The man came in with tea and a bottle of Kummel. He set the tray on a little table before the couch.
‘Pussum,’ said Halliday, ‘pour out the tea.’
She did not move.
‘Won’t you do it?’ Halliday repeated, in a state of nervous apprehension.
‘I’ve not come back here as it was before,’ she said. ‘I only came because the others wanted me to, not for your sake.’
‘My dear Pussum, you know you are your own mistress. I don’t want you to do anything but use the flat for your own convenience — you know it, I’ve told you so many times.’
She did not reply, but silently, reservedly reached for the tea-pot. They all sat round and drank tea. Gerald could feel the electric connection between him and her so strongly, as she sat there quiet and withheld, that another set of conditions altogether had come to pass. Her silence and her immutability perplexed him. HOW was he going to come to her? And yet he felt it quite inevitable. He trusted completely to the current that held them. His perplexity was only superficial, new conditions reigned, the old were surpassed; here one did as one was possessed to do, no matter what it was.
Birkin rose. It was nearly one o’clock.
‘I’m going to bed,’ he said. ‘Gerald, I’ll ring you up in the morning at your place or you ring me up here.’
‘Right,’ said Gerald, and Birkin went out.
When he was well gone, Halliday said in a stimulated voice, to Gerald:
‘I say, won’t you stay here — oh do!’
‘You can’t put everybody up,’ said Gerald.
‘Oh but I can, perfectly — there are three more beds besides mine — do stay, won’t you. Everything is quite ready — there is always somebody here — I always put people up — I love having the house crowded.’
‘But there are only two rooms,’ said the Pussum, in a cold, hostile voice, ‘now Rupert’s here.’
‘I know there are only two rooms,’ said Halliday, in his odd, high way of speaking. ‘But what does that matter?’
He was smiling rather foolishly, and he spoke eagerly, with an insinuating determination.
‘Julius and I will share one room,’ said the Russian in his discreet, precise voice. Halliday and he were friends since Eton.
‘It’s very simple,’ said Gerald, rising and pressing back his arms, stretching himself. Then he went again to look at one of the pictures. Every one of his limbs was turgid with electric force, and his back was tense like a tiger’s, with slumbering fire. He was very proud.
The Pussum rose. She gave a black look at Halliday, black and deadly, which brought the rather foolishly pleased smile to that young man’s face. Then she went out of the room, with a cold good-night to them all generally.
There was a brief interval, they heard a door close, then Maxim said, in his refined voice:
‘That’s all right.’
He looked significantly at Gerald, and said again, with a silent nod:
‘That’s all right — you’re all right.’
Gerald looked at the smooth, ruddy, comely face, and at the strange, significant eyes, and it seemed as if the voice of the young Russian, so small and perfect, sounded in the blood rather than in the air.
‘I’M all right then,’ said Gerald.
‘Yes! Yes! You’re all right,’ said the Russian.
Halliday continued to smile, and to say nothing.
Suddenly the Pussum appeared again in the door, her small, childish face looking sullen and vindictive.
‘I know you want to catch me out,’ came her cold, rather resonant voice. ‘But I don’t care, I don’t care how much you catch me out.’
She turned and was gone again. She had been wearing a loose dressing-gown of purple silk, tied round her waist. She looked so small and childish and vulnerable, almost pitiful. And yet the black looks of her eyes made Gerald feel drowned in some potent darkness that almost frightened him.
The men lit another cigarette and talked casually.
CHAPTER VII.
FETISH
In the morning Gerald woke late. He had slept heavily. Pussum was still asleep, sleeping childishly and pathetically. There was something small and curled up and defenceless about her, that roused an unsatisfied flame of passion in the young man’s blood, a devouring avid pity. He looked at her again. But it would be too cruel to wake her. He subdued himself, and went away.
Hearing voices coming from the sitting-room, Halliday talking to Libidnikov, he went to the door and glanced in. He had on a silk wrap of a beautiful bluish colour, with an amethyst hem.
