. His forty plus years are cleverly disguised by a good haircut, tanned skin, and a body shaped by an over-indulgence in half-marathons. He has always been very good at running away, especially from reality.
Adam is a screenwriter. He started far below the bottom rung of Hollywood’s retractable ladder, not quite able to reach it on his own. He tells people that he went straight from school into the movie business, which is only an off-white lie. He got a job working at the Electric Cinema in Notting Hill when he was sixteen, selling snacks and film tickets. By the time he was twenty-one, he’d sold the rights to his first screenplay. Rock Paper Scissors has never made it beyond development, but Adam got an agent out of the deal, and the agent got him work, writing an adaptation of a novel. The book wasn’t a bestseller, but the film version – a low-budget British affair – won a Bafta, and a writer was born. It wasn’t the same as seeing his own characters come to life on screen – the roads to our dreams are rarely direct – but it did mean that Adam could quit selling popcorn and write full-time.
Screenwriters don’t tend to be household names, so some people might not know his, but I’d be willing to bet money they’ve seen at least one of the films he’s written. Despite our problems, I’m so proud of everything he has achieved. Adam Wright built a reputation in the business for turning undiscovered novels into blockbuster movies, and he’s still always on the lookout for the next. I’ll admit that I sometimes feel jealous, but I think that’s only natural given the number of nights when he would rather take a book to bed. My husband doesn’t cheat on me with other women, or men, he has love affairs with their words.
Human beings are a strange and unpredictable species. I prefer the company of animals, which is one of the many reasons why I work at Battersea Dogs Home. Four-legged creatures tend to make better companions than those with two, and dogs don’t hold grudges or know how to hate. I’d rather not think about the other reasons why I work there; sometimes the dust of our memories is best left unswept.
The view beyond the windscreen has offered an ever-changing dramatic landscape during our journey. There have been trees in every shade of green, giant glistening lochs, snow-capped mountains and an infinite amount of perfect, unspoilt space. I am in love with the Scottish Highlands. If there is a more beautiful place on Earth, I have yet to find it. The world seems so much bigger up here than in London. Or perhaps I am smaller. I find peace in the quiet stillness and the remoteness of it all. We haven’t seen another soul for over an hour, which makes this the perfect location for what I have planned.
We pass a stormy sea on our left and carry on north, the sound of crashing waves serenading us. As the winding road shrinks into a narrow lane, the sky – which has changed from blue, to pink, to purple, and now black – is reflected in each of the partially frozen lochs we pass. Further inland, a forest engulfs us. Ancient pine trees, dusted with snow, and taller than our house, are being bent out of shape by the storm as though they are matchsticks. The wind wails like a ghost outside the car, constantly trying to blow us off course, and when we slide a little on the icy road, I grip the steering wheel so tight that the bones in my fingers protrude through my skin. I notice my wedding ring. A solid reminder that we are still together, despite all the reasons we should perhaps be apart. Nostalgia is a dangerous drug, but I enjoy the sensation of happier memories flooding my mind. Maybe we’re not as lost as we feel. I steal a glance at the man sitting beside me, wondering whether we could still find our way back to us. Then I do something I haven’t done for a long time, and reach to hold his hand.
‘Stop!’ he yells.
It all happens so fast. The blurred, snowy image of a stag standing in the middle of the road ahead, my foot slamming on the brake, the car swerving and spinning before finally skidding to a halt just in front of the deer’s huge horns. It blinks twice in our direction before calmly walking away as if nothing happened, disappearing into the woods. Even the trees look cold.
My heart is thudding inside my chest as I reach for my handbag. My trembling fingers find my purse and keys and almost all other contents before locating my inhaler. I shake it and take a puff.
‘Are you OK?’ I ask, before taking another.
‘I told you this was a bad idea,’ Adam replies.
I have bitten my tongue so many times already on this trip, it must be full of holes.
‘I don’t remember you having a better one,’ I snap.
‘An eight-hour drive for a weekend away…’
‘We’ve been saying for ages that it might be nice to visit the Highlands.’
‘It might be nice to visit the moon, too, but I’d rather we talked about it before you booked us on a rocket. You know how busy things are for me right now.’
Busy has become a trigger word in our marriage. Adam wears his busyness like a badge. Like a boy scout. It is something he is proud of: a status symbol of his success. It makes him feel important, and makes me want to throw the novels he adapts at his head.
‘We are where we are because you’re always too busy,’ I say through gritted, chattering teeth. It’s so cold in the car now, I can see my own breath.
‘I’m sorry, are you suggesting it’s my fault that we’re in Scotland? In February? In the middle of a storm? This was your idea. At least I won’t have to listen to your incessant nagging once we’ve been crushed to death by a falling tree, or died from hypothermia in this shit-can car you insist on driving.’
We never bicker like this in public, only in private. We’re both pretty good at keeping up appearances and I find people see what they want to see. But behind closed doors, things have been wrong with Mr and Mrs Wright for a long time.
‘If I’d had my phone, we’d be there by now,’ he says, rummaging around in the glove compartment for his beloved mobile, which he can’t find. My husband thinks gadgets and gizmos are the answer to all of life’s problems.
‘I asked if you had everything you needed before we left the house,’ I say.
‘I did have everything. My phone was in the glovebox.’
‘Then it would still be there. It’s not my job to pack your things for you. I’m not your mother.’
I immediately regret saying it, but words don’t come with gift receipts and you can’t take them back. Adam’s mother is at the top of the long list of things he doesn’t like to talk about. I try to be patient while he continues searching for his phone, despite knowing he’ll never find it. He’s right. He did put it in the glovebox. But I took it out before we left home this morning and hid it in the house. I plan to teach my husband an importa
nt lesson this weekend and he doesn’t need his phone for that.
Fifteen minutes later, we’re back on the road and seem to be making progress. Adam squints in the darkness as he studies the directions I printed off – unless it’s a book or a manuscript, anything written on paper instead of a screen seems to baffle him.
‘You need to take the first right at the next roundabout,’ he says, sounding more confident than I would have expected.
We are soon reliant on the moon to light our way and hint at the rise and fall of the snowy landscape ahead. There are no streetlights, and the headlights on the Morris Minor barely light the road in front of us. I notice that we are low on petrol again, but haven’t seen anywhere to fill up for almost an hour. The snow is relentless now, and there has been nothing but the dark outlines of mountains and lochs for miles.
When we finally see a snow-covered old sign for Blackwater, the relief in the car is palpable. Adam reads the last set of directions with something bordering on enthusiasm.
‘Cross the bridge, turn right when you pass a bench overlooking the loch. The road will bend to the right, leading into the valley. If you pass the pub, you’ve gone too far and missed the turning for the property.’
‘A pub dinner might be nice later,’ I suggest.
Neither of us says anything when the Blackwater Inn comes into view in the distance. I turn off before we reach the pub, but we still get close enough to see that its windows are boarded up. The ghostly building looks as though it has been derelict for a long time.
The winding road down into the valley is both spectacular and terrifying. It looks like it has been chiselled out of the mountain by hand. The track is barely wide enough for our little car, and there’s a steep drop on one side with not a single crash barrier.
‘I think I can see something,’ Adam says, leaning closer to the windscreen and peering into the darkness. All I can see is a black sky and a blanket of white covering everything beneath it.
‘Where?’
‘There. Just beyond those trees.’
I slow down a little as he points at nothing. But then I notice what looks like a large white building all on its own in the distance.
