"Because you are Maerad of Pellinor."
"But that's no reason."
Cadvan shrugged, and Maerad gave up; obviously Cadvan would tell her more in his own good time.
"What if you're wrong about me?"
"If I am, then at the worst I will have the most brilliant pupil in Annar, and all credit to me," he said. "But I am not often wrong."
"Then where will we go?"
"To Norloch, as I thought when we first met. The High Seat of the Light in Annar. I must go there, and it seems to me that you must, too. There is the business of your instatement and Naming, and on those questions I dearly wish for the advice of my old teacher, Nelac of Lirigon. And in any case, I must report to the First Circle there."
They sat in silence for a while, following their own thoughts. Maerad thought about Norloch, and a sense of excitement began to stir in her. The High Seat of the Light! Like Innail, she imagined, only more so: more wondrous, more pure. Then she wondered again why it was she felt so rapidly at ease in Innail. It was more than Silvia's care for her, more than the beauty around her. Perhaps it was her childhood memories lighting up inside her, a sense of home.... And now, somehow, she had agreed to leave it, just as the door had opened, promising delight and friendship, for what Cadvan said frankly would be a life of hardship. Perhaps it's all too much, all this looking at me, she thought wearily, all these curious eyes. She stole a look at Cadvan. She had never met anyone so solitary—well, she hadn't met many people at all, truth be told—but she suspected that Cadvan didn't like eyes looking, either. Not out of wanting to conceal anything, but because somehow it hurt, as if it bruised his soul. Yes, she would leave Innail, although she already loved it, and she would follow Cadvan to Norloch; she knew that was decided, although she didn't really know why.
"I'll think about it," Maerad said at last. She suddenly felt crushingly tired. "But right now, I think I'd like to go for a rest. I might as well use these beds while I can!"
Cadvan gave her one of his sudden, brilliant smiles.
"You might as well," he answered. He watched her go, and then sat alone in the courtyard for a long time, his face dark with thought.
That night Maerad dreamed. She was taken up to a great height over a wide green landscape she knew was the land of Annar. In the distance a sinking sun lit up the eastern mountains and flamed the tall white battlements of a great city in the west, and a wide river ran molten gold between the mountains and the city. As she watched, a black mist crept over the land, obscuring the bright water, and a cold dread gripped her heart. Faintly she heard a sound as of many people weeping. Then came a voice saying, "Look to the north," and she looked, but the mist obscured her view, and she could see nothing. The dream fragmented into a troubled sleep full of dark vague shapes, which after a time resolved into one shape, a shadow on which she couldn't fix her eye; every time she turned to look at it, it dissolved into smoke. It seemed to her vitally urgent that she see it before it saw her, and in rising panic she turned and turned. She felt as if it were already reaching for her, that beyond her perception malignant hands reached out of the shadow toward her, closer and closer. Then she heard a voice speaking a language she couldn't understand. It was a voice she had never heard before, and it was cold and lifeless, as if it spoke from lips long dead. Her heart stopped with fear, and suddenly she was awake, sweating and trembling. She sat up in bed and looked wildly around her, until she saw the remains of the fire glowing in the grate and remembered where she was. She couldn't shake off the dream, and at last, to rid herself of the feeling of dread, got out of bed and picked up her lyre. As soon as she touched it she felt reassured, and climbing back into her bed clutching it, she soon fell asleep again. By morning the dream had vanished, but the new day was stained with a nebulous fear.
IX
DERNHIL OF GENT
FOR the next few days, Maerad didn't see much of her new teacher. Cadvan knocked on her door very early the day after the Council, and, after waiting impatiently for her to dress, dragged her through Innail to the Library at the Circle of Lanorgrim. There they walked as fast as Maerad could go, through labyrinthine corridors to a tiny room that seemed almost to be constructed of books, where Cadvan introduced her to a dark-haired Bard she remembered vaguely from the Council the day before. "This is Dernhil of Gent, Librarian of the Circle," he said brusquely. "Dernhil, Maerad of Pellinor. Dernhil has kindly offered to teach you the basics of script, though what you can learn in less than a week escapes me. Now, I've got to hurry." And he ran out of the door.
