THIS IS A NOVEL OF GREATNESS ...
... a tense, stark story of days�hours�minutes, and of the savage hope that still can goad a man who knows there is no hope ... a man who has lived a lifetime and is not yet old, but whose heart is weary, wounded, and turned toward death. ...
It is the story of post-war Venice and of Colonel Richard Cantwell, a lonely, battle-scarred man of fierce embittered pride ... and of the beautiful young Italian countess who offers him love, tender and selfless. It is the poignant, powerful story of the few rich hours they share ... hauntingly checkered hours�dark with the inexorable shadow of death�bright with a deep and moving love. It is a story of torment, passion and elemental courage, superbly told by one of the world�s greatest writers.
ACROSS the RIVER
and INTO the TREES
by
ERNEST HEMINGWAY
Author of:
THE OLD MAN AND THE SEA
FOR WHOM THE BELL TOLLS
TO HAVE AND HAVE NOT
A FAREWELL TO ARMS, etc.
A DELL BOOK
Published by
DELL PUBLISHING COMPANY, INC.
261 Fifth Avenue
New York 16, New York
George T. Delacorte, Jr., President
Helen Meyer, Vice-President
Albert P. Delacorte, Vice-President
Copyright, MCML,
by Ernest Hemingway.
All rights reserved.
Reprinted by arrangement with
Charles Scribner�s Sons,
New York, N. Y.
Designed and produced by
Western Printing & Lithographing Company
Cover painting by Griffith Foxley
Printed In U.S.A.
In view of a recent tendency to identify characters in fiction with real people, it seems proper to state that there are no real people in this volume: both the characters and their names are fictitious. The names or designations of any military units are fictitious. There are no living people nor existing military units presented in this book.
TO MARY
WITH LOVE
CONTENTS
CONTENTS3
CHAPTER I3
CHAPTER II3
CHAPTER III3
CHAPTER IV3
CHAPTER V3
CHAPTER VI3
CHAPTER VII3
CHAPTER VIII3
CHAPTER IX3
CHAPTER X3
CHAPTER XI3
CHAPTER XII3
CHAPTER XIII3
CHAPTER XIV3
CHAPTER XV3
CHAPTER XVI3
CHAPTER XVII3
CHAPTER XVIII3
CHAPTER XIX3
CHAPTER XX3
CHAPTER XXI3
CHAPTER XXII3
CHAPTER XXIII3
CHAPTER XXIV3
CHAPTER XXV3
CHAPTER XXVI3
CHAPTER XXVII3
CHAPTER XXVIII3
CHAPTER XXIX3
CHAPTER XXX3
CHAPTER XXXI3
CHAPTER XXXII3
CHAPTER XXXIII3
CHAPTER XXXIV3
CHAPTER XXXV3
CHAPTER XXXVI3
CHAPTER XXXVII3
CHAPTER XXXVIII3
CHAPTER XXXIX3
CHAPTER XL3
CHAPTER XLI3
CHAPTER XLII3
CHAPTER XLIII3
CHAPTER XLIV3
CHAPTER XLV3
CHAPTER I
THEY started two hours before daylight, and at first, it was not necessary to break the ice across the canal as other boats had gone on ahead. In each boat, in the darkness, so you could not see, but only hear him; the poler stood in the stern, with his long oar. The shooter sat on a shooting stool fastened to the top of a box that contained his lunch and shells, and the shooter�s two, or more, guns, were propped against the load of wooden decoys. Somewhere, in each boat, there was a sack with one or two live mallard hens, or a hen and a drake, and in each boat there was a dog who shifted and shivered uneasily at the sound of the wings of the ducks that passed overhead in the darkness.
Four of the boats went on up the main canal toward the big lagoon to the north. A fifth boat had already turned off into a side canal. Now, the sixth boat turned south into a shallow lagoon, and there was no broken water.
It was all ice, new-frozen during the sudden, windless cold of the night. It was rubbery and bending against the thrust of the boatman�s oar. Then it would break as sharply as a pane of glass, but the boat made little forward progress.
�Give me an oar,� the shooter in the sixth boat said. He stood up and braced himself carefully. He could hear the ducks passing in the darkness, and feel the restless lurching of the dog. To the north he heard the sound of breaking ice from the other boats.
