by Mervyn Peake
Rottcodd was longing to get back to his hammock and enjoy the luxury of being quite alone again, but his eye travelled even more speedily towards the visitor’s face when he heard the remark. Mr Flay had said that he saw what Rottcodd had meant. Had he really? Very interesting. What, by the way, had he meant? What precisely was it that Mr Flay had seen? He flicked an imaginary speck of dust from the gilded head of a dryad.
‘You are interested in the birth below?’ he inquired.
Flay stood for a while as though he had heard nothing, but after a few minutes it became obvious he was thunderstruck. ‘Interested!’ he cried in a deep, husky voice. ‘Interested! The child is a Groan. An authentic male Groan. Challenge to Change! No Change, Rottcodd. No Change!’
‘Ah,’ said Rottcodd. ‘I see your point, Mr Flay. But his lordship was not dying?’
‘No,’ said Mr Flay, ‘he was not dying, but teeth lengthen!’ and he strode to the wooden shutters with long, slow heron-like paces, and the dust rose behind him. When it had settled Rottcodd could see his angular parchment-coloured head leaning itself against the lintel of the window.
Mr Flay could not feel entirely satisfied with his answer to Rottcodd’s question covering the reason for his appearance in the Hall of the Bright Carvings. As he stood there by the window the question repeated itself to him again and again. Why Rottcodd? Why on earth Rottcodd? And yet he knew that directly he heard of the birth of the heir, when his dour nature had been stirred so violently that he had found himself itching to communicate his enthusiasm to another being – from that moment Rottcodd had leapt to his mind. Never of a communicative or enthusiastic nature he had found it difficult even under the emotional stress of the advent to inform Rottcodd of the facts. And, as has been remarked, he had surprised even himself not only for having unburdened himself at all, but for having done so in so short a time.
He turned, and saw that the Curator was standing wearily by the Piebald Shark, his small cropped round head moving to and fro like a bird’s, and his hands clasped before him with the feather duster between his fingers. He could see that Rottcodd was politely waiting for him to go. Altogether Mr Flay was in a peculiar state of mind. He was surprised at Mr Rottcodd for being so unimpressed at the news, and he was surprised at himself for having brought it. He took from his pocket a vast watch of silver and held it horizontally on the flat of his palm. ‘Must go,’ he said awkwardly. ‘Do you hear me, Rottcodd, I must go?’
‘Good of you to call,’ said Rottcodd. ‘Will you sign your name in the visitors’ book as you go out?’
‘No! Not a visitor.’ Flay brought his shoulders up to his ears. ‘Been with lordship thirty-seven years. Sign a book,’ he added contemptuously, and he spat into a far corner of the room.
‘As you wish,’ said Mr Rottcodd. ‘It was to the section of the visitors’ book devoted to the staff that I was referring.’
‘No!’ said Flay.
As he passed the curator on his way to the door he looked carefully at him as he came abreast, and the question rankled. Why? The castle was filled with the excitement of the nativity. All was alive with conjecture. There was no control. Rumour swept through the stronghold. Everywhere, in passage, archway, cloister, refectory, kitchen, dormitory, and hall it was the same. Why had he chosen the unenthusiastic Rottcodd? And then, in a flash he realized. He must have subconsciously known that the news would be new to no one else; that Rottcodd was virgin soil for his message, Rottcodd the curator who lived alone among the Bright Carvings was the only one on whom he could vent the tidings without jeopardizing his sullen dignity, and to whom although the knowledge would give rise to but little enthusiasm it would at least be new.
Having solved the problem in his mind and having realized in a dullish way that the conclusion was particularly mundane and uninspired, and that there was no question of his soul calling along the corridors and up the stairs to the soul of Rottcodd, Mr Flay in a thin straddling manner moved along the passages of the north wing and down the curve of stone steps that led to the stone quadrangle, feeling the while a curious disillusion, a sense of having suffered a loss of dignity, and a feeling of being thankful that his visit to Rottcodd had been unobserved and that Rottcodd himself was well hidden from the world in the Hall of the Bright Carvings.
