A Bob Lee Swagger Boxed Set

by Stephen Hunter

  “What do you expect to find?” Detective Washington asked Bob, who sat in the front seat of Washington’s unmarked Impala a couple of doors down from the Strong-Reilly house, now darkened in the falling light.

  “I don’t know,” said Bob. “Evidence of penetration, I suppose.”

  Washington, in his forties, 240, exceptionally black and full of unconscious tough-guy mannerisms with a sheen of graying hair that looked like gunmetal, said, “You sure you want to do this? You could get yourself in a peck of trouble, me too, and for something you ain’t even sure exists. Don’t sound like a good play to me. You could do it official and save us both time in jail.”

  “I’m just looking at options,” said Bob. “If we go the route the law requires, I have to talk your department or the FBI into doing something nobody’s ready to do. Time passes. Then even if they say yeah, they got to get warrants, assemble a team, dot the i’s and cross the t’s, and that’s more time. Time is not on our side. My position is the guys we’re investigating right now—”

  “If they exist.”

  “Yeah, if they exist, they would have been the ones to toss the house that you picked up on, so at some level you think they exist. The point is now, they think they got away clean. They’re not taking any precautions, they think they’re so smart; this is when we have to go aggressively against them. If they sniff our interest, they’ll go into a much harder defensive position, double-check, begin to erase clues or witnesses, move against us. This is the sneaking-up part snipers are famous for.”

  Washington shook his immense, wise head. “Gunny, okay, but answer me this one, then. Say, for example, you’re right. These guys had to get something, something physical, out of that house. So why do they need to go to the trouble of killing not only Strong and Reilly but also Joan Flanders and Mitch Greene? If they’re professional enough to put something like that together, they’d certainly be professional enough to hire some burglar who could take the house down, locate, and remove whatever it was.”

  “Well,” said Bob, “he wants them dead. But in a certain way. If they sell everybody on the idea that crazed sniper Carl Hitchcock, fucked up from Vietnam, killed these four people, and all of that seems to add up, then that’s as far as you go, right? You got it all there—motive, opportunity, means, time frame. It’s so tempting. Everyone wants this thing solved, and there’s the solution, plain as the nose on your face. What you don’t do then is look into the lives of the victims. You don’t see what they were up to, what they had going on, who they were, what connections they had, what moves they were making. All that stuff’s off the board. So I’m putting it back on the board. My read is that something Strong and Reilly did or were planning to do got them whacked hard. The other two went down as smokescreen. Strong and Reilly were the target. If whoever he is kills just them, he knows their lives will be investigated, and such an investigation would lead to him. He needs a way to kill them in which their deaths are seen as unimportant, marginal, an afterthought, while all the focus goes on Joan. So if there’s an answer, it’s somewhere in Jack and Mitzi’s lives in the last few weeks, so I’m going to take a look-see. I’m going to shake the tree and see what falls out.”

  “I got no argument except to say it doesn’t happen that way. Not hardly. Nothing’s ever that clever, that well planned, that secret in the real world. It’s just drunks getting pissed or going nuts, whacking the innocent. That’s what I see time and time again. Or some hothead kid fighting for his corner of Blackstone when Willie done took it, so he pops Willie with his nine-em and thinks he’s a hero. That’s the reality, man; you in James Bond land.”

  “Even if you don’t buy it, and maybe I wouldn’t either if I’d seen all the people murdered with beer bottles and ball-peen hammers and twenty-five Brycos that you have, I hope you’ll indulge me a little, Washington. I can’t do this alone.”

  “I wouldn’t do this for a guy without USMC tattooed on his arm, Gunny,” said Washington. “Okay, we’ll drive around back, and you peel out right behind the garage; there’s no crime scene tape anymore. Can you get through the back gate latch?”

  “Yeah.”

  “Okay, how about into the house?”

