“Wait, hell,” the man who held him said, “That damn little wasp’ll kill you. Keep going. You aint hurt.”
“He hit me,” Jason said. “Am I bleeding?”
“Keep going,” the other said. He led Jason on around the corner of the station, to the empty platform where an express truck stood, where grass grew rigidly in a plot bordered with rigid flowers and a sign in electric lights: Keep your on Mottson, the gap filled by a human eye with an electric pupil. The man released him.
“Now,” he said, “You get on out of here and stay out. What were you trying to do? Commit suicide?”
“I was looking for two people,” Jason said. “I just asked him where they were.”
“Who you looking for?”
“It’s a girl,” Jason said. “And a man. He had on a red tie in Jefferson yesterday. With this show. They robbed me.”
“Oh,” the man said. “You’re the one, are you. Well, they aint here.”
“I reckon so,” Jason said. He leaned against the wall and put his hand to the back of his head and looked at his palm. “I thought I was bleeding,” he said. “I thought he hit me with that hatchet.”
“You hit your head on the rail,” the man said. “You better go on. They aint here.”
“Yes. He said they were not here. I thought he was lying.”
“Do you think I’m lying?” the man said.
“No,” Jason said. “I know they’re not here.”
“I told him to get the hell out of there, both of them,” the man said. “I wont have nothing like that in my show. I run a respectable show, with a respectable troupe.”
“Yes,” Jason said. “You dont know where they went?”
“No. And I dont want to know. No member of my show can pull a stunt like that. You her — brother?”
“No,” Jason said. “It dont matter. I just wanted to see them. You sure he didn’t hit me? No blood, I mean.”
“There would have been blood if I hadn’t got there when I did. You stay away from here, now. That little bastard’ll kill you. That your car yonder?”
“Yes.”
“Well, you get in it and go back to Jefferson. If you find them, it wont be in my show. I run a respectable show. You say they robbed you?”
“No,” Jason said, “It dont make any difference.” He went to the car and got in. What is it I must do? he thought. Then he remembered. He started the engine and drove slowly up the street until he found a drugstore. The door was locked. He stood for a while with his hand on the knob and his head bent a little. Then he turned away and when a man came along after a while he asked if there was a drugstore open anywhere, but there was not. Then he asked when the northbound train ran, and the man told him at two thirty. He crossed the pavement and got in the car again and sat there. After a while two negro lads passed. He called to them.
“Can either of you boys drive a car?”
“Yes, suh.”
“What’ll you charge to drive me to Jefferson right away?”
They looked at one another, murmuring.
“I’ll pay a dollar,” Jason said.
They murmured again. “Couldn’t go fer dat,” one said.
“What will you go for?”
“Kin you go?” one said.
“I cant git off,” the other said. “Whyn’t you drive him up dar? You aint got nothin to do.”
“Yes I is.”
“Whut you got to do?”
They murmured again, laughing.
“I’ll give you two dollars,” Jason said. “Either of you.”
“I cant git away neither,” the first said.
“All right,” Jason said. “Go on.”
He sat there for sometime. He heard a clock strike the half hour, then people began to pass, in Sunday and Easter clothes. Some looked at him as they passed, at the man sitting quietly behind the wheel of a small car, with his invisible life ravelled out about him like a wornout sock. After a while a negro in overalls came up.
“Is you de one wants to go to Jefferson?” he said.
“Yes,” Jason said. “What’ll you charge me?”
“Fo dollars.”
“Give you two.”
“Cant go fer no less’n fo.” The man in the car sat quietly. He wasn’t even looking at him. The negro said, “You want me er not?”
“All right,” Jason said, “Get in.”
He moved over and the negro took the wheel. Jason closed his eyes. I can get something for it at Jefferson, he told himself, easing himself to the jolting, I can get something there. They drove on, along the streets where people were turning peacefully into houses and Sunday dinners, and on out of town. He thought that. He wasn’t thinking of home, where Ben and Luster were eating cold dinner at the kitchen table. Something — the absence of disaster, threat, in any constant evil — permitted him to forget Jefferson as any place which he had ever seen before, where his life must resume itself.
When Ben and Luster were done Dilsey sent them outdoors. “And see kin you keep let him alone twell fo oclock. T.P. be here den.”