THE GREAT KITCHEN
As Flay passed through the servants’ archway and descended the twelve steps that led into the main corridor of the kitchen quarters, he became aware of an acute transformation of mood. The solitude of Mr Rottcodd’s sanctum, which had been lingering in his mind, was violated. Here among the stone passages were all the symptoms of ribald excitement. Mr Flay hunched his bony shoulders and with his hands in his jacket pockets dragged them to the front so that only the black cloth divided his clenched fists. The material was stretched as though it would split at the small of his back. He stared mirthlessly to right and left and then advanced, his long spidery legs cracking as he shouldered his way through a heaving group of menials. They were guffawing to each other coarsely and one of them, evidently the wit, was contorting his face, as pliable as putty, into shapes that appeared to be independent of the skull, if indeed he had a skull beneath that elastic flesh. Mr Flay pushed past.
The corridor was alive. Clusters of aproned figures mixed and disengaged. Some were singing. Some were arguing and some were draped against the wall, quite silent from exhaustion, their hands dangling from their wrists or flapping stupidly to the beat of some kitchen catch-song. The clamour was pitiless. Technically this was more the spirit which Flay liked to see, or at all events thought to be more appropriate to the occasion. Rottcodd’s lack of enthusiasm had shocked him and here, at any rate, the traditional observance of felicity at the birth of an heir to Gormenghast was being observed. But it would have been impossible for him to show any signs of enthusiasm himself when surrounded by it in others. As he moved along the crowded corridor and passed in turn the dark passages that led to the slaughter-house with its stench of fresh blood, the bakeries with their sweet loaves and the stairs that led down to the wine vaults and the underground network of the castle cellars, he felt a certain satisfaction at seeing how many of the roysterers staggered aside to let him pass, for his station as retainer-in-chief to his Lordship was commanding and his sour mouth and the frown that had made a permanent nest upon his jutting forehead were a warning.
It was not often that Flay approved of happiness in others. He saw in happiness the seeds of independence, and in independence the seeds of revolt. But on an occasion such as this it was different, for the spirit of convention was being rigorously adhered to, and in between his ribs Mr Flay experienced twinges of pleasure.
He had come to where, on his left, and halfway along the servants’ corridor, the heavy wooden doors of the Great Kitchen stood ajar. Ahead of him, narrowing in dark perspective, for there were no windows, the rest of the corridor stretched silently away. It had no doors on either side and at the far end it was terminated by a wall of flints. This useless passage was, as might be supposed, usually deserted, but Mr Flay noticed that several figures were lying stretched in the shadows. At the same time he was momentarily deafened by a great bellowing and clattering and stamping.
As Mr Flay entered the Great Kitchen the steaming, airless concentration of a ghastly heat struck him. He felt that his body had received a blow. Not only was the normal sickening atmosphere of the kitchen augmented by the sun’s rays streaming into the room at various points through the high windows, but, in the riot of the festivities, the fires had been banked dangerously. But Mr Flay realized that it was right that this should be as insufferable as it was. He even realized that the four grillers who were forcing joint after joint between the metal doors with their clumsy boots, until the oven began to give under the immoderate strain, were in key with the legitimate temper of the occasion. The fact that they had no idea what they were doing nor why they were doing it was irrelevant. The Countess had given birth; was this a moment for rational behaviour?
The walls of the vast room which were streaming with calid moisture, were built with grey slabs of stone and were the personal concern of a company of eighteen men known as the ‘Grey Scrubbers’. It had been their privilege on reaching adolescence to discover that, being the sons of their fathers, their careers had been arranged for them and that stretching ahead of them lay their identical lives consisting of an unimaginative if praiseworthy duty. This was to restore, each morning to the great grey floor and the lofty walls of the kitchen a stainless complexion. On every day of the year from three hours before daybreak until about eleven o’clock, when the scaffolding and ladders became a hindrance to the cooks, the Grey Scrubbers fulfilled their hereditary calling. Through the character of their trade, their arms had become unusually powerful, and when they let their huge hands hang loosely at their sides, there was more than an echo of the simian. Coarse as these men appeared, they were an integral part of the Great Kitchen. Without the Grey Scrubbers something very earthy, very heavy, very real would be missing to any sociologist searching in that steaming room, for the completion of a circle of temperaments, a gamut of the lower human values.
