Most of the women were gathered on one side of the room. They were talking. Then the bell struck one time and they dispersed to their seats and the congregation sat for an instant, expectant. The bell struck again one time. The choir rose and began to sing and the congregation turned its head as one as six small children—four girls with tight pigtails bound with small scraps of cloth like butterflies, and two boys with close napped heads—entered and marched up the aisle, strung together in a harness of white ribbons and flowers, and followed by two men in single file. The second man was huge, of a light coffee color, imposing in a frock coat and white tie. His head was magisterial and profound, his neck rolled above his collar in rich folds. But he was familiar to them, and so the heads were still reverted when he had passed, and it was not until the choir ceased singing that they realised that the visiting clergyman had already entered, and when they saw the man who had preceded their minister enter the pulpit still ahead of him an indescribable sound went up, a sigh, a sound of astonishment and disappointment.
The visitor was undersized, in a shabby alpaca coat. He had a wizened black face like a small, aged monkey. And all the while that the choir sang again and while the six children rose and sang in thin, frightened, tuneless whispers, they watched the insignificant looking man sitting dwarfed and countrified by the minister’s imposing bulk, with something like consternation. They were still looking at him with consternation and unbelief when the minister rose and introduced him in rich, rolling tones whose very unction served to increase the visitor’s insignificance.
“En dey brung dat all de way fum Saint Looey,” Frony whispered.
“I’ve knowed de Lawd to use cuiser tools dan dat,” Dilsey said. “Hush, now,” she said to Ben. “Dey fixin to sing again in a minute.”
When the visitor rose to speak he sounded like a white man. His voice was level and cold. It sounded too big to have come from him and they listened at first through curiosity, as they would have to a monkey talking. They began to watch him as they would a man on a tight rope. They even forgot his insignificant appearance in the virtuosity with which he ran and poised and swooped upon the cold inflectionless wire of his voice, so that at last, when with a sort of swooping glide he came to rest again beside the reading desk with one arm resting upon it at shoulder height and his monkey body as reft of all motion as a mummy or an emptied vessel, the congregation sighed as if it waked from a collective dream and moved a little in its seats. Behind the pulpit the choir fanned steadily. Dilsey whispered, “Hush, now. Dey fixin to sing in a minute.”
Then a voice said, “Brethren.”
The preacher had not moved. His arm lay yet across the desk, and he still held that pose while the voice died in sonorous echoes between the walls. It was as different as day and dark from his former tone, with a sad, timbrous quality like an alto horn, sinking into their hearts and speaking there again when it had ceased in fading and cumulate echoes.
“Brethren and sisteren,” it said again. The preacher removed his arm and he began to walk back and forth before the desk, his hands clasped behind him, a meagre figure, hunched over upon itself like that of one long immured in striving with the implacable earth, “I got the recollection and the blood of the Lamb!” He tramped steadily back and forth beneath the twisted paper and the Christmas bell, hunched, his hands clasped behind him. He was like a worn small rock whelmed by the successive waves of his voice. With his body he seemed to feed the voice that, succubus like, had fleshed its teeth in him. And the congregation seemed to watch with its own eyes while the voice consumed him, until he was nothing and they were nothing and there was not even a voice but instead their hearts were speaking to one another in chanting measures beyond the need for words, so that when he came to rest against the reading desk, his monkey face lifted and his whole attitude that of a serene, tortured crucifix that transcended its shabbiness and insignificance and made it of no moment, a long moaning expulsion of breath rose from them, and a woman’s single soprano: “Yes, Jesus!”
As the scudding day passed overhead the dingy windows glowed and faded in ghostly retrograde. A car passed along the road outside, laboring in the sand, died away. Dilsey sat bolt upright, her hand on Ben’s knee. Two tears slid down her fallen cheeks, in and out of the myriad coruscations of immolation and abnegation and time.
“Brethren,” the minister said in a harsh whisper, without moving.
“Yes, Jesus!” the woman’s voice said, hushed yet.
“Breddren en sistuhn!” His voice rang again, with the horns. He removed his arm and stood erect and raised his hands. “I got de ricklickshun en de blood of de Lamb!” They did not mark just when his intonation, his pronunciation, became negroid, they just sat swaying a little in their seats as the voice took them into itself.