�Be careful,� the poler in the stern said. �Don�t tip the boat over.�
�I am a boatman, too,� the shooter said.
He took the long oar the boatman handed him and reversed it so he could hold it by the blade. Holding the blade he reached forward and punched the handle through the ice. He felt the firm bottom of the shallow lagoon, put his weight on the top of the wide oar-blade, and holding with both hands and, first pulling, then shoving, until the pole-hold was well to the stern, he drove the boat ahead to break the ice. The ice broke like sheets of plate glass as the boat drove into it, and onto it, and astern the boatman shoved them ahead into the broken passage.
After a while, the shooter, who was working hard and steadily and sweating in his heavy clothes, asked the boatman, �Where is the shooting barrel?�
�Off there to the left. In the middle of the next bay.�
�Should I turn for it now?�
�As you wish.�
�What do you mean, as I wish? You know the water. Is there water to carry us there?�
�The tide is low. Who knows?�
�It will be daylight before we get there if we don�t hurry.�
The boatman did not answer.
All right, you surly jerk, the shooter thought to himself. We are going to get there. We�ve made two-thirds of the way now and if you are worried about having to work to break ice to pick up birds, that is altogether too bad.
�Get your back in it, jerk,� he said in English.
�What?� the boatman asked in Italian.
�I said let�s go. It�s going to be light.�
It was daylight before they reached the oaken staved hogshead sunk in the bottom of the lagoon. It was surrounded by a sloping rim of earth that had been planted with sedge and grass, and the shooter swung carefully up onto this, feeling the frozen grasses break as he stepped on them. The boatman lifted the combination shooting stool and shell box out of the boat and handed it to the shooter, who leaned over and placed it in the bottom of the big barrel.
The shooter, wearing his hip boots and an old combat jacket, with a patch on the left shoulder that no one understood, and with the slight light places on the straps, where stars had been removed, climbed down into the barrel and the boatman handed him his two guns.
He placed them against the wall of the barrel and hung his other shell bag between them, hanging it on two hooks built into the wall of the sunken barrel. Then he leaned the guns against each side of the shell bag.
�Is there water?� he asked the boatman.
�No water,� the boatman said.
�Can you drink the lagoon water?�
�No. It is unhealthy.�
The shooter was thirsty from the hard work of breaking the ice and driving the boat in and he felt his anger ris
e, and then held it, and said, �Can I help you in the boat to break ice to put out the decoys?�
�No,� the boatman said and shoved the boat savagely out onto the thin sheet ice that cracked and ripped as the boat drove up onto it. The boatman commenced smashing at the ice with the blade of his oar and then started tossing decoys out to the side and behind him.
He�s in a beautiful mood, the shooter thought. He�s a big brute, too. I worked like a horse coming out here. He just pulled his weight and that�s all. What the hell is eating him? This is his trade, isn�t it?
He arranged the shooting stool so he would have the maximum swing to left and right, opened a box of shells, and filled his pockets and opened another of the boxes of shells in the shell bag so he could reach into it easily. In front of him, where the lagoon lay glazed in the first light, was the black boat and the tall, heavily built boatman smashing with his oar at the ice and tossing decoys overboard as though he were ridding himself of something obscene.
It was getting lighter now and the shooter could see the low line of the near point across the lagoon. Beyond that point he knew there were two other shooting posts and far beyond it there was more marsh and then the open sea. He loaded both his guns and checked the position of the boat that was putting out decoys.
From behind him, he heard the incoming whisper of wings and he crouched, took hold of his right hand gun with his right hand as he looked up from under the rim of the barrel, then stood to shoot at the two ducks that were dropping down, their wings set to brake, coming down dark in the gray dim sky, slanting toward the decoys.
His head low, he swung the gun on a long slant, down, well and ahead of the second duck, then without looking at the result of his shot he raised the gun smoothly, up, up ahead and to the left of the other duck that was climbing to the left and as he pulled, saw it fold in flight and drop among the decoys in the broken ice. He looked to his right and saw the first duck a black patch on the same ice. He knew he had shot carefully on the first duck, far to the right of where the boat was, and on the second, high out and to the left, letting the duck climb far up and to the left to be sure the boat was out of any line of fire. It was a lovely double, shot exactly as he should have shot, with complete consideration and respect for the position of the boat, and he felt very good as he reloaded.
