by Isaac Asimov
Im in Marsport without Hilda
It worked itself out, to begin with, like a dream. I didn't have to make any arrangements. I didn't have to touch it. I just watched things work out. Maybe right then's when I should have smelled catastrophe.
It began with my usual month's layoff between assignments. A month on and a month off is the right and proper routine for the Galactic Service. I reached Marsport for the usual three-day layover before the short hop to Earth.
Ordinarily, Hilda, God bless her, as sweet a wife as any man ever had, would be there waiting for me and we'd have a nice sedate time of it-a nice little interlude for the two of us. The only trouble with that is that Marsport is the rowdiest hellhole in the system, and a nice little interlude isn't exactly what fits in. Only, how do I explain that to Hilda, hey?
Well, this time my mother-in-law-God bless her, for a change-got sick just two days before I reached Marsport; and the night before landing, I got a spacegram from Hilda saying she would stay on Earth with her mother and wouldn't meet me this one time.
I grammed back my loving regrets and my feverish anxiety concerning her mother; and when I landed, there I was:
I was in Marsport without Hilda! That was still nothing, you understand. It was the frame of the picture, the bones of the woman. Now there was the matter of the lines and coloring inside the frame; the skin and flesh outside the bones.
So I called up Flora-Flora of certain rare episodes in the past-and for the purpose I used a video booth. Damn the expense, full speed ahead.
I was giving myself ten to one odds she'd be out, she'd be busy with her videophone disconnected, she'd be dead, even.
But she was in, with her videophone connected and shewas anything but dead.
She looked better than ever. Age cannot wither nor custom stale, as somebody or other once said, her infinite variety. And the robe she wore-or, rather, almost didn't wear-helped a lot.
Was she glad to see me? She squealed, 'Max! It's been years. '
'I know, Flora, but this is it, if you're available. Because guess what! I'm in Marsport without Hilda. ' She squealed again. 'Isn't that nice! Then come on over. '
I goggled a bit. This was too much. 'You mean you are available?' You have to understand that Flora was never available without plenty of notice. Well, she was that kind of knockout.
She said, 'Oh, I've got some quibbling little arrangement Max, but I'll take care of that. You come on over. '
'I'll come,' I said happily.
Flora was the kind of girl-Well, I tell you, she had her rooms under Martian gravity, 0-4 Earth-normal. The gadget to free her of Marsport's pseudo-grav field was expensive, of course, but I'll tell you just in passing that it was worth it, and she had no trouble paying it off. If you've ever held a girl in your arms at 0-4 gees, you need no explanation. If you haven't, explanations will do no good. I'm also sorry for you.
Talk about floating on clouds. . .
And mind you, the girl has to know how to handle low gravity. Flora did. I won't talk about myself, you understand, but Flora didn't howl for me to come over and start breaking previous engagements just because she was at loose ends. Her ends were never loose.
I closed connections, and only the prospect of seeing it all in the flesh-such flesh!-could have made me wipe out the image with such alacrity. I stepped out of the booth.
And at that point, that precise point, that very split instant of time, the first whiff of catastrophe nudged itself up to me.
That first whiff was the bald head of that lousy Rog Crinton of the Mars offices, gleaming over a headful of pale blue eyes, pale yellow complexion, and pale brown mustache. He was the same Rog Crinton, with some Slavic strain in his ancestry, that half the people out on field work thought had a middle name that went sunnuvabich.
I didn't bother getting on all fours and beating my forehead against the ground because my vacation had started the minute I had gotten off the ship.
I said with only normal politeness, 'What the hell do you want and I'm in a hurry. I've got an appointment. '
He said, 'You've got an appointment with me. I've got a little job for you. '
I laughed and told him in all necessary anatomical detail where he could put the little job, and offered to get him a mallet to help. I said, 'It's my month off, friend. ' He said, 'Red emergency alert, friend. '
Which meant, no vacation, just like that. I couldn't believe it. I said, 'Nuts, Rog. Have a heart. I got an emergency alert of my own. '
'Nothing like this. '
'Rog,' I pleaded, 'can't you get someone else? Anyone else?'
'You're the only Class A agent on Mars. '
'Send to Earth, then. They stack agents like micropile units at Headquarters. '
This has got to be done before 11 p. m. What's the matter? You haven't got three hours?'
