Works of Grant Allen

by Grant Allen

  Poor Hiram sighed somewhat wearily. ‘Churchill has too good an opinion altogether of my little attempts,’ he said in all sincerity.

  ‘I’m afraid you’ll find very little here that’s worthy your attention. May I venture to ask your name?’

  ‘Never mind my name, sir,’ the old gentleman said, with a blandness that contrasted oddly with the rough wording of his brusque sentences. ‘Never you mind my name, I say, — what’s that to you, pray? My name’s not at all in question. I’ve come to see your pictures.’

  ‘Are you a dealer, perhaps?’ Hiram suggested, with another sigh at his own excessive frankness in depreciating what was after all his bread and butter — and a great deal more to him. ‘You want to buy possibly?

  ‘No, I don’t want to buy,’ the old gentleman answered flatly, with a certain mild and kindly fierceness. ‘I don’t want to buy certainly. I’m not a dealer; I’m an art-critic.’

  ‘Oh, indeed,’ Hiram said politely. The qualification is not one usually calculated to endear a visitor to a struggling young artist.

  ‘And you, I should say by your accent, are an American. That’s bad, to begin with. What on earth induced you to leave that cursed country of yours? Oh generation of vipers — don’t misinterpret that much-mistaken word generation; it means merely son or offspring — who has warned you to flee from the wrath that is?’

  Hiram smiled in spite of himself. ‘Myself,’ he said; ‘my own inner prompting only.’

  ‘Ha, that’s better; so you fled from it.

  You escaped from the city of destruction. You saved yourself from Sodom and Gomorrah. Well, well, having had the misfortune to be born an American, what better thing could you possibly do? Creditable, certainly, very creditable. And now, since you have come to Rome to paint, pray what sort of wares have you got to show me?’

  Hiram pointed gravely to the unfinished Capture of Babylon.

  ‘It won’t do,’ the old gentleman said decisively, after surveying the principal figures with a critical eye through his double eyeglass. ‘Oh, no, it won’t do at all. It’s painted — I admit that; it’s painted, solidly painted, which is always something nowadays, when coxcombs go splashing their brushes loosely about a yard or two of blank canvas, and then positively calling it a picture. It’s painted, there’s no denying it. Still, my dear sir, you’ll excuse my saying so, but there’s really nothing in it — absolutely nothing. What does it amount to, after all? A line farrago of tweedledum and tweedledee, in Assyrian armour and Oriental costume, and other unnatural, incongruous upholsterings, with a few Roman models stuck inside it all, to do duty instead of lay figures. Do you really mean to tell me, now, you think that was what the capture of Babylon actually looked like? Why, my dear sir, speaking quite candidly, I assure you, for my own part I much prefer the Assyrian bas-reliefs.’

  Hiram’s heart sank horribly within him. He knew it, he knew it; it was all an error, a gigantic error. He had mistaken a taste for painting for a genius for painting. He would never, never, never make a painter; of that he was now absolutely certain. He could have sat down that moment with his face between his hands and cried bitterly, even as he had done years before when the deacon left him in the peppermint lot, but for the constraining presence of that mild-mannered ferocious oddly-compounded old gentleman.

  ‘Is this any better?’ he asked humbly, pointing with his brush-handle to the Second Triumvirate.

  ‘No sir, it is not any better,’ the relentless critic answered as fiercely yet as blandly as ever. ‘In fact, if it comes to that, it’s a great deal worse. Look at it fairly in the face and ask yourself what it all comes to. It’s a group of three amiable sugar-brokers in masquerade costume discussing the current price-lists, and it isn’t even painted, though it’s by way of being finished, I suppose, as people paint nowadays. Is that drawing, for example,’ and he stuck his forefinger upon young Cæsar’s foreshortened foot, ‘or that, or that, or that, or that, sir? Oh, no, no; dear me, no. This is nothing like either drawing or colouring. The figure, my dear sir — you’ll excuse my saying so, but you haven’t the most rudimentary conception even of drawing or painting the human figure.’

  Hiram coincided so heartily at that moment in this vigorous expression of adverse opinion, that but for Gwen he could have pulled out his pocket-knife on the spot and made a brief end of a life long failure.