�Listen,� the man in the boat called. �Don�t shoot toward the boat.�
I�ll be a sad son of a bitch, the shooter said to himself. I will indeed
�Get your decoys out,� he called to the man in the boat. �But get them out fast. I won�t shoot until they are all out. Except straight overhead.�
The man in the boat said nothing that could be heard.
I can�t figure it, the shooter thought to himself. He knows the game. He knows I split the work, or more, coming out. I never shot a safer or more careful duck in my life than that. What�s the matter with him? I offered to put the dekes out with him. The hell with him.
Out on the right now, the boatman was still chopping angrily at the ice, and tossing out the wooden decoys in a hatred that showed in every move he made.
Don�t let him spoil it, the shooter told himself. There won�t be much shooting with this ice unless the sun should melt it later on. You probably will only have a few birds, so don�t let him spoil it for you. You don�t know how many more times you will shoot ducks and do not let anything spoil it for you.
He watched the sky lightening beyond the long point of marsh, and turning in the sunken barrel, he looked out across the frozen lagoon, and the marsh, and saw the snow-covered mountains a long way off. Low as he was, no foot-hills showed, and the mountains rose abruptly from the plain. As he looked toward the mountains he could feel a breeze on his face and he knew, then, the wind would come from there, rising with the sun, and that some birds would surely come flying in from the sea when the wind disturbed them.
The boatman had finished putting out the decoys. They were in two bunches, one straight ahead and to the left toward where the sun would rise, and the other to the shooter�s right. Now he dropped over the hen mallard with her string and anchor, and the calling duck bobbed her head under water, and raising and dipping her head, splashed water onto her back.
�Don�t you think it would be good to break more ice around the edges?� the shooter called to the boatman. �There�s not much water to attract them.�
The boatman said nothing but commenced to smash at the jagged perimeter of ice with his oar. This ice breaking was unnecessary and the boatman knew it. But the shooter did not know it and he thought, I do not understand him but I must not let him ruin it. I must keep it entire and not let him do it. Every time you shoot now can be the last shoot and no stupid son of a bitch should be allowed to ruin it. Keep your temper, boy, he told himself.
CHAPTER II
BUT he was not a boy. He was fifty and a Colonel of Infantry in the Army of the United States and to pass a physical examination that he had to take the day before he came down to Venice for this shoot, he had taken enough mannitol hexanitrate to, well he did not quite know what to�to pass, he said to himself.
The surgeon had been quite skeptical. But he noted the readings after taking them twice.
�You know, Dick,� he said. �It isn�t indicated; in fact it is definitely contra-indicated in increased intra-ocular and intra-cranial pressure.�
�I don�t know what you are talking about,� the shooter, who was not a shooter, then, except potentially, and was a Colonel of Infantry in the Army of the United States, reduced from being a general officer, said.
�I have known you a long time, Colonel. Or maybe it just seems a long time,� the surgeon told him.
�It�s been a long time,� the Colonel said.
�We sound like song writers,� the surgeon said. �But don�t you ever run into anything, or let any sparks strike you, when you�re really souped up on nitroglycerin. They ought to make you drag a chain like a high-octane truck.�
�Wasn�t my cardiograph O.K.?� the Colonel asked.
�Your cardiograph was wonderful, Colonel. It could have been that of a man of twenty-five. It might have been that of a boy of nineteen.�
�Then what are you talking about?� the Colonel asked.
That much mannitol hexanitrate produced a certain amount of nausea, sometimes, and he was anxious for the interview to terminate. He was also anxious to lie down and take a seconal. I ought to write the manual of minor tactics for the heavy pressure platoon, he thought. Wish I could tell him that. Why don�t I just throw myself on the mercy of the court? You never do, he told himself. You always plead them non-guilty.
�How many times have you been hit in the head?� the surgeon asked him.
