Martha Nasibú, from Memories of an Ethiopian Princess / Memorie di una principessa etiope (Beat, 2012). Translated by Aaron Robertson. Reprinted by permission of the translator. All rights reserved. Copyright © 2019.
Elena Shvarts, “Why, Let the Stricken Deer Go Weep”. Translated by Sasha Dugdale. Reprinted by permission of the translator. All rights reserved. Copyright © 2019.
Elias Khoury, from My Name Is Adam (MacLehose Press, 2018). Translated by Humphrey Davies. Reprinted by permission of the translator and the publisher.
Ashur Etwebi, “A Dog Hides Its Tail in the Darkness of Night”, in Asymptote, April 2018. Translated by Ashur Etwebi and James Byrne.
Mohsen Emadi, from “The Poem”, in Standing on Earth (Phoneme Media, 2016). Translated by Lyn Coffin. Reprinted by permission of the publisher.
Gabriela Mistral, “The Foreign Woman”, in Tala (Buenos Aires: Sur, 1938). Translated by Alana Marie Levinson-LaBrosse and David Shook. Reprinted by permission of the translators. All rights reserved. Copyright © 2019.
Nelly Sachs, “I’m searching for my Right to Roots / Ich bin meinem Heimatrecht auf der Spur”, in Gedichte (Bibliothek Suhrkamp, 1977/2017). Translated by Martin Kratz. Reprinted by permission of the translator and the estate. All rights reserved. Copyright © 2019.
Luis Cernuda, “Impression of Exile”, in Forbidden Pleasures: New Selected Poems, 1924–1949 (Black Widow Press, 2015). Translated by Stephen Kessler.
Fernando Sylvan, “Invasion”, in 7 Poemas de Timor (Lisbon, 1965). Translated by David Shook. Reprinted by permission of the translator. All rights reserved. Copyright © 2019.
Gisèle Prassinos, “Nobody Is Going Anywhere”, in La vie, la voix (Flammarion, 1971). Translated by Jade Cuttle. Reprinted by permission of the translator. All rights reserved. Copyright © 2019.
Roque Dalton, “Spite”, in Cordite Poetry Review, 2013. Translated by Luis Gonzalez Serrano. Reprinted by permission of the translator. All rights reserved. Copyright © 2019.
Breyten Breytenbach, from Notes from the Middle World (Haymarket Books, 2009). Reprinted by permission of the author and the publisher.
Mimi Khalvati, “The Soul Travels on Horseback”, in The Weather Wheel (Carcanet, 2014). Reprinted by permission of the author and the publisher.
Michael Schmidt, “The Freeze”, in Poetry Nation 5, 1975. Reprinted by permission of the author.
Aamer Hussein, from “Nine Postcards from Sanlucar de Barrameda”, in Insomnia (Telegram Books, 2007). Reprinted by permission of the author and the publisher.
Fred D’Aguiar, “At the Grave of the Unknown African”, in Callaloo 15, 1992. Reprinted by permission of the author.
Farhad Pirbal, “Waste”. Translated by Alana Marie Levinson-LaBrosse. Reprinted by permission of the translator. All rights reserved. Copyright © 2019.
Iman Mersal, “The Idea of Houses”. Translated by Robyn Creswell. Reprinted by permission of the author and the translator. All rights reserved. Copyright © 2019.
Sholeh Wolpé, “The World Grows Blackthorn Walls”. Reprinted by permission of the author. All rights reserved. Copyright © 2019.
Kaveh Bassiri, “99 Names of Exile”, in The Forbidden: Poems from Iran and its Exiles (MSU Press, 2012). Edited by Sholeh Wolpé. Reprinted by permission of the editor and the publisher.
Fady Joudah, “He came, the humanitarian man”, in The Earth in the Attic (Yale University Press, 2008). Reprinted by permission of the author and the publisher.
Jee Leong Koh, “To a Young Poet”, in Steep Tea (Carcanet Press, 2015). Reprinted by permission of the author and the publisher.
Jenny Xie, “Rootless”, in Eye Level (Graywolf, 2018). Reprinted by permission of the author and the publisher.
PUSHKIN PRESS
Pushkin Press was founded in 1997, and publishes novels, essays, memoirs, children’s books—everything from timeless classics to the urgent and contemporary.
Our books represent exciting, high-quality writing from around the world: we publish some of the twentieth century’s most widely acclaimed, brilliant authors such as Stefan Zweig, Marcel Aymé, Teffi, Antal Szerb, Gaito Gazdanov and Yasushi Inoue, as well as compelling and award-winning contemporary writers, including Andrés Neuman, Edith Pearlman, Eka Kurniawan, Ayelet Gundar-Goshen and Chigozie Obioma.
Pushkin Press publishes the world’s best stories, to be read and read again. To discover more, visit www.pushkinpress.com.
