by Mervyn Peake
Sourdust then handed Titus over the table to his mother, and cupping his hand, dipped it in the christening bowl. Then, his hand and wrist dripping, he let the water trickle through his fingers and on to the baby’s head where the crown left, between its prongs, an oval area of bone-forced skin.
‘Your name is TITUS,’ said Sourdust very simply, ‘TITUS the seventy-seventh Earl of Groan and Lord of Gormenghast I do adjure you hold each cold stone sacred that clings to these, your grey ancestral walls. I do adjure you hold the dark soil sacred that nourishes your high leaf-burdened trees. I do adjure you hold the tenets sacred that ramify the creeds of Gormenghast. I dedicate you to your father’s castle. Titus, be true.’
Titus was handed back to Sourdust, who passed him to Nannie Slagg. The room was delicious with the cool scent of flowers. As Sourdust gave the sign, after a few minutes of meditation, that feeding might begin, Swelter came forward balancing four plates of delicacies on each of his forearm and with a plate in either hand went the rounds. Then he poured out glasses of wine, while Flay followed Lord Sepulchrave around like a shadow. None of the company attempted to make conversation, but stood silently eating or drinking in different parts of the room, or stood at the bay window, munching or sipping as they stared across the spreading lawns. Only the twins sat in a corner of the room and made signs to Swelter when they had finished what was on their plates. The afternoon would be for them the theme for excited reminiscence for many a long day. Lord Sepulchrave touched nothing as the delicacies were passed round, and when Swelter approached him with a salver of toasted larks, Flay motioned him away peremptorily, and noticing as he did so the evil expression in the chef ’s pig-like eyes, he drew his bony shoulders up to his ears.
As the time moved on Sourdust began to grow more and more conscious of his responsibilities as the master of ritual, and eventually, having registered the time by the sun, which was split in half by the slim branch of a maple, he clapped his hands and shambled towards the door.
It was then for the assembled company to gather in the centre of the room and for one after another to pass Sourdust and Mrs Slagg, who, with Titus on her lap, was to be stationed at his side.
These positions were duly taken up, and the first to walk forward to the door was Lord Sepulchrave, who lifted his melancholy head in the air, and, as he passed his son spoke the one word ‘Titus’ in a solemn, abstracted voice. The Countess shambled after him voluminously and bellowed ‘TITUS’ at the wrinkled infant.
Each in turn followed: the twins confusing each other in their efforts to get the first word in, the doctor brandishing his teeth at the word ‘Titus’ as though it were the signal for some romantic advance of sabred cavalry. Fuchsia felt embarrassed and stared at the prongs of her little brother’s crown.
At last they had all passed by, delivering with their own peculiar intonations the final word ‘Titus’ as they reared their heads up, and Mrs Slagg was left alone, for even Sourdust had left her and followed in the wake of Mr Flay.
Now that she was left by herself in the Cool Room Mrs Slagg stared about her nervously at the emptiness and at the sunlight pouring through the great bay window.
Suddenly she began to cry with fatigue and excitement and from the shock she had received when the Countess had bellowed at his little lordship and herself. A shrunken, pathetic creature she looked in the high chair with the crowned doll in her arms. Her green satin gleamed mockingly in the afternoon light. ‘Oh, my weak heart,’ she sobbed, the tears crawling down the dry, pearskin wrinkles of her miniature face – ‘my poor, poor heart – as though it were a crime to love him.’ She pressed the baby’s face against her wet cheek. Her eyes were clenched and the moisture clung to her lashes, and as her lips quivered; Fuchsia stole back and knelt down, putting her strong arms around her old nurse and her brother.
Mrs Slagg opened her bloodshot eyes and leaned forward, the three of them coming together into a compact volume of sympathy.
‘I love you –,’ whispered Fuchsia, lifting her sullen eyes. ‘I love you, I love you’, then turning her head to the door – ‘you’ve made her cry’, she shouted, as though addressing the string of figures who had so recently passed through – ‘you’ve made her cry, you beasts!’
