Fishing the Sloe-Black River

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Fishing the Sloe-Black River Page 15

by Colum McCann


  Cathal picks the bacon out of the sizzling grease with his fingers and cracks two eggs. He pours himself a cup of tea, coughs, and leaves another gob of phlegm in the sink. The weather has been ferocious this Christmas. Winds that sheer through a body, like a scythe through a scarecrow, have left him with a terrible cold. Not even the Bushmills that he drank last night could put a dent in his chest. What a terrible thought that. He rubs his chest. Bushmills and bullets.

  Perhaps, he thinks, a picture of the soldier’s girlfriend hangs on the wall above the bunk bed in the barracks. Dogeared and a little yellow. Her hair all teased and a sultry smile on her face. Enough to make the soldier melt at the knees. Him having to call her, heartbroken, saying: “I didn’t mean it, luv. We were just trying to scatter the crowd.” Or maybe not. Maybe him with a face like a rat, eyes dark as bogholes, sitting in a pub, glorious in his black boots, being slapped and praised, him raising his glass for a toast, to say: “Did ya see that, lads? What a fucking shot, eh? Newcastle United 1, Liverpool 0.”

  All this miraculous hatred. Christ, a man can’t eat his breakfast for filling his belly full of it. Cathal dips a small piece of bread into the runny yolk of an egg and wipes his chin. In the courtyard some chickens quarrel over scraps of feed. A raven lands on a fence post down by the red barn. Beyond that a dozen cows huddle in the corner of a field, under a tree, sheltering from the rain, which is coming down in steady sheets now. Abandoned in the middle of the field is Cathal’s tractor. It gave up the ghost yesterday while he was taking a couple of sacks of oats, grass clippings and cracked corn out to the swans.

  Shoveling the last of his breakfast into his mouth, Cathal watches the swans glide lazily across the water, close and tight. Sweet Jesus, but there’s not a lot of room left out there these days.

  * * *

  He leaves the breakfast dishes in the sink, unlatches the front door, sits on a wooden stool under the porch roof, and pulls on his green Wellingtons, wheezing. Occasional drops of rain are blown in under the porch and he tightens the drawstrings on his anorak hood. Wingnut, a three-legged collie who lost her front limb when the tractor ran over it, comes up and nestles her head in the crook of Cathal’s knee. From his anorak pocket he pulls out a box of cigarettes, cups his hands, and lights up. Time to give these damn things up, he thinks, as he walks across the courtyard, the cigarette crisping and flaring. Wingnut chases the chickens in circles around some puddles, loping around on her three legs.

  “Wingnut!”

  The dog tucks her head and follows Cathal down toward the red barn. Hay is piled up high in small bales and bags of feed clutter the shelves. Tractor parts are heaped in the corner. A chaotic mess of tools slouches against the wall. Cathal puts his toe under the handle of a pitchfork and, with a flick of the foot, sends it sailing across the barn. Then he lifts a tamping bar, leans it in the corner, and grabs his favorite blue-handled shovel.

  Christ, the things a man could be doing now if he wasn’t cursed to dig. Could be fixing the distributor cap on the tractor. Or binding up the northern fence. Putting some paraffin down that foxhole to make sure that little red-tailed bastard doesn’t come hunting chickens any more. Or down there in the southernmost field, making sure the cattle have enough cubes to last them through the cold. Or simply just sitting by the fire having a smoke and watching television, like any decent man fifty-six years old would want to do.

  All these years of digging. A man could reach his brother in Australia, or his sister in America, or even his parents in heaven or hell if he put all that digging together into one single hole.

  “Isn’t that right, Wingnut?” Cathal reaches down and takes Wingnut’s front leg and walks her out of the barn, laughing as the collie barks, the shovel tucked under his shoulder.

  He moves back through the courtyard again, the dog at his heels. As he walks he whisks the blade of the shovel into the puddles and hums a tune. Wonder if they’re singing right now, over the poor boy’s body? The burns lightened by cosmetics perhaps, the autumn-colored hair combed back, the eyelids fixed in a way of peace, the mouth bitter and mysterious, the tattooed hand discreetly covered. A priest bickering because he doesn’t want a flag draped on the coffin. A sly undertaker saying that the boy deserves the very best. Silk and golden braids. Teenage friends writing poems for him in symbolic candlelight. The wilting marigolds jettisoned for roses—fabulous roses with perfect petals. Kitchen rags used, this time to wipe whiskey from the counter. Butt ends choking up the ashtray. Milk bottles very popular among the ladies for cups of tea.

