by Grant Allen
Will gave a slight sigh of relief. The Princess Berylla would do at a pinch. If she must sing at all, it was well at least she should sing in so minor a character. Though, to be sure, he had his misgivings how his water-fairies’ song would sound on the stage when delivered with her clumsy Teutonic pronunciation:
“They loved to dwell
In a pearly shell
And to deck their cell
With amber;
Or amid the caves
That the riplet laves
And the beryl paves
To clamber.
By the limpets’ home
And the vaulted dome
Where the star-fish roam
They’d linger;
In the mackerel’s jaw,
Or the lobster’s claw,
They’d push and withdraw
A finger.”
He trembled to think what sort of strange hash those thick lips of hers would make of his lilting versification.
However, for the moment, and for Linnet’s sake, he said nothing against it. A little later in the afternoon, he had five minutes with the prima donna alone in one of the passages. “Look here, Linnet,” he said hurriedly with a beseeching glance, “must we have Philippina?”
“There’s no must at all in the matter, except the musts you make,” Linnet answered, trembling. “If you say she must go, Mr Wells will cut her out, I suppose, to please you. Only — —” and she hesitated.
“Only what?” Will cried, inquiringly.
“Only . . . I’m afraid Andreas wouldn’t like it.”
Her face flushed again. Will looked down at her and paused. A great many thoughts ran through his head in a second. Linnet scanned the floor, embarrassed. After awhile, Will spoke again in a very low tone. “I’d let anybody sing, Linnet,” he said, “with a voice like a frog’s, rather than allow — well, any trouble to crop up between myself and your husband.”
“Thank you,” Linnet answered simply. But she lifted her eyes and gave him one grateful look that was more than full recompense.
“How did Philippina learn English?” Will asked once more, hardly daring to press the subject.
“Oh, Andreas has always taken — well — a very great interest in her, you know,” Linnet answered, with a faintly evasive air. “She went with us to Italy. He kept her on when he paid off the rest of his troupe at Meran; and he got her trained under agreement, and put her into a minor part when I sang at San Carlo. When we came to England first, she went for awhile to Paris; but he’s always been getting her English lessons everywhere. He has a claim on her, he says, for money advanced to train her for the stage. . . . She’s a very good-natured girl, and she’s always been kind to me.”
“I see,” Will answered, with a suddenly sobered air. “Very well, then, Linnet,” and he drew a deep sigh — though not for himself; “she shall sing the part of Princess Berylla.”
“Thank you,” Linnet said simply, with a sigh, once more.
But till then, he had never thought Linnet had that to put up with.
CHAPTER XXXV
GOLDEN HOPES
Mr Franz Lindner, alias Signor Francesco of the London Pavilion, laid down his morning paper at his lodgings in Soho, with unmistakable outward and visible signs of a very bad humour. Montepulciano and Lacrima-Christi, as Florian put it, had evidently disagreed with him. But that was not all. The subject which roused his undisguised discontent was the marked success of the woman he once loved — the woman he loved now even more than ever.
For this was what Franz had read, amid much else of the same cheap laudatory strain, in the theatrical column of the Daily Telephone.
“The first performance of Mr W. Deverill’s new English opera, Cophetua’s Adventure, at the Harmony last night marks an epoch in the renascence of the poetical drama in England. Never has the little house on the Embankment been so crowded before; never has an audience received a new play with more unanimous marks of profound enthusiasm. Both as a work of literature and as a musical composition, this charming piece recalls to mind the best days of the great Italian outburst of song at the beginning of the century.” Franz snorted internally as he ran his eye in haste over the learned digression on the various characteristics of the various operas which Cophetua’s Adventure suggested to the accomplished critic who works the drama for that leading newspaper. Then, skipping the gag, he read on once more with deeper interest, “It would be hard to decide whether the chief honours of the night belonged more unmistakably to Mr Deverill himself or to his charming exponent, Signora Casalmonte. The words of the songs, indeed, possessed to a rare degree high literary merit; the music, as might be expected from so accomplished a composer, was light and airy, yet with the genuine ring of artistic inspiration; but the ever-delightful soprano rendered her part so admirably that ’twas difficult to disentangle Mr Deverill’s tunes from the delicious individualisation conferred upon them by Signora Casalmonte’s voice and acting. The prima donna’s first appearance on the stage as the Beggar Maid, lightly clad in a graceful though ostentatiously simple costume, was the signal for a burst of irrepressible applause from stalls, boxes, and gallery. In the second act, as Cophetua’s Queen, the popular diva looked, if possible, even more enchantingly beautiful; while the exquisite naïveté with which she sang the dainty aria, ‘Now all ye maidens, matrons, wives, and widows,’ brought down the house in one prolonged outburst of unmixed appreciation. Our operatic stage has seldom boasted a lady so perfectly natural, in manner, gesture, and action, or one who allowed her great native gifts to degenerate so little into affectations or prettinesses.”