To his surprise he saw the two young men by the fire, stark naked. Halliday looked up, rather pleased.
‘Good-morning,’ he said. ‘Oh — did you want towels?’ And stark naked he went out into the hall, striding a strange, white figure between the unliving furniture. He came back with the towels, and took his former position, crouching seated before the fire on the fender.
‘Don’t you love to feel the fire on your skin?’ he said.
‘It IS rather pleasant,’ said Gerald.
‘How perfectly splendid it must be to be in a climate where one could do without clothing altogether,’ said Halliday.
‘Yes,’ said Gerald, ‘if there weren’t so many things that sting and bite.’
‘That’s a disadvantage,’ murmured Maxim.
Gerald looked at him, and with a slight revulsion saw the human animal, golden skinned and bare, somehow humiliating. Halliday was different. He had a rather heavy, slack, broken beauty, white and firm. He was like a Christ in a Pieta. The animal was not there at all, only the heavy, broken beauty. And Gerald realised how Halliday’s eyes were beautiful too, so blue and warm and confused, broken also in their expression. The fireglow fell on his heavy, rather bowed shoulders, he sat slackly crouched on the fender, his face was uplifted, weak, perhaps slightly disintegrate, and yet with a moving beauty of its own.
‘Of course,’ said Maxim, ‘you’ve been in hot countries where the people go about naked.’
‘Oh really!’ exclaimed Halliday. ‘Where?’
‘South America — Amazon,’ said Gerald.
‘Oh but how perfectly splendid! It’s one of the things I want most to do — to live from day to day without EVER putting on any sort of clothing whatever. If I could do that, I should feel I had lived.’
‘But why?’ said Gerald. ‘I can’t see that it makes so much difference.’
‘Oh, I think it would be perfectly splendid. I’m sure life would be entirely another thing — entirely different, and perfectly wonderful.’
‘But why?’ asked Gerald. ‘Why should it?’
‘Oh — one would FEEL things instead of merely looking at them. I should feel the air move against me, and feel the things I touched, instead of having only to look at them. I’m sure life is all wrong because it has become much too visual — we can neither hear nor feel nor understand, we can only see. I’m sure that is entirely wrong.’
‘Yes, that is true, that is true,’ said the Russian.
Gerald glanced at him, and saw him, his suave, golden coloured body with the black hair growing fine and freely, like tendrils, and his limbs like smooth plant-stems. He was so healthy and well-made, why did he make one ashamed, why did one feel repelled? Why should Gerald even dislike it, why did it seem to him to detract from his own dignity. Was that all a human being amounted to? So uninspired! thought Gerald.
Birkin suddenly appeared in the doorway, in white pyjamas and wet hair, and a towel over his arm. He was aloof and white, and somehow evanescent.
‘There’s the bath-room now, if you want it,’ he said generally, and was going away again, when Gerald called:
‘I say, Rupert!’
‘What?’ The single white figure appeared again, a presence in the room.
‘What do you think of that figure there? I want to know,’ Gerald asked.
Birkin, white and strangely ghostly, went over to the carved figure of the negro w
oman in labour. Her nude, protuberant body crouched in a strange, clutching posture, her hands gripping the ends of the band, above her breast.
‘It is art,’ said Birkin.
‘Very beautiful, it’s very beautiful,’ said the Russian.
They all drew near to look. Gerald looked at the group of men, the Russian golden and like a water-plant, Halliday tall and heavily, brokenly beautiful, Birkin very white and indefinite, not to be assigned, as he looked closely at the carven woman. Strangely elated, Gerald also lifted his eyes to the face of the wooden figure. And his heart contracted.
He saw vividly with his spirit the grey, forward-stretching face of the negro woman, African and tense, abstracted in utter physical stress. It was a terrible face, void, peaked, abstracted almost into meaninglessness by the weight of sensation beneath. He saw the Pussum in it. As in a dream, he knew her.
‘Why is it art?’ Gerald asked, shocked, resentful.