  But the stranger only went coolly through the studio piece by piece, passing the same discouraging criticisms upon everything he saw, and after he had finally reduced poor Hiram to the last abyss of unutterable despair, he said pleasantly in his soft, almost womanly voice, ‘Well, well, these are all sad trash, sad trash certainly. Not worth coming from America to Rome to paint, you must admit; certainly not. Who on earth was blockhead enough to tell you that you could ever possibly paint the figure? I don’t understand this. Churchill’s an artist; Churchill’s a sculptor; Churchill knows what a human body’s like, he’s no fool, I know. What the deuce did he send me here for, I wonder? How on earth could he ever have imagined that those stuffed Guy Fawkeses and wooden marionettes and dancing fantoccini were real living men and women? Preposterous, preposterous. Stay. Let me think. Churchill said something or other about your trying landscape. Have you got any landscapes, young man, got any landscapes?’

  ‘I’ve a few back here,’ Hiram answered timidly, ‘but I’m afraid they’re hardly worth your serious consideration. They were mostly done before I left America, with very little teaching, or else on holidays here in Europe, in the Tyrol chiefly, without much advice or assistance from competent masters.’

  ‘Bring them out!’ the old gentleman said in a tone of command. ‘Produce your landscapes. Let’s see what this place America is like, this desert of newfangled towns without, any castles.’

  Hiram obeyed, and brought out the poor little landscapes, sticking them one after another on the easel in the light. There were the Thousand Island sketches, and the New York lakes, and the White Mountains, and a few pine-clad glens and dingles among the Tyrolese uplands and the lower Engadine. The stranger surveyed them all attentively through his double eyeglass with a stony critical stare, but still said absolutely nothing. Hiram stood by in breathless expectation. Perhaps the landscapes might fare better at this mysterious person’s unsparing hands than the figure pieces. But no: when he had finished, the stranger only said calmly, ‘Is that all?’

  ‘All, all,’ Hiram murmured in blank despair. ‘The work of my lifetime.’

  The stranger looked at him steadily.

  ‘Young man,’ he said with the voice and manner of a Hebrew prophet, ‘believe me, you ought never to have come away from your native America.’

  ‘I know it, I know it,’ Hiram cried, in the profoundest depth of self-abasement.

  ‘No, you ought never to have come away from America. As I wrote years ago in the Seven Domes of Florence — —’

  ‘What!’ Hiram exclaimed, horror-stricken.

  ‘The Seven Domes of Florence! Then — then — then you are Mr. Truman?’

  ‘Yes,’ the stranger went on unmoved, without heeding his startled condition. ‘My name is John Truman, and, as I wrote years ago in the Seven Domes of Florence — —’

  Hiram never heard the end of his visitor’s long sonorous quotation from his former self (in five volumes), for he sank back unmanned into an easy-chair, and fairly moaned aloud in the exceeding bitterness of his disappointment.

  John Truman! It was he, then, the great art-critic of the age; the man whose merest word, whose slightest breath could make or mar a struggling reputation; the detector of fashionable shams, the promoter of honest artistic workmanship — it was he that had pronounced poor Hiram’s whole life a miserable failure, and had remitted him remorselessly once more to the corn and potatoes of Geauga County. The tears filled Hiram’s eyes as he showed the great man slowly and regretfully out of his studio; and when that benevolent beaming face had disappeared incongruously with the parting Parthian shot, ‘Go back to
your woods and forests, sir; go back immediately to your woods and forests,’ Hiram quite forgot the very presence of the decked-out Persian commander, and burst into hot tears such as he had not shed before since he ran away to nurse his boyish sorrows alone by himself in the old familiar blackberry bottom.

  How very differently he might have felt if only he could have followed that stooping figure down the Via Colonna and heard the bland old gentleman muttering audibly to himself, ‘Oh, dear no, the young barbarian ought never to have come away from his native America. No castles — certainly not, but there’s nature there clearly, a great deal of nature; and he knows how to paint it too, he knows how to paint it. Great purity of colouring in his Tyrolese sketches; breadth and brilliancy very unusual in so young an artist; capital robust drawing; a certain glassy liquid touch that I like about it all, too, especially in the water. Who on earth ever told him to go and paint those incomprehensible Assyrian monstrosities? Ridiculous, quite ridiculous. He ought to have concentrated himself on his own congenial lakes and woodlands. He has caught the exact spirit of them — weird, mysterious, solemn, primitive, unvulgarised, antidemotic, titanic, infinite. The draughtsmanship of the stratification in the rocks is quite superb in its originality. Oh, dear no, he ought never to have come away at all from his native natural America.

