wheat and woodland tilth and vineyard, hive and horse and herd,
but it does not appear that he ever followed the plough, or, what is more important, ever laid off a ploughgate. As a poet of nature no one was ever better equipped (the highest testimony is that of Tennyson), but when it came to writing poetry around the art of farm management it was necessary for him to turn to books for his facts. He acknowledges (Geo. I, 176) his obligation only to veterum praecepta without naming them, but as M. Gaston Boissier says he was evidently referring to Varro “le plus moderne de tous les anciens.” Virgil evidently regarded Varro’s treatise as a solid foundation for his poem and he used it freely, just as he drew on Hesiod for literary inspiration, on Lucretius for imaginative philosophy, and on Mago and Cato and the two Sasernas for local colour.
Virgil probably had also the advantage of personal contact with Varro during the seven years he was composing and polishing the Georgics. He spent them largely at Naples (Geo. IV, 563) and Varro was then established in retirement at Cumae: thus they were neighbours, and, although they belonged to different political parties, the young poet must have known and visited the old polymath; there was every reason for him to have taken advantage of the opportunity. Whatever justification there may be for this conjecture, the fact remains that Varro is in the background every where throughout the Georgics, as the “deadly parallel” in the appended note will indicate. This is perhaps the most interesting thing about Varro’s treatise: instructive and entertaining as it is to the farmer, in the large sense of the effect of literature on mankind, Virgil gave it wings — the useful cart horse became Pegasus.
As a consequence of the chorus of praise of the Georgics, there have been those, in all ages, who have sneered at Virgil’s farming. The first such advocatus diaboli was Seneca, who, writing to Lucilius (E) from the farm house of Scipio Africanus, fell foul of the advice (Geo, I, 216) to plant both beans and millet in the spring, saying that he had just seen at the end of June beans gathered and millet sowed on the same day: from which he generalized that Virgil disregarded the truth to turn a graceful verse, and sought rather to delight his reader than to instruct the husbandman. This kind of cheap criticism does not increase our respect for Nero’s philosophic minister. Whatever may have been Virgil’s mistakes, every farmer of sentiment should thank God that one of the greatest poems in any language contains as much as it does of a sound tradition of the practical side of his art, and here is where Varro is entitled to the appreciation which is always due the schoolmaster of a genius.
The Delphi Classics Catalogue
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Series Contents
Series One
Anton Chekhov
Charles Dickens
D.H. Lawrence
Dickensiana Volume I
Edgar Allan Poe
Elizabeth Gaskell
Fyodor Dostoyevsky
George Eliot
H. G. Wells
Henry James
Ivan Turgenev
Jack London
James Joyce
Jane Austen
Joseph Conrad
Leo Tolstoy
Louisa May Alcott
Mark Twain
Oscar Wilde
Robert Louis Stevenson
Sir Arthur Conan Doyle
Sir Walter Scott
The Brontës
Thomas Hardy
Virginia Woolf
Wilkie Collins
William Makepeace Thackeray
Series Two
Alexander Pushkin
Alexandre Dumas (English)
Andrew Lang
Anthony Trollope
Bram Stoker
Christopher Marlowe
Daniel Defoe
Edith Wharton
F. Scott Fitzgerald
G. K. Chesterton
Gustave Flaubert (English)
H. Rider Haggard
