Rocco recalled two kidnaps being mentioned by Santer; a junior diplomat and an industrialist’s wife. It seemed a lifetime ago. Evidently Mme Bessine rated a higher degree of official concern than a junior diplomat playing footsie with an army officer’s niece.
‘The Minister and Bessine were at university together,’ said Desmoulins, interpreting his thoughts. ‘I read it somewhere. I suppose that would account for the response level.’
‘Why wait so long to tell us?’
‘It says the decision was made in the best interests of the victim and her family, but now they’ve decided they can’t wait any longer and all efforts must go to getting her back. Their words, not mine.’
‘If she’s still breathing.’ As Rocco was well aware, kidnap victims rarely lasted more than a couple of days before they became a liability, or the kidnappers panicked and decided to cut their losses. Anyone held this long and still alive would be very lucky indeed.
‘So who are we up against – Sicilians?’
‘They haven’t released that information.’
‘Probably means they don’t know.’ He reached into his desk drawer for a spare shoulder holster. He hated the things, but there were times when they were useful. He strapped it on beneath his coat and checked his MAB. Full magazine and spare. If they found the woman and he needed more ammunition than this, they’d be in the middle of a bloodbath.
He noticed Desmoulins was holding a slim, buff folder with an official stamp on the front. ‘What’s that?’
‘Oh, yes. Nearly forgot.’ Desmoulins flipped the folder open. Inside was a sheet of paper. ‘Brest sent this over. It’s a summary of André Paulus’s record – or at least the bits that aren’t a naval secret. He was a cop, like you said – actually a navy provost under the Gendarmerie Maritime. The file wasn’t much help so I wangled my way through to the operations office in Brest and spoke to a former colleague.’
‘Go on.’
‘Paulus was a career man. Single, confirmed bachelor, no ties or family – ideal for that life, by the sounds of it. Good at his job, according to his friend, but not a high-flyer. Liked to be mates too much, although not a party-goer. He served all over, liked to move around, volunteered for anything with some action, knew his way around the block. Then suddenly, he gave it all up.’
‘Why?’
‘For love, apparently. Met a woman and fell like a lovesick calf. She moved away from Brest and persuaded him to follow. His mates tried to stop him, but he wouldn’t listen. He dropped out and the last they heard he’d got a job in security through the military employment office. They arrange jobs and training for ex-service personnel.’
‘And the woman’s name?’ Rocco knew already, but needed confirmation.
‘A navy nurse named Dion. When I say she moved, she was transferred onshore to what barrack-room gossip called “special duties”.’
‘The Clos du Lac.’
‘I’d say, yes.’
Damn, thought Rocco. Wheels within wheels.
He was interrupted from further thought by Sous-Brigadier Godard striding into the room, followed by two of his men, one of them the tall and dangerous-looking Patrice, who grinned in acknowledgement. All were dressed in black and fully armed. Godard held a slip of paper in his fist.
‘We’ve had a briefing from the Ministry via Commissaire Massin,’ he said, and waved the paper. ‘There are three places we’ve been told to hit, in the following order.’ He walked over to the wall map and studied it briefly, then took three coloured pins and stuck them in the fabric. Roye, 25 kilometres east of Amiens. Doullens, less than 20 kilometres to the north. And Neufchâtel-en-Bray, 30 kilometres to the south-west.
Rocco studied the pins and their locations. It was like a three-spoke wheel, with Amiens at the hub.
‘Where did these addresses come from?’
Godard shrugged. ‘The criminal intelligence section in the Interior Ministry. They’ve been keeping an eye on likely suspects and seen them move out here at various times. They believe things might have got a little too hot for them in Paris, so they’ve come out looking for somewhere quiet to hide.’
‘Here. Around Amiens?’
‘Yes. Why?’
