The Mirror and the Light: 2020’s highly anticipated conclusion to the best selling, award winning Wolf Hall series (The Wolf Hall Trilogy, Book 3)

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The Mirror and the Light: 2020’s highly anticipated conclusion to the best selling, award winning Wolf Hall series (The Wolf Hall Trilogy, Book 3) Page 3

by Hilary Mantel


  ‘Martin was angling to know what will happen to him.’

  ‘Aye,’ Richard says, ‘before he becomes too attached. And what will?’

  ‘He is safe where he is for now.’

  ‘Are the arrests finished? Was he the last?’

  ‘Yes, I think so.’

  ‘Is it over, then?’

  ‘Over? Oh, no.’

  Thomas Cromwell is now fifty years old. The same small quick eyes, the same thickset imperturbable body; the same schedules. He is at home wherever he wakes: the Rolls House on Chancery Lane, or his city house at Austin Friars, or at Whitehall with the king, or in some other place where Henry happens to be. He rises at five, says his prayers, attends to his ablutions and breaks his fast. By six o’clock he is receiving petitioners, his nephew Richard Cromwell at his elbow. Master Secretary’s barge takes him up and down to Greenwich, to Hampton Court, to the mint and armouries at the Tower of London. Though he is a commoner still, most would agree that he is the second man in England. He is the king’s deputy in the affairs of the church. He takes licence to enquire into any department of government or the royal household. He carries in his head the statutes of England, the psalms and the words of the Prophets, the columns of the king’s account books and the lineage, acreage and income of every person of substance in England. He is famous for his memory, and the king likes to test it, by asking him for details of obscure disputes from twenty years back. He sometimes carries a sprig of dried rosemary or rue, and crumbles it in his palm as if inhaling the scent would help him. But everyone knows it is only a performance. The only things he cannot remember are the things he never knew.

  His chief duty (it seems just now) is to get the king new wives and dispose of the old. His days are long and arduous, packed with laws to be drafted and ambassadors to beguile. He goes on working by candlelight through summer dusks, through winter sunsets when it is dark by half past three. Even his nights are not his to waste. Often he sleeps in a chamber near the king and Henry wakes him in the small hours and asks him questions about treasury receipts, or tells him his dreams and asks what they mean.

  Sometimes he thinks he would like to marry again, as it is seven years since he lost Elizabeth and his daughters. But no woman would tolerate this kind of life.

  When he gets home, young Rafe Sadler is waiting for him. He pulls off his cap at the sight of his master. ‘Sir?’

  ‘Done,’ he says.

  Rafe waits, eyes on his face.

  ‘Nothing to tell. A prayerful end. The king?’

  ‘We hardly saw him. Went between bedchamber and oratory and spoke with his chaplain.’ Rafe is in the king’s privy chamber now, his liaison man. ‘I thought I should come in case you have any message for him.’

  Verbal message, he means. Something better not committed to ink. He thinks about it. What do you say to a man who has just killed his wife? ‘No message. Get home to your wife.’

  ‘Helen will be glad to know the lady is beyond her misfortunes now.’

  He is surprised. ‘She does not pity her, does she?’

  Rafe looks uneasy. ‘She thinks that Anne was a protector of the gospel, and that cause is, as you know, near my wife’s heart.’

  ‘Oh, well, yes,’ he says. ‘But I can protect it better.’

  ‘And besides, I think, with women, when something happens to one of them, all of them feel it. They are more pitiful than us, and it would be a harsh world if they were not.’

  ‘Anne was not pitiful,’ he says. ‘Have you not told Helen how she threatened me with beheading? And she was planning, as we now know, to cut short the life of the king himself.’

  ‘Yes, sir,’ Rafe says, as if he is humouring him. ‘That was stated in court, was it not? But Helen will ask – forgive me, from a woman it is a natural question – what will happen to Anne Boleyn’s little daughter? Will the king disown her? He can’t be sure he is her father, but he can’t be sure he is not.’

  ‘It hardly matters,’ he says. ‘Even if Eliza is Henry’s child, she is still a bastard. As we now learn, his marriage to Anne was never valid.’