“When de long, cold—— Oh, I tells you, breddren, when de long, cold.…… I sees de light en I sees de word, po sinner! Dey passed away in Egypt, de swingin chariots; de generations passed away. Wus a rich man: whar he now, O breddren? Wus a po man: whar he now, O sistuhn? Oh I tells you, ef you aint got de milk en de dew of de old salvation when de long, cold years rolls away!”
“Yes, Jesus!”
“I tells you, breddren, en I tells you, sistuhn, dey’ll come a time. Po sinner sayin Let me lay down wid de Lawd, lemme lay down my load. Den whut Jesus gwine say, O breddren? O sistuhn? Is you got de ricklickshun en de Blood of de Lamb? Case I aint gwine load down heaven!”
He fumbled in his coat and took out a handkerchief and mopped his face. A low concerted sound rose from the congregation: “Mmmmmmmmmmmmm!” The woman’s voice said, “Yes, Jesus! Jesus!”
“Breddren! Look at dem little chillen settin dar. Jesus wus like dat once. He mammy suffered de glory en de pangs. Sometime maybe she helt him at de nightfall, whilst de angels singin him to sleep; maybe she look out de do en see de Roman po-lice passin.” He tramped back and forth, mopping his face. “Listen, breddren! I sees de day. Ma’y settin in de do wid Jesus on her lap, de little Jesus. Like dem chillen dar, de little Jesus. I hears de angels singin de peaceful songs en de glory; I sees de closin eyes; sees Mary jump up, sees de sojer face: We gwine to kill! We gwine to kill! We gwine to kill yo little Jesus! I hears de weepin en de lamentation of de po mammy widout de salvation en de word of God!”
“Mmmmmmmmmmmmmmmm! Jesus! Little Jesus!” and another voice, rising:
“I sees, O Jesus! Oh I sees!” and still another, without words, like bubbles rising in water.
“I sees hit, breddren! I sees hit! Sees de blastin, blindin sight! I sees Calvary, wid de sacred trees, sees de thief en de murderer en de least of dese; I hears de boastin en de braggin: Ef you be Jesus, lif up yo tree en walk! I hears de wailin of women en de evenin lamentations; I hears de weepin en de cryin en de turnt-away face of God: dey done kilt Jesus; dey done kilt my Son!”
“Mmmmmmmmmmmmm. Jesus! I sees, O Jesus!”
“O blind sinner! Breddren, I tells you; sistuhn, I says to you, when de Lawd did turn His mighty face, say, Aint gwine overload heaven! I can see de widowed God shet His do; I sees de whelmin flood roll between; I sees de darkness en de death everlastin upon de generations. Den, lo! Breddren! Yes, breddren! Whut I see? Whut I see, O sinner? I sees de resurrection en de light; sees de meek Jesus sayin Dey kilt me dat ye shall live again; I died dat dem whut sees en believes shall never die. Breddren, O breddren! I sees de doom crack en de golden horns shoutin down de glory, en de arisen dead whut got de blood en de ricklickshun of de Lamb!”
In the midst of the voices and the hands Ben sat, rapt in his sweet blue gaze. Dilsey sat bolt upright beside, crying rigidly and quietly in the annealment and the blood of the remembered Lamb.
As they walked through the bright noon, up the sandy road with the dispersing congregation talking easily again group to group, she continued to weep, unmindful of the talk.
“He sho a preacher, mon! He didn’t look like much at first, but hush!”
“He seed de power en de glory.”
“Yes, suh. He seed hit. Face to face he seed hit.”
Dilsey made no sound, her face did not quiver as the tears took their sunken and devious courses, walking with her head up, making no effort to dry them away even.
“Whyn’t you quit dat, mammy?” Frony said. “Wid all dese people lookin. We be passin white folks soon.”
“I’ve seed de first en de last,” Dilsey said. “Never you mind me.”
“First en last whut?” Frony said.
“Never you mind,” Dilsey said. “I seed de beginnin, en now I sees de endin.”