He shook his head. Now wasn’t the time to question the likelihood of kidnappers choosing the Somme and Pas de Calais region to hide their victims. But something about this didn’t ring true. Most kidnappers prepared their hideout well before the event and stayed put while they waited for the ransom to be dropped and collected. Moving a victim around too much was risky: there was always someone on the lookout, whether a nosy neighbour, a local cop on the alert or a kid with an active imagination and too much time on his hands. To ship a victim out of Paris this long after the kidnap meant they had been disturbed or the nature of the game had changed in some way.
‘Why can’t we hit them simultaneously?’
‘I suggested that, but they said it would be too noticeable all going off at once and might make the kidnappers jump the gun.’ Godard raised his shoulders. ‘I tried but they wouldn’t listen.’
‘Are they sending any men out to help?’
‘No. They said we should handle it ourselves. Same with other regions, apparently.’
In other words, Rocco thought cynically, let the regions take the flak if the victim ended up being killed in the process. The only credit to be gained would be if Mme Bessine was recovered alive and well, in which case it would reflect well on the Ministry’s ‘hand’s off’ approach and their confidence in the local police. Some things never changed.
‘Right, where’s the first one?’
‘The nearest is Doullens. The location is a small farm just outside the town. Been abandoned for two years, according to the locals, but rented recently by a transport business in Paris. No other details, though. Ideal for keeping someone quiet, I’d have thought. We can be there in twenty minutes. I’ve sent a couple of men out to take a quiet look. They won’t be seen. If that turns up blank, then I figured Roye, followed by Neufchâtel.’
‘You’ve got men out there, too?’
‘Yes. They’ll call in if they look good.’
‘Fine. Let’s get on with it.’
Rocco followed them out to the cars, making a mental note that he needed to speak once more to Inès Dion. He had a feeling that she might have an interesting story to tell.
Chapter Forty-three
When Delombre arrived at the unoriginally named Café Sportif in the centre of Amiens, his contact, named Ferrand, was sitting behind a cold beer with a wary expression, eyes on the door. The only thing sporting about the place, Delombre noted, was a large colour poster of French cyclist Jacques Anquetil, mounted in a glass frame on the rear wall. It looked more like a shrine than a celebration, and he reminded himself to figure out one day what it was about the Tour de France that aroused such passions in the nation.
‘Someone killed your dog?’ he muttered, and ordered coffee. Something about Ferrand’s expression told him they weren’t going anywhere soon.
‘He’s gone,’ Ferrand muttered.
‘Gone where? Why didn’t you follow and leave a note?’
‘Because the place was in an uproar. Every cop in the town must have been there, Gendarmerie Mobile, plain clothes, auxiliaries, the lot. It was like somebody jabbed a stick into a hornets’ nest and they all woke up with a screaming headache. Before I could do anything, they were all up and gone. I didn’t see Rocco, but I think he was among them.’
Delombre had a good idea what the fuss was about. Levignier’s intelligence bulletin must have stirred them into action. Well, that was something, at least.
‘Is it worth going after them? Somebody must know where they’ve gone.’
‘I doubt it. We’d probably get jumped on. You’ve got the official muscle – can’t you ask at the station?’
‘I could, but I don’t want to.’ Walking into the police station meant he’d leave a trace and he didn’t want Rocco picking up on his pres
ence. The man seemed to have a sixth sense for trouble and Delombre didn’t need the problem right now. ‘What does he look like?’
‘Rocco? He’s big, tall – taller than you, has dark hair cut short and usually dresses smart, like an undertaker. Long black coat and trousers, shiny shoes, looks expensive.’
‘So he’s a fashion model.’
‘Yes, but they say don’t let his looks fool you. He’s got a pair of shoulders on him and can handle the rough stuff.’ Ferrand toyed with his beer. ‘I hear he used to work with the anti-gang units before transferring out here, and he’s been involved in a few incidents since he arrived.’
