The court takes no joy in the coming of summer, and though I buy Arthur his first horse and his first proper saddle, and then have to comfort Henry, who demands a full-size horse of his own, as good as his brother’s, I cannot pretend that it is a summer as it should be, or that the court is a happy one. The king goes everywhere shrouded in silence, his mother spends most of her time in the chapel, and every time someone is missing from dinner or from prayers, everyone looks around and whispers, “Has he gone too? Dear God, has he gone as well? To the boy?”
It is as if we are players on a small tawdry stage, like players who pretend that all is well, that they are comfortable on their stools in their ill-fitting crowns. But anyone looking to the left or to the right can see that this false court is just a few people perched on a wagon, trying to create an illusion of grandeur.
Margaret visits her brother in the Tower before the court leaves London, and comes back to my rooms looking grave. His lessons have been stopped, his guard has been changed, he has become so silent and so sad that she fears that even if he were to be released tomorrow, he would never recover the spirits of the excited little boy that we brought to the capital. He is nineteen years old now but he is not allowed out into the garden; he is allowed only to walk around the roof of the Tower every afternoon. He says he cannot remember what it is like to run, he thinks he has forgotten how to ride a horse. He is innocent of anything but bearing a great name, and he cannot put that name aside, as Margaret has done, as I and my sisters have done, burying our identities in marriage. It is as if his name as a duke of the House of York will drag him, like a millstone around his neck, down into deep water, and never release him.
“Do you think the king will ever let Edward go?” she asks me. “I don’t dare to ask him, this summer. Not even as a favor. I don’t dare to speak to him. And anyway, Sir Richard has ordered me not to. He says we can say nothing and do nothing that might cause the king to doubt our loyalty.”
“Henry can’t doubt Sir Richard,” I protest. “He has made him chamberlain to Arthur. He’ll send him to govern Wales as soon as it is safe for him to leave court. He trusts him more than anyone else in the world.”
Her quick shake of the head reminds me that the king doubts everybody.
“Is Henry doubting Sir Richard?” I whisper.
“He has set a man to watch us,” she says in an undertone. “But if he can’t trust Sir Richard . . . ?”
“Then I don’t think Teddy will ever be released,” I finish grimly. “I don’t think Henry will ever let him go.”
“No, King Henry won’t . . .” she concedes. “But . . .”
In the silence between us, I can see the unspoken words as clearly as if she had traced them on the wood of the table and then polished them away: “King Henry will never release him: but King Richard would.”
“Who knows what will happen?” I say shortly. “Certainly, even in an empty room, you and I should never, ever speculate.”
We get constant news from Malines. I start to dread seeing the door of the king’s privy chamber close and the guard stand across it with his pike barring the way, for then I know that another messenger or spy has come to see Henry. The king tries to ensure that no news escapes from his constant meetings but quickly word gets out that the Emperor Maximilian has visited his lands in Flanders and the boy, the boy who may not be named, is traveling with him as his dearly beloved fellow monarch. The court in Malines is no longer grand enough for him. Maximilian gives him a great palace in the city of Antwerp, a palace hung with his own standard and decorated with white roses. His name, Richard, Prince of Wales and Duke of York, is emblazoned at the front of the building, his retainers wear the York colors of murrey—a deep berry crimson—and blue, and he is served on bended knee.
Henry comes to me as I am stepping into my barge for an evening on the water. “May I join you?”
It is so rare for him to speak pleasantly these days that I fail to answer him at all, I just gawp at him like a peasant girl. He laughs as if he is carefree. “You seem amazed, that I should want to come for a sail with you.”
“I am amazed,” I say. “But I am very pleased. I thought you were locked in your privy chamber with reports.”
“I was, but then I saw from my window that they were getting your barge ready, and I thought: what a lovely evening it is to be on the water.”
I gesture to my court and a young man bounds out of his seat; everyone else moves along and Henry sits beside me, nodding that the boatmen can cast off.
It is a beautiful evening; the swallows are twisting and turning low over the silvery river, dipping down to snatch a beakful of water and then swirling away. A curlew lifts up from the riverbank and calls low and sweet, its wings wide. Softly, the musicians on the following barge set a note and start to play.
“I am so glad you came with us,” I say quietly.
He takes my hand and kisses it. It is the first gesture of affection between us for many weeks, and it warms me like the evening sunlight. “I am glad too,” he says.
I glance at him and take in the weariness in his face and the tension in his shoulders. For a moment I wonder if I can speak to him as a wife should speak to her husband, scolding him for not taking care of himself, urging him to rest, caring for his health. “I think you have been working too hard,” I say.
“I have many worries,” he says quietly, as if he has not been on the very brink of madness. “But this evening I should like to be at peace with you.”
I glow towards him, and I can feel my smile broaden. “Oh, Henry!”
“My love,” he says. “You are always—whatever troubles I have—you are always my love.”
He takes my hand, he carries it to his lips, he kisses it gently, and I cup my other hand to his cheek. “I feel as if you have suddenly come back to me, from a long dangerous journey,” I say wonderingly.
“I wanted to come on the water,” he explains. “Where in the world is more beautiful than the river and a summer evening in England? And where is there better company?”