  “Well, if my theory is right, one of the basement windows has already been opened. That’s how they got in. Hell, the team may have even been in the house before Jack and Mitzi left; they got in at night. That would save them time and exposure. They work the house, that office particularly, while the bodies are outside. When the cops come, guess what our team is dressed as? Cops. In ten minutes the place is jammed with cops. They emerge from wherever, join the crowd, mill, then slip away. Who’s to know? Did you recognize everyone there on the crime scene?”

  “A big murder draws more gawkers than a new Star Wars movie. You always see strangers there, at least in the beginning. You got people from all different agencies, all different departments; you got brass, you got brownnosers and suck-ups, you got press assholes, the more the merrier. Yeah, I recognized about fifteen percent of the faces.”

  “Well, there you go.”

  “All right, Gunny, let’s play the game. When you’re done, you slip out the same way, call me on the cell, and begin to walk down the alley and I’ll pick you up.”

  “Got it.”

  “When do you think that will be?”

  “About three a.m.”

  “Three a.m?”

  “Three a.m. Wednesday.”

  “Three a.m. Wednesday! This is Monday!”

  “I need to go through the house carefully. I need to get a read on their life. I have to find out who they were, what they were into, what they were planning, why this happened to them. You don’t learn that in an hour.”

  “Just don’t get caught.”

  Bob slapped the backpack he carried.

  “Infrared gear. I can see in the dark. No lights will show on the outside. If anyone comes into the house, I’ll go to ground. Nobody’ll see me. I can be real still. The sniper thing again. I’ll call you when I’m done.”

  It was a different America. He hadn’t seen this America. He’d been in the America of the United States Marine Corps, in mud and jungle and slatternly, jerry-built outposts and tempos, under monsoon weather or baking heat, and only glimpsed this America on the TV in the squad room, if there was a squad room. But everywhere in this house the late sixties and early seventies still lived, like some sort of Camelot, some sort of holy time when we were young and green and firm and the world was filled with possibility. Mr. and Mrs. Strong were narcissists for sure, in that they had dozens of photographs of themselves and their actions on the walls, as well as souvenir front pages—pentagon bombed, thousands disrupt downtown, campus admin building occupied, cops use teargas on demos, two killed in bank robbery, and finally wanted couple freed—as well as political campaign buttons, flyers, gas masks, anything that spoke of the realities, and maybe the fun, of the Movement.

  A whole section was devoted to their day of freedom; Bob ran his infrared over the framed newspaper front pages, with its famous picture of Jack and Mitzi in midleap, full of the joy of freedom, as the famous radical lawyer Milton Tigermann had just checkmated the Justice Department into dropping all charges against them because the means used by pursuing detectives over the years, from FBI to Massachusetts State Police, were so flagrantly illegal. “Guilty as hell, free as a bird,” Jack’s comment; it made the two even more famous. Swagger’s eyes ran through the coverage, including the bitter sidebar interview with a Mrs. Samuel Bronkowsky, mother of four, identified as the widow of one of the two bank guards slain by robbers—robbers thought to be Jack and Mitzi but uncaught and made more unindictable when the bank’s surveillance film was stolen from the evidence closet of the Nyackett Police. And thus Mrs. Bronkowsky left history, her cause unmourned, her husband forgotten, her economic situation unsettled.

  History turned on the next wall to great men, big men, giant men. These were the portraits Bob didn’t recognize, but they we
re helpfully identified as if in a hall of fame, people with names like Frantz Fanon, Régis Debray, Che and Fidel of course, W. E. B. Du Bois, Emma Goldman, Eugene V. Debs, Gavrilo Princip, and of course Marx, Engels, Lenin, Stalin, and some other big commie boys. Ho was there, and so were Chou and Mao, and someone called La Pasionaria.

  The infrared gave the history a special green hue, as brought to life in the AN/PVS-7 goggles. He was a frogman swimming the bottom of the murky bay of radical America, 1969 to 1975.