Maerad stood in front of Dernhil, catching her breath. Dernhil seemed younger than Cadvan, although Maerad already knew a Bard's age was hard to guess. He was tall and slender, and his face was calm and intelligent, with quick, mobile eyes that now were filled with quiet amusement. He was dressed in the black robes that she had seen the Librarians wearing the day before, slung carelessly over blue breeches and a tunic that looked as if they were woven of silk. To gain time, she looked around the chamber.
Dernhil's room contained a huge, ornately carved desk that was almost covered with tottering piles of books, lengths of parchment, and drifts of paper. In the center was a scroll of parchment, which was clearly half-finished: it was covered with a beautiful flowing script, written in black ink. Next to it was an inkwell made of polished black stone, and next to that an intricately fashioned gilt lamp that cast a circle of warm light over the desk, picking up the azure silk that covered the two chairs beside it. One was clearly where Dernhil sat; the other was burdened with another tottering pile of books.
Maerad sniffed the faint scent of ink with pleasure; it reminded her of something, although she couldn't trace the memory. Despite the mess, the room didn't give an impression of shabbiness so much as chaotically ordered industry. The early light from a high window streamed across the walls, picking out the colors of curious instruments and ornaments on the shelves lining the wall and highlighting the gilt letters on the spines of rows and rows of books. A small grate held a fire. Maerad thought it the most interesting room she had ever seen.
"Well, now," said Dernhil. "A brilliant young musician who can't read or write, and a week to teach you. What a conundrum! Where shall we begin?" He looked at Maerad as if she could tell him the answer. She looked down, feeling rebuked. "There is no shame in not knowing something," he said gently. "The shame is in not being willing to learn. I can teach you the letters of the Speech, invented by Nelsor in Afinil long ago. That will serve you best, I think, for it is the script most used by Bards. But there are many others, used by other peoples, which it would be an injury not to teach you. I haven't the time, alas. A year would cover the introduction, if you were quick."
He surveyed his silent pupil as if judging her facility. Then he moved all the books off his spare chair, dumping them unceremoniously onto the floor, and drew it up to the desk. He cleared a space on the desk, putting more books on the floor, and invited Maerad with an inquiring tilt of his head to sit next to him. Then he placed two pieces of paper in front of them and handed Maerad a gold pen. It had a long shaft carved with the semblance of a strange flying snake, which wound around the pen and rested its head just above the fine metal nib. Maerad looked at it curiously.
"It's for writing, not for staring at," said Dernhil, and he showed her how to hold it. It felt strangely heavy in her hand. Then he started writing down letters, explaining what they meant and how they formed words.
Maerad couldn't use the pen at all at first, but she gritted her teeth and persisted. As the lesson progressed, she began to see how writing worked, and a ball of excitement began to form in the pit of her stomach. Her memory was trained by years of learning songs and music by heart, and Dernhil was a patient and gentle teacher. Despite her clumsiness, Maerad had an odd feeling, as if an ancient memory stirred in her fingers, that they traced movements familiar to her, if long disused. Dernhil was astonished by how quickly she began to shape letters and then words. By the end of the lesson, she had written her fir
st sentence.
"Time to stop," said Dernhil, and Maerad gave a gasp of disappointment. He regarded her with amusement. "If only all my pupils were so keen," he said. "You've done extraordinarily well for your first lesson, Maerad, but you will be the better for the pause. I would never have guessed you would have come this far."
"But it's such fun!" she said. "I used to wonder if you could do something like this: I mean, write things down, so you could remember them. Gilman kept lists of his sheep and cows and chickens and things; he just marked them with lines and pictures on stuff made of bark, so he knew if any were stolen or eaten. Maybe they taught me some writing at Pellinor, I can't remember. . .. There's so much I've forgotten. But this is amazing! And the script is so beautiful. Well," she added, looking dubiously at her own writing, "it's beautiful when you write it down."