  CHAPTER XLIII. THE SLOUGH OF DESPOND.

  Mr. Audouin,’ Hiram cried, bursting into his friend’s rooms in a fever of despair, three days later, ‘I’ve come to tell you I’m going back to America!’

  ‘Back to America, Hiram!’ Audouin cried in dismay, for he guessed the cause instinctively at once. ‘Why, what on earth do you want to do that for?’

  Hiram flung himself back in moody dejection on the ottoman in the corner. ‘Why,’ he said, ‘do you know who has been to see me? Mr. Truman.’

  ‘Well, Hiram?’ Audouin murmured, trembling.

  ‘Well, he tells me I’ve made a complete mistake of it. I’m not a painter, I can’t be a painter, and I never could possibly make a painter. Oh, Mr. Audouin, Mr. Audouin, I knew it myself long ago, but till this very week I’ve hoped against hope, and never ventured fully to realise it. But I know now he tells the truth. I can’t paint, I tell you, I can’t paint — no, not that much!’ And he snapped his fingers bitterly in his utter humiliation.

  Audouin drew a chair over softly to his friend’s side, and laid his hand with womanly tenderness upon the listless arm. ‘Hiram,’ he said in a tone of deep self-reproach, ‘it’s all my fault; my fault, and mine only. I am to blame for all this. I wanted to help and direct and encourage you; and in the end, I’ve only succeeded in making both of us supremely miserable!’

  ‘Oh, no,’ Hiram cried, taking Audouin’s hand warmly in his own, ‘not your fault, dear Mr. Audouin, not your fault, nor mine, but nature’s. You thought there was more in me than there actually was — that was kindly and friendly and well-meant of you. You fancied you had found an artistic genius, an oasis in the sandy desert of Geauga County, and you wanted to develop and assist him. It was generous and noble of you; if you were misled, it was your own sympathetic, appreciative, disinterested nature that misled you. You were too enthusiastic. You always thought better of me than I have ever thought of myself; but if that’s a fault, it’s a fault on the nobler side, surely. No, no, nobody is to blame for this but myself, my own feeble self, that cannot rise, whatever I may do, to the difficult heights you would have me fly to.’ Audouin looked at him long and silently. In his own heart, he had begun to feel that Hiram’s heroic figure-painting had turned out a distinct failure For that figure-painting he, Lotlirop Audouin, was alone responsible. But, even in spite of the great name of Truman urged against him, he could hardly believe that Hiram would not yet succeed in landscape. ‘Did Truman see the Tyrolese sketches?’ he asked anxiously at last.

  ‘Yes, he did, Mr. Audouin.’

  ‘And what did he say about them?’

  ‘Simply that he thought I ought never to have come away from America.’

  Audouin drew a long breath. ‘This is very serious, Hiram,’ he said slowly. ‘I apprehend certainly that this is very serious. Truman’s opinion is worth a great deal; but, after all, it isn’t everything. I’ve led you wrong so long and so often, my poor boy, that I’m almost afraid to advise you any farther; and yet, do you know, I can’t help somehow believing that you will really do great things yet in landscape.’

  ‘Never, never,’ Hiram answered firmly.

  ‘I shall never do anything better than the edge of the lake at Chattawauga!’

  ‘But you have done great things, Hiram,’ Audouin cried, warming up with generous enthusiasm, just in proportion as his protégés spirits sank lower and lower. ‘My dear fellow, you have done great things already. I’ll stake my reputation upon it, Hiram, that the lake shore at Chattawauga’s a piece of painting that’ll even yet live and be famous.’ Hiram shook his head gloomily. ‘No, no,’ he said; ‘I mean to take Mr. Truman’s advice, and go back to hoe corn and plant potatoes in Muddy Creek Valley. That’s just about what I’m fit for.’