Before they reached the street though she stopped and lifted her skirt and dried her eyes on the hem of her topmost underskirt. Then they went on. Ben shambled along beside Dilsey, watching Luster who anticked along ahead, the umbrella in his hand and his new straw hat slanted viciously in the sunlight, like a big foolish dog watching a small clever one. They reached the gate and entered. Immediately Ben began to whimper again, and for a while all of them looked up the drive at the square, paintless house with its rotting portico.
“Whut’s gwine on up dar today?” Frony said. “Somethin is.”
“Nothin,” Dilsey said. “You tend to yo business en let de whitefolks tend to deir’n.”
“Somethin is,” Frony said. “I heard him first thing dis mawnin. ’Taint none of my business, dough.”
“En I knows whut, too,” Luster said.
“You knows mo dan you got any use fer,” Dilsey said. “Aint you jes heard Frony say hit aint none of yo business? You take Benjy on to de back and keep him quiet twell I put dinner on.”
“I knows whar Miss Quentin is,” Luster said.
“Den jes keep hit,” Dilsey said. “Soon es Quentin need any of yo egvice, I’ll let you know. Y’all g’awn en play in de back, now.”
“You know whut gwine happen soon es dey start playin dat ball over yonder,” Luster said.
“Dey wont start fer a while yit. By dat time T. P. be here to take him ridin. Here, you gimme dat new hat.”
Luster gave her the hat and he and Ben went on across the back yard. Ben was still whimpering, though not loud. Dilsey and Frony went to the cabin. After a while Dilsey emerged, again in the faded calico dress, and went to the kitchen. The fire had died down. There was no sound in the house. She put on the apron and went up stairs. There was no sound anywhere. Quentin’s room was as they had left it. She entered and picked up the undergarment and put the stocking back in the drawer and closed it. Mrs Compson’s door was closed. Dilsey stood beside it for a moment, listening. Then she opened it and entered, entered a pervading reek of camphor. The shades were drawn, the room in halflight, and the bed, so that at first she thought Mrs Compson was asleep and was about to close the door when the other spoke.
“Well?” she said. “What is it?”
“Hit’s me,” Dilsey said. “You want anything?”
Mrs Compson didn’t answer. After a while, without moving her head at all, she said: “Where’s Jason?”
“He aint come back yit,” Dilsey said. “Whut you want?”
Mrs Compson said nothing. Like so many cold, weak people, when faced at last by the incontrovertible disaster she exhumed from somewhere a sort of fortitude, strength. In her case it was an unshakable conviction regarding the yet unplumbed event. “Well,” she said presently. “Did you find it?”
“Find whut? Whut you talkin about?”
“The note. At least she would have enough consideration to leave a note. Even Quentin did that.”
“Whut you talkin about?” Dilsey said. “Dont you know she all right? I bet she be walkin right in dis do befo dark.”
“Fiddlesticks,” Mrs Compson said. “It’s in the blood. Like uncle, like niece. Or mother. I dont know which would be worse. I dont seem to care.”
“Whut you keep on talkin that way fur?” Dilsey said. “Whut she want to do anything like that fur?”
“I dont know. What reason did Quentin have? Under God’s heaven what reason did he have? It cant be simply to flout and hurt me. Whoever God is, He would not permit that. I’m a lady. You might not believe that from my offspring, but I am.”
“You des wait en see,” Dilsey said. “She be here by night, right dar in her bed.” Mrs Compson said nothing. The camphor soaked cloth lay upon her brow. The black robe lay across the foot of the bed. Dilsey stood with her hand on the door knob.
“Well,” Mrs Compson said. “What do you want? Are you going to fix some dinner for Jason and Benjamin, or not?”
“Jason aint come yit,” Dilsey said. “I gwine fix somethin. You sho you dont want nothin? Yo bottle still hot enough?”
“You might hand me my bible.”
“I give hit to you dis mawnin, befo I left.”
“You laid it on the edge of the bed. How long did you expect it to stay there?”
Dilsey crossed to the bed and groped among the shadows beneath the edge of it and found the bible, face down. She smoothed the bent pages and laid the book on the bed again. Mrs Compson didn’t open her eyes. Her hair and the pillow were the same color, beneath the wimple of the medicated cloth she looked like an old nun praying. “Dont put it there again,” she said, without opening her eyes. “That’s where you put it before. Do you want me to have to get out of bed to pick it up?”
