by Grant Allen
But you must live in the uplands to enjoy these episodes. Nature won’t bring them home to you in the populous valleys. A modest maid, she is chary of her charms; you must woo her to see them. She seldom comes half-way to meet you. But if you dwell by choice for her sake in her chosen haunts, your devotion touches her: she will show you life enough — rare life little dreamt of by those who tramp the dead flags of cities, where no beast moves save the draggled cab-horse. For you, the curlew will stalk the boggy hollows; for you, the banded badger will creep stealthily from his earth and disport himself at dusk among his frolicsome cublets; for you, the dappled adder will sun his zigzag spots, and dart his tremulous tongue, all shivering and quivering; for you, the turbulent quail will darken the ground in spring, or spread cloud-like over the sky on cloudless summer evenings.
And what poetry, too, in their sudden entrance on the scene, dropped down from heaven, one would think, as on Israel in the wilderness! Small wonder the marvel-loving Hebrew annalist took those multitudinous birds for the subject of a miracle. But yesterday, perhaps, they were fattening their plump crops among the vine-shoots of Capri, the lush young vine-shoots with their pellucid pink tendrils; and to-day, here they are among the dry English heather, as quick and eager of eye as by Neapolitan fig-orchards. Swift of flight and patient of wing, they will surmount the Apennines and overtop the Alps in a single night; leave Milan in its plain and Lucerne by its lake when the afterglow lights up the snow on the Jungfrau; speed unseen in the twilight over Burgundy or the Rhineland; cross the English Channel in the first grey dawn; and sup off fat slugs before twelve hours are past, when the shadows grow deep in the lanes of Surrey. Watt and Stephenson have enabled us poor crawling men to do with pain and discomfort, at great expense, in the chamber of torture described with grim humour as a train de luxe, what these merry brown birds, the least of the partridge tribe, can effect on their own stout wings in rather less time, without turning a feather. If you watch them at the end of their short European tour from Rome to England at a burst, you will find them as playful and as bickering at its close as if they had just gone out for an evening constitutional.
Quails are the younger brothers of the partridge group; but, unlike most of their kind, they are gregarious and migratory. They spend their winters in the south, as is the wont of fashionable invalids, and come northward with the spring, in quest of cooler quarters. Myriads of them cross the Mediterranean from Africa with the early sciroccos, and descend upon Calabria and the Bay of Naples in those miraculous flights which Browning has immortalized in “The Englishman in Italy.” Quail-netting is then a common industry of the country about Sorrento and Amalfi; thousands of the pretty little gray-and-buff birds are sent to market daily, with their necks wrung, and their beautiful banded heads, “specked with white over brown like a great spider’s back,” all dead and draggled. Many of the flocks stop on during the season among the vineyards in Italy; but other and more adventurous hordes, tired of southern slugs and fat southern beetles, wing their way still further north, to Germany, Scandinavia, England, and Scotland. At one time they were far from uncommon visitors in our southern counties; but brick and mortar have disgusted them, and their calls are nowadays liker to angels’ visits than in the eighteenth century. Yet a few still loiter through the winter in Devonshire or Kerry; while in summer they still reach to the Orkneys, Shetland, and the Outer Hebrides.