  ‘But, Hiram,’ his friend said, coming closer and closer to him, ‘you mustn’t dream of doing that. In justice to me you really mustn’t. I’ve misled you and wasted your time, I know, by inducing you to go in for this wretched figure-painting. It doesn’t suit you and your idiosyncrasy: that I see now quite clearly. All my life long it’s been a favourite doctrine of mine, my boy, that the only true way of salvation lies in perfect fidelity to one’s own inner promptings. And how have I carried out that gospel of mine in your case? Why, by absurdly inducing you to neglect the line you naturally excel in, and to take up with a line that you don’t personally care a pin for. Now, dear Hiram, my dear, good fellow, don’t go and punish me for this by returning in a huff’ to Geauga County. Have pity upon me, and spare me this misery, this degradation. I’ve suffered much already, though you never knew it, about this false direction I’ve tried to give your genius (for you have genius, I’m sure you have ): I’ve lain awake night after night and reproached myself for it bitterly: don’t go now and put me to shame by making my mistake destroy your whole future career and chances as a painter. It need cost you nothing to remain. I misled you by getting you to paint those historical subjects. I see they were a mistake now, and I will buy the whole of them from you at your own valuation. That will be only just, for it was for me really that you originally painted them. Do, do please reconsider this hasty decision.’ Hiram rocked himself to and fro piteously upon the ottoman, but only answered, ‘Impossible, impossible. You are too kind, too generous.’

  Audouin looked once more at his dejected dispirited face, and then, pausing a minute or two, said quietly and solemnly, ‘And how about Gwen, Hiram?’

  Hiram started up in surprise and discomfiture, and asked hastily, ‘Why, what on earth do you know about Gwen — about Miss Russell, I mean — Mr. Audouin?’

  ‘I can’t tell you how I’ve surprised your secret, Hiram,’ Audouin said, his voice trembling a little as he spoke: ‘perhaps some day I may tell you, and perhaps never. But I’ve found it all out, and I ask you, my boy, for Gwen’s sake — for Miss Russell’s sake — to wait awhile before returning so rashly to America. Hiram, you owe it as a duty to her not to run away from her, and fame and fortune, at the first failure.’

  Hiram flung himself down upon the ottoman again in a frenzy of despondency. ‘That’s just why I think I must go at once, Mr. Audouin,’ he cried, in his agony. ‘I only know two alternatives. One is America; the other is the Tiber.’

  ‘Hiram, Hiram!’ his friend said soothingly. ‘Yes, yes, Mr. Audouin, I know all that, I know what you want to say to me. But I can’t drag down Gwen — born and brought up as she has been — I can’t drag her down with me to a struggling painter’s pot-boiling squalidness. I can’t do it, and I won’t do it, and I oughtn’t to do it; and the kindest thing for her sake, and for all our sakes, would be for me to get out of it all at once and altogether.’
/>   ‘Then you will go, Hiram?’

  ‘Yes, I will go, Mr. Audouin, by the very next Trieste steamer.’

  He rose slowly from the ottoman, shook his friend’s hand in silence, and went away without another word. Audouin saw by his manner that he really meant it, and he sat down wondering what good he could do to countervail this great unintentional evil he had done to Hiram.

  ‘Lothrop Audouin,’ he said to himself harshly, ‘a pretty mess you have made now of your own life and of Hiram Winthrop’s! Is this your perfect fidelity to the inner promptings — this your obedience to the unspoken voice of the divine human consciousness? You poor, purblind, affected, silly, weak, useless creature, I hate you, I hate you. Go, now, see what you can do to render happy these two better lives that you have done your best to ruin for ever.’

  If any other man had used such words of Lothrop Audouin, he would have shown himself a bitter, foolish, short-sighted cynic. But as Lothrop Audouin said it himself, of course he had a full right to his own opinion.

  Yet some men, not wholly bad men either, might have rejoiced at the thought that they would thus get rid of a successful rival. They would have said to themselves, ‘When Hiram is gone, Gwen will soon forget him, and then I may have a chance at least of finally winning her favour.’ In this belief, they would have urged Hiram, in a halfhearted way only, not to return to America; and if afterwards he persisted in his foolish intention, they might have said to themselves, ‘I did my best to keep him, and now I wash my hands forever of it.’ All’s fair, says the proverb, in love and war; and many men still seem to think so. But Audouin was made of different mould; and having once frankly wooed and lost Gwen, he had no single shadow of a thought now left in his chivalrous mind save how to redress this great wrong he conceived he had done them, and how to make Gwen and Hiram finally happy.

  He sat there long, musing and wondering, beating out a plan of action for himself in his own brain, till at last he saw some gleam of hope clear before him. Then he rose, took down his hat quickly from the peg, and hurried round to Colin Churchill’s studio. He found Colin working away busily at the moist clay of Agamemnon and Clytemnestra.