I grabbed my head. The boy just didn't know. I said. 'Let me make a call, will you?'
I stepped back in the booth, glared at him, and said, 'Private!'
Flora shone on the screen again, like a mirage on an asteroid. She said, 'Something wrong, Max? Don't say something's wrong. I canceled my other engagement. '
I said, 'Flora, baby, I'll be there. I'll be there. But something's come up. '.
She asked the natural question in a hurt tone of voice and I said, 'No. Not another girl. With you in the same town they don't make any other girls. Females, maybe. Not girls. Baby! Honey! It's business. Just hold on. It won't take long. '
She said, 'All right,' but she said it kind of like it was just enough not all right so that I got the shivers.
I stepped out of the booth and said, 'All right, Rog Sunnuvabich, what kind of mess have you cooked up for me?'
We went into the spaceport bar and got us an insulated booth. He said, 'The An tores Giant is coming in from Sirius in exactly half an hour, at 8 p. m. local time. '
'Okay. '
'Three men will get out, among others, and will wait for the Space Eater coming in from Earth at 11 p. m. and leaving for Capella some time thereafter. The three men will get on the Space Eater and will then be out of our jurisdiction. '
'So. '
'So between eight and eleven, they will be in a special waiting room and you will be with them. I have a trimensional image of each for you so you'll know who they are and which is which. You have between eight and eleven to decide which one is carrying contraband. '
'What kind of contraband?'
The worst kind. Altered Spaceoline. '
'Altered Spaceoline?'
He had thrown me. I knew what Spaceoline was. If you've been on a space hop you know too. And in case you're Earthbound yourself the bare fact is that everyone needs it on the first space trip; almost everybody needs it for the first dozen trips; lots need it every trip. Without it, there is vertigo associated with free fall, screaming terrors, semipermanent psychoses. With it, there is nothing; you don't mind a thing. And it isn't habit-forming; it has no adverse side effects. Spaceoline is ideal, essential, unsubstitutable. When in doubt, take Spaceoline.
Rog said, That's right, altered Spaceoline. It can be changed chemically, by a simple reaction that can be conducted in anyone's basement, into a drug that will give one giant-size charge and become your baby-blue habit the first time. It is on a par with the most dangerous alkaloids we know. '
'And we just found out about it?'
'No. The Service has known about it for years, and we've kept others from knowing by squashing every discovery flat. Now, however, the discovery has gone too far. '
'In what way?'
'One of the men who will be stopping over at this spaceport is carrying some of the altered Spaceoline on his person. Chemists in the Capellan system, which is outside the Federation, will analyze it and set up ways of synthesizing more. After that, it's either fight the worst drug menace we've ever seen or suppress the matter by suppressing the source. '
'You mean Spaceo
line. '
'Right. And if we suppress Spaceoline, we suppress space travel. '
I decided to put my finger on the point. 'Which one of the three has it?'
Rog smiled nastily. 'If we knew, would we need you? You're to find out which of the three. '
'You're calling on me for a lousy frisk job?'
Touch the wrong one at the risk of a haircut down to the larynx. Every one of the three is a big man on his own planet. One is Edward Harponaster; one is Joaquin Lipsky; and one is Andiamo Ferrucci. Well?'
He was right. I'd heard of every one of them. Chances are you have too. Important, very important people, and not one was touchable without proof in advance. I said, 'Would one of them touch a dirty deal like-'
There are trillions involved,' said Rog, 'which means any one of the three would. And one of them has, because Jack Hawk got that far before he was killed-'
'Jack Hawk's dead?'
'Right, and one of those guys arranged the killing. Now you find out which. You put the finger on the right one before eleven and there's a promotion, a raise in pay, a payback for poor Jack Hawk, and a rescue of the Galaxy. You put the finger on the wrong one and there'll be a nasty interstellar situation and you'll be out on your ear and also on every blacklist from here to Antares and back. '
I said, 'Suppose I don't finger anybody?'
That would be like fingering the wrong one as far as the Service is concerned. '
'I've got to finger someone, but only the right one, or my head's handed to me?'