Beautiful as quails are, both to look upon and to eat, they are not personally amiable or admirable creatures. Their character is full of those piquant antitheses which seventeenth-century satire delighted to discover in the human subject. They are gregarious, but unsociable; fond of company, yet notoriously pugnacious; abandoned polygamists, with frequent lapses into the strictest monogamy; fighters destitute of the sense of honour; faithless spouses, but devoted, affectionate, and careful mothers. I fancy, too, they must have a wonderful instinct in the matter of commissariat, increased, no doubt, by ages of strategical evolution: for it can be by no means easy to find supplies for so large an army on the march; yet quails seem always so to time their arrival at each temporary stopping-place as exactly to fall in with some glut in the insect-market. Only a few days before they came here, for example, not a beetle was to be seen upon the parched-up heath; but day before yesterday it rained insects, so to speak; and last night one could hardly take a step down the Long Valley without crushing small beetles underfoot, against one’s will, by the dozen. The quails must somehow have got wind of the fact that there was corn in Egypt, be it by scent, or scouts, or some mysterious instinct; and here they are to-night, swarming up in their thousands, to enter into possession of their ancestral heritage. You should see them wage war on the helpless longicorn! I hope they will nest here, as it is amusing to watch them. Each little Turk of a husband keeps a perfect harem of demure brown hens, looking slily askance from the corners of their eyes, and watches over them close by with all the jealousy of a Mahmoud or a Sultan Soleyman. The rival who tries to poach on his lordship’s preserves has, indeed, a hard time of it; he will retire, well pecked, from his rash encounter. Quails, in fact, are still in the Mohammedan stage of social evolution, while our more advanced and enlightened English partridges have attained already to a civilized and Western domestic economy.
VIII. IN LEAFLESS WOODS.
Yes: these bare boughs, I take it, are not all pure loss. They have their consolations; they have their artistic and intellectual value. They show us, after all, the true inwardness of the tree; they enable us to realize, as none could otherwise do, the infinite diversity of architecture and ground-plan in the design and execution of the forest denizens. While dense masses of foliage clothe and obscure the boughs with their gay greenery we can gain but a rough idea of the underlying structure. But just as a Leonardo or a Luca Signorelli must needs pry beneath skin and muscle to discover the actual framework and bony supports of the body, so the lover of the trees desires from time to time to catch some glimpse of the very limbs and joints of oak or maple — to get rid of the green covering in favour of the naked underlying reality. So only can one enjoy the delicate lissom twigs of the silver birch, etched in tender grey against the hard blue sky; so only can one observe the forked upright branches of the Lombardy poplar, like natural candelabra, in striking contrast with the long hanging boughs of the weeping-willow, divided and subdivided into pendulous twigs, and losing themselves at last in fine spray of living threads, like a wind-driven cataract. Every kind of forest-dweller has thus its own special beauty of architectural plan; and every one of them can be realized in all its naked grace and variety of outline only when relieved of the glorious green weight that so richly concealed it.
And bare boughs are instructive, too, as well as beautiful. They suggest to one the endless vicissitudes and cataclysms in the history of growth; they show us how the knotted trunk acquires its final form, and by what course of evolution branch added to branch builds up at last the whole noble shape of the buttressed beech or the spreading horse-chestnut. Take, for example, our dear old friend the ash. In summer you can hardly discern through a canopy of green the outline of his bent boughs, curved downwards by their own weight of heavy feathery foliage, each leaf a little branch with numerous spreading leaflets. But when autumn comes, and the heavy leaves drop off one by one, you get revealed at once the peculiar beauty of his mode of growth — that delicious combination of angular and curved form which makes the ash the acknowledged king of the winter woodland. All the branches dip gracefully in a long arch towards the end, and then rise again with an abrupt curve; this hooked type of terminal bough being so distinctive and so well marked an ashy feature that you can tell an ash by it afar off in its wintry nakedness as you whirl by in a train at a mile’s distance, especially if it happens to be silhouetted against the sky on a bare ridge or hilltop. The growth of the oak, on the other hand, so gnarled and irregular, is quite equally characteristic; while the disposition of the buds soon reveals the fact that this very irregularity it
self owes its origin in the last resort to a survival of the fittest among many abortive branches. For the oak tries, as it were, to grow symmetrically like a conifer; but frost and wind play such havoc with its delicate young shoots that it never succeeds in realizing its ideal, but grows habitually distorted against its will by external agencies.