“Yessum,” Luster said. They went out. Dilsey ate her dinner and cleared up the kitchen. Then she went to the foot of the stairs and listened, but there was no sound. She returned through the kitchen and out the outer door and stopped on the steps. Ben and Luster were not in sight, but while she stood there she heard another sluggish twang from the direction of the cellar door and she went to the door and looked down upon a repetition of the morning’s scene.
“He done it jes dat way,” Luster said. He contemplated the motionless saw with a kind of hopeful dejection. “I aint got de right thing to hit it wid yit,” he said.
“En you aint gwine find hit down here, neither,” Dilsey said. “You take him on out in de sun. You bofe get pneumonia down here on dis wet flo.”
She waited and watched them cross the yard toward a clump of cedar trees near the fence. Then she went on to her cabin.
“Now, dont you git started,” Luster said, “I had enough trouble wid you today.” There was a hammock made of barrel staves slatted into woven wires. Luster lay down in the swing, but Ben went on vaguely and purposelessly. He began to whimper again. “Hush, now,” Luster said, “I fixin to whup you.” He lay back in the swing. Ben had stopped moving, but Luster could hear him whimpering. “Is you gwine hush, er aint you?” Luster said. He got up and followed and came upon Ben squatting before a small mound of earth. At either end of it an empty bottle of blue glass that once contained poison was fixed in the ground. In one was a withered stalk of jimson weed. Ben squatted before it, moaning, a slow, inarticulate sound. Still moaning he sought vaguely about and found a twig and put it in the other bottle. “Whyn’t you hush?” Luster said, “You want me to give you somethin’ to sho nough moan about? Sposin I does dis.” He knelt and swept the bottle suddenly up and behind him. Ben ceased moaning. He squatted, looking at the small depression where the bottle had sat, then as he drew his lungs full Luster brought the bottle back into view. “Hush!” he hissed, “Dont you dast to beller! Dont you. Dar hit is. See? Here. You fixin to start ef you stays here. Come on, les go see ef dey started knockin ball yit.” He took Ben’s arm and drew him up and they went to the fence and stood side by side there, peering between the matted honeysuckle not yet in bloom.
“Dar,” Luster said, “Dar come some. See um?”
They watched the foursome play onto the green and out, and move to the tee and drive. Ben watched, whimpering, slobbering. When the foursome went on he followed along the fence, bobbing and moaning. One said.
“Here, caddie. Bring the bag.”
“Hush, Benjy,” Luster said, but Ben went on at his shambling trot, clinging to the fence, wailing in his hoarse, hopeless voice. The man played and went on, Ben keeping pace with him until the fence turned at right angles, and he clung to the fence, watching the people move on and away.
“Will you hush now?” Luster said, “Will you hush now?” He shook Ben’s arm. Ben clung to the f
ence, wailing steadily and hoarsely. “Aint you gwine stop?” Luster said, “Or is you?” Ben gazed through the fence. “All right, den,” Luster said, “You want somethin to beller about?” He looked over his shoulder, toward the house. Then he whispered: “Caddy! Beller now. Caddy! Caddy! Caddy!”
A moment later, in the slow intervals of Ben’s voice, Luster heard Dilsey calling. He took Ben by the arm and they crossed the yard toward her.
“I tole you he warn’t gwine stay quiet,” Luster said.
“You vilyun!” Dilsey said, “Whut you done to him?”
“I aint done nothin. I tole you when dem folks start playin, he git started up.”
“You come on here,” Dilsey said. “Hush, Benjy. Hush, now.” But he wouldn’t hush. They crossed the yard quickly and went to the cabin and entered. “Run git dat shoe,” Dilsey said. “Dont you sturb Miss Cahline, now. Ef she say anything, tell her I got him. Go on, now; you kin sho do dat right, I reckon.” Luster went out. Dilsey led Ben to the bed and drew him down beside her and she held him, rocking back and forth, wiping his drooling mouth upon the hem of her skirt. “Hush, now,” she said, stroking his head, “Hush. Dilsey got you.” But he bellowed slowly, abjectly, without tears; the grave hopeless sound of all voiceless misery under the sun. Luster returned, carrying a white satin slipper. It was yellow now, and cracked and soiled, and when they placed it into Ben’s hand he hushed for a while. But he still whimpered, and soon he lifted his voice again.
P.?” Dilsey said. ”You reckon you kin find T.
“He say yistiddy he gwine out to St John’s today. Say he be back at fo.”