  Rafe rubs the crown of his head so that his red hair stands up in a tuft. ‘So as his union with Katherine was not valid either, he has never been married in his life. Twice a bridegroom yet never a husband – has it ever happened to a king before? Even in the Old Testament? Please God Mistress Seymour will go to work and give him a son. We cannot seem to keep an heir. The king’s daughter by Katherine, she is a bastard. His daughter by Anne, she is a bastard. Which leaves his son Richmond, who of course has always been a bastard.’ He squashes on his hat. ‘I’m going.’

  He skitters out, leaving the door open. From the stairs he calls, ‘I’ll see you tomorrow, sir.’

  He gets up, shuts the door; but he lingers, his hand on the wood. Rafe grew up in his house, and he misses his constant presence; these days he has his own house, his own young family in it, new duties at court. It is his pleasure, to make Rafe’s career. He is as dear to him as a son could be, dutiful, dogged, attentive and – the vital point – liked and trusted by the king.

  He resumes his desk. It is only May, he thinks, and already two queens of England are dead. Before him is a letter from Eustache Chapuys, the Imperial ambassador; though it is not a letter Eustache intended for his desk, and its news must be already out of date. The ambassador is using a new cipher, but it should be possible to see what he is saying. He must be rejoicing, telling the Emperor Charles that the king’s concubine is living her last hours.

  He works at the letter till he can pick out the proper names, including his own, then turns to other business. Leave it for Mr Wriothesley, the prince of decipherers.

  When bells are ringing for evening prayer across the city, he hears Mr Wriothesley down below, laughing with Gregory. ‘Come up, Call Me,’ he shouts; and the young man takes the stairs two at a time and strides in, a letter in his hand. ‘From France, sir, from Bishop Gardiner.’ To be helpful, he has opened it already.

  Call-Me-Risley? It is a joke that dates from the time when Tom Wyatt had a full head of hair; from when Katherine was queen, and Thomas Wolsey ruled England, and he, Thomas Cromwell, used to sleep at nights. Call-Me skipped in one day to Austin Friars – a fine-drawn young man, lively and nervous as a hare. We took a look at his slashed doublet, feathered cap, gilt dagger at his waist; how we laughed. He was handsome, able, argumentative and prepared to be admired. At Cambridge Stephen Gardiner had been his tutor, and Stephen has much to teach; but the bishop has no patience, and something in Call-Me craves it. He wants to be listened to, he wants to talk; like a hare, he seems alert to what’s happening behind him, half-knowing, half-guessing, always on edge.

  ‘Gardiner says the French court is buzzing, sir. The gossip is that the late queen had a hundred lovers. King François is amused.’

  ‘I’m sure.’

  ‘So Gardiner asks – as England’s ambassador, what am I to tell them?’

  ‘You can write to him. Tell him what he needs to know.’ He considers. ‘Or perhaps a little less.’

  The French imagination will soon supply any detail Stephen lacks: what the late queen did, and with whom, and how many times and in what positions. He says, ‘It is not good for a celibate to be excited by such matter. It is up to us, Mr Wriothesley, to save the bishop from sin.’

  Wriothesley meets his eye and laughs. Now he is out of the realm, Gardiner depends on Call-Me for information. The master must await the pleasure of his pupil. Wriothesley has a position, Clerk of the Signet. He has an income, and a pretty wife, and basks in the king’s good graces; at this moment, he has Master Secretary’s attention. ‘Gregory seems happy,’ he says.

  ‘Gregory is glad to have got through the day. He has never witnessed such an event. Not that any of us have, of course.’

  ‘Our poor monarch,’ Call Me says. ‘His good nature has been much ab
used. Two such women no man ever suffered, as the Princess of Aragon and Anne Boleyn. Such bitter tongues. Such cankered hearts.’ He sits down, but on the edge of his stool. ‘The court is anxious, sir. People wonder if it is over. They wonder what Wyatt has said to you, that is not placed on record.’

  ‘They may well wonder.’

  ‘They ask if there will be more arrests.’

  ‘It is a question.’

  Wriothesley smiles. ‘You are a master at this.’

  ‘Oh, I don’t know.’ He feels tired. Seven years for the king to get Anne. Three years to reign. Three weeks to bring her to trial. Three heartbeats to finish it. But still, they are his heartbeats as well as hers. The effort of them must be added to all the rest.

  ‘Sir,’ Call-Me leans forward. ‘You should move against the Duke of Norfolk. Work his discredit with the king. Do it now, while you have him at a disadvantage. The chance may not come again.’

  ‘I thought the duke was very pleasant to me this morning. Considering we were killing his niece.’