Franz flung down the paper and sighed. He admitted it; he regretted it. What a fool he had been not to marry that girl, offhand, when he once had the chance, instead of dawdling and hanging about till Hausberger carried the prize off under his nose to St Valentin. It was disgusting, it was silly of him! And now it began to strike him very forcibly indeed that his chance, once gone, was gone for ever. A full year and more had passed since Linnet and her husband first came to London. During that year it had dawned slowly upon Franz’s mind that Linnet had risen into a higher sphere, and could never by any possibility be his in future. He was dimly conscious by this time that he himself was a music-hall gentleman by nature and position, while Linnet was born to be a special star of the higher opera. Never could he recover the ground thus lost; the woman he loved once, and now loved again distractedly, had climbed to a higher plane, and was lost to his horizon.
What annoyed Franz more than anything, however, was his feeling of chagrin that he had let himself be cajoled, on the night of Linnet’s first appearance in London, into abandoning his designs against her husband’s person. He knew now he had done wrong; he ought to have stabbed Andreas Hausberger, then and there, as he intended. In a moment of culpable weakness, he had allowed himself to be beguiled from his fixed purpose by the blandishments of Linnet and the rich American widow. That would indeed have been the dramatic time to strike; he had let the psychological moment go by unheeded, and it would never return, or, at least, it would never return in so effectual a fashion. To have struck him then and there, on their very first meeting after Linnet’s marriage, and on the night when Linnet made her earliest bow before an English audience — that would have been splendid, that would have been beautiful, that would have been romantic: all London would have rung with it. But now, during those past months, he had met Andreas twice or thrice, on neutral ground, as it were, and the relations between them, though distant and distinctly strained, had been nominally friendly. The Robbler felt he had committed a fatal error in accepting Mr Will’s invitation to supper on that critical evening. It had compelled him to treat Andreas as an acquaintance once more; to turn round upon him now, and stab him in pure pique, would be feeble and self-stultifying. Franz wished he had had strength of mind to resist the women’s wiles that first night at the Harmony, and to draw his rival’s blood before their very eyes, as
his own better judgment had told him he ought to do.
He had seen Linnet, too, and there came the unkindest cut of all; for he recognised at once that the girl he had described to Will Deverill as beneath his exalted notice since he rose to the front ranks of the profession at the London Pavilion, was now so much above him that she scarcely thought of him at all, and evidently regarded him only in the light of the man who had threatened her husband’s life when they came to England.
Yes; Linnet thought nothing of him now; how could you expect it to be otherwise? She had money and rank and position at her feet; was it likely, being a woman, she would care greatly, when things were thus, for a music-hall singer who earned as much in six months as she herself could earn in one easy fortnight? And yet . . . Franz rose, and gazed abstractedly at his own face in the glass over the mantelpiece. No fault to find there! Many women did worse. He was excellently pleased with his black moustache, his flashing dark eyes, his well-turned figure; he even thought not ill of his blazing blue necktie. And Andreas was fifty if he was a day, Franz felt sure; old Andreas with his solid cut, his square-set shoulders, his steely-grey eyes, his heavy, unimpassioned, inexpressive countenance! Ach, if only he himself had the money to cut a dash — the mere wretched rhino — the miserable oof — for Franz had lived long enough in England now to have picked up a choice collection of best British slang — he might stand a chance still against that creature Andreas!
