by Elaine Viets
“Kiki must have scratched her killer,” Sarah said. “Why else were her nails clipped? The police photographed your scratch, right? Did anyone else in the wedding party have scratches on their arms or neck?”
“Desiree had a long scratch on her arm,” Helen said. “She said the cook’s cat did it. Her father had some nasty scratches, too.”
“That cat gets around,” Sarah said.
“It’s odd,” Helen said. “Desiree doesn’t live with her father.”
“Maybe you need to look into that,” Sarah said.
Helen’s guts unkinked a notch. Perhaps this wasn’t hopeless after all. “Someone else had a scratch,” she said. “I remember hearing about it, but I can’t remember where.”
“It will come to you,” Sarah said confidently, as she speared a chunk of calamari. She was eating with enthusiasm again. “Here’s something else: Who locked the church after the rehearsal and who opened the doors in the morning?”
“Good question,” Helen said. “Kiki locked up after the rehearsal, but I heard her make a date to meet Jason in the church after the rehearsal dinner. She said churches made her hot.”
“Nice lady,” Sarah said.
“I don’t know who opened the church. Jeff, the wedding planner, would. He was there when I arrived the morning of the wedding, directing a flock of florists.”
There were swarms of people involved in this wedding: hairstylists, makeup artists, caterers, and guests. There must have been four hundred guests. Just the wedding party alone was huge. Sixteen attendants preceded the bride and groom to the altar. How many of those people hated Kiki?
The gut twisting started again. “What’s the use?” Helen said. “It’s too much for one person. I don’t have anything.”
Sarah pointed her fork at Helen. A crispy circle of calamari hung on the end. “You have one major advantage. You knew Kiki intimately. You heard her fight with her daughter, her ex, and other people the police may not know about. You have insights into her character they don’t. The police have to find that out secondhand.”
“True,” Helen said. “I even saw her naked. Do you know she had her pubic hair waxed into a dollar sign? What do you think that says?”
“Sex and money. It’s a dangerous combination. But that’s what I mean. You knew the victim alive. The police only saw her dead.”
“Victim,” Helen said. “That’s a funny word for Kiki. Tormentor would be more like it.”
“Would anyone she’d tormented want to kill her?”
“Everyone,” Helen said. Her guts twirled like a forkful of spaghetti. But Sarah wasn’t going to let her slide back into despair.
“So there is no shortage of suspects. Tell me the main ones,” Sarah said.
“The bride, the groom, the father of the bride, the best man.”
“Killer wedding party,” Sarah said.
“I’m not finished. There’s the chauffeur. And maybe Jason, the groomsman she was chasing at the rehearsal dinner. But why are we even making this list? I can’t interview them. Do you really think Desiree will talk with me?”
“Yes,” Sarah said. “You bonded with her. You were her surrogate mother on her wedding day.”
“What about her father, the lawyer?”
“Well, no, I don’t think you can talk to him.” Sarah chewed some lettuce thoughtfully, then said, “I doubt if the police can, either. But I bet you could worm your way into his office for some background.”
“How? I don’t know anybody important.”
“That’s your strength, Helen. You’re a clerk, one of the invisible people who do the work. You can talk to his office staff. They’ll know more about him than anyone, including his wife.”
“How do I see the others? I can’t call up Chauncey. He’s a big local theater director.”
“Theaters always need volunteers,” Sarah said.
“I have two tickets to Richard the Third tonight,” Helen said. “It’s Luke’s last performance in that play before he does his movie. I can start there. Then I can call the theater and say I was impressed by the production and want to help. Would you like to go with me to the show?”
“Sorry, can’t make it tonight. What about Phil?”
“He’s dumped me for his ex.”
“He hasn’t dumped you. And you haven’t dumped him. You’re waiting for him to come to his senses. When does his ex leave town?”
“Margery said her run’s been extended another week.”
“Oh. Well, that’s good. You need to work on this,” Sarah said briskly. She polished off the last of her calamari. “I think you’re on to something with that rose dress. Why would Kiki be wearing it? She was saving it for the reception. It was for her grand entrance, right?”