Nor does our winter leave us wholly leafless. Even in England we have a fair sprinkling of native-born evergreens. And I really don’t know that I would wish them more frequent; for nothing can be more monotonous, more sickly sweet, than the unvarying green of tropical forests; while the grateful contrast of drooping birch twigs or big-budded bare oak branches with the dark and sombre verdure of our northern Scotch firs, is in itself one of the chief charms of English winter. During the Tertiary period, indeed, our English woods were full of large-leaved evergreens of the southern types — camphors and cinnamons, and rhododendrons and liquidambars; but with the coming on of the Great Ice Age those lush southern forms were driven southward for ever, leaving us only the Scotch fir, the yew, and the juniper, with a few broader-leaved kinds of shiny evergreen, of which holly, ivy, and box are the most familiar examples. These, with the exotic laurels and aucubas, the daphnes and the laurustinuses, are quite enough to diversify pleasantly our northern scenery. Then our recent acquisitions of exotic conifers, like the Douglas pines, the sequoias, and the beautiful glaucous firs, “the greenest of things blue, the bluest of things green,” which now abound in plantations, have done much to redeem the surviving reproach of the glacial epoch.
Not that any of these plants are really evergreen in the stricter sense that most people imagine. All our foliage alike is, strictly speaking, annual, and all alike deciduous; but while oaks and beeches shed their dead leaves in our climate in autumn, pines, firs, and hollies retain theirs on the tree till the succeeding spring, and then let them drop quietly off, unperceived amid the pale glory of the fresh green foliage. The larch is a well-known example of a conifer which behaves in this respect like the oak or the birch; while its ally, the spruce-fir, keeps on the dead or dying leaves through the winter months, and then shuffles them off unobtrusively as the new foliage develops. The evergreens get the advantage of utilizing any stray scrap of winter sunshine; but then they have to protect their living green material with a thick coat of glazed outer cells; the deciduous trees, on the other hand, withdraw all the living protoplasm in autumn into the live layer of the bark, drop the dead skeletons of the leaves on the ground, and utilize the protoplasm afresh for the formation of young leaves when spring comes round once more in due season. Nothing is lost; everything is economized, hoarded, and finally used up again.
IX. A BUTTERFLY EPISODE.
He was an airy, fairy orange-tip. He had just emerged from the chrysalis, and stood poised for a moment, like a hesitating Psyche, on the flat-topped blossoming branches of a big white cow-parsnip. For the most part, he sat there, irresolute, plimming his untried wings, and half opening them tentatively from time to time, as if wondering to himself how the dickens they got there. And well might he wonder; for remember, he was bred a common green caterpillar. Never till this moment did it dawn across his mind that such a motion as flight could exist in the universe. So there he sat still, uncertain what strange change had come over him unawares. Six well-formed legs, in place of the creeping suckers on which he crawled in his youth; and what could these thin vans mean — these light and airy vans, that moved so dubiously on his soft woolly shoulders?
While his wings remained erect and closed, the under surface alone showed; and that was chequered green and white, like the flowers he sat upon. Indeed, so exactly did groundwork and insect harmonize with one another in hue and markings, that even a quick eye might easily have passed my orange-tip by unnoticed, were it not for the quivering movement of those uncertain wings, whose opening and shutting betrayed him, as I passed, to my scrutinizing survey. And this in itself was odd. For “How did he know,” thought I— “he who till lately was but a small green grub, feeding on the lush leaves and stems of cresses — that he ought now to make straight, on his emergence from the chrysalis, for this white-flowered cow-parsnip; which, indeed, is the favourite perching-place of all his race, and which effectually conceals him from the prying eyes of birds that fain would prey upon him, yet of whose very existence he, a crawling caterpillar, was till this moment ignorant? Surely that shows in his small brain some curious pre-existent picture, as it were, of this unknown cow-parsnip — a picture which enabled him to recognize it offhand when seen, and to steer for it at once with unerring instinct.”