It was one o’clock by this time, though Franz had only just risen from his morning coffee. What would you have? A professional man must needs sing till late at night, and take his social pleasures at his café afterwards. So Franz was seldom in bed till two or three in the morning, recouping himself next day by sleeping on till mid-day. ’Twas the hour of the promenade. He went into his bedroom, doffed his flannel smoking-coat, and arrayed himself in the cheaply-fashionable broadcloth suit in which it was his wont to give the daily treat of seeing him to the girls in Bond Street. Then he lighted a bad cigar, and strolled out towards Piccadilly. At the Circus, he met a friend, an English betting man, who was a constant patron of the London Pavilion.
“Hello, Fred!” he cried, with a start, “how spruce you look to-day! Ze favourite must have lost. You have ze appearance of ze man who is flush of money. And yet, ze winter, is it not your off season?”
The bookmaker smiled a most self-contented smile. He certainly had the air of being in the very best of spirits. He was one of those over-fed, full-faced, knowing-eyed creatures who lurk round racecourses with a flower in their buttonholes, smoke the finest cigars, drink Heidsieck’s Dry Monopole, and drop their H’s over the grand stand with surprising unanimity. But his aspect just then was even more prosperous than usual. He seized Signor Francesco’s arm with good-humoured effusiveness. “Flush!” he cried, with a bounce. “Well, my boy, I should rather think so. Wy, I ain’t on the turf any longer, that’s jest w’ere it is. I’ve retired from business. Jest you look ’ere, Frenchy; that’s gold, that is; I’ve been over in your country for six weeks, I ‘ave; and danged if I ain’t come back with my pockets ‘arf bust with furrineerin’ money!”
“To my country! To Tyrol?” Franz put in, greatly astonished. “Zer ain’t moch money going zere, I fancy. We’re as poor as ze church mice. But, perhaps,” he added, with an afterthought, “you mean Vienna.”
“Vienna be ‘anged!” the bookmaker responded, with a hearty slap on the Frenchy’s back. To him, as to all his kind, the Continent was the Continent, one and indivisible. He made and encouraged no petty distinctions between France and Austria. “Vienna be ‘anged. It’s Monty Carlo I’ve been to. By George, sir, that’s the place to rake the looees in! You puts down your cash on red or black or numbers, or ong cheval they calls it; wh’rr, wh’rr, goes the roolett — pop, out jumps the pea — ’Rooge gang!’ sez the croopyer; — and you hauls in your money! I tell you, Frenchy, that’s the place to make your pile in! Wy, I haven’t been there more ‘n jest six weeks — an’ I come back last night with a cool twenty thou’ in my britches pocket!”
“Twenty sousand francs?” Franz cried, fairly dazzled.
His companion’s eyes gazed unutterable contempt “Twenty thousand francs! Francs be blowed!” he answered, briskly. “None o’ your furrineerin’ reckonin’s for me, if you please, young man! I’m a true-born Briton, and I count in pounds sterlin’. No, no; twenty thousand pounds in good French bank-notes — a cool twenty thousand in my britches pocket. I’ve carried ’em home myself, all the way from Monty Carlo, for fear of bein’ robbed — there’s a lot o’ shady people down there on the Literal — and I’m going down now to my banker’s in the Strand, with the twenty thousand pound, to pay ’em in and invest ’em!”
“And you earned all zat lot in six weeks!” Franz cried, his mouth watering.
“Well, I didn’t exactly earn it, old chap,” the bookmaker replied, with a knowing wink; “though I’ve got a System. I just let it flow in, without doing anything pertickler myself to ‘elp it, excep’ it might be to rake in the rhino. But I mean to retire now, and do the toff in future, just runnin’ down there again every two or three years, when I feel the shoe pinch, to replenish the exchequer.”
“How much did you start wis?” Franz inquired, eagerly; for a Plan was rising up in indefinite outline before his mind’s eye as they stood there.
“Oh, I took across five ‘underd,” the bookmaker replied, with easy confidence, as though five hundred pounds were to him the merest flea-bite. “I wouldn’t advise anybody to try and work his luck on less than that. You want the capital, that’s where it is; the fly ‘uns know that; outsiders go smash through not startin’ with the capital.”