“Yep. It was way over the top for a mother of the bride, but she wanted to be a star at her daughter’s wedding.”
“So why was she wearing the rose dress when she died?” Sarah said.
Helen saw what Sarah was getting at. “Kiki wanted to impress someone with her fabulous gown. It had to be a man. A woman would be turned off by a sexy dress. It wasn’t her chauffeur. Why would Kiki need to impress an employee?”
“So she wore it for a man, possibly a young one,” Sarah said. “But would a young man be impressed? You said Kiki looked like an aging movie actress around the bridesmaids. She was no match for their youth and beauty.”
“But she had one thing they didn’t,” Helen said. “Money.”
“Which young men needed money the most?”
“The chauffeur, but we’ve ruled him out,” Helen said. “Luke could get money from his wife. That leaves another actor—the handsome twit Jason. He’s in the production, too. Guess I’m a theater volunteer.”
“Unless . . .” Sarah said thoughtfully.
“What?”
“Unless Kiki wore the dress to get her ex back. Brendan might be impressed with a glamorous older woman.”
“Her ex-husband?” Helen said. “No way. He has a new trophy wife.”
“Maybe the young wife has worn him out. Young wives can be high maintenance. They need lots of money, attention, and time in the bedroom. Besides, if Brendan married Kiki again he wouldn’t have to worry about money.”
“But they fought the night before she died,” Helen said. “I heard them.”
“That fight sounds like jealousy to me, and where there’s jealousy, there’s still love. Brendan didn’t want Kiki throwing herself at some young stud.”
“I can see the advantages for him,” Helen said. “But why would Kiki want to go back with Brendan? What could he give her? She had all the money and no-strings sex she wanted. Why cater to an older man with empty pockets and a big ego?”
“Ever talk to a twenty-year-old?” Sarah said.
“I wouldn’t waste time talking to Rod,” Helen said.
“After a while, you get tired of bimbos, male or female,” Sarah said. “Chasing young studs was making Kiki look silly, and society’s opinion was important to her. Maybe she wanted to settle down and quit being a scandal. She made a play for Jason at the rehearsal dinner, but she did it to make Brendan jealous. Her ex was her real target. If she remarried Brendan, she’d get a smart, respected man and a presentable escort.”
“Do you think Brendan killed her out of jealousy?”
“That’s one possibility,” Sarah said. “Or maybe she made a promise to a younger man that she couldn’t keep if she went back with Brendan.”
“Interesting,” Helen said. “But there’s something else that bothers me. My boss, Millicent. She got in a fight with Kiki over money. She made me go to the funeral. And there’s that weird ad in the City Times. The person who placed it looked like Millicent. But it could have been an actor impersonating her.”
“All it would take was a white wig and red nails,” Sarah said.
“Maybe I should get a better description of the buyer,” Helen said.
“Sounds like you have a plan,” Sarah said.
&nb
sp; “Would you like dessert?” The beautiful waiter was back with more temptation.
“A cappuccino,” Helen said.
“Chocolate mousse cake with a scoop of vanilla on the side,” Sarah said.
“Ice cream and chocolate mousse?” Helen said.
“Kiki died thin,” Sarah said. “Look where dieting got her.”
“I’ll take the cheesecake,” Helen said. “Hold the ice cream.” Sarah was the only person who made her feel virtuous when she pigged out.
Their conversation had been so intense that Helen had lost track of where she was. Now she saw the South Beach scene again. The old man and the young woman were gone. Sitting at their table was a quiet man carrying a long leather case with a triangular bottom.
The hair went up on the back of Helen’s neck. “What do you think he has in that case? A shotgun?”
“It’s too narrow for a shotgun,” Sarah said. “How about a pool cue and two balls?”
“It’s not wide enough for pool balls. If this was my neighborhood, I’d say he was a shuffleboard hustler. They use a long, forked stick. Maybe the waiter knows.”
The waiter was carrying Helen’s foaming cappuccino and two wicked pieces of cake.
“Pssst,” Helen said. “What’s that man got in that case?”