MEANS OF ESCAPE
Mr Flay was possessed by two major vexations. The first of these lay in the feud which had arisen between himself and the mountain of pale meat; the feud that had flared up and fructified in his assault upon the chef. He avoided even more scrupulously than before any corridor, quadrangle or cloister where the unmistakable proportions of his enemy might have loomed in sight. As he performed his duties, Mr Flay was perpetually aware that his enemy was in the castle and was haunted by the realization that some devilish plot was being devised, momently, in that dropsical head – some infernal hatching, in a word – revenge. What opportunities the chef would find or make, Flay could not imagine, but he was constantly on the alert and was for ever turning over in his dark skull any possibilities that occurred to him. If Flay was not actually frightened he was at least apprehensive to a point this side of fear.
The second of his two anxieties hinged upon the disappearance of Steerpike. Fourteen days ago he had locked the urchin up and had returned twelve hours later with a jug of water and a dish of potatoes only to find the room empty. Since then there had been no sign of him, and Mr Flay, although uninterested in the boy for his own sake, was nevertheless disturbed by so phenomenal a disappearance and also by the fact that he had been one of Swelter’s kitchen hands and might, were he to return to the foetid regions from which he had strayed, disclose the fact they had met, and probably, in a garbled version of the affair, put it to the chef that he had been lured away from his province and incarcerated for some sinister reason of his own invention. Not only this, for Mr Flay remembered how the boy had overheard the remarks which Lord Groan had made about his son, remarks which would be detrimental to the dignity of Gormenghast if they were to be noised abroad to the riff-raff of the castle. It would not do if at the very beginning of the new Lord Groan’s career it were common knowledge that the child was ugly, and that Lord Sepulchrave was distressed about it. What could be done to ensure the boy’s silence Flay had not yet determined, but it was obvious that to find him was the prime necessity. He had, during his off moments, searched room after room, balcony after balcony, and had found no clue as to his whereabouts.
At night as he lay before his master’s door he would twitch and awake and then sit bolt upright on the cold floorboards. At first the face of Swelter would appear before his eyes, huge and indistinct, with those beady eyes in their folds of flesh, cold and remorseless. He would shoot his hard, cropped head forward, and wipe the sweat from his palms upon his clothes. Then, as the foul phantom dissolved in the darkness, his mind would lure him into the empty room where he had last seen Steerpike and in his imagination he would make a circuit of the walls, feeling the panels with his hands and come at last to the window, where he would stare down the hundreds of feet of sheer wall to the yard below.
Straightening out his legs again his knee joints would crack in the darkness as he stretched himself out, the iron-tasting key between his teeth.
What had actually happened in the Octagonal Room and the subsequent events that befell Steerpike are as follows:
When the boy heard the key turn in the lock he half ran to the door and glued his eye to the keyhole and watched the seat of Mr Flay’s trousers receding down the passage. He had heard him turn a corner, and then a door was shut in the distance with a far bang, and thereafter there had been silence. Most people would have tried the handle of the door. The instinct, however irrational, would have been too strong; the first impulse of one who wishes to escape. Steerpike looked at the knob of the door for a moment. He had heard the key turn. He did not disobey the simple logic of his mind. He turned from the only door in the room and, leaning out of the window, glanced at the drop below.
His body gave the appearance of being
malformed, but it would be difficult to say exactly what gave it this gibbous quality. Limb by limb it appeared that he was sound enough, but the sum of these several members accrued to an unexpectedly twisted total. His face was pale like clay and save for his eyes, masklike. These eyes were set very close together, and were small, dark red, and of startling concentration.
The striped kitchen tunic which he wore fitted him tightly. On the back of his head was pushed a small white skull cap.
