Praise for
CORMAC McCARTHY
"McCarthy is a writer to be read, to be admired, and quite honestly--envied."
--Ralph Ellison
"McCarthy is a born narrator, and his writing has, line by line, the stab of actuality. He is here to stay."
--Robert Penn Warren
"Mr. McCarthy has the best kind of Southern style, one that fuses risky eloquence, intricate rhythms and dead-to-rights accuracy."
--The New York Times
"Cormac McCarthy is a Southerner, a born storyteller, a writer of natural, impeccable dialogue, a literary child of Faulkner ... capable of black, reasonable comedy at the heart of his tragedy."
--New Republic
"[McCarthy's] lyrical prose never sacrifices necessary economies [and his] sense of the tragic is almost unerring."
--Times Literary Supplement (London)
The author wishes to express his gratitude to
The American Academy of Arts and Letters, The
Rockefeller Foundation, and The John Simon
Guggenheim Memorial Foundation.
Contents
Cover Page
Title Page
Dedication
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
About the Author
Other Books by This Author
Also by Cormac McCarthy
Copyright
Dear friend now in the dusty clockless hours of the town when the streets lie black and steaming in the wake of the watertrucks and now when the drunk and the homeless have washed up in the lee of walls in alleys or abandoned lots and cats go forth highshouldered and lean in the grim perimeters about, now in these sootblacked brick or cobbled corridors where lightwire shadows make a gothic harp of cellar doors no soul shall walk save you.
Old stone walls unplumbed by weathers, lodged in their striae fossil bones, limestone scarabs rucked in the floor of this once inland sea. Thin dark trees through yon iron palings where the dead keep their own small metropolis. Curious marble architecture, stele and obelisk and cross and little rainworn stones where names grow dim with years. Earth packed with samples of the casketmaker's trade, the dusty bones and rotted silk, the deathwear stained with carrion. Out there under the blue lamplight the trolleytracks run on to darkness, curved like cockheels in the pinchbeck dusk. The steel leaks back the day's heat, you can feel it through the floors of your shoes. Past these corrugated warehouse walls down little sandy streets where blownout autos sulk on pedestals of cinderblock. Through warrens of sumac and pokeweed and withered honeysuckle giving onto the scored clay banks of the railway. Gray vines coiled leftward in this northern hemisphere, what winds them shapes the dogwhelk's shell. Weeds sprouted from cinder and brick. A steamshovel reared in solitary abandonment against the night sky. Cross here. By frograils and fishplates where engines cough like lions in the dark of the yard. To a darker town, past lamps stoned blind, past smoking oblique shacks and china dogs and painted tires where dirty flowers grow. Down pavings rent with ruin, the slow cataclysm of neglect, the wires that belly pole to pole across the constellations hung with kitestring, with bolos composed of hobbled bottles or the toys of the smaller children. Encampment of the damned. Precincts perhaps where dripping lepers prowl unbelled. Above the heat and the improbable skyline of the city a brass moon has risen and the clouds run before it like watered ink. The buildings stamped against the night are like a rampart to a farther world forsaken, old purposes forgot. Countrymen come for miles with the earth clinging to their shoes and sit all day like mutes in the marketplace. This city constructed on no known paradigm, a mongrel architecture reading back through the works of man in a brief delineation of the aberrant disordered and mad. A carnival of shapes upreared on the river plain that has dried up the sap of the earth for miles about.
Factory walls of old dark brick, tracks of a spur line grown with weeds, a course of foul blue drainage where dark filaments of nameless dross sway in the current. Tin panes among the glass in the rusted window frames. There is a moonshaped rictus in the streetlamp's globe where a stone has gone and from this aperture there drifts down through the constant helix of aspiring insects a faint and steady rain of the same forms burnt and lifeless.
Here at the creek mouth the fields run on to the river, the mud deltaed and baring out of its rich alluvial harbored bones and dread waste, a wrack of cratewood and condoms and fruitrinds. Old tins and jars and ruined household artifacts that rear from the fecal mire of the flats like landmarks in the trackless vales of dementia praecox. A world beyond all fantasy, malevolent and tactile and dissociate, the blown lightbulbs like shorn polyps semitranslucent and skullcolored bobbing blindly down and spectral eyes of oil and now and again the beached and stinking forms of foetal humans bloated like young birds mooneyed and bluish or stale gray. Beyond in the dark the river flows in a sluggard ooze toward southern seas, running down out of the rain flattened corn and petty crops and riverloam gardens of upcountry land keepers, grating along like bonedust, afreight with the past, dreams dispersed in the water someway, nothing ever lost. Houseboats ride at their hawsers. The neap mud along the shore lies ribbed and slick like the cavernous flitch of some beast hugely foundered and beyond the country rolls away to the south and the mountains. Where hunters and woodcutters once slept in their boots by the dying light of their thousand fires and went on, old teutonic forebears with eyes incandesced by the visionary light of a massive rapacity, wave on wave of the violent and the insane, their brains stoked with spoorless analogues of all that was, lean aryans with their abrogate semitic chapbook reenacting the dramas and parables therein and mindless and pale with a longing that nothing save dark's total restitution could appease.