Dilsey rocked back and forth, stroking Ben’s head.
“Dis long time, O Jesus,” she said, “Dis long time.”
“I kin drive dat surrey, mammy,” Luster said.
“You kill bofe y’all,” Dilsey said, “You do hit fer devilment. I knows you got plenty sense to. But I cant trust you. Hush, now,” she said. “Hush. Hush.”
P.” Dilsey rocked ”Nome I wont,” Luster said. “I drives wid T. back and forth, holding Ben. “Miss Cahline say ef you cant quiet him, she gwine git up en come down en do hit.”
“Hush, honey,” Dilsey said, stroking Ben’s head. “Luster, honey,” she said, “Will you think about yo ole mammy en drive dat surrey right?”
P.” ”Yessum,” Luster said. “I drive hit jes like T.
Dilsey stroked Ben’s head, rocking back and forth. “I does de bes I kin,” she said, “Lawd knows dat. Go git it, den,” she said, rising. Luster scuttled out. Ben held the slipper, crying. “Hush, now. Luster gone to git de surrey en take you to de graveyard. We aint gwine risk gittin yo cap,” she said. She went to a closet contrived of a calico curtain hung across a corner of the room and got the felt hat she had worn. “We’s down to worse’n dis, ef folks jes knowed,” she said. “You’s de Lawd’s chile, anyway. En I be His’n too, fo long, praise Jesus. Here.” She put the hat on his head and buttoned his coat. He wailed steadily. She took the slipper from him and put it away and they went out. Luster came up, with an ancient white horse in a battered and lopsided surrey.
“You gwine be careful, Luster?” she said.
“Yessum,” Luster said. She helped Ben into the back seat. He had ceased crying, but now he began to whimper again.
“Hit’s his flower,” Luster said. “Wait, I’ll git him one.”
“You set right dar,” Dilsey said. She went and took the cheek-strap. “Now, hurry en git him one.” Luster ran around the house, toward the garden. He came back with a single narcissus.
“Dat un broke,” Dilsey said, “Whyn’t you git him a good un?”
“Hit de onliest one I could find,” Luster said. “Y’all took all of um Friday to dec’rate de church. Wait, I’ll fix hit.” So while Dilsey held the horse Luster put a splint on the flower stalk with a twig and two bits of string and gave it to Ben. Then he mounted and took the reins. Dilsey still held the bridle.
“You knows de way now?” she said, “Up de street, round de square, to de graveyard, den straight back home.”
“Yessum,” Luster said, “Hum up, Queenie.”
“You gwine be careful, now?”
“Yessum.” Dilsey released the bridle.
“Hum up, Queenie,” Luster said.
“Here,” Dilsey said, “You han me dat whup.”
“Aw, mammy,” Luster said.
“Give hit here,” Dilsey said, approaching the wheel. Luster gave it to her reluctantly.
“I wont never git Queenie started now.”
“Never you mind about dat,” Dilsey said. “Queenie know mo bout whar she gwine dan you does. All you got to do is set dar en hold dem reins. You knows de way, now?”
P. goes ev’y Sunday.” ”Yessum. Same way T.
“Den you do de same thing dis Sunday.”
P. mo’n a hund’ed times?” ”Cose I is. Aint I drove fer T.
“Den do hit again,” Dilsey said. “G’awn, now. En ef you hurts Benjy, nigger boy, I dont know whut I do. You bound fer de chain gang, but I’ll send you dar fo even chain gang ready fer you.”
“Yessum,” Luster said. “Hum up, Queenie.”
He flapped the lines on Queenie’s broad back and the surrey lurched into motion.
“You, Luster!” Dilsey said.
“Hum up, dar!” Luster said. He flapped the lines again. With subterranean rumblings Queenie jogged slowly down the drive and turned into the street, where Luster exhorted her into a gait resembling a prolonged and suspended fall in a forward direction.
Ben quit whimpering. He sat in the middle of the seat, holding the repaired flower upright in his fist, his eyes serene and ineffable. Directly before him Luster’s bullet head turned backward continually until the house passed from view, then he pulled to the side of the street and while Ben watched him he descended and broke a switch from a hedge. Queenie lowered her head and fell to cropping the grass until Luster mounted and hauled her head up and harried her into motion again, then he squared his elbows and with the switch and the reins held high he assumed a swaggering attitude out of all proportion to the sedate clopping of Queenie’s hooves and the organlike basso of her internal accompaniment. Motors passed them, and pedestrians; once a group of half grown negroes:
“Dar Luster. Whar you gwine, Luster? To de boneyard?”