'In thin slices. You're beginning to understand me, Max. '
In a long lifetime of looking ugly, Rog Crinton had never looked uglier. The only comfort I got out of staring at him was the realization that he was married too, and that he lived with his wife at Marsport all year round. And does he deserve that! Maybe I'm hard on him, but he deserves it.
I put in a quick call to Flora, as soon as Rog was out of sight.
She said, 'Well?' The magnetic seams on her robe were opened just right and her voice sounded as thrillingly soft as she looked.
I said, 'Baby, honey, it's something I can't talk about, but I've got to do it, see? Now you hang on, I'll get it over with if I have to swim the Grand Canal to the icecap in my underwear, see? If I have to claw Phobos out of the sky. If I have to cut myself in pieces and mail myself parcel post. '
'Gee,' she said, 'if I thought I was going to have to wait. . . '
I winced. She just wasn't the type to respond to poetry. Actually, she was a simple creature of action. . .
but after all, if I were going to be drifting through low gravity in a sea of jasmine perfume with Flora, poetry response is not the type of qualification I would consider most indispensable.
I said urgently, 'Just hold on, Flora. I won't be any time at all. I'll make it up to you. '
I was annoyed, sure, but I wasn't worried as yet. Rog hadn't more than left me when I figured out exactly how I was going to tell the guilty man from the others.
It was easy. I should have called Rog back and told him, but there's no law against wanting egg in your beer and oxygen in your air. It would take me five minutes and then off I would go to Flora; a little late, maybe, but with a promotion, a raise, and a slobbering kiss from the Service on each cheek.
You see, it's like this. Big industrialists don't go space hopping much; they use transvideo reception. When they do go to some ultra-high interstellar conference, as these three were probably going, they took Spaceoline. For one thing, they didn't have enough hops under their belt to risk doing without. For another, Spaceoline was the expensive way of doing it and industrialists did things the expensive way. I know their psychology.
Now that would hold for two of them. The one who carried contraband, however, couldn't risk Spaceoline-even at the price of risking space sickness. Under Spaceoline influence, he could throw the drug away, or give it away, or talk gibberish about it. He would have to stay in control of himself.
It was as simple as that.
The Antares Giant was on time. They brought in Lipsky first. He had thick, ruddy lips, rounded jowls, very dark eyebrows, and hair just beginning to show gray. He just looked at me and sat down. Nothing.
He was under Spaceoline.
I said, 'Good evening, sir. '
He said, in a dreamy voice. 'Surrealismus of Panamy hearts in three-quarter time for a cup of coffeedom of speech. '
That was Spaceoline all the way. The buttons in the human mind were set free-swinging. Each syllable suggests the next in free association.
Andiamo Ferrucci came in next. Black mustache, long and waxed, olive complexion, pock-marked face.
He sat down.
I said, 'Nice trip?'
He said, Trip the light fantastic lock the clock is Growings on the bird. ' Lipsky said, 'Bird to the wise guyed book to all places everybody. '
I grinned. That left Harponaster. I had my needle gun neatly palmed and out of sight and the magnetic coil ready to grip him.
An then Harponaster came in. He was thin, leathery, and, though near-bald, considerably younger than he seemed in his trimensional image. And he was Spaceolined to the gills.
I said, 'Damn!'
Harponaster said, 'Damyankee note speech to his last time I saw wood you say so. '
Ferrucci said, 'Sow the seed the territory under dispute do well to come-along long road tonightingale. ' Lipsky said, 'Gay lords hopping pong balls. '
I stared from one to the other as the nonsense ran down in shorter and shorter spurts and then silence.
I got the picture, all right. One of them was faking. He had thought ahead and realized that omitting the Spaceoline would be a giveaway. He might have bribed an official into injecting saline or dodged it some other way.
One of them was faking. It wasn't hard to fake the thing. Comedians on sub-etheric had a Spaceoline skit regularly. It was amazing the liberties they could take with the moral code in that way. You've heard them.
I stared at them and got the first prickle at the base of my skull that said: What if you don't finger the right one?
It was eight-thirty and there was my job, my reputation, my head growing rickety upon my neck to be considered. I saved it all for later and thought of Flora. She wasn't going to wait for me forever. For that matter, chances were she wouldn't wait for half an hour.
I wondered. Could the faker keep up free association if nudged gently onto dangerous territory?