We are come to a world within the world. In these alien reaches, these maugre sinks and interstitial wastes that the righteous see from carriage and car another life dreams. Illshapen or black or deranged, fugitive of all order, strangers in everyland.
The night is quiet. Like a camp before battle. The city beset by a thing unknown and will it come from forest or sea? The murengers have walled the pale, the gates are shut, but lo the thing's inside and can you guess his shape? Where he's kept or what's the counter of his face? Is he a weaver, bloody shuttle shot through a timewarp, a carder of souls from the world's nap? Or a hunter with hounds or do bone horses draw his deadcart through the streets and does he call his trade to each? Dear friend he is not to be dwelt upon for it is by just such wise that he's invited in.
The rest indeed is silence. It has begun to rain. Light summer rain, you can see it falling slant in the town lights. The river lies in a grail of quietude. Here from the bridge the world below seems a gift of simplicity. Curious, no more. Down there in grots of fallen light a cat transpires from stone to stone across the cobbles liquid black and sewn in rapid antipodes over the raindark street to vanish cat and countercat in the rifted works beyond. Faint summer lightning far downriv
er. A curtain is rising on the western world. A fine rain of soot, dead beetles, anonymous small bones. The audience sits webbed in dust. Within the gutted sockets of the interlocutor's skull a spider sleeps and the jointed ruins of the hanged fool dangle from the flies, bone pendulum in motley. Fourfooted shapes go to and fro over the boards. Ruder forms survive.
Peering down into the water where the morning sun fashioned wheels of light, coronets fanwise in which lay trapped each twig, each grain of sediment, long flakes and blades of light in the dusty water sliding away like optic strobes where motes sifted and spun. A hand trails over the gunwale and he lies athwart the skiff, the toe of one sneaker plucking periodic dimples in the river with the boat's slight cradling, drifting down beneath the bridge and slowly past the mudstained stanchions. Under the high cool arches and dark keeps of the span's undercarriage where pigeons babble and the hollow flap of their wings echoes in stark applause. Glancing up at these cathedraled vaultings with their fossil woodknots and pseudomorphic nailheads in gray concrete, drifting, the bridge's slant shadow leaning the width of the river with that headlong illusion postulate in old cupracers frozen on photoplates, their wheels elliptic with speed. These shadows form over the skiff, accommodate his prone figure and pass on.
With his jaw cradled in the crook of his arm he watched idly surface phenomena, gouts of sewage faintly working, gray clots of nameless waste and yellow condoms roiling slowly out of the murk like some giant form of fluke or tapeworm. The watcher's face rode beside the boat, a sepia visage yawing in the scum, eyes veering and watery grimace. A welt curled sluggishly on the river's surface as if something unseen had stirred in the deeps and small bubbles of gas erupted in oily spectra.
Below the bridge he eased himself erect, took up the oars and began to row toward the south bank. There he brought the skiff about, swinging the stern into a clump of willows, and going aft he raised up a heavy cord that ran into the water from an iron pipe driven into the mud of the bank. This he relayed through an open oarlock mounted on the skiffs transom. Now he set out again, rowing slowly, the cord coming up wet and smooth through the lock and dipping into the river again. When he was some thirty feet from shore the first dropper came up, doubling the line until he reached and cast it off. He went on, the skiff lightly quartered against the river's drift, the hooks riding up one by one into the oarlock with their leached and tattered gobbets of flesh. When he felt the weight of the first fish he shipped the dripping oars and took hold of the line and brought it in by hand. A large carp broke water, a coarse mailed flank dull bronze and glinting. He braced tied on a fresh hook with a chunk of cutbait and dropped it over the side and went on, sculling with one oar, the carp warping heavily against the floorboards.
When he had finished running the line he was on the other side of the river. He rebaited the last drop and let the heavy cord go, watching it sink in the muddy water among a spangled nimbus of sunmotes, a broken corona up through which flared for a moment the last pale chunk of rancid meat. Shifting the oars aboard he sprawled himself over the seats again to take the sun. The skiff swung gently, drifting in the current. He undid his shirt to the waist and put one forearm to his eyes. He could hear the river talking softly beneath him, heavy old river with wrinkled face. Beneath the sliding water cannons and carriages, trunnions seized and rusting in the mud, keelboats rotted to the consistency of mucilage. Fabled sturgeons with their horny pentagonal bodies, the cupreous and dacebright carp and catfish with their pale and sprueless underbellies, a thick muck shot with broken glass, with bones and rusted tins and bits of crockery reticulate with mudblack crazings. Across the river the limestone cliffs reared gray and roughly faceted and strung with grass across their face in thin green faults. Where they overhung the water they made a cool shade and the surface lay calm and dark and reflected like a small white star the form of a plover hovering on the updrafts off the edge of the bluff. Under the seat of the skiff a catfish swam dry and intransigent with his broad face pressed to the bulkhead.
Passing the creek mouth he raised one hand and waved slowly, the old blacks all flowered and bonneted coming about like a windtilted garden with their canes bobbing and their arms lifting dark and random into the air and their gaudy and barbaric costumes billowing with the movement. Beyond them the shape of the city rising wore a wrought, a jaded look, hammered out dark and smoking against a china sky. The grimy river littoral lay warped and shimmering in the heat and there was no sound in all this lonely summer forenoon.