  ‘Thomas Howard will speak as pleasant to his foe as to his friend.’

  ‘True.’ The Duchess of Norfolk, from whom the duke is estranged, has often used the same words: or worse.

  ‘You would think,’ Call-Me says, ‘that with both Anne and his nephew George disgraced, he would creep away to his own country and be ashamed.’

  ‘Shame and Uncle Norfolk are not acquainted.’

  ‘Now I hear he is pressing for Richmond to be made heir. He reasons, if my son-in-law becomes king, and my daughter sits on the throne beside him, all England will be under my Howard thumb. He says, “Since all Henry’s three children are now bastards, we may as well prefer the male – at least Richmond can sit a horse and draw a sword, which is better than the Lady Mary, who is dwarfish and sick, and Eliza, who is still of an age to soil herself in public.”’

  He says, ‘No doubt Richmond would be a fine king. But I don’t like the thought of this Howard thumb.’

  Mr Wriothesley’s eyes rest on him. ‘The Lady Mary’s friends are ready to bring her back to court. When Parliament is called they expect her to be named heir. They are waiting for you to keep your promise. They expect you to turn the king her way.’

  ‘Do they?’ he says. ‘You astonish me. If I made any promise, it was not that.’

  Call-Me looks rattled. ‘Sir, the old families united with you, they helped you bring the Boleyns down. They did not do it for nothing. They did not do it so Richmond could be king and Norfolk rule all.’

  ‘So I must choose between them?’ he says. ‘It seems from what you say that they will fight each other, and one party will be left standing, either Mary’s friends or Norfolk. And whoever has the victory, they will come after me, don’t you think?’

  The door opens. Call-Me starts. It is Richard Cromwell. ‘Who were you expecting, Call-Me? The Bishop of Winchester?’

  Imagine Gardiner, rising through the floor with a sulphur whiff; lashing out with his cloven hooves, sending the ink flying. Imagine drool running from his chin, as he upturns the strongboxes, and snouts through the contents with a rolling, fiery eye. ‘Letter from Nicholas Carew,’ Richard says.

  ‘I told you,’ Call-Me says. ‘Mary’s people. Already.’

  ‘And by the way,’ Richard says, ‘the cat’s out again.’

  He hurries to the window, letter in hand. ‘Where is she?’

  Call-Me beside him: ‘What am I looking for?’

  He breaks the seal. ‘There! She’s running up the tree.’

  He glances down at the letter. Sir Nicholas seeks a meeting.

  ‘Is that a cat?’ Wriothesley is amazed. ‘That striped beast?’

  ‘She has come all the way from Damascus in a box. I bought her from an Italian merchant for a price you would not believe. She is supposed to stay indoors, or she will breed with the London cats. I must look out for a striped husband for her.’ He opens the window. ‘Christophe! She’s up the tree!’

  What Carew proposes is a gathering of the dynasts: the Courtenay family, with the Marquis of Exeter leading them, and the Pole family, where Lord Montague will represent his kin. These are the families nearest the throne, descendants of old King Edward and his brothers. They claim to speak for the king’s daughter Mary, to represent her interests. If they cannot rule England themselves, as Plantagenets once did, they mean to rule through the king’s daughter. It is her bloodline they admire, the inheritance from her Spanish mother Katherine. For the sad little girl herself, they care much less; and when I see Mary, he thinks, I will tell her so. Her safety does not lie that way, with men who live on fantasies of the past.

  Carew, the Courtenays, the Poles, they are papists every one. Carew was the king’s old comrade-in-arms, and Queen Katherine’s friend too, in the days when those positions were compatible. He sees himself as the mirror of chivalry, and a favourite of fortune. To Carew, to the Poles, to the Courtenays and their supporters, the Boleyns were a crass blunder, an error now cancelled by the headsman. No doubt they assume Thomas Cromwell can be cancelled too, reduced to the clerk he used to be: a useful man for getting money in, but dispensable, a slave that you trample as you stride up the stairway to glory.

  ‘Call-Me is right,’ he says to Richard. ‘Sir Nicholas is taking a lofty tone with me.’ He holds the letter up. ‘These people, they expect me to come to their whistle.’

  Wriothesley says, ‘They expect your service. Or they will break you.’

  Below the window, all the young persons at Austin Friars are milling, cooks and clerks and boys of every sort. He says, ‘I think my son has taken leave of his senses. Gregory,’ he calls down, ‘you cannot catch a cat in a net. She has seen you now – back away.’