‘It conveys a complete truth,’ said Birkin. ‘It contains the whole truth of that state, whatever you feel about it.’
‘But you can’t call it HIGH art,’ said Gerald.
‘High! There are centuries and hundreds of centuries of development in a straight line, behind that carving; it is an awful pitch of culture, of a definite sort.’
‘What culture?’ Gerald asked, in opposition. He hated the sheer African thing.
‘Pure culture in sensation, culture in the physical consciousness, really ultimate PHYSICAL consciousness, mindless, utterly sensual. It is so sensual as to be final, supreme.’
But Gerald resented it. He wanted to keep certain illusions, certain ideas like clothing.
‘You like the wrong things, Rupert,’ he said, ‘things against yourself.’
‘Oh, I know, this isn’t everything,’ Birkin replied, moving away.
When Gerald went back to his room from the bath, he also carried his clothes. He was so conventional at home, that when he was really away, and on the loose, as now, he enjoyed nothing so much as full outrageousness. So he strode with his blue silk wrap over his arm and felt defiant.
The Pussum lay in her bed, motionless, her round, dark eyes like black, unhappy pools. He could only see the black, bottomless pools of her eyes. Perhaps she suffered. The sensation of her inchoate suffering roused the old sharp flame in him, a mordant pity, a passion almost of cruelty.
‘You are awake now,’ he said to her.
‘What time is it?’ came her muted voice.
She seemed to flow back, almost like liquid, from his approach, to sink helplessly away from him. Her inchoate look of a violated slave, whose fulfilment lies in her further and further violation, made his nerves quiver with acutely desirable sensation. After all, his was the only will, she was the passive substance of his will. He tingled with the subtle, biting sensation. And then he knew, he must go away from her, there must be pure separation between them.
It was a quiet and ordinary breakfast, the four men all looking very clean and bathed. Gerald and the Russian were both correct and COMME IL FAUT in appearance and manner, Birkin was gaunt and sick, and looked a failure in his attempt to be a properly dressed man, like Gerald and Maxim. Halliday wore tweeds and a green flannel shirt, and a rag of a tie, which was just right for him. The Hindu brought in a great deal of soft toast, and looked exactly the same as he had looked the night before, statically the same.
At the end of the breakfast the Pussum appeared, in a purple silk wrap with a shimmering sash. She had recovered herself somewhat, but was mute and lifeless still. It was a torment to her when anybody spoke to her. Her face was like a small, fine mask, sinister too, masked with unwilling suffering. It was almost midday. Gerald rose and went away to his business, glad to get out. But he had not finished. He was coming back again at evening, they were all dining together, and he had booked seats for the party, excepting Birkin, at a music-hall.
At night they came back to the flat very late again, again flushed with drink. Again the man-servant — who invariably disappeared between the hours of ten and twelve at night — came in silently and inscrutably with tea, bending in a slow, strange, leopard-like fashion to put the tray softly on the table. His face was immutable, aristocratic-looking, tinged slightly with grey under the skin; he was young and good-looking. But Birkin felt a slight sickness, looking at him, and feeling the slight greyness as an ash or a corruption, in the aristocratic inscrutability of expression a nauseating, bestial stupidity.
Again they talked cordially and rousedly together. But already a certain friability was coming over the party, Birkin was mad with irritation, Halliday was turning in an insane hatred against Gerald, the Pussum was becoming hard and cold, like a flint knife, and Halliday was laying himself out to her. And her intention, ultimately, was to capture Halliday, to have complete power over him.
In the morning they all stalked and lounged about again. But Gerald could feel a strange hostility to himself, in the air. It roused his obstinacy, and he stood up against it. He hung on for two more days. The result was a nasty and insane scene with Halliday on the fourth evening. Halliday turned with absurd animosity upon Gerald, in the cafe. There was a row. Gerald was on the point of knocking-in Halliday’s face; when he was filled with sudden disgust and indifference, and he went away, leaving Halliday in a foolish state of gloating triumph, the Pussum hard and established, and Maxim standing clear. Birkin was absent, he had gone out of town again.