As he gazed downward quietly at the precipitous drop he pursed his mouth and his eyes roved quickly over the quadrangle below him. Then suddenly he left the window and with his peculiar half-run, half-walk, he hurried around the room, as though it were necessary for him to have his limbs moving concurrently with his brain. Then he returned to the window. Everywhere was stillness. The afternoon light was beginning to wane in the sky although the picture of turrets and roof-tops enclosed by the window frame was still warmly tinted. He took one last comprehensive glance over his shoulder at the walls and ceiling of the prison room, and then, clasping his hands behind his back, returned his attention to the casement.
This time, leaning precariously out over the sill and with his face to the sky, he scrutinized the rough stones of the wall above the lintel and noticed that after twenty feet they ended at a sloping roof of slates. This roof terminated in a long horizontal spine like a buttress, which, in turn, led in great sweeping curves towards the main rooftops of Gormenghast. The twenty feet above him, although seeming at first to be unscalable, were, he noticed, precarious only for the first twelve feet, where only an occasional jutting of irregular stone offered dizzy purchase. Above this height a gaunt, half-dead creeper that was matted greyly over the slates, lowered a hairy arm which, unless it snapped at his weight, would prove comparatively easy climbing.
Steerpike reflected that once astride the cornice he could, with relatively little difficulty, make his way over the whole outer shell of central Gormenghast.
Again he fastened his gaze upon the first dozen feet of vertical stone, choosing and scrutinizing the grips that he would use. His survey left him uneasy. It would be unpleasant. The more he searched the wall with his intense eyes the less he liked the prospect, but he could see that it was feasible if he concentrated every thought and fibre upon the attempt. He hoisted himself back into the room that had suddenly added an atmosphere of safety to its silence. Two courses were open to him. He could either wait and, in due course presumably Flay would reappear and would, he suspected, attempt to return him to the kitchens – or he could make the hazardous trial.
Suddenly, sitting on the floor, he removed his boots and tied them by their laces about his neck. Then he rammed his socks into his pockets and stood up. Standing on tip-toe in the middle of the room he splayed his toes out and felt them tingle with awareness, and then he pulled his fingers sideways cruelly, awakening his hands. There was nothing to wait for. He knelt on the window-sill and then, turning around, slowly raised himself to his feet and stood outside the window, the hollow twilight at his shoulder-blades.
‘A FIELD OF FLAGSTONES’
He refused to allow himself to think of the sickening drop and glued his eyes upon the first of the grips. His left hand clasped the lintel as he felt out with his right foot and curled his toes around a rough corner of stone. Almost at once he began to sweat. His fingers crept up and found a cranny he had scrutinized at leisure. Biting his underlip until it bled freely over his chin, he moved his left knee up the surface of the wall. It took him perhaps seventeen minutes by the clock, but by the time of his beating heart he was all evening upon the swaying wall. At moments he would make up his mind to have done with the whole thing, Life and all, and to drop back into space, where his straining and sickness would end. At other moments, as he clung desperately, working his way upwards in a sick haze, he found himself repeating a line or two from some long forgotten rhyme.
His fingers were almost dead and his hands and knees shaking wildly when he found that his face was being tickled by the ragged fibres that hung upon the end of the dead creeper. Gripping it with his right hand, his toes lost purchase and for a moment or two he swung over the empty air. But his hands could bring into play unused muscles and although his arms were cracking he scraped his way up the remaining fifteen feet, the thick, brittle wood holding true, small pieces only breaking away from the sides. As soon as he had edged himself over the guttering, he lay, face downwards, weak and shaking fantastically. He lay there for an hour. Then, as he raised his head and found himself in an empty world of roof tops, he smiled. It was a young smile, a smile in keeping with his seventeen years, that suddenly transformed the emptiness of the lower part of his face and as suddenly disappeared; from where he lay at an angle along the sun-warmed slates, only sections of this new rooftop world were visible and the vastness of the failing sky. He raised himself upon his elbows, and suddenly noticed that where his feet had been prized against the guttering, the support was on the point of giving way. The corroded metal was all that lay between the weight of his body as he lay slanting steeply on the slates and the long drop to the quadrangle. Without a moment’s delay he began to edge his way up the incline, levering with his bare feet, his shoulder blades rubbing the moss-patched roof.