“The best company in England, now that you’re here.”
He smiles at the compliment and his face is warm, happy. He looks years younger than the frantic man who waits for messengers from Flanders. “And I have plans,” he promises.
“Good plans?”
“Very. I have decided that it’s time to proclaim Henry as Duke of York. Now that he’s four.”
“He’s not yet four,” I correct him.
“Near enough. He should have his title.”
I wait, my smile fading from my face. I know my husband well enough to realize that there will be more.
“And I’ll make him Lieutenant of Ireland.”
“At three and a half?”
“He’s nearly four. Don’t you worry! He won’t have to go anywhere or do anything. I’ll make Sir Edward Poynings his deputy in Ireland and send him over there with a force.”
“A force?”
“To make sure that they accept Henry’s rule. To establish our son’s name in Ireland.”
I look away from my husband’s intent face to the green banks where the swish of our oars barely stirs the reeds. An oystercatcher calls its sudden piping warning, and I can just see the little chick, pied brilliant white and glossy black like its parents, crouch down low as we go past.
“You are not honoring our little son Henry,” I say quietly. “You are using him.”
“This is to show them in Malines, in Antwerp, in Flanders, to show them even in London, in Ireland, that they don’t have the Duke of York. We have him, and his name is Henry Duke of York. He is Lieutenant of Ireland and the Irish will bow the knee to him and I will have the head of anyone who mentions any other duke.”
“You mean the boy,” I say flatly. It is almost as if the color is draining away from the golden sunset. The joy is going from the evening as the rose is going from the light.
“They call him Richard Duke of York. We will show them tha
t we have Henry Duke of York. And his claim is stronger.”
“I don’t like our boy being used to claim a name,” I say cautiously.
“It’s his own name,” my husband insists. “He’s the second son of the King of England, so he’s the Duke of York. Certainly he must claim his name and prevent anyone else from using it. We show the world that we claim the name. There is only one Duke of York and he’s a Tudor.”
“Don’t we show the world that we are frightened that someone else is using the name?” I ask. “By making Henry a duke now? While he is still in the nursery? Doesn’t it look as if we are laying claim to a name that someone else is using? Doesn’t it make us look weak, rather than strong?”
There is a cold silence, and I turn to look at him and I am shocked to see that suddenly Henry is white-faced, and shaking with fury. By commenting on his plan I have triggered his rage, and he is beside himself.
“You can turn back,” he bellows over his shoulder to the steersman, ignoring me. “Turn back and put me ashore. I am tired of this, I am sick of this.”
“Henry . . .”
“I am sick of all of you,” he says bitterly.
WESTMINSTER PALACE, LONDON, AUTUMN 1494
Two weeks of celebration follow the creation of Harry as Duke of York, two weeks in which he eats ridiculous food at great banquets, is dressed like a little king, stays up too late until he is dizzy with fatigue, then cries himself to sleep for tiredness to wake in the morning in a state of unbearable excitement to another glorious day.
Even I, critical of the mummery of this ennobling, can see how my boy Harry rises to it and relishes it. He is a most joyously vain boy; there is nothing he likes more than being the center of admiration and the focus of attention and for these days everyone praises his schooling, his strength, and his beauty, and little Harry blushes like the red rose of Lancaster under the excessive admiration.
Arthur, always quieter and more sober than his boisterous brother and noisy sister Margaret, sits beside me during the great church service when Thomas Langton, Bishop of Winchester, assists the archbishop to institute Harry as Duke of York. During the banquet, when Henry lifts Harry onto a table so that everyone can see him, Arthur only says quietly: “I hope he doesn’t sing. He’s been longing to sing for everyone.”
I laugh. “I won’t let him sing,” I assure him. “Though he does have a beautiful voice.”
I break off because Margaret, already wild with jealousy at the attention being paid to her brother, slips down from her chair and pulls at the king’s cape. Horrified, her nursemaid runs after her and curtseys low to the king and begs his pardon. But we are in public, celebrating our power. This is not the king whose heart pounds at the sudden noise of a gun salute, who falls into white-faced rage in a moment; this is Henry as he wants people to see him. This Henry does not mind his children out of their chairs, ill-mannered. This is the Henry who has learned what he must do to appear kingly in public. I taught him myself. He roars with laughter as if he is genuinely amused, and he lifts Margaret up so she stands side by side with her brother and waves at the court. He beckons to Elizabeth’s nursemaid and she holds the baby out so that everyone can see the three children side by side.
“The children of England!” my husband shouts exultantly, and everyone cheers. He throws out a hand for Arthur and me to join them. Reluctantly, Arthur stands up and pulls back my chair so that we can both go to the king where he stands, his arms wrapped around his younger children, and all six of us can take the applause as if we were playactors indeed.
Harry turns to his father and whispers. His father bends down to hear and then claps his hands for attention and everyone falls silent. “My son, the Duke of York, is going to sing!” he announces.
Arthur gives me one long inscrutable look and we all stand in silence and listen as Harry, in a sweet light soprano voice, sings “A Very Merry Welcome to Spring” and everyone taps the table or hums the chorus, and when he is done they burst into completely spontaneous applause. Arthur and I smile as if we are quite delighted.