  Bill and Mitzi were everywhere in those days. Beautiful radical children, with wild piles and tendrils of hair and eyes wide as pie plates, elves, stars, charismatics, leprechauns of mischief. A hundred shots showed them with megaphone or loudspeaker, leading or addressing the masses. They were always sexy, in raffish war surplus cast-offs, with Indian bands about their heads, gaudy scarves, tight jeans that showed off their leanness, combat boots, sharp cheekbones, and everywhere they appeared they fronted rows and rows of hand-painted signs, like medieval kings leading an army of banners: stop the war now, stop the bombing, no more napalm, get out now, bring the boys home, legalize pot, lsd now and forever, and he realized that while they were painting, he’d been crawling through the bush, hoping not to get his belly blown open.

  He checked for signs of search and came up with ambiguous possibilities. Yes, the cabinet locks in Jack’s office appeared uniformly scarred. But that could have been Jack’s own clumsiness with keys as easily as a professional burglar’s pick. There had indeed been an open window that allowed him to squeeze into the basement, and that lock too bore signs of picking—or of a careless window washer banging it with a squeegee.

  He himself picked each cabinet, and inside, besides Jack’s secret stash of porno (he was a Penthouse guy), a pound of very nice hash, some prescription meds, there seemed to be nothing suspicious, certainly no obvious sign of something having been removed. But what would that be? A blank space on a shelf? An opening in a row of books? There wasn’t much.

  He went over the office top to bottom, opening each cabinet, rifling through each book, looking in each drawer, searching for computer code words (and finding none). He’d wait to turn the machine on in the light, so that its glow wouldn’t radiate through the windows into the night. He thumped the walls for evidence of a safe hiding behind the bookshelves, but no safe seemed to present itself.

  Nothing, nothing at least on a first pass.

  He tried all the obvious hiding places, feeling under the drawers for tape strands that might indicate something had been secretly affixed in an out-of-the-way site, opening the battery casings of all the portable tape recorders, the cameras, the iPods that lay around, finally, laboriously—it took hours—opening each CD jacket, running from jazz to classics to heavy metal to songs of the Spanish Civil War, and in each finding nothing but a CD. He went to the bathroom, took the lid off the toilet for a waterproof bag—yep, but full of grass, not diamonds or other contraband—opened all the folded towels and washcloths in the closet. Went through the laundry hampers, the pile of folded clothes, the kitchen with its abundance of spices and herbs and exotic condiments from overseas; Mitzi was evidently quite the chef. Again, nothing, just life, lived by aging baby-boomer haute bourgeoisie with fading memories of the glory of the struggle, so long ago, when they were young and bold. It was a kind of counterbiography: for each demonstration they’d led, he’d been on a deep jungle mission; for each cop they’d confronted, he’d dropped a man with an AK-47; for each time they’d fled gas, he’d fled napalm or heavy bomber ordnance or some such. Same coin, different sides, and now the years have passed and what’s gone around has come around, and who’s the only one who cares why you assholes got your brains blown out but me, the guy you thought was a war criminal, a psycho kid killer. Ain’t it a strange fucking world, though?

  He went upstairs and spent the rest of the night in the bedroom, the slow, methodical search, unfolding each item of clothing, paging through each volume—the house was stacked, crammed, jammed with books—emptying the wastebaskets and uncrumpling each wad of paper. Nothing, just the detritus of an involved professional life—notes on meetings, calendars, appointment books, nothing at all out of the ordinary. One of them spoke French and one spoke Spanish; there were many, many books in either language, and he went through them too, page by page, looking for notes either written in the margins (frequent and meaningless) or tucked between the pages. Nothing.

  He worked through the morning, going to his low crawl during the daylight hours so that nobody walking by might catch a glimpse of shadowy movement and call the police.

  He slept for two hours in the spare bedroom, then got up with enough light remaining, turned on Jack’s computer terminal, and didn’t get much beyond the desktop full of icons, because a code was required. He’d found no code; obviously Jack had committed it to memory. He tried number sequences based on obvious dates—Jack and Mitzi’s birthdays, the dates of big demonstrations, the date they almost got blown up in the house in New York, the date of the Pentagon bombing, the date they were freed from prosecution, that sort of thing. Nothing.