He took Franz’s arm in his own. Luck makes men generous. They lunched together at Simpson’s, at the winner’s expense, after he had deposited his gains at the bank in the Strand. The lobster salad was good; the asparagus was fine; the iced champagne made glad the heart of the bookmaker. Expanding by degrees, he waxed warm in praise of his infallible System. It was fallacious, of course — all such Systems are; but its inventor, at any rate, implicitly believed in it. Little by little, with the aid of a pencil and paper, and a diagram of a roulette table, he explained to his eager listener the nature of his plan for securing a fortune offhand at Monte Carlo. Franz drank it in open-mouthed. This was really interesting! How could any man be such a fool as to sing for a miserable pittance six nights a week in smoky, grimy London, when a turn of fortune’s wheel could bring him a hundred pounds every time the table spun in cloudless Monte Carlo? It was clear as mud how to win; the bookmaker was right; no fellow could fail to pull off five strokes out of nine with this infallible martingale! Visions of untold wealth floated vague before his eyes. He saw his way to be rich beyond the dreams of avarice.
But it wasn’t avarice alone that inflamed Franz Lindner’s desire; it was love, it was revenge, it was wounded vanity. At once the idea rose up clear in his mind that if he could go to Monte Carlo and win a fortune, as the bookmaker had done, he might come home and lay it all at Linnet’s feet, with a very good chance of final acceptance. His experience at the London Pavilion had led him to believe that women in general, and theatrical stars in particular, had all their price, and might all be bought, if you only bid high enough. He didn’t doubt that Linnet was like the rest of her kind in this matter. She didn’t love Andreas; she couldn’t love Andreas. If a good-looking man, with a very fine figure and a very black moustache, laid the untold gold of Monte Carlo at her feet, could Linnet resist? Would she care to resist him? Franz opined she would not. He didn’t think it likely. There was only one thing needed to break the slender tie that bound her to Andreas. That one thing he would get — money, money, money!
So, from that day forth, Franz Lindner’s life was changed. He began to work on quite a new basis. Hitherto, like most others of his trade and class, he had spent all he earned as fast as he got it. Now, he began to sa
ve and lay by for love, with the thrift of his countrymen. One great object in life swam clear before his eyes; he must manage to scrape together five hundred pounds, and take it to Monte Carlo, where he could make it by a stroke or two of that wonder-working roulette-table into twenty thousand. And, with twenty thousand pounds, he didn’t for a moment doubt he’d be able to pay his suit once more to Linnet.
CHAPTER XXXVI
AN ECCLESIASTICAL QUESTION
While Cophetua’s Adventure was running at the Harmony, Will necessarily saw a good deal of Linnet. Signora Casalmonte was now the talk of the town. Her name cropped up everywhere. Many men paid her most assiduous court. She was greatly in request for meets of the Four-in-hand Club, for Sundays at the Lyric, for picnics at Virginia Water, for little dinners at Richmond. To all of them Linnet went in her innocent way — that deeper-seated innocence that sees and knows much evil, yet passes unscathed through it; for the innocence that springs from mere ignorance alone is hardly worth counting. Andreas accompanied her everywhere with marital solicitude; the foolish were wont to say he was a jealous fellow; wiser heads saw well he was only making sure that the throat which uttered such valuable notes should take no hurt from night air or injudicious ices. It was the singer, not the woman, Andreas guarded so close — the singer herself, and the money she brought him.
For Will Deverill, however, as a special old friend, Andreas always made very great concessions. He knew it did Linnet good to see much of her Englishman; and what did Linnet good gave resonance to her voice, and increased by so much her nett money value. So Will was allowed every chance of meeting her. When the weather permitted it, the Hausbergers often went down by the first train on Sunday morning to Leith Hill, or Hind Head, or Surrey commons; and Florian, and Rue, and Will Deverill, and Philippina, were frequently of the company. On such occasions, Will noticed, he was often sent on, as if of set design, to walk in front with Linnet, while Florian paired in the middle distance with Rue, and Andreas Hausberger himself, being the heaviest of the six, brought up the rear with that strapping Philippina. More than once, indeed, it struck Will as odd how much the last couple lagged behind, and talked earnestly. He remembered that look Linnet had given him at the theatre while Cophetua was being arranged for. But, there, Philippina was always a flirt; and Andreas and she had been very old friends in the Tyrol together!