At the end of the two weeks of celebration there is a joust, and Princess Margaret is to award the prizes. I have to order Harry from the royal box, as he cannot bear the disappointment that I will not allow him to ride in the joust on his pony, nor even parade in the arena.
“You can stand here and wave at the crowd, or you can go to the nursery,” I say firmly.
“He has to stay,” my husband overrules me. “He has to be seen by the crowd. And he has to be seen smiling.”
I turn to my sulky little son. “You heard the king,” I say. “You must wave and you must smile. Sometimes we have to do things that we don’t want. Sometimes we have to look happy even when we are sad or angry. We are the royal family of England, we have to be seen in our power and our joy. And we have to look glad.”
Harry always listens to an appeal to his vanity. Sulkily, he bows his copper head only for a moment, and then he steps to the front of the royal box and lifts his hand to wave at the crowd who bellow their approval. The cheers excite him, he beams and waves again, then he bounces like a young lamb. Beyond him, my son Arthur lifts his hand to wave as well, and smiles. Gently, unseen by the crowd, I get a firm grip of the back of Harry’s jacket and hold him still before he shames all of us by jumping over the low wall altogether.
As the jousters come into the arena I catch my breath. I had expected them to be wearing Tudor green, the eternal Tudor green, the compulsory springtime of my husband’s reign. But he and his mother have ordered them into the colors of York to honor the new little Duke of York, and to remind everyone that the rose of York is here, not in Malines. They are all wearing blue and the deep scarlet murrey of my house, the livery I have not seen since Richard, the last king of York, rode out to his death at Bosworth.
Henry catches the look on my face. “It looks well,” he says indifferently.
“It does,” I agree.
The Tudor presence is stated in the roses which stud the arena, white for York overlaid by the red for Lancaster, and sometimes the new rose which they are growing in greater and greater numbers for occasions like this: the Tudor rose, a red marking inside a white flower, as if every York is actually a Lancaster at heart.
Everyone is invited to the tournament and everyone in England comes: loyalist, traitor, and those very many who have not yet made up their minds. London is filled with people, every lord from every county in England has come with his household, every squire has come with his family, everyone has been commanded to come to celebrate the ennobling of Henry. The palace is filled, there is not a spare inch of floor in the great hall, everyone beds down where they can find a space. The inns for two miles in every direction are bursting at the seams, with four to a bed. All the private houses take in guests, the very stables host men sleeping in the hay barns above the horses. And it is this concentration of so many lords and gentry, citizens, and commoners, this gathering of all the people of England, that makes it so easy, so horribly easy for Henry to arrest everyone he suspects of treason or disloyalty, or even a word out of place.
The moment the joust is over and before anyone can go home, Henry sends out his yeomen of the guard, and men—guilty and innocent alike—are snatched from their lodgings, from their houses, some even from their beds. It is a magnificent attack on everyone whose names Henry has compiled from the time that the boy was first mentioned till now, at the moment that they were most unsuspecting, when they had stepped into Henry’s trap. It is brilliant. It is ruthless. It is cruel.
The lawyers are not alert, most of them have come to the joust as guests, the clerks are still taking their holidays. The accused men can find no one to represent them, they cannot even find their friends to post the massive fines that Henry sets for them. Henry snatches them up quickly, dozens at a time, in a city that has been lulled into carelessness by days of merrymaking into forgetting that they are ruled by a king who is never careless, and hardly ever merry.
&
nbsp; THE TOWER OF LONDON, JANUARY 1495
We move the court to the Tower as if we are under siege, and I take up residence in my least favorite rooms, in the worst season of the year. Henry finds me, seated on the stone windowsill under a narrow arrow-slit window, looking out at the dark clouds and the constant cold rain on the river beneath the Tower.
“This is cozy,” he says, warming his hands at the fire.
When I say nothing, he nods at my ladies to leave us and they skitter out of the room, their leather shoes slapping on the stone floors, their skirts sweeping the rushes aside.
“The children are next door,” he says. “I ordered them to be housed there, myself. I know you like them to be near you.”
“And where is Edward of Warwick? My cousin?”
“In his usual rooms,” Henry says with a little grimace at his own embarrassment. “Safe and sound, of course. Safe in our keeping.”
“Why did we not stay at Greenwich? Is there some danger that you’re not telling me about?”
“Oh no, no danger.” He rubs his hands before the fire again and speaks so airily that I am now certain something is badly wrong.
“Then why have we come here?”
He glances to make sure that the door is locked. “One of the boy’s greatest adherents, Sir Robert Clifford, is coming back home to England. He betrayed me, but now he’s coming back to me. He can come here and report to me, thinking to win my favor, and I can arrest him without further trouble. He can go from privy chamber to prison—just down a flight of steps!” He smiles as if it is a great advantage to live in a prison for traitors.
“Sir Robert?” I repeat. “I thought he had betrayed you without possibility of return when he left England? I thought he had run away to be with the boy?”
“He was with the boy!” Henry is exultant. “He was with the boy and the foolish boy trusted him with all his treasure and his plans. But he has brought them all to me. And a sack.”
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