Below the railway trestle he set to running his other line. The water was warm to the touch and had a granular lubricity like graphite. It was full noon when he finished and he stood in the skiff for a moment looking over the catch. He came back upriver rowing slowly, the fish struggling in a thin gray bilge in the floor of the boat, their soft barbels fingering with dull wonder the slimed boards and their backs where they bowed into the sunlight already bleached a bloodless pale. The brass oarlocks creaked in their blocks and the riverwater curled from the bowplanks with a viscid quality and lay behind the skiff in a wake like plowed mire.
He rowed up from under the shadow of the bluffs and past the sand and gravel company and then along by barren and dusty lots where rails ran on cinder beds and boxcars oxidized on blind sidings, past warehouses of galvanized and corrugated tin set in flats gouged from the brickcolored earth where rhomboid and volute shapes of limestone jutted all brindled with mud like great bones washed out. He had already started across the river when he saw the rescue boats against the bank. They were trolling in the channel while a small crowd watched from the shore. Two white boats lightly veiled in the heat and the slow blue smoke of their exhaust, a faint chug of motors carrying the calm of the river. He crossed and rowed up the edge of the channel. The boats had come alongside each other and one of them had cut the engine. The rescue workers wore yachting caps and moved gravely at their task. As the fisherman passed they were taking aboard a dead man. He was very stiff and he looked like a window-dummy save for his face. The face seemed soft and bloated and wore a grappling hook in the side of it and a crazed grin. They raised him so, gambreled up by the bones of his cheek. A pale incruent wound. He seemed to protest woodenly, his head awry. They lifted him onto the deck where he lay in his wet seersucker suit and his lemoncolored socks, leering walleyed up at the workers with the hook in his face like some gross water homunculus taken in trolling that the light of God's day had stricken dead instanter.
The fisherman went past and pulled the skiff into the bank upriver from the crowd. He rolled a stone over the rope and walked down to watch. The rescue boat was coming in and one of the workers was kneeling over the corpse trying to pry the grapnel loose. The crowd was watching him and he was sweating and working at the hook. Finally he set his shoe against the dead man's skull and wrenched the hook with both hands until it came away trailing a stringy piece of blanched flesh.
They brought him ashore on a canvas litter and laid him in the grass where he stared at the sun with his drained eyes and his smile. A snarling clot of flies had already accrued out of the vapid air. The workers covered the dead man with a coarse gray blanket. His feet stuck out.
The fisherman had made to go when someone in the crowd took his elbow. Hey Suttree.
He turned. Hey Joe, he said. Did you see it?
No. They say he jumped last night. They found his shoes on the bridge.
They stood looking at the dead man. The squad workers were coiling their ropes and seeing to their tackle. The crowd had come to press about like mourners and the fisherman and his friend found themselves going past the dead man as if they'd pay respects. He lay there in his yellow socks with the flies crawling on the blanket and one hand stretched out on the grass. He wore his watch on the inside of his wrist as some folks do or used to and as Suttree passed he noticed with a feeling he could not name that the dead man's watch was still running.
That's a bad way to check out, said Joe.
Let's go.
Th
ey walked along the cinders by the edge of the railroad. Suttree rubbed the gently pulsing muscle in his speculative jaw.
Which way do you go? said Joe.
Right here. I've got my boat.
Are you still fishin?
Yeah.
What made you take that up?
I dont know, Suttree said. It seemed like a good idea at the time.
You ever get uptown?
Sometimes.
Why dont you come out to the Corner some evenin and we'll drink a beer.
I'll get out there one of these days.
You fishin today?
Yeah. A little.
Joe was watching him. Listen, he said. You could get on up at Miller's. Brother said they needed somebody in men's shoes.
Suttree looked at the ground and smiled and wiped his mouth with the back of his wrist and looked up again. Well, he said. I guess I'll just stick to the river for a while yet.
Well come out some evenin.
I will.
They lifted each a hand in farewell and he watched the boy go on up the tracks and then across the fields toward the road. Then he went down to the skiff and pulled the rope up and tossed it in and pushed off into the river again. The dead man was still lying on the bank under his blanket but the crowd had begun to drift away. He rowed on across the river.
He swung the skiff in beneath the bridge and shipped the oars and sat looking down at the fish. He selected a blue cat and fetched it up by the gillslots, his thumb resting in the soft yellow throat. It flexed once and was still. The oars dripped in the river. He climbed from the skiff and tied up at a stob and labored up the slick grassless bank toward the arches where the bridge went to earth. Here a dark cavern beneath the vaulted concrete with rocks piled about the entrance and a crudely lettered keep out sign slashed in yellow paint across a boulder. A fire burned in a stone cairn on the rank and sunless clay and there was an old man squatting before it. The old man looked up at him and looked back at the fire again.
I brought you a catfish, Suttree said.
He mumbled and waved his hand about. Suttree laid the fish down and the old man squinted at it and then poked among the ashes of the fire. Set down, he said.
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