Although his limbs felt much stronger after their rest he retched as he moved up the slate incline. The slope was longer than it had appeared from below. Indeed, all the various roof structures – parapet, turret and cornice – proved themselves to be of greater dimensions than he had anticipated.
Steerpike, when he had reached the spine of the roof, sat astride it and regained his breath for the second time. He was surrounded by lakes of fading daylight.
He could see how the ridge on which he sat led in a wide curve to where in the west it was broken by the first of four towers. Beyond them the swoop of roof continued to complete a half circle far to his right. This was ended by a high lateral wall. Stone steps led from the ridge to the top of the wall, from which might be approached, along a cat-walk, an area the size of a field, surrounding which, though at a lower level, were the heavy, rotting structures of adjacent roofs and towers, and between these could be seen other roofs far away, and other towers.
Steerpike’s eyes, following the rooftops, came at last to the parapet surrounding this area. He could not, of course, from where he was guess at the stone sky-field itself, lying as it did a league away and well above his eye level, but as the main massing of Gormenghast arose to the west, he began to crawl in that direction along the sweep of the ridge.
It was over an hour before Steerpike came to where only the surrounding parapet obstructed his view of the stone sky-field. As he climbed this parapet with tired, tenacious limbs he was unaware that only a few seconds of time and a few blocks of vertical stone divided him from seeing what had not been seen for over four hundred years. Scrabbling one knee over the topmost stones he heaved himself over the rough wall. When he lifted his head wearily to see what his next obstacle might be, he saw before him, spreading over an area of four square acres, a desert of grey stone slabs. The parapet on which he was now sitting bolt upright surrounded the whole area, and swinging his legs over he dropped the four odd feet to the ground. As he dropped and then leaned back to support himself against the wall, a crane arose at a far corner of the stone field and, with a slow beating of its wings, drifted over the distant battlements and dropped out of sight. The sun was beginning to set in a violet haze and the stone field, save for the tiny figure of Steerpike, spread out emptily, the cold slabs catching the prevailing tint of the sky. Between the slabs there was dark moss and the long coarse necks of seeding grasses. Steerpike’s greedy eyes had devoured the arena. What use could it be put to? Since his escape this surely was the strongest card for the pack that he intended to collect. Why, or how, or when he would use his hoarded scraps of knowledge he could not tell. That was for the future. Now he knew only that by risking his life he had come across an enormous quadrangle as se
cret as it was naked, as hidden as it was open to the wrath or tenderness of the elements. As he gave at the knees and collapsed into a half-sleeping, halffainting huddle by the wall, the stone field wavered in a purple blush, and the sun withdrew.
‘OVER THE ROOFSCAPE’
The darkness came down over the castle and the Twisted Wood and over Gormenghast Mountain. The long tables of the Dwellers were hidden in the thickness of a starless night. The cactus trees and the acacias where Nannie Slagg had walked, and the ancient thorn in the servants’ quadrangle were as one in their shrouding. Darkness over the four wings of Gormenghast. Darkness lying against the glass doors of the Christening Room and pressing its impalpable body through the ivy leaves of Lady Groan’s choked window. Pressing itself against the walls, hiding them to all save touch alone; hiding them and hiding everything; swallowing everything in its insatiable omnipresence. Darkness over the stone sky-field where clouds moved through it invisibly. Darkness over Steerpike, who slept, woke and slept fitfully and then woke again – with only his scanty clothing, suitable more to the stifling atmosphere of the kitchens, than to this nakedness of night air. Shivering he stared out into a wall of night, relieved by not so much as one faint star. Then he remembered his pipe. A little tobacco was left in a tin box in his hip pocket.