‘What kind of incidents?’ Delombre didn’t plug into the office chatter much; he did his work and left the gossip alone. Any stories circulating about cops were usually blown out of proportion by the cops themselves, eager to gain some good publicity as hard men and a chance of promotion on the back of it along the way.
‘He stopped an assassination attempt on de Gaulle not long ago. A bunch of English gangsters were involved and he put them down. End of story.’
Delombre lifted an eyebrow. Perhaps he should start taking more notice of gossip. He’d clearly missed something here.
‘You’re saying he’s a hotshot?’
Ferrand hesitated, as if wary of singing Rocco’s praises too much. ‘He’s a hunter. I’ve seen him at work, the way he checks out the scene when he’s out and about. He doesn’t miss much.’
Delombre smiled and pushed his coffee away untouched.
‘But he missed you.’
‘Yes. He missed me.’
This Rocco sounded like a challenge. But not right now. If he was pumped up by the thought of taking down a kidnap gang, he’d be even more on the alert than usual.
‘Very well. We’ll give this one a miss. Stay on him for another twenty-four hours, but well back, you understand? I don’t want him picking up a sniff that he’s being watched.’
‘He won’t.’ Ferrand said it without boasting; he knew how good he was.
‘Let me know anything you hear, then stand down.’ He stood up and walked out, leaving Ferrand sitting at the table.
* * *
The farm looked deserted. It was situated at the end of a long track meandering through flat fields some two kilometres outside the town of Doullens, the house and buildings nestling against a backdrop of trees. From a distance the place looked forgotten in time, abandoned to nature, with long, flowing grass on the track in, and tendrils of ivy crawling across the front porch and through a broken pane of glass in the door.
Rocco studied the place through binoculars, paying particular attention to the windows at the front and the outbuildings at the rear. Wooden shutters hung at the window on the left, secured by what looked like a heavy chain. But the door and right-hand window were uncovered, suggesting that somebody had been inside recently. A tramp, maybe?
He checked the chimney, but saw no sign of smoke. Didn’t mean a thing.
‘My men reckon it’s empty,’ said Sous-Brigadier Godard, sliding up alongside him. ‘They’ve been watching for a couple of hours and haven’t seen a thing.’
‘What are your instructions?’
‘To report back and wait. No movement until we get word to go from Massin.’
And until Massin gets word from the Ministry, thought Rocco sourly. Everybody wants their say in what happens now.
‘Is there a back way out?’
‘Only on foot. We checked that first.’
The place reminded him of the farm owned by Thomas Portier, yet in an even worse state of disrepair. He could see why someone seeking isolation might choose it as a hideaway, but only if they were a painter or writer – or seriously antisocial. For anybody dragging a kidnap victim along with them, especially a high-profile one like Véronique Bessine, there had to be plenty of places far more convenient they could have found. Out here was putting a stretch on the term remote, and its very location, with no secondary way out, also made it vulnerable as a trap. What he couldn’t understand was how the intelligence unit had heard about the place being used.
‘Have your men spoken to any locals?’
‘Only some old guy in a field down the road. He says nobody’s been here for a long while. The land is poor and the house would be easier to knock down than restore. Mind you, he said a few uncomplimentary things about morons from Paris throwing their cash around to get in touch with the land, but I don’t think he was talking about anyone coming here.’
‘But he wouldn’t know if someone had turned up while he was away.’
‘True. But my men took a close look at the track. There’s been nothing on wheels down there for months. It rained less than a week ago, and the ground here is soft; even a nun on a bike would have left some kind of sign. There’s nothing.’
Rocco studied the line of the track leading up to the front door. It was straight and narrow, bordered by a ditch and a wire fence each side, both overgrown. The track surface itself was lost in a sea of moving grass, mesmerising and lush. Anyone inside the house would have a devastatingly clear shot all the way down, with nowhere for an approach vehicle to go but back. And going back would mean ending up in the ditch.
Or dead.
‘Seems a shame not to try something,’ said Godard. ‘We’ve trained hard for this stuff; just never got to use it yet.’