  He reaches the lane, the wind sending stinging raindrops into the side of his face. Cathal can feel the cold seep into his bones as he negotiates the ruts and potholes, using the shovel as a walking stick. In the distance the swans drift on, oblivious to the weather. The strangest thing about it all is that they never seem to quarrel. Yet, then again, they never sing either. Even when they leave, the whole flock, every New Year’s Eve, he never hears that swansong. On a television program one night a scientist said that the swan’s song was a mythological invention, maybe it had happened once or twice, when a bird was shot in the air, and the escaping breath from the windpipe sounded to some poor foolish poet like a song. But, if it is true, if there is really such a thing as a swansong, wouldn’t it be lovely to hear? Cathal whistles through his teeth, then smiles. That way, at least, there’d be no more damn digging and a man could rest.

  He unlatches the gate hinge and sidesteps the ooze of mud behind the cattle guard, and tramps on into the field. Water squelches up around his Wellingtons with each step. The birds on the water have not seen him yet. A couple of them follow one another in a line through the water, churning ripples. A large cob, four feet tall, twines his neck with a female, their bills of bright yellow smudged with touches of black. Slowly they reach around and preen each other’s feathers. Cathal smiles. There goes Anna Pavlova, his nickname for his favorite swan, a cygnet that, in the early days of the year before the lake became so choc-a-bloc, would dance across the water, sending flumes of spray in the air. Others gather together in the reeds. A group of nine huddle near the bank, their necks stretched out toward the sky.

  Bedamned if there’s a whole lot of room for another one—especially a boy who’s likely to be a bit feisty. Cathal shakes his head and flings the shovel forward to the edge of the lake. It lands blade first and then slides in the mud, almost going into the water. The birds look up and cackle. Some of them start to flap their wings. Wingnut barks.

  “Shut up, all of ya,” he shouts. “Give a man a break. A bit of peace and quiet.”

  He retrieves the shovel and wipes the blade on the thigh pocket of his overalls, lights another cigarette, and holds it between his yellowing teeth. Most of the swans settle down, glancing at him. But the older ones who have been there since January turn away and let themselves drift. Wingnut settles on the ground, her head on her front paw. Cathal drives the shovel down hard into the wet soil at the edge of the lake, hoping that he has struck the right spot.

  All of them generally shaped, sized, and white-feathered the same. The girl from the blown-up bar looking like a twin of the soldier found slumped in the front seat of a Saracen, a hole in his head the size of a fist, the size of a heart. And him the twin of the boy from Garvagh found drowned in a ditch with an armalite in his fingers and a reed in his teeth. And him the twin of the mother shot accidentally while out walking her baby in a pram. Her the twin of the father found hanging from an oak tree after seeing his daughter in a dress of tar and chicken feathers. Him the twin of the three soldiers and two gunmen who murdered each other last March—Christ, that was some amount of hissing while he dug. And last week, just before Christmas, the old man found on the roadside with his kneecaps missing, beside his blue bicycle, that was a fierce difficult job too.

  Now the blade sinks easily. He slams his foot down on the shovel. With a flick of the shoulder and pressure from his feet he lifts the first clod—heavy with water and clumps of grass—fl
ings it to his left, then looks up to the sky, wondering.

  Christmas decorations in the barracks perhaps. Tinsel, postcards, bells, and many bright colors. Pine needles sprayed so they don’t fall. A soldier with no stomach for turkey. A soldier ripping into the pudding. Someone chuckling about the mother of all bottles. A boy on a street corner, seeing a patch of deeper black on the tar macadam, making a New Year’s resolution. A teacher going through old essays. A girlfriend on an English promenade, smoking. A great-aunt with huge amounts of leftovers. Paragraphs in the bottom left hand corner of newspapers.