“His broom,” the waiter said. “He had the case custom-made.”
There was nothing more to say.
Chapter 15
Helen heard the pop of a champagne bottle near the pool, then the clink of glasses.
Peggy and her policeman must be enjoying a little afternoon delight. Their voices carried in the soft, subtropical air. Helen tried not to listen, but she couldn’t help it.
The man said, “You are so beautiful.”
The woman said, “I love it when you lie.” Her laugh was light and sophisticated. Helen heard the couple kiss.
The woman had a low, throaty voice, intimate and teasing. She didn’t sound like Peggy. Was it Kendra?
The man definitely wasn’t Phil. She’d know his voice anywhere. That was a relief. She hoped Kendra was with another man. Maybe she’d go away and forget about Phil.
Helen moved closer to listen. This was demeaning. She’d sunk to spying on a lowlife like Kendra. She had to get out of there. She had to stay. Helen stood behind the thick bougainvillea near the pool gate. She couldn’t see anyone, but she could hear better.
“I’m not lying,” the man said.
“Of course you are. I’m a wrinkled old bag.” Good God. Now Helen recognized that voice. It was Margery. The man must be Warren. Look where her jealousy landed her.
“You are a woman of experience,” Warren said. “The life you’ve lived only makes you more beautiful.”
The Margery Helen knew would have snorted. This Margery gave a sexy little chuckle.
Helen was mortified to be eavesdropping on her landlady. She backed slowly away and fell over a folding lawn chair. Helen made more racket than twelve raccoons in a trash can trying to untangle herself. She wound up flat on the grass, bruised and embarrassed.
“What the heck was that?” Margery said. Now she sounded like her old self.
Her landlady popped up behind the bougainvillea. She was holding a champagne glass. Her hair was in that elegant French twist so unlike her usual pageboy. Her royal purple off-the-shoulder blouse had slid off even farther than the designer intended, revealing good shoulders and a firm bosom.
Helen blushed and stammered. “I’m really sorry. I didn’t know you were there. I wanted to ask you if you’d like two tickets to Richard the Third tonight.”
It was the first excuse that leaped into her head, and it was lame. If Margery said yes, Helen would have to buy herself a ticket for another performance. Her murder investigation was off to a great start.
“What are you doing on the ground?” Margery said. “Never mind. I don’t want to know. The answer’s yes. I’d love to see the play.”
“Good,” Helen lied. “You’ll be taking Warren, of course.”
“Nope, he’s working at the studio tonight. I’m going with you. You need a keeper.”
Warren stood up, holding a bottle of Piper-Heidsieck by the neck. The man could wear a safari jacket and not look silly. “Would you care to join us for champagne, Helen?” he said.
“Three’s company. I mean, it’s a crowd,” Helen said. “Pardon me. Alcohol and stupidity don’t mix.”
Margery and Warren laughed and toasted her, clinking their glasses again. “See you tonight at seven,” her landlady said. “We’d better go early. And I’ll drive.”
Helen started to say thanks, but she saw Warren nibbling Margery’s neck. It was time to go.
By seven o’clock, Margery looked like her old self again, with her purple shorts and plain gray pageboy. They arrived almost forty-five minutes before the show, but there were no parking spots on the playhouse lot. Margery circled the side streets.
“Good thing the tickets Luke gave me are reserved,” Helen said. “At least we’ll have seats.”
“This must be some show,” Margery said. “The sign says it’s sold out.”
“The show may be good, but that’s not why they’re here,” Helen said. “It’s the first night the theater’s been open since its benefactor’s death—and the last night that Luke is playing Richard. Look at that. Three TV trucks and who knows how many newspaper reporters. This is the sort of story that winds up in Vanity Fair.”
“The millionaire movie star,” Margery said. “That’s what the TV anchors are calling Luke. Kiki’s death was a good career move. He hasn’t even made the movie yet, and he’s a star. I guess the rest are the usual ghouls who want to see the chief actors in the Blood and Roses Murder.”
“I wonder if Desiree will be here,” Helen said. Margery swung her car into a spot on the street behind the theater. “Is that her? The little woman creeping in the stage door?” Margery pointed to a hunched black figure.