I said, The floor's covered with a nice solid rug' and ran the last two words together to make it 'soli drug. "
Lipsky: 'Drug from underneath the dough re mi fa sol to be saved. '
Ferrucci said, 'Saved and a haircut above the common herd something about younicorny as Kansas high as my knee. '
Harponaster said, 'Kneether wind nor snow use try to by four ever and effervescence and sensibilityter totter. '
Lipsky said, Totters and rags. ' Ferrucci said, 'Agsactly. ' Harponaster said, 'Actiymation. ' A few grunts and they ran down.
I tried again and I didn't forget to be careful. They would remember everything I said afterward and what I said had to be harmless. I said. This is a darned good space-line. '
Ferucci said, lines and tigers and elephanthills on the prairie dogs do bark of the boughwough-'
I interrupted, looking at Harponaster, 'A darned good space-line. '
'Line the bed and rest a little black sheepishion of wrong way to ring the clothes of a perfect day. '
I interrupted again, glaring at Lipsky. 'Good space-line. '
'Liron is hot-chacolit ain't gonna be the same on you vee and double the stakes and potato and heel. ' Someone else said, 'Heel the sicknecessaryd and white will wincetance. '
'Tance with mealtime. '
'I'm comingle. '
'Inglish. '
'Ishter seals. '
'Eels. '
I tried a few more times and got nowhere.
The faker, whichever he was, had practiced or had natural talents at talking free association. He was disconnecting his brain and letting the words come out any old way. And he must be inspired by knowing exactly what I was after. If 'drug1 hadn't given it away, 'space-line' three times repeated must have. I was safe with the other two, but he would know.
And he was having fun with me. All three were saying phrases that might have pointed to a deep inner guilt-'sol to be saved,' 'little black sheepishion of wrong,' 'drug from underneath,' and so on. Two were saying such things helplessly, randomly. The third was amusing himself.
So how did I find the third? I was in a feverish thrill of hatred against him and my fingers twitched. The bastard was subverting the Galaxy. More than that, he was keeping me from Flora.
I could go up to each of them and start searching. The two who were really under Spaceoline would make no move to stop me. They could feel no emotion, no fear, no anxiety, no hate, no passion, no desire for self-defense. And if one made the slightest gesture of resistance I would have my man.
But the innocent ones would remember afterward.
I sighed. If I tried it, I would get the criminal all right, but later I would be the nearest thing to chopped liver any man had ever been. There would be a shakeup in the Service, a big stink the width of the Galaxy, and in the excitement and disorganization, the secret of altered Spaceoline would get out anyway and so what the hell.
Of course, the one I wanted might be the first one I touched. One chance out of three. I'd have one out and only God can make a three.
Damn it, something had started them going while I was muttering to myself and Spaceoline is contagioust a gigolo my, oh-- I stared desperately at my watch and my line of sight focused on nine-fifteen. Where the devil was the time going to?
Oh, my; oh, nuts; oh, Flora!
I had no choice. I made my way to the booth for another quick call to Flora. Just a quick one, you understand, to keep things alive, assuming they weren't dead already.
I kept saying to myself: She won't answer.
I tried to prepare myself for that. There were other girls, there were other-- Hell, there were no other girls.
If Hilda had been in Marsport, I would never have had Flora on my mind in the first place and it wouldn't have mattered. But I was in Marsport without Hilda and I had made a date with Flora; Flora and a body that had been made up out of heaping handfuls of all that was soft and fragrant and firm; Flora and a low-gravity room and a way about her that made it seem like free fall through a warm, breathable ocean of champagne-flavored meringue--The signal was signaling and signaling and I didn't dare break off. Answer! Answer!
She answered. She said, 'It's you!'
'Of course, sweetheart, who else would it be?'
'Lots of people. Someone who would come. '
'There's just this little detail of business, honey. '
'What business? Plastons for who?'
I almost corrected her grammar, but I was wondering what this plastons kick was.
Then I remembered. I told her once I was a plaston salesman. That was the time! brought her a plaston nightgown that was honey. Just thinking of it made me ache where I needed no more ache.