"It's just practice," Dernhil said. "A year here, and you'd be scripting like an old Librarian." He looked at Maerad again, and this time there was a hint of trouble in his gaze, a faltering. "What is in Cadvan's mind? That man's a mystery to me, though he has his own reasons. Anyway, you're to have other lessons this afternoon. Cadvan's worked out a schedule for you, but since you can't read it, I'll show you where to go."
He rummaged through his shelves until he found an exquisite little leather-bound book, which he gave to Maerad. "This is for tonight," he said. "I have shown you how to sound the letters. There are some simple poems in here, which I want you to try to read before tomorrow, if you're not too tired. One or two, mind, not the whole collection."
Maerad took the book as if it were a sacred object and opened it carefully. The pages were heavy, dry parchment and made a very faint rustling. She paused at a page that had a vivid picture of bees around a hive, and behind it a landscape of rivers and valleys and, in the distance, snow-capped mountains. The border of the page was a broad frame made of gold leaf, on which the painter seemed to have artlessly scattered some wildflowers: daisies and pinks and others Maerad couldn't recognize. In each corner was a tiny painting that revealed more details the more she looked: a man playing a dulcimer in one, in another a bear lying asleep under a tree, in the third a woman studying what seemed to be a globe of crystal, and in the bottom right-hand corner two people seated at a table, drinking something golden out of a glass. On the opposite page, framed in the same way, was the poem, scripted in black and red letters. She spelled out the title: "The Hive."
Maerad was speechless. She glanced up at Dernhil, her eyes shining. He seemed embarrassed by her frank joy, and covered it by giving her some sheets of paper and a pen and rummaging through his bookshelves again until he found a small satchel in which she could carry everything. "You can practice writing as well. Try copying a poem. Now, time to go," he said briskly. "I'm late for my next lesson. I'll see you at the same time, the same place, tomorrow."
Maerad's lesson that afternoon was of an entirely different hue: she was being taught horse riding and swordcraft. Dernhil took her to her instructor, a stern-looking man called Indik, with a scar across his cheek which drew the skin tightly under his right eye, making his face curiously expressionless. Maerad felt slightly frightened of him, and unlike Dernhil, he made no effort to make her feel at ease. She was taken first to the smiths, where she was fitted with a small sword, scabbard, helm, and a light coat of mail, so finely forged it almost seemed like heavy cloth. Next she was taken to the stables, where Indik picked out a gray roan mare. "Her name is Imi," he told her. "She's a good mare, prone to be fiery, but loyal and kind. And her breed is fast and sturdy. You'll need a tough mount." Maerad knew enough about horses to judge that Indik had picked exceptionally well; Imi was graceful and strong, and not too big for her. "This horse is now yours," he said. "So you must know how to care for her."
"Mine?" said Maerad in amazement. "How?"
"Cadvan's arrangement. Now, you know how to saddle a horse?"
Maerad's ignorance of animals wasn't nearly as woeful as it was of books, and after she had saddled and mounted Imi, Indik looked at her with an almost approving eye. He mounted his own horse, a large bay called Harafel, and they rode to a yard, where Indik put her through some paces, making her ride with her arms crossed and no stirrups, and running through some commands. Maerad rode mainly by balance which, as Indik acidly pointed out, would do no good if a troop of bandits suddenly appeared out of the bushes and scared the life out of her; but despite all his shouting, he seemed pleased when they finished.
"You'll do fine," he said. "A few months of training, and you'd make a good rider. You know enough to get around. It would be easier if you had the Speech, of course, but that will take care of itself."
They rode back to the stables, and Maerad dismounted and unsaddled Imi. Then Indik asked her to groom the horse and clean her hooves, watching her critically. "You'll need a traveling kit, of course," he said, when she'd finished and loosed the mare into her stable. "But luckily you're not a complete dolt. Two hours' ride every day, to get you fit, and that's all we can manage this time."
Then it was time for swordcraft. This was a different matter altogether, and Indik didn't bother to conceal his impatience. "Mistress Maerad," he said through clenched teeth, as she dropped her sword yet again, "if you do not manage even to hold on to your weapon, you're dog meat. Kindly get that through your thick head. Now, we'll start again."