Herman Melville
Honoré de Balzac (English)
J. W. von Goethe (English)
Jules Verne
L. Frank Baum
Lewis Carroll
Marcel Proust (English)
Nathaniel Hawthorne
Nikolai Gogol
O. Henry
Rudyard Kipling
Tobias Smollett
Victor Hugo
William Shakespeare
Series Three
Ambrose Bierce
Ann Radcliffe
Ben Jonson
Charles Lever
Émile Zola
Ford Madox Ford
Geoffrey Chaucer
George Gissing
George Orwell
Guy de Maupassant
H. P. Lovecraft
Henrik Ibsen
Henry David Thoreau
Henry Fielding
J. M. Barrie
James Fenimore Cooper
John Buchan
John Galsworthy
Jonathan Swift
Kate Chopin
Katherine Mansfield
L. M. Montgomery
Laurence Sterne
Mary Shelley
Sheridan Le Fanu
Washington Irving
Series Four
Arnold Bennett
Arthur Machen
Beatrix Potter
Bret Harte
Captain Frederick Marryat
Charles Kingsley
Charles Reade
G. A. Henty
Edgar Rice Burroughs
Edgar Wallace
E. M. Forster
E. Nesbit
George Meredith
Harriet Beecher Stowe
Jerome K. Jerome
John Ruskin
Maria Edgeworth
M. E. Braddon
Miguel de Cervantes
M. R. James
R. M. Ballantyne
Robert E. Howard
Samuel Johnson
Stendhal
Stephen Crane
Zane Grey
Series Five
Algernon Blackwood
Anatole France
Beaumont and Fletcher
Charles Darwin
Edward Bulwer-Lytton
Edward Gibbon
E. F. Benson
Frances Hodgson Burnett
Friedrich Nietzsche
George Bernard Shaw
George MacDonald
Hilaire Belloc
John Bunyan
John Webster
Margaret Oliphant
Maxim Gorky
Oliver Goldsmith
Radclyffe Hall
Robert W. Chambers
Samuel Butler
Samuel Richardson
Sir Thomas Malory
Thomas Carlyle
William Harrison Ainsworth
William Dean Howells
William Morris
Series Six
Anthony Hope
Aphra Behn
Arthur Morrison
Baroness Emma Orczy
Captain Mayne Reid
Charlotte M. Yonge
Charlotte Perkins Gilman
E. W. Hornung
Ellen Wood
Frances Burney
Frank Norris
Frank R. Stockton
Hall Caine
&n
bsp; Horace Walpole
One Thousand and One Nights
R. Austin Freeman
Rafael Sabatini
Saki
Samuel Pepys
Sir Issac Newton
Stanley J. Weyman
Thomas De Quincey
Thomas Middleton
Voltaire
William Hazlitt
William Hope Hodgson
Series Seven
Adam Smith
Benjamin Disraeli
Confucius
David Hume
E. M. Delafield
E. Phillips Oppenheim
Edmund Burke
Ernest Hemingway
Frances Trollope
Galileo Galilei
Guy Boothby
Hans Christian Andersen
Ian Fleming
Immanuel Kant
Karl Marx
Kenneth Grahame
Lytton Strachey
Mary Wollstonecraft
Michel de Montaigne
René Descartes
Richard Marsh
Sax Rohmer
Sir Richard Burton
Talbot Mundy
Thomas Babington Macaulay
W. W. Jacobs
Series Eight
Anna Katharine Green
Arthur Schopenhauer
The Brothers Grimm
C. S. Lewis
Charles and Mary Lamb
Elizabeth von Arnim
Ernest Bramah
Francis Bacon
Gilbert and Sullivan
Grant Allen
Henryk Sienkiewicz
Hugh Walpole
Jean-Jacques Rousseau
John Locke
John Muir
Joseph Addison
Lafcadio Hearn
Lord Dunsany
Marie Corelli
Niccolò Machiavelli
Ouida
Richard Brinsley Sheridan
Sigmund Freud
Theodore Dreiser
Walter Pater
W. Somerset Maugham
Ancient Classics
Achilles Tatius
Aeschylus
Ammianus Marcellinus
Apollodorus
Appian
Apuleius
Apollonius of Rhodes
Aristophanes
Aristotle
Arrian
Augustine
Aulus Gellius
Bede
Cassius Dio
Cato
Catullus
Cicero
Claudian
Clement of Alexandria
Cornelius Nepos
Demosthenes
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Dionysius of Halicarnassus
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Frontius
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Plotinus
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Quintus Curtius Rufus
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Sallust
Sappho
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Septuagint
Sextus Empiricus