  ‘Look at Christophe shaking the tree,’ Richard says. ‘Stupid little fucker.’

  ‘Take heed of this, sir,’ Call-Me begs. ‘Because this last week …’

  ‘It is natural she keeps escaping,’ he says to Richard. ‘She is tired of her celibate life. She wants to find a prince. Yes, Call-Me? This last week, what?’

  ‘People have been talking of the cardinal. They say, look at what Cromwell has wreaked, in two years, on Wolsey’s enemies. Thomas More is dead. Anne the queen is dead. They look at those who slighted him, in his lifetime – Brereton, Norris – though Norris was not the worst …’

  Norris, he thinks, was good to my lord – to his face. A taker and a user, was Gentle Norris: a hypocrite. He says, ‘If I wanted revenge on Wolsey’s enemies, I would have to strike down half the nation.’

  ‘I only report what people are saying.’

  ‘Young Dick Purser’s here,’ Richard says. He leans out of the window. ‘Get hold of her, boy, before we lose her in the dark.’

  ‘They ask,’ Wriothesley says, ‘who was the greatest of the cardinal’s enemies? They answer, the king. So, they ask – when chance serves, what revenge will Thomas Cromwell seek on his sovereign, his prince?’

  Below in the darkening garden, the cat-hunters raise their arms as if imploring the moon. High in the tree, the cat is a soft shape visible only to the educated eye: limbs dangling, she is perfectly at one with the branch on which she lies. He thinks of Marlinspike, the cardinal’s cat. He had brought him to Austin Friars when he was still small enough to carry in a pocket. But when Marlinspike came of age, he ran away to make his fortune.

  I have risen above this, he thinks: this day, this waning light, these snares. I am the Damascene cat. I have travelled so far to get here, and nothing they do disturbs me now, nor disquiets me, high on my branch.

  And yet Wriothesley’s question seeps into him, and leaves in his mind a chilly trickle of dismay, like water creeping into a cellar. He is shocked: first, that the question can be asked. Second, because of who asks it. Third, that he does not know the answer.

  Richard turns back into the room: ‘Sir, what’s
Christophe saying below?’

  He translates: the boy’s argot is not easy. ‘Christophe swears that in France they always catch cats in a net, any child can do it, he will be pleased to demonstrate if we give him full attention.’ He says to Wriothesley, ‘This question of yours –’

  ‘Do not take it ill –’

  ‘– does it come from Gardiner?’

  ‘Because,’ Richard says, ‘who but the bloody buggering Bishop of Winchester would come up with a question like that?’

  Call-Me says, ‘If I report Winchester’s words, that is all I do. I do not speak for him, or on his behalf.’

  ‘Good,’ Richard says, ‘because otherwise, I’d have to pull your head off, and cast it up the tree with the cat.’

  ‘Richard, believe me,’ Wriothesley says, ‘if I were the bishop’s partisan, I would be with him on his embassy, not here with you.’ Tears well into his eyes. ‘I am trying to make some sense of what Master Secretary intends. But all you care about is the cat, and trying to frighten me. You are making me pick my way through thorns.’

  ‘I see the wounds,’ he says gently. ‘When you write to Stephen Gardiner, tell him I will see what I can get him by way of spoils. George Boleyn had a grant of two hundred pounds a year out of the revenues of Winchester. For a start, he can have that back.’

  He thinks, that will not mollify the bishop. It’s just a token of goodwill for a disappointed man. Stephen hoped that when Anne Boleyn fell she would take me with her.

  ‘You talk of the cardinal’s enemies,’ Richard says. ‘Now I would put Bishop Gardiner among them. Yet he is not harmed, is he?’

  ‘He thinks he is harmed,’ Wriothesley says. ‘After all, he was the cardinal’s confidant, till Master Cromwell shouldered him aside. He was Secretary to the king, till Master Cromwell whipped his office from under his feet. The king sent him out of the realm, and he knows Master Cromwell contrived it.’

  True. All true. Gardiner knows how to do damage, even from France. He knows how to scratch the skin and poison the body politic. He says, ‘Any notion that I hold a grudge against my sovereign – it is some fantasy out of the bishop’s sick brain. What have I, but what my king gives me? Who am I, but who he has made me? All my trust is in him.’

 

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