Gerald was piqued because he had left without giving the Pussum money. It was true, she did not care whether he gave her money or not, and he knew it. But she would have been glad of ten pounds, and he would have been VERY glad to give them to her. Now he felt in a false position. He went away chewing his lips to get at the ends of his short clipped moustache. He knew the Pussum was merely glad to be rid of him. She had got her Halliday whom she wanted. She wanted him completely in her power. Then she would marry him. She wanted to marry him. She had set her will on marrying Halliday. She never wanted to hear of Gerald again; unless, perhaps, she were in difficulty; because after all, Gerald was what she called a man, and these others, Halliday, Libidnikov, Birkin, the whole Bohemian set, they were only half men. But it was half men she could deal with. She felt sure of herself with them. The real men, like Gerald, put her in her place too much.
Still, she respected Gerald, she really respected him. She had managed to get his address, so that she could appeal to him in time of distress. She knew he wanted to give her money. She would perhaps write to him on that inevitable rainy day.
CHAPTER VIII.
BREADALBY
Breadalby was a Georgian house with Corinthian pillars, standing among the softer, greener hills of Derbyshire, not far from Cromford. In front, it looked over a lawn, over a few trees, down to a string of fish-ponds in the hollow of the silent park. At the back were trees, among which were to be found the stables, and the big kitchen garden, behind which was a wood.
It was a very quiet place, some miles from the high-road, back from the Derwent Valley, outside the show scenery. Silent and forsaken, the golden stucco showed between the trees, the house-front looked down the park, unchanged and unchanging.
Of late, however, Hermione had lived a good deal at the house. She had turned away from London, away from Oxford, towards the silence of the country. Her father was mostly absent, abroad, she was either alone in the house, with her visitors, of whom there were always several, or she had with her her brother, a bachelor, and a Liberal member of Parliament. He always came down when the House was not sitting, seemed always to be present in Breadalby, although he was most conscientious in his attendance to duty.
The summer was just coming in when Ursula and Gudrun went to stay the second time with Hermione. Coming along in the car, after they had entered the park, they looked across the dip, where the fish-ponds lay in silence, at the pillared front of the house, sunny and small like an English drawing of the old school, on the brow of the green hill, against the trees. There were small f
igures on the green lawn, women in lavender and yellow moving to the shade of the enormous, beautifully balanced cedar tree.
‘Isn’t it complete!’ said Gudrun. ‘It is as final as an old aquatint.’ She spoke with some resentment in her voice, as if she were captivated unwillingly, as if she must admire against her will.
‘Do you love it?’ asked Ursula.
‘I don’t LOVE it, but in its way, I think it is quite complete.’
The motor-car ran down the hill and up again in one breath, and they were curving to the side door. A parlour-maid appeared, and then Hermione, coming forward with her pale face lifted, and her hands outstretched, advancing straight to the new-comers, her voice singing:
‘Here you are — I’m so glad to see you — ’ she kissed Gudrun — ’so glad to see you — ’ she kissed Ursula and remained with her arm round her. ‘Are you very tired?’
‘Not at all tired,’ said Ursula.
‘Are you tired, Gudrun?’
‘Not at all, thanks,’ said Gudrun.
‘No — ’ drawled Hermione. And she stood and looked at them. The two girls were embarrassed because she would not move into the house, but must have her little scene of welcome there on the path. The servants waited.
‘Come in,’ said Hermione at last, having fully taken in the pair of them. Gudrun was the more beautiful and attractive, she had decided again, Ursula was more physical, more womanly. She admired Gudrun’s dress more. It was of green poplin, with a loose coat above it, of broad, dark-green and dark-brown stripes. The hat was of a pale, greenish straw, the colour of new hay, and it had a plaited ribbon of black and orange, the stockings were dark green, the shoes black. It was a good get-up, at once fashionable and individual. Ursula, in dark blue, was more ordinary, though she also looked well.
Complete Works of D.H. Lawrence Page 176