Sidonius
Sophocles
Statius
Strabo
Suetonius
Tacitus
Terence
Theocritus
Thucydides
Tibullus
Varro
Virgil
Xenophon
Delphi Poets Series
A. E. Housman
Alexander Pope
Alfred, Lord Tennyson
Algernon Charles Swinburne
Andrew Marvell
Beowulf
Charlotte Smith
Christina Rossetti
D. H Lawrence (poetry)
Dante Alighieri (English)
Dante Gabriel Rossetti
Delphi Poetry Anthology
Edgar Allan Poe (poetry)
Edmund Spenser
Edward Lear
Edward Thomas
Edwin Arlington Robinson
Ella Wheeler Wilcox
Elizabeth Barrett Browning
Emily Dickinson
Epic of Gilgamesh
Ezra Pound
Friedrich Schiller (English)
George Chapman
George Herbert
Gerard Manley Hopkins
Gertrude Stein
Hafez
Heinrich Heine
Henry Howard, Earl of Surrey
Henry Wadsworth Longfellow
Isaac Rosenberg
James Russell Lowell
Johan Ludvig Runeberg
John Clare
John Donne
John Dryden
John Keats
John Milton
John Wilmot, Earl of Rochester
Joseph Addison
Kahlil Gibran
Leigh Hunt
Lord Byron
Ludovico Ariosto
Luís de Camões
Matthew Arnold
Matthew Prior
Michael Drayton
Nikolai Nekrasov
Paul Laurence Dunbar
Percy Bysshe Shelley
Petrarch
Ralph Waldo Emerson
Robert Browning
Robert Burns
Robert Frost
Robert Southey
Rumi
Rupert Brooke
Samuel Taylor Coleridge
Sir Philip Sidney
Sir Thomas Wyatt
Sir Walter Raleigh
Thomas Chatterton
Thomas Gray
Thomas Hardy (poetry)
Thomas Hood
Thomas Moore
Torquato Tasso
T. S. Eliot
W. B. Yeats
Walter Savage Landor
Walt Whitman
Wilfred Owen
William Blake
William Cowper
William Wordsworth
Masters of Art
Albrecht Dürer
Amedeo Modigliani
Artemisia Gentileschi
Camille Pissarro
Canaletto
Caravaggio
Caspar David Friedrich
Claude Lorrain
Claude Monet
Dante Gabriel Rossetti
Diego Velázquez
Donatello
Edgar Degas
Édouard Manet
Edvard Munch
El Greco
Eugène Delacroix
Francisco Goya
Giotto
Giovanni Bellini
Gustave Courbet
Gustav Klimt
Hieronymus Bosch
Jacques-Louis David
James Abbott McNeill Whistler
J. M. W. Turner
Johannes Vermeer
John Constable
Leonardo da Vinci
Michelangelo
Paul Cézanne
Paul Gauguin
Paul Klee
Peter Paul Rubens
Piero della Francesca
Pierre-Auguste Renoir
Pieter Bruegel the Elder
Sandro Botticelli
Raphael
Rembrandt van Rijn
Thomas Gainsborough
Tintoretto
Titian
Vincent van Gogh
Wassily Kandinsky
Alphabetical List of Titles
A. E. Housman
Achilles Tatius
Adam Smith
Aeschylus
Albrecht Dürer
Alexander Pope
Alexander Pushkin
Alexandre Dumas (English)
Alfred, Lord Tennyson
Algernon Blackwood
Algernon Charles Swinburne
Ambrose Bierce
Amedeo Modigliani
Ammianus Marcellinus
Anatole France
Andrew Lang
Andrew Marvell
Ann Radcliffe
Anna Katharine Green
Anthony Hope
Anthony Trollope
Anton Chekhov
Aphra Behn
Apollodorus
Apollonius of Rhodes
Appian
Apuleius
Aristophanes
Aristotle
Arnold Bennett
Arrian
Artemisia Gentileschi
Arthur Machen
Arthur Morrison
Arthur Schopenhauer
Augustine
Aulus Gellius
Baroness Emma Orczy
Beatrix Potter
Beaumont and Fletcher
Bede
Ben Jonson
Benjamin Disraeli
Beowulf
Bram Stoker
Bret Harte
C. S. Lewis
Camille Pissarro
Canaletto
Captain Frederick Marryat
Captain Mayne Reid
Caravaggio
Caspar David Friedrich
Cassius Dio
Cato
Catullus
Charles and Mary Lamb
Charles Darwin
Charles Dickens
Charles Kingsley
Charles Lever
Charles Reade
Charlotte M. Yonge
Charlotte Perkins Gilman
Charlotte Smith
Christina Rossetti
Christopher Marlowe
Cicero
Claude Lorrain
Claude Monet
Claudian
Clement of Alexandria
Confucius
Cornelius Nepos
D. H Lawrence (poetry)
D.H. Lawrence
Daniel Defoe
Dante Alighieri (English)
Dante Gabriel Rossetti
Dante Gabriel Rossetti
David Hume
Delphi Complete Works of Varro Page 119