I said, 'Look, just give me another half-hour. . . '
Her eyes grew moist. 'I'm sitting here all by myself. '
'I'll make it up to you. ' To show you how desperate I was getting, I was definitely beginning to think along paths that could lead only to jewelry, even though a sizable dent in the bankbook would show up to Hilda's piercing eye like the Horsehead Nebula interrupting the Milky Way. She said, 'I had a perfectly good date and I broke it off. '
I protested, 'You said it was a quibbling little arrangement. ' That was a mistake. I knew it the minute I said it.
She shrieked. 'Quibbling little arrangement!' It was what she had said. But having the truth on your side just makes it worse in arguing with a woman. Don't I know? 'You call a man who's promised me an estate on Earth-'
She went on and on about that estate on Earth. There wasn't a gal in Marsport who wasn't wangling for an estate on Earth and you could count the number who got one on the sixth finger of either hand. But hope springs eternal in the human breast, and Flora had plenty of room for it to spring in.
I tried to stop her. I threw in honeys and babies until you would have thought that every bee on the planet Earth was pregnant.
No use.
She finally said, 'And here I am all alone, with nobody, and what do you think that will do to my reputation?' and broke off contact.
Well, she was right. I felt like the lowest heel in the Galaxy. If the word did get around that she had been stood up, the word would also get around that she was standuppable, that she was losing the old touch.
A thing like that can ruin a girl.
I went back into the reception room. A flunky outside the door saluted me in.
I stared at the three industrialists and speculated on the order in which I would slowly choke each to death if I could but receive choking orders. Harponaster first, maybe. He had a thin, stringy neck that the fingers could go around neatly and a sharp Adam's apple against which the thumbs could find purchase.
It cheered me up infinitesimally, to the point where I muttered, 'Boy!' just out of sheer longing.
It started them off at once. Ferrucci said, 'Boyl the watern the spout you go in the. snow to sneeze-' Harponaster of the scrawny neck added, 'Nies and nephew don't like orporalley cat. '
Lipsky said, 'Cattle for shipmentering the home stretchings are good bait and drank drunk. '
'Drunkle aunterior passageway! a while. '
'While beasts oh pray. '
'Rayls to Chicago. '
'Go way. '
'Waiter. '
'Terble. '
'Ble. '
Then nothing.
They stared at me. I stared at them. They were empty of emotion-or two were-and I was empty of ideas. And time passed.
I stared at them some more and thought about Flora. It occurred to me that I had nothing to lose that I had not already lost. I might as well talk about her.
I said, 'Gentlemen, there is a girl in this town whose name I will not mention for fear of compromising her. Let me describe her to you, gentlemen. '
And I did. If I say so myself, the last two hours had honed me to such a fine force-field edge that the description of Flora took on a kind of poetry that seemed to be coining from some wellspring of masculine force deep in the sub-basement of my unconscious.
And they sat frozen, almost as though they were listening, and hardly ever interrupting. People under Spaceoline have a kind of politeness about them. They won't speak when someone else is speaking. That's why they take turns.
Occasionally, of course, I paused a bit because the poignancy of the subject matter made me want to linger and then one of them might put in a few words before I could gather myself together and continue.
'Pinknic of champagnes and aches and bittern of the century box. '
'Round that and/or thisandy beaches. '
'Assault and peppert girlieping leopard. '
I drowned them out and kept talking. This young lady, gentlemen,' I said, 'has an apartment fitted out for low gravity. Now you might ask of what use is low gravity? I intend to tell you, gentlemen, for if you have never had occasion to spend a quiet evening with a Marsport prima donna in privacy, you cannot imagine-'
But I tried to make it unnecessary for them to imagine- the way I told it they were there. They would remember all this afterward but I doubted mightily that either of the two innocents would object to it in hindsight. Chances were they would look me up to ask a phone number.
I kept it up, with loving, careful detail and a kind of heartfelt sadness in my voice, until the loudspeaker announced the arrival of the Space Eater. That was that. I said in a loud voice, 'Rise, gentlemen. '
They got u
p in unison, faced the door, started walking, and as Ferrucci passed me, I tapped him on the shoulder and said, 'Not you, you murdering louse,' and my magnetic coil was on his wrist before he could breathe twice.