“Hi,” Luster said, “Aint de same boneyard y’all headed fer. Hum up, elefump.”
They approached the square, where the Confederate soldier gazed with empty eyes beneath his marble hand into wind and weather. Luster took still another notch in himself and gave the impervious Queenie a cut with the switch, casting his glance about the square. “Dar Mr Jason’s car,” he said then he spied another group of negroes. “Les show dem niggers how quality does, Benjy,” he said, “Whut you say?” He looked back. Ben sat, holding the flower in his fist, his gaze empty and untroubled. Luster hit Queenie again and swung her to the left at the monument.
For an instant Ben sat in an utter hiatus. Then he bellowed. Bellow on bellow, his voice mounted, with scarce interval for breath. There was more than astonishment in it, it was horror; shock; agony eyeless, tongueless; just sound, and Luster’s eyes backrolling for a white instant. “Gret God,” he said, “Hush! Hush! Gret God!” He whirled again and struck Queenie with the switch. It broke and he cast it away and with Ben’s voice mounting toward its unbelievable crescendo Luster caught up the end of the reins and leaned forward as Jason came jumping across the square and onto the step.
With a backhanded blow he hurled Luster aside and caught the reins and sawed Queenie about and doubled the reins back and slashed her across the hips. He cut her again and again, into a plunging gallop, while Ben’s hoarse agony roared about them, and swung her about to the right of the monument. Then he struck Luster over the head with his fist.
“Dont you know any better than to take him to the left?” he said. He reached back and struck Ben, breaking the flower stalk again. “Shut up!” he said,
“Shut up!” He jerked Queenie back and jumped down. “Get to hell on home with him. If you ever cross that gate with him again, I’ll kill you!”
“Yes, suh!” Luster said. He took the reins and hit Queenie with the end of them. “Git up! Git up, dar! Benjy, fer God’s sake!”
Ben’s voice roared and roared. Queenie moved again, her feet began to clop-clop steadily again, and at once Ben hushed. Luster looked quickly back over his shoulder, then he drove on. The broken flower drooped over Ben’s fist and his eyes were empty and blue and serene again as cornice and façade flowed smoothly once more from left to right; post and tree, window and doorway, and signboard, each in its ordered place.
As I Lay Dying
Produced during Faulkner’s time working at a power plant, this Southern Gothic novel was reportedly written from midnight to 4:00 AM over the course of six weeks and he claimed he did not change a word of the manuscript. Faulkner’s fifth novel, As I Lay Dying (1930) is consistently ranked among the best novels of twentieth century literature. The title derives from Book XI of Homer’s Odyssey (taken from William Marris’ 1925 translation), wherein Agamemnon tells Odysseus: “As I lay dying, the woman with the dog’s eyes would not close my eyes as I descended into Hades.” Once again, the novel employs the stream of consciousness writing technique, with multiple narrators and varying chapter lengths.
In total the book is narrated by 15 different characters, each expressing their own thoughts and emotions, over 59 chapters. As with many of Faulkner’s works, the narrative is set in Yoknapatawpha County, Mississippi, which Faulkner referred to as “my apocryphal county,” a fictional rendition of his home in Lafayette County, Mississippi. It tells the story of the death of Addie Bundren and her impoverished family’s quest and motivations, both noble and selfish, to honor her wish to be buried in her hometown of Jefferson, Mississippi. As the novel opens, Addie is alive, though in poor health and she is expected to die before long. She sits at a window watching her firstborn, Cash, building her coffin. Anse, Addie’s husband, waits on the porch, while their daughter, Dewey Dell, fans her mother in the July heat. The night after Addie dies, a heavy rainstorm sets in, destroying the bridges the family will need to cross to make their journey to Jefferson. The family’s trek by wagon begins, with Addie’s non-embalmed body in the coffin. Along the way, her children encounter various difficulties. Anse frequently rejects any offers of assistance, including meals or lodging, so at times the family goes hungry and sleeps in barns. At other times, he refuses to accept loans, claiming he wishes to “be beholden to no man,” thus manipulating the would-be-lender into giving him charity as a gift not to be repaid.
Complete Works of William Faulkner Page 89