Through daily proximity to the great slabs of stone, the faces of the Grey Scrubbers had become like slabs themselves. There was no expression whatever upon the eighteen faces, unless the lack of expression is in itself an expression. They were simply slabs that the Grey Scrubbers spoke from occasionally, stared from incessantly, heard with, hardly ever. They were traditionally deaf. The eyes were there, small and flat as coins, and the colour of the walls themselves, as though during the long hours of professional staring the grey stone had at last reflected itself indelibly once and for all. Yes, the eyes were there, thirty-six of them and the eighteen noses were there, and the lines of the mouths that resembled the harsh cracks that divided the stone slabs, they were there too. Although nothing physical was missing from any one of their eighteen faces yet it would be impossible to perceive the faintest sign of animation and, even if a basinful of their features had been shaken together and if each feature had been picked out at random and stuck upon some dummy-head of wax at any capricious spot or angle, it would have made no difference, for even the most fantastic, the most ingenious of arrangements could not have tempted into life a design whose component parts were dead. In all, counting the ears, which on occasion may be monstrously expressive, the one hundred and eight features were unable, at the best of times, to muster between them, individually or taken en masse, the faintest shadow of anything that might hint at the workings of what lay beneath.
Having watched the excitement developing around them in the Great Kitchen, and being unable to comprehend what it was all about for lack of hearing, they had up to the last hour or two been unable to enter into that festive spirit which had attacked the very heart and bowels of the kitchen staff.
But here and now, on this day of days, cognisant at last of the arrival of the new Lord, the eighteen Grey Scrubbers were lying side by side upon the flagstones beneath a great table, dead drunk to a man. They had done honour to the occasion and were out of the picture, having been rolled under the table one by one like so many barrels of ale, as indeed they were.
Through the clamour of the voices in the Great Kitchen that rose and fell, that changed tempo, and lingered, until a strident rush or a wheezy slide of sound came to a new pause, only to be shattered by a hideous croak of laughter or a thrilled whisper, or a clearing of some coarse throat – through all this thick and interwoven skein of bedlam, the ponderous snoring of the Grey Scrubbers had continued as a recognizable theme of dolorous persistence.
In favour of the Grey Scrubbers it must be said that it was not until the walls and floor of the kitchen were shining from their exertions that they attacked the bungs as though unweaned. But it was not only they who had succumbed. The same unquestionable proof of loyalty could be observed in no less than forty members of the kitchen, who, like the Grey Scrubbers, recognizing the bottle as the true medium through which to externalize their affection for the family of Groan, were seeing visions and dreaming dreams.
Mr Flay, wiping away with the back of his claw-like hand the perspiration that had already gathered on his brow, allowed his eyes to remain a moment on the inert and foreshortened bodies of the inebriate Grey Scrubbers. Their heads were towards him, and were cropped to a gun-grey stubble. Beneath the table a shadow had roosted, and the rest of their bodies, receding in parallel lines, were soon devoured in the darkness. At first glance he had been reminded of nothing so much as a row of curled-up hedgehogs, and it was some time before he realized that he was regarding a line of prickly skulls. When he had satisfied himself on this point his eyes travelled sourly around the Great Kitchen. Everything was confusion, but behind the flux of the shifting figures and the temporary chaos of overturned mixing tables, of the floor littered with stockpots, basting pans, broken bowls and dishes, and oddments of food, Mr Flay could see the main fixtures in the room and keep them in his mind as a means of reference, for the kitchen swam before his eyes in a clammy mist. Divided by the heavy stone wall in which was situated a hatch of strong timber, was the garde-manger with its stacks of cold meat and hanging carcases and on the inside of the wall the spit. On a fixed table running along a length of the wall were huge bowls capable of holding fifty portions. The stockpots were perpetually simmering, having boiled over, and the floor about them was a mess of sepia fluid and egg-shells that had been floating in the pots for the purpose of clearing the soup. The sawdust that was spread neatly over the floor each morning was by now kicked into heaps and soaked in the splashings of wine. And where scattered about the floor little blobs of fat had been rolled or trodden in, the sawdust stuck to them giving them the appearance of rissoles. Hanging along the dripping walls were rows of sticking knives and steels, boning knives, skinning knives and two-handed cleavers, and beneath them a twelve-foot by nine-foot chopping block, cross-hatched and hollowed by decades of long wounds.