  Another clodful and the mound rises higher. The rain blows hard into Cathal’s back. Clouds scuttle across the morning sky. Cigarette smoke rushes from his nose and mouth. He begins to sweat under all the heavy clothing. After a few minutes he stubs the butt end into the soil, takes out a red handkerchief and wipes his forehead, then pummels at the ground again. Go carefully now, or you’ll cut the poor little bastard’s delicate neck.

  * * *

  With the mound piled high and the hole three feet deep, Cathal sees the top of a white feather. A tremble of wet soil. “Easy now,” he says. “Easy. Don’t be thrashing around down there on me.” He digs again, a deep wide arc around the swan, then lays the shovel on the ground and spread-eagles himself at the side of the hole. Across the hole he winks at Wingnut, who has seen this happen enough times that she has learned not to bark. On the lake, behind his back, he can hear some of the swans braying. He reaches down into the hole and begins to scrabble at the soil with his fingernails. Why all this sweating in the rain, in a clean white shirt, when there’s a million and one other things to be done? The clay builds up deep in his fingernails. The bird is sideways in the soil.

  He reaches down and around the body and loosens the dirt some more, but not enough for the wings to start flapping. One strong blow of those things could break a man’s arm. He lays his hands on the stomach and feels the heart flutter. Then he scrabbles some more dirt from around the webbed feet. With great delicacy Cathal makes a tunnel out of which to pull the neck and head. With the soil loose enough he gently eases the long twisted neck out and grabs it with one hand. “Don’t be hissing there now.” He slips his other hand in around the body. Deftly he lifts the swan out of the soil, folding back one of the feet against the wing, keeping the other wing close to his chest. He lifts the swan into the air, then throws it away from him.

  “Go on now, you little upstart.”

  Cathal sits on the edge of the hole with his Wellington boots dangling down and watches the wondrous way that the swan bursts over the lake, soil sifting off its wings, curious and lovely, looking for a place to land. He watches as the other swans make room by sliding in, crunching against one another’s wings. The newborn settles down on a small patch of water on the eastern side of the lake.

  Somewhere in the bowels of a housing complex, a mother is packing away clothes in black plastic bags. Her lip quivers. There’s new graffiti on the stairwell wall down from her flat. Pictures of footballers are coming down off a bedroom wall. A sewing needle is flung into an empty dustbin where it rattles. Outside, newspapermen use shorthand in little spiral books. Cameras run on battery packs. Someone thinks of putting some sugar in the water so that the flowers will last longer. Another man, in a flat cap, digs. A soldier is dialing his girlfriend. Or carving a notch. Swans don’t sing unless they’re shot way up high, up there, in the air. Their windpipes whistle. That’s a known fact.

  Cathal lights his last cigarette and thinks about how, in two days, the whole flock will leave and the digging may well have to begin all over again. Well, fuck it all anyway. Every man has his own peculiar curse. Cathal motions to his dog, lifts his shovel, then leans home toward the farmhouse in his green boots. As he walks, splatters of mud leap up on the back of his anorak. The smoke blows away in spirals from his mouth. He notices how the fencepost in the far corner of the field is leaning a little drunkenly. That will have to be fixed, he thinks, as the rain spits down in flurries.

  ALSO BY COLUM MCCANN

  Dancer

  Everything in This Country Must

  This Side of Brightness

  Songdogs

  FISHING THE SLOE-BLACK RIVER. Copyright © 1993 by Colum McCann. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. For information, address Picador, 175 Fifth Avenue, New York, N.Y. 10010.

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  Library of Congress Cataloging-in-Publication Data

  McCann, Colum, 1965–

  Fishing the sloe-black river : stories / Colum McCann.

  p. cm.

  ISBN 0-312-42338-1

  1. Ireland—Social life and customs—Fiction. 2. Irish Americans—Social life and customs—Fiction. I. Title.

  PR6063.C335F57 1996

  823'.914—dc20

  96-19779

  CIP

  First published in the United Kingdom by Phoenix House

  First published in the United States by Metropolitan Books, an imprint of Henry Holt and Company

  First Picador Edition: February 2004

  eISBN 9781466848689

  First eBook edition: May 2013

 

 

 


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