THE SPECTRE OF ALEXANDER WOLF
GAITO GAZDANOV
‘A mesmerising work of literature’ Antony Beevor
SUMMER BEFORE THE DARK
VOLKER WEIDERMANN
‘For such a slim book to convey with such poignancy the extinction of a generation of “Great Europeans” is a triumph’ Sunday Telegraph
MESSAGES FROM A LOST WORLD
STEFAN ZWEIG
‘At a time of monetary crisis and political disorder… Zweig’s celebration of the brotherhood of peoples reminds us that there is another way’ The Nation
THE EVENINGS
GERARD REVE
‘Not only a masterpiece but a cornerstone manqué of modern European literature’ Tim Parks, Guardian
BINOCULAR VISION
EDITH PEARLMAN
‘A genius of the short story’ Mark Lawson, Guardian
IN THE BEGINNING WAS THE SEA
TOMÁS GONZÁLEZ
‘Smoothly intriguing narrative, with its touches of sinister, Patricia Highsmith-like menace’ Irish Times
BEWARE OF PITY
STEFAN ZWEIG
‘Zweig’s fictional masterpiece’ Guardian
THE ENCOUNTER
PETRU POPESCU
‘A book that suggests new ways of looking at the world and our place within it’ Sunday Telegraph
WAKE UP, SIR!
JONATHAN AMES
‘The novel is extremely funny but it is also sad and poignant, and almost incredibly clever’ Guardian
THE WORLD OF YESTERDAY
STEFAN ZWEIG
‘The World of Yesterday is one of the greatest memoirs of the twentieth century, as perfect in its evocation of the world Zweig loved, as it is in its portrayal of how that world was destroyed’ David Hare
WAKING LIONS
AYELET GUNDAR-GOSHEN
‘A literary thriller that is used as a vehicle to explore big moral issues. I loved everything about it’ Daily Mail
FOR A LITTLE WHILE
RICK BASS
‘Bass is, hands down, a master of the short form, creating in a few pages a natural world of mythic proportions’ New York Times Book Review
JOURNEY BY MOONLIGHT
ANTAL SZERB
‘Just divine… makes you imagine the author has had private access to your own soul’ Nicholas Lezard, Guardian
BEFORE THE FEAST
SAŠA STANIŠIĆ
‘Exceptional… cleverly done, and so mesmerising from the off… thought-provoking and energetic’ Big Issue
A SIMPLE STORY
LEILA GUERRIERO
‘An epic of noble proportions… [Guerriero] is a mistress of the telling phrase or the revealing detail’ Spectator
FORTUNES OF FRANCE
ROBERT MERLE
1 The Brethren
2 City of Wisdom and Blood
3 Heretic Dawn
‘Swashbuckling historical fiction’ Guardian
TRAVELLER OF THE CENTURY
ANDRÉS NEUMAN
‘A beautiful, accomplished novel: as ambitious as it is generous, as moving as it is smart’ Juan Gabriel Vásquez, Guardian
A WORLD GONE MAD
ASTRID LINDGREN
‘A remarkable portrait of domestic life in a country maintaining a fragile peace while war raged all around’ New Statesman
MIRROR, SHOULDER, SIGNAL
DORTHE NORS
‘Dorthe Nors is fantastic!’ Junot Díaz
RED LOVE: THE STORY OF AN EAST GERMAN FAMILY
MAXIM LEO
‘Be
autiful and supremely touching… an unbearably poignant description of a world that no longer exists’ Sunday Telegraph
THE BEAUTIFUL BUREAUCRAT
HELEN PHILLIPS
‘Funny, sad, scary and beautiful. I love it’ Ursula K. Le Guin
THE RABBIT BACK LITERATURE SOCIETY
PASI ILMARI JÄÄSKELÄINEN
‘Wonderfully knotty… a very grown-up fantasy masquerading as quirky fable. Unexpected, thrilling and absurd’ Sunday Telegraph
BEAUTY IS A WOUND
EKA KURNIAWAN
‘An unforgettable all-encompassing epic’ Publishers Weekly
BARCELONA SHADOWS
MARC PASTOR
‘As gruesome as it is gripping… the writing is extraordinarily vivid… Highly recommended’ Independent
MEMORIES—FROM MOSCOW TO THE BLACK SEA
TEFFI
‘Wonderfully idiosyncratic, coolly heartfelt and memorable’ William Boyd, Sunday Times
WHILE THE GODS WERE SLEEPING
ERWIN MORTIER
‘A monumental, phenomenal book’ De Morgen
BUTTERFLIES IN NOVEMBER
AUÐUR AVA ÓLAFSDÓTTIR
‘A funny, moving and occasionally bizarre exploration of life’s upheavals and reversals’ Financial Times
BY BLOOD
ELLEN ULLMAN
‘Delicious and intriguing’ Daily Telegraph
THE LAST DAYS
LAURENT SEKSIK
‘Mesmerising… Seksik’s portrait of Zweig’s final months is dignified and tender’ Financial Times
COPYRIGHT
Pushkin Press
71–75 Shelton Street
London WC2H 9JQ
Introductions and afterword © 2019 André Naffis-Sahely
The Heart of a Stranger was first published by Pushkin Press in 2019
1 3 5 7 9 8 6 4 2
ISBN 13: 978–1–78227–427–8
All rights reserved.
No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission in writing from Pushkin Press
www.pushkinpress.com
The Heart of a Stranger Page 25