On the other side of the room, to Mr Flay’s left, a capacious enormous copper, a row of ovens and a narrow doorway acted as his landmarks. The doors of the ovens were flying wide and acid flames were leaping dangerously, as the fat that had been thrown into the fires bubbled and stank.
Mr Flay was in two minds. He hated what he saw, for of all the rooms in the castle, it was the kitchen he detested most, and for a very real reason; and yet a thrill in his scarecrow body made him aware of how right it all was. He could not, of course, analyse his feelings nor would the idea have occurred to him, but he was so much a part and parcel of Gormenghast that he could instinctively tell when the essence of its tradition was running in a true channel, powerfully and with no deviation.
But the fact that Mr Flay appreciated, as from the profoundest of motives, the vulgarity of the Great Kitchen in no way mitigated his contempt for the figures he saw before him as individuals. As he looked from one to another the satisfaction which he had at first experienced in seeing them collectively gave way to a detestation as he observed them piecemeal.
A prodigious twisted beam, warped into a spiral, floated, or so it seemed in the haze, across the breadth of the Great Kitchen. Here and there along its undersurface, iron hooks were screwed into its grain. Slung over it like sacks half filled with sawdust, so absolutely lifeless they appeared, were two pastry-cooks, an ancient poissonnier, a rôtier with legs so bandy as to describe a rugged circle, a red-headed légumier, and five sauciers with their green scarves around their necks. One of them near the far end from where Flay stood twitched a little, but apart from this all was stillness. They were very happy.
Mr Flay took a few paces and the atmosphere closed around him. He had stood by the door unobserved, but now as he came forward a roysterer leaping suddenly into the air caught hold of one of the hooks in the dark beam above them. He was suspended by one arm, a cretinous little man with a face of concentrated impudence. He must have possessed a strength out of all proportions to his size, for with the we
ight of his body hanging on the end of one arm he yet drew himself up so that his head reached the level of the iron hook. As Mr Flay passed beneath, the dwarf, twisting himself upside down with incredible speed, coiled his legs around the twisted beam and dropping the rest of himself vertically with his face a few inches from that of Mr Flay, grinned at him grotesquely with his head upside down, before Flay could do anything save come to an abrupt halt. The dwarf had then swung himself on to the beam again and was running along it on all fours with an agility more likely to be found in jungles than in kitchens.
A prodigious bellow outvoicing all cacophony caused him to turn his head away from the dwarf. Away to his left in the shade of a supporting pillar he could make out the vague unmistakable shape of what had really been at the back of his brain like a tumour, ever since he had entered the Great Kitchen.
SWELTER
The chef of Gormenghast, balancing his body with difficulty upon a cask of wine, was addressing a group of apprentices in their striped and sodden jackets and small white caps. They clasped each other’s shoulders for their support. Their adolescent faces steaming with the heat of the adjacent ovens were quite stupefied, and when they laughed or applauded the enormity above them, it was with a crazed and sycophantic fervour. As Mr Flay approached to within a few yards of the cluster, another roar, such as he had heard a moment or two earlier, rolled into the heat above the wine-barrel.
The young scullions had heard this roar many times before but had never associated it with anything other than anger. At first, consequently, it had frightened them, but they had soon perceived that there was no irritation in its note today.
The chef, as he loomed over them, drunken, arrogant and pedantic, was enjoying himself.
As the apprentices swayed tipsily around the wine cask, their faces catching and losing the light that streamed through a high window, they also, in a delirious fashion, were enjoying themselves. The echoes died from the apparently reasonless bellow of the chief chef and the sagging circle about the barrel stamped its feet feverishly and gave high shrill cries of delight, for they had seen an inane smile evolving from the blur of the huge head above them. Never before had they enjoyed such latitude in the presence of the chef. They struggled to outdo one another in the taking of liberties unheard of hitherto. They vied for favours, screaming his name at the tops of their voices. They tried to catch his eye. They were very tired, very heavy and sick with the drink and the heat, but were living fiercely on their fuddled reserves of nervous energy. All saving one high-shouldered boy, who throughout the scene had preserved a moody silence. He loathed the figure above him and he despised his fellow-apprentices. He leaned against the shadowy side of the pillar, out of the chef ’s line of vision.