“Yep,” Helen said. “She’s only twenty or so, poor thing. She looks like an old woman.”
But she moved like a young one. When a TV reporter approached her with a microphone, Desiree sprinted through the door at a speed that Jackie Joyner-Kersee would envy.
Helen and Margery elbowed their way through the crowd and found their seats. The Sunnysea Shakespeare Playhouse was the grand name for a small theater in an old supermarket three blocks from Sunnysea beach. The chairs were molded white plastic, the sets were amateurishly painted, and the props seemed to be from the actors’ homes. Helen’s heart sank. It was going to be a long night. Maybe they could sneak out after the first act.
Helen had an even greater desire to run when the actors filed onstage for the first scene. It was Shakespeare in modern dress. Richard and his men wore jackboots and trench coats with Nazi insignia. The women wore 1930s evening dresses.
“I didn’t realize they had Goodwill in the fifteenth century,” Margery said.
“Why do directors have to tinker with Shakespeare and make him modern?” Helen said.
The dark-haired woman sitting in front of them turned around and glared. Helen thought she looked like one of the actors in Richard’s entourage. Oops. Had she insulted someone’s son or husband? After that, Helen didn’t dare say what she thought about Richard himself. She looked for Desiree and didn’t see her in the audience.
Luke, as the clubfooted noble, wore a black trench coat and a modern walking cast to “show his crippled spirit,” the program notes said. In case the audience still didn’t get it, he carried a cane. The hollow thumping he made on the old wooden floor was distracting.
Soon Helen didn’t notice. Luke glowed onstage. From the first familiar words, “Now is the winter of our discontent made glorious summer by this sun of York . . .” Helen could not take her eyes off the man.
Luke had seemed so handsome in the bridal salon. Now he was twisted with hate and malice. When Luke said he was “cheated of feature by dissembling nature, deformed, unfinished . . .”
he really did look ugly.
How did he do that? Only the best actors were not afraid to make themselves unattractive for a role. Luke might well be a major talent. Helen reveled in his words. His voice was rich, without the orotund phoniness that afflicted so many Shakespearean actors. Helen was completely under the spell of the future Richard III.
“He’s carrying his cane in the wrong hand,” Margery said.
“Who?” Helen was jerked back to reality.
“Richard,” Margery said.
“I hadn’t noticed.”
But now she did. It was no longer Richard III onstage, but Luke stumping around, saying that he was “so lamely and unfashionable that dogs bark at me.”
“Actors!” Margery snorted. “Look at that. They always get it wrong. Only one I know who gets it right is the crippled coroner on CSI.”
“Shush,” Helen said. The woman in the row ahead was glaring at them again. Helen could hear nearby theatergoers stirring restlessly in their seats.
“He’s supposed to carry the cane on the side of his good leg, not the bad one,” Margery said. “I see it wrong in plays and movies all the time. Even the major names do it. Makes me crazy.”
“You’re making me crazy,” Helen said to her. “I want to watch the play.”
“Quiet!” commanded the glaring woman. Even Margery shut up. Helen happily entered the world of make-believe murder, until the lights went up at intermission.
“That Luke is one hell of an actor,” Margery said, as they strolled to the lobby. “He’s got quite a future.”
“Now that his mother-in-law doesn’t.” Helen regretted her words as they slipped out. “What did you think of the other actors?” she said quickly. “Elizabeth, King Edward’s queen, seems quite good.”
Margery checked her program. “Name is Donna Sue Hawser. She’s better than good, but I’m guessing she’s on the shady side of forty. Donna Sue’s lost her chance for the big time. Must be hell, knowing she could have made it and didn’t. All she needed was a little luck.”
Must have been hell for Luke, knowing he was about to lose his main chance, Helen thought. But he was lucky. Conveniently lucky.
Helen was really glad she didn’t say those words. She felt a tug on her sleeve and jumped. Desiree appeared soundlessly at her side. The new bride was drowned in black. Her shapeless mourning clothes seemed to swallow her. Her eyes had dark rings under them.