An hour of sword practice left Maerad dripping with sweat— Indik insisted she wear her mail and helm—and feeling completely inadequate. She had learned, however, how to hold a sword both one- and two-handed, and that flailing wildly was a bad idea. "Intelligence," Indik kept saying. "Intelligence is the key. You're not strong enough to be stupid. Think!"
He gave the powerful impression that he thought Maerad would last about a mile out of Innail. When he finally ended the lesson, he leaned on his sword. "One hour's riding, I think, and an extra hour of swordcraft. A week might make a difference. By the Light, I hope it does. At the moment my advice is to hide behind Cadvan if any trouble occurs, and don't draw the sword at all. You're just a liability." Then he dismissed her to disconsolately find her own way back to her room.
In the refuge of her chamber she tiredly took off her mail and helm and laid her sword against the chest, where she eyed it doubtfully. It had a simple silver scabbard chased with the design of a snake wound around a tree, with a gleaming red stone for its eye; she had liked the sword well enough when Indik had chosen it for her, but now she wasn't so sure. Her body ached with weariness in all sorts of unexpected places, and after sitting on her bed for a few minutes staring exhaustedly at the wall, she decided to go to the bathroom. Once there, the bath steaming with perfumed oils, she slid in with a sigh and watched the steam coil upward, thinking of absolutely nothing at all. At last she drew herself out, feeling refreshed, and padded back on bare feet to her room, where she dressed in clean clothes and drew her lyre out of the chest. She played it to console herself, and soon was so absorbed that when there was a knock at her door she jumped.
"Cadvan!" she said, letting him in.
"Yes, indeed," he said. He looked a little grim. "How are your lessons?"
"Oh, all right, I suppose. I like Dernhil; he gave me this book—look—to read tonight. But I don't think Indik likes me much."
"It's not his business to like you. He's to teach you what he can, which he will, as he is a gifted teacher and a great swordsman. He does you great honor agreeing to teach you at all."
"I didn't mean ..."
"The horse is to your liking? And this is your sword?"
"Imi is beautiful; I've never ridden such a fine horse," said Maerad, casting a look of dislike at the sword. "Indik says I'm a liability with the sword and should just hide behind you."
Cadvan laughed, losing his look of grimness. "It is your first day, after all, and he's not used to beginners. But if anyone can teach you to be handy with a sword in a week, he can. You won't learn any great skill, mind, but it's good to know how to hold it, and even an inelega
nt slash well placed is help in a tight corner.
But this is your sword now: you should give it a name." He took it out of its sheath and examined it closely. "It's actually very fine. He's done you proud." He handed it to her, hilt first.
"A name?" stammered Maerad, taking it. "Why? What sort of name?"
"I asked that you be given a well-forged blade. It's not just a dirk hammered out in some rustic blacksmith's forge, and it deserves the honor. Well..." Cadvan considered for a moment. "What about Irigan? Iceblade, in the Speech. It has a chill sheen."
"Irigan," said Maerad, trying it on her tongue. "Yes, that sounds all right. Irigan." She was beginning to feel overwhelmed by owning things; she had never possessed more than the clothes on her back, a pair of boots, and her lyre. Suddenly she had a horse and a sword, like a rich person.
"Silvia's arranging traveling gear and a pack," Cadvan said. "They should be ready tomorrow." He picked up the book Dernhil had lent Maerad and laughed.
"What's funny?" she asked.
"It's Dernhil's own book. His poems. Read it carefully; Dernhil is a great poet, one of the best Annar has seen. I remember when we first met.. . ." He flipped the pages, idly looking through the poems, and fell silent.
"Remember what?" asked Maerad.
Cadvan grinned. "I was young and vain, and I rather fancied myself as a poet then. He was visiting Lirigon for some reason I forget, and he was already famous. He was very young, very talented.... I challenged him to a duel, a competition where we both had to improvise poems. I made such a fuss about it, practically the whole School was there."
"And what happened?"
"I lost. For obvious reasons, if you read this book."
Maerad felt a bit taken aback. How was she to know that Dernhil was famous? "But he said they were simple poems."
The Naming Page 14