Rocco looked up at the sky. The afternoon was rolling on, bringing a grey sky studded with heavy cloud. If they left it too long, anybody in the house might decide to cut their losses and try to get past them once the light fell.
He looked behind their position. They were on the edge of a bank bordering the track, where a bend offered them a slightly elevated spot from which to see the house. The rest of Godard’s men, the uniforms and other police units were all out of sight at the top of the track where it met the road to Doullens.
He studied the chimney on the house. It had a tin pot protruding from the stack, battered by the elements and blackened around the upper rim. It would make a hell of a noise if it took a bullet. But any action like that was Godard’s call.
‘That chimney,’ he said casually, ‘is a heck of a target.’
‘That’s what I was thinking,’ Godard agreed. ‘And the noise would scare the shit out of anybody inside.’
‘Long shot, though. It would have to be a good man to hit it from here.’
Godard took a look through the glasses. ‘Are you kidding? I could hit that myself – and I’m not the best. Still, if there is someone in there – and with Bessine?’
‘I’d lay good money that there isn’t. Send two of your best men down the track as close as they can get to the front door. As soon as they’re in place, get your sniper to take a shot, and the other two go in hard.’
Godard nodded slowly and pursed his lips. ‘I can do that.’ He added, ‘See the last fence post on the right, just before the track opens out into the front of the house?’
‘Yes.’
Godard gave a short whistle. Immediately, a man’s hand slid up the fence post, then disappeared again.
‘Patrice. There’s another man on the left.’ Rocco smiled.
‘You had this planned.’
Godard returned the smile. ‘What – you think we sit round all day polishing our boots? Give me three minutes and the chimney’s gone. Wait for my whistle but don’t stand up until the shot’s been made.’ With that, he slid back down the bank and disappeared back along the track at a jog, using the lay of the land.
Rocco waited, hoping he was right. If Mme Bessine was being held in there, he was making a serious mistake. Yet every fibre of his body told him this place was empty. Somehow the intelligence unit had been handed false information. It happened.
He heard Godard’s warning whistle and focused the glasses on the chimney pot. The shot when it happened took him by surprise, and came from no more than twenty metres behind him.
The pot exploded in a cloud of thick soot and a shower of twigs, p
robably an old bird’s nest, and tumbled down out of sight on the far side of the roof.
Instantly he saw the tall figure of Patrice leap up out of the grass and sprint across the front yard, closely paralleled by another man in the same black uniform. Both carried handguns. Patrice made it to the porch and ran straight through the front door, taking it off its hinges. The other man dodged round the side, both of them calling out their positions to each other.
Moments later, they reappeared through the front door.
They looked relaxed.
Patrice signalled with a shake of his head. Empty.
Chapter Forty-four
‘Empty as in never used,’ Patrice told them as they approached the front door. He looked disappointed at the lack of action and nodded at Rocco, adding, ‘There’s some stuff in the back room, but it could have been left by a vagrant passing through.’
He led them through the front of the house, which was bare of furnishings, the ancient plaster walls showing the wooden lathes beneath in large patches where damp had wreaked its worst over the years, and into a rear space which had once doubled as a kitchen and workroom, with a shallow stone sink in one corner and an old knife grinder beneath a broken window.
‘Christ, I haven’t seen one of those in years,’ said Godard.
He pushed the stone wheel, but it was jammed solid.
In the corner away from the sink lay an old army greatcoat and a filthy towel. Alongside was a battered spirit stove. A metal mug with chips out of the enamel had a layer of black covering the base and sides.
Rocco bent and sniffed at the spirit stove. He’d used one like it in the army for a while. The familiar tang of spirit made his nose twitch and brought back memories of long waits for anything to heat up, usually battered by wind and rain. The mug had a dark residue in the bottom which could have been coffee. The greatcoat was filthy. He checked the pockets. A crumpled cigarette packet. Empty.
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