Ferrucci fought like a demon. He was under no Spaceoline influence. They found the altered Spaceoline in thin flesh-colored plastic pads hugging the inner surface of his thighs, with hairs affixed to it in the normal pattern. You couldn't see it at all; you could only feel it, and even then it took a knife to make sure.
Afterward, Rog Crinton, grinning and half-insane with relief, held me by the lapel with a death grip. 'How did you do it? What gave it away?'
I said, trying to pull loose, 'One of them was faking a Spaceoline jag. I was sure of it. So I told them-' I grew cautious. None of the bum's business as to the details, you know. '-uh, ribald stories, see, and two of them never reacted, so they were Spaceolined. But Ferrucci's breathing speeded up and the beads of sweat came out on his forehead. I gave a pretty dramatic rendition, and he reacted, so he was under no Spaceoline. And when they all stood up to head out for the ship, I was sure of my man and stopped him. Now will you let me go?'
He let go and I almost fell over backward.
I was set to take off. My feet were pawing at the ground without any instructions for me, but I turned back.
'Hey, Rog,' I said, 'can you sign me a chit for a thousand credits without its going on the record-for services rendered to the Service?'
That's when I realized he was half-insane with relief and very temporary gratitude, because he said, 'Sure, Max, sure. Ten thousand credits if you want it. '
'I want,' I said. 'I want. I want. '
He filled out an official Service chit for ten thousand credits, good as cash anywhere in half the Galaxy.
He was actually grinning as he gave it to me and you can bet I was grinning as I took it.
How he intended accounting for it was his affair. The point was that I wouldn't have to account for it to Hilda.
I stood in the booth, one last time, signaling Flora. I didn't dare let matters go till I reached her place. The additional half-hour might just give her time to get someone else, if she hadn't already.
Make her answer. Make her answer. Make her-- She answered, but she was in formal clothes. She was going out and I had obviously caught her by two minutes.
'I am going out,' she announced. 'Some men can be decent. And I do not wish to see you in the henceforward. I do not wish ever to find my eyes upon you. You will do me a great favor, Mister Whoeveryouare, if you will unhand my signal combination and never pollute it with-'
I wasn't saying anything. I was just standing there holding my breath and also holding the chit up where she could see it. Just standing there. Just holding.
Sure enough, at the word 'pollute' she came in for a closer look. She wasn't much on education, that girl, but she could read 'ten thousand credits' faster than any college graduate in the Solar System. She said, 'Max! For me?'
'All for you, baby,' I said. 'I told you I had a little business to do. I wanted to surprise you. '
'Oh Max that's sweet of you. I didn't really mind. I was joking. Now you come right here to me. ' She took off her coat, which with Fiora is a very interesting action to watch.
'What about your date?' I said.
'I said I was joking,' she said. She. dropped her coat gently to the floor, and toyed with a brooch that seemed to hold together what there was of her dress.
'I'm coming,' I said faintly.
'With every single one of those credits now,' she said roguishly.
'With every single one,' I said.
I broke contact, stepped out of the booth, and now, finally, I was set, really set.
I heard my name called.
'Max! Max!' Someone was running toward me. 'Rog Grinton said I would find you here. Mama's all right after all, so I got special passage on the Space Eater and what's this about ten thousand credits?'
I didn't turn. I said, 'Hello, Hilda. '
I stood rock steady.
And then I turned and did the hardest thing I ever succeeded in doing in all my goddam, good-for-nothing, space-hopping life.
I smiled.
***
This requires a little explanation. 'Marooned Off Vesta,' the first of this connected pair of stories, is not a mystery in any way. It does, however, happen to be the first story I ever published. When the twentieth anniversary of that first publication approached, the editors of the magazine in which it had appeared asked me if I would write a story to mark the anniversary. I did, and with predictable corniness this second story, 'Anniversary,' dealt with the meeting of the characters of the first story on the twentieth anniversary of the events in that first story. And the pair of stories, taken together, make a mystery. I think it only fair to tell the Gentle Reader that very little of that first-published story has been changed. If my inexperience shows-I was in my teens when it was published-forgive me. What's more, to meet the suspicions of some readers who never read the story in its first appearance-not having been born at the time -I did not change one word of the first story in order to make it easier to plot the mystery in the second. It is a sobering thought that when this book appears the thirtieth anniversary of that first publication will be only a year away.