As I watched, the timid creature, feeling his wings at last, made up his tiny mind to spread those untried vans, and venture into the unknown on the undreamt-of pinions. So he opened them wide, and displayed himself in his glory as a full-fledged orange-tip. His colours were still quite fresh, his feathery scales unspoiled by rain, or wind, or enemies. I gazed at him in delight, with sympathetic joy for his pure joy of living, as he unfolded those white wings, with their brilliant orange badge and their fringe of dark purple. For a second or two he darted off in the brilliant sunshine, rejoicing; he seemed to learn, as he went, to recall of a sudden some dim but recurring ancestral memory. All at once, as he fluttered somewhat doubtfully in mid-air, he caught sight from afar of a female brimstone. “Will he chase her?” I thought to myself; though, indeed, I knew well, had I chosen to recollect it, that inherited instinct is far too strong in these little creatures to admit for a moment such egregious errors. Our great Bashaw just glanced at her with unobservant eye; no gleam of recognition lighted up the tiny face. He passed on without one word; not a curve of the feeble flight; not a divergent pirouette of the orange-tipped pinions. Then a Clouded Yellow floated past, pursued by two rivals of her own swift-winged race. They are the fleetest of our butterflies. My orange-tip just glanced at them as who should say, “Strange that insects of taste should put up with such colouring. Why, she’s almost pure white. I wouldn’t look twice at her.” The words had scarcely thrilled through his fatuous little brain when up loomed from windward a small yellowish butterfly, not wholly unlike himself: green and white underneath, fringed with black above, but without the orange spot which made my lord so attractive. In a second I recognized her: it was a female orange-tip — a virgin female. But, quicker far than myself, her natural master had seen her and known her instinctively as the mate predestined for him. Hi, presto! as I looked, all the world was one maze; the pretty things were at once in the thick of their courtship.
And what a courtship that was! How dainty! how ethereal! He, rising on the breeze and displaying with pride his beautiful orange tips; she, coquetting and curvetting, dancing coyly through the air, now pretending to fly away, now affecting disdain, now returning to his side, now darting off on light wings just as he thought he had captivated that capricious small heart of hers. So they continued for ten minutes their dainty aërial minuet; and when last I caught sight of them they were still circling undecided above the sprays of wild rose in the hedgerow by the valley.
A familiar country sight. And yet, great heavens, what a miracle! For bethink you that that orange-tip was born and bred a small green-and-white caterpillar. He did not know, as you and I do, that his father and mother were orange-tip butterflies. He never saw or knew them. They were dead and gone before he emerged from the egg; and when he came out into the world, he met none of his own kind, save, it may be, some other small green-and-white caterpillars. His sole business in life was to gorge himself with cresses. At last, one fine day, when he had eaten his soul’s fill, some inner impulse seized him. He began to transform himself, half unconsciously to his own mind, into a boat-shaped chrysalis. There he lay as in a mummy-case, melting slowly away into organic pulp, and growing again by degrees into a full-formed butterfly. All his organs changed; strange legs and wings budded out on him incontinently. Yet even when he emerged once more from the mummy-case, he had no intuitive knowledge of himself as a male orange-tip. Still less
had he any distinct conception of the female of his species. But, as he floated about on his untried wings, he took no notice at all of any other butterflies, till the moment a mate of his own appeared upon the scene, and then he instantly and unerringly recognized her. The sole explanation of this marvel, it seems to me, lies in the fact that his nervous system has in it by inheritance a form or mould — if I may be allowed so material a metaphor — into which the image of his own kind and of his own mate falls and fits exactly. The moment that mould is completely filled and satisfied, the creature that fills it he loves as instinctively as Miranda loved Ferdinand, the first human being she had ever beheld save her father, Prospero.
And what is thus true of the butterfly is true, I believe, mutatis mutandis, of all of us. On the human brain there is impressed by anticipation a blank form or model of the human face and the human figure. Our central type of human beauty is thus found for us by nature and ancestral experience: the nearer a man and a woman approach to that central type, the more beautiful, on the average, other things equal, do normal judges consider them. I do not doubt, of course, that many other and more general elements come in to complete the developed concept. White teeth, rosy cheeks, bright eyes, delicate curves, have of themselves a certain intrinsic and universal æsthetic value as colour and lustre, as shape and softness. But dainty pink is not so beautiful on the nose as on the cheeks or lips; nor are curves as desirable in the lines of the spine as in the external contour. Indeed, even expression itself has its stereotyped value; for a baby in arms will smile responsive to a smile from its nurse, and will cry at a frown, independently of experience.