�You know,� the Colonel told him. �It�s in my 201.�
�How many times have you been hit on the head?�
�Oh Christ.� Then he said, �You are asking for the army or as my physician?�
�As your physician. You didn�t think I�d try to wind your clock, did you?�
�No, Wes. I�m sorry. Just what was it you wanted to know?�
�Concussions.�
�Real ones?�
�Any time you were cold or couldn�t remember afterwards.�
�Maybe ten,� the Colonel said. �Counting polo. Give or take three.�
�You poor old son of a bitch,� the surgeon said. �Colonel, sir,� he added.
�Can I go now?� the Colonel asked.
�Yes, sir,� the surgeon said. �You�re in good shape.�
�Thanks,� the Colonel said. �Want to go on a duck shoot down in the marshes at the mouth of the Tagliamento? Wonderful shoot. Some nice Italian kids I met up at Cortina own it.�
�Is that where they shoot coots?�
�No. They shoot real ducks at this one. Good kids. Good shoot. Real ducks. Mallard, pin-tail, widgeon. Some geese. Just as good as at home when we were kids.�
�I was kids in twenty-nine and thirty.�
�That�s the first mean thing I ev
er heard you say.�
�I didn�t mean it like that. I just meant I didn�t remember when duck shooting was good. I�m a city boy, too.�
�That�s the only God-damn trouble with you, too. I never saw a city boy yet that was worth a damn.�
�You don�t mean that, do you, Colonel?�
�Of course, not. You know damn well I don�t.�
�You�re in good shape, Colonel,� the surgeon said. �I�m sorry I can�t go on the shoot. I can�t even shoot.�
�Hell,� said the Colonel. �That doesn�t make any difference. Neither can anybody else in this army. I�d like to have you around.�
�I�ll give you something else to back up what you�re using.�
�Is there anything?�
�Not really. They�re working on stuff, though.�
�Let �em work,� the Colonel said.
�I think that�s a laudable attitude, sir.�
�Go to hell,� the Colonel said. �You sure you don�t want to go?�
�I get my ducks at Longchamps on Madison Avenue,� the surgeon said. �It�s air-conditioned in the summer and it�s warm in the winter and I don�t have to get up before first light and wear long-horned underwear.�
�All right, City Boy. You�ll never know.�
�I never wanted to know,� the surgeon said. �You�re in good shape, Colonel, sir.�
�Thanks,� said the Colonel and went out.
CHAPTER III
THAT was day before yesterday. Yesterday he had driven down from Trieste to Venice along the old road that ran from Monfalcone to Latisana and across the flat country. He had a good driver and he relaxed completely in the front seat of the car and looked out at all this country he had known when he was a boy.
It looks quite differently now, he thought. I suppose it is because the distances are all changed. Everything is much smaller when you are older. Then, too, the roads are better now and there is no dust. The only times I used to ride through it was in a camion. The rest of the times we walked. I suppose what I looked for then, was patches of shade when we fell out, and wells in farm yards. And ditches, too, he thought. I certainly looked for plenty of ditches.
They made a curve and crossed the Tagliamento on a temporary bridge. It was green along the banks and men were fishing along the far shore where it ran deep. The blown bridge was being repaired with a snarl of riveting hammers, and eight hundred yards away the smashed buildings and outbuildings of what was now a ruined country house once built by Longhena showed where the mediums had dropped their loads.
�Look at it,� the driver said. �In this country you find a bridge or a railway station. Then go half a mile from it in any direction and you find it like that.�
�I guess the lesson is,� the Colonel said, �don�t ever build yourself a country house, or a church, or hire Giotto to paint you any frescoes, if you�ve got a church, eight hundred yards away from any bridge.�
�I knew there must be a lesson in it, sir,� the driver said.
They were past the ruined villa now and onto the straight road with the willows growing by the ditches still dark with winter, and the fields full of mulberry trees. Ahead a man was pedalling a bicycle and using both his hands to read a paper.
�If there are heavies the lesson ought to say a mile,� the driver said. �Would that be about right, sir?�
�If it�s guided missiles,� the Colonel said. �Better make it two hundred and fifty miles. Better give that cyclist some horn.�
The driver did, and the man moved over to the side of the road without either looking up or touching his handlebars. As they passed him, the Colonel tried to see what paper he was reading, but it was folded over.
Across the River and Into the Trees Page 1