Dilsey reached the book across her and laid it on the broad side of the bed. “You cant see to read, noways,” she said. “You want me to raise de shade a little?”
“No. Let them alone. Go on and fix Jason something to eat.”
Dilsey went out. She closed the door and returned to the kitchen. The stove was almost cold. While she stood there the clock above the cupboard struck ten times. “One oclock,” she said aloud. “Jason aint comin home. Ise seed de first en de last,” she said, looking at the cold stove. “I seed de first en de last.” She set out some cold food on a table. As she moved back and forth she sang, a hymn. She sang the first two lines over and over to the complete tune. She arranged the meal and went to the door and called Luster, and after a time Luster and Ben entered. Ben was still moaning a little, as to himself.
“He aint never quit,” Luster said.
“Y’all come on en eat,” Dilsey said. “Jason aint comin to dinner.” They sat down at the table. Ben could manage solid food pretty well for himself, though even now, with cold food before him, Dilsey tied a cloth about his neck. He and Luster ate. Dilsey moved about the kitchen, singing the two lines of the hymn which she remembered. “Y’all kin g’awn en eat,” she said. “Jason aint comin home.”
He was twenty miles away at that time. When he left the house he drove rapidly to town, overreaching the slow sabbath groups and the peremptory bells along the broken air. He crossed the empty square and turned into a narrow street that was abruptly quieter even yet, and stopped before a frame house and went up the flower bordered walk to the porch.
Beyond the screen door people were talking. As he lifted his hand to knock he heard steps, so he withheld his hand until a big man in black broadcloth trousers and a stiff bosomed white shirt without collar opened the door. He had vigorous untidy iron-gray hair and his gray eyes were round and shiny like a little boy’s. He took Jason’s hand and drew him into the house, still shaking it.
“Come right in,” he said. “Come right in.”
“You ready to go now?” Jason said.
“Walk right in,” the other said, propelling him by the elbow into a room where a man and a woman sat. “You know Myrtle’s husband, dont you? Jason Compson, Vernon.”
“Yes,” Jason said. He did not even look at the man, and as the sheriff drew a chair across the room the man said,
“We’ll go out so you can talk. Come on, Myrtle.”
“No, no,” the sheriff said. “You folks keep your seat. I reckon it aint that serious, Jason? Have a seat.”
“I’ll tell you as we go along,” Jason said. “Get your hat and coat.”
“We’ll go out,” the man said, rising.
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p; “Keep your seat,” the sheriff said. “Me and Jason will go out on the porch.”
“You get your hat and coat,” Jason said. “They’ve already got a twelve hour start.” The sheriff led the way back to the porch. A man and a woman passing spoke to him. He responded with a hearty florid gesture. Bells were still ringing, from the direction of the section known as Nigger Hollow. “Get your hat, Sheriff,” Jason said. The sheriff drew up two chairs.
“Have a seat and tell me what the trouble is.”
“I told you over the phone,” Jason said, standing. “I did that to save time. Am I going to have to go to law to compel you to do your sworn duty?”
“You sit down and tell me about it,” the sheriff said. “I’ll take care of you all right.”
“Care, hell,” Jason said. “Is this what you call taking care of me?”
“You’re the one that’s holding us up,” the sheriff said. “You sit down and tell me about it.”
Jason told him, his sense of injury and impotence feeding upon its own sound, so that after a time he forgot his haste in the violent cumulation of his self justification and his outrage. The sheriff watched him steadily with his cold shiny eyes.
“But you dont know they done it,” he said. “You just think so.”
“Dont know?” Jason said. “When I spent two damn days chasing her through alleys, trying to keep her away from him, after I told her what I’d do to her if I ever caught her with him, and you say I dont know that that little b——”
“Now, then,” the sheriff said. “That’ll do. That’s enough of that.” He looked out across the street, his hands in his pockets.
“And when I come to you, a commissioned officer of the law,” Jason said.
“That show’s in Mottson this week,” the sheriff said.
“Yes,” Jason said. “And if I could find a law officer that gave a solitary damn about protecting the people that elected him to office, I’d be there too by now.” He repeated his story, harshly recapitulant, seeming to get an actual pleasure out of his outrage and impotence. The sheriff did not appear to be listening at all.
The Sound and the Fury Page 27