  When it got dark, he reverted to the photos on the wall. He took each one down, carefully probed it for hidden documents folded between the photos and the matte backing, and that was more tedious than anything. He looked at each one for scrawled notes or something. This went on and on, as the Strongs literally had hundreds of photos. It seemed their every second was subject to a photo, some with celebs, most on the glorious ramparts. He even found one of the two of them with fists upraised after some sort of dinner with T. T. Constable and his then-wife, the beautiful Joan Flanders, four extremely beautiful human beings caught in a circle of love and adoration, all celebrating the smugness of the moral righteousness that made them so perfect for each other, maybe early nineties, when everyone was in from the cold.

  He felt a momentary spasm of rage and had an urge to smash the picture, but what would that prove? Really, what would that prove? He hung it back up and continued with the thankless task, picture after picture, again coming up with nothing.

  What am I missing? What is here that I don’t see? I’m too stupid to see, of course, because I’m the redneck marine from Arkansas and these people are so much smarter, so much more insightful, so much more penetrating. Bob Lee, Earl’s son, was just a grunt who followed orders, almost got killed, and killed too much. They knew better. They were above that. With their airs, their sophistication—the wine cellar was amazing, and clearly Jack knew his vintages, while Mitzi’s kitchen was the most complex room in the house, still full of life from the dinners she’d cooked for their many friends, the many joyous nights of camaraderie here in the old castle in Hyde Park. He’d seen the pictures, for many had been taken; Jack more or less holding court, lots of young, beautiful kids, lots of earnest intellectual types with the bushy hair, the wire-frame glasses, the women all with straight, undyed hair, in tight jeans, all of them so goddamned happy.

  It was like they were some kind of European royalty, Bob thought. It had nothing to do with—

  European.

  That was something, yeah. Yeah, they really didn’t see themselves as American, did they? There was nothing anywhere in the house that was, strictly speaking, American. No pictures of landscape, nothing celebratory of American themes like farms, mountains, plains, no flag; instead it was all European in tone and texture. From the food to the books to the photos on the white walls, to the slick, hardwood floors, to tapestries of multitextured, usually African or Afro-Cuban tonalities, all of it belonged in a house in Paris.

  What does this mean? Practically, not philosophically. They don’t shower enough. They have affairs, Jack a mistress? They drink espresso? They have wine with dinner? They won’t eat sliced bread? Hmm, among other things, it meant they put little lines through the letter Z and the number 7, after the European fashion, an idiosyncracy that he’d noted that meant absolutely nothing.

  But it did mean something. It meant they wer
e European.

  He tried to think of other ways that—

  And for some reason he thought of the computer, how he’d tried to run the famous dates of the glorious Strong-Reilly history as a way through the code. But Americans wrote dates month/day/year, as in March 25, 1946, 03/25/46. But Europeans wrote them day first, as in day/month/year, and put periods between them, so that March 25, 1946, came out 25.03.46.

  Bob first drew shades so that its dead glare wouldn’t leak into the night, then flicked the computer on, watching it stir lazily to life, clicking mysteriously.

  The blinking demand for an access code stared at him. He was an expert; he’d read Radical Romantics: The True Story of Jack Strong and Mitzi Reilly, by O. Z. Harris.

  He remembered the date they got married.

  He remembered the date of the bank robbery in Nyacett.

  He remembered the date they got pardoned.

  He remembered the date they blew up the Pentagon.

  He remembered the date they blew up a judge’s house in Connecticut, during a Black Panther trial.

  He remembered the date the bomb had gone off accidentally in their Greenwich Village townhouse, killing its poor builder and sending Jack and Mitzi into the streets.

  No, nothing.

  Then he remembered the date Saigon fell. He’d never forget that one; it had sent him off on a three-day drunk and he ended up in a jail in Alabama with his real estate business totally trashed and his first wife filing a missing persons report.