He did not open the note at all. He put it away and washed and shaved and changed his clothes, whistling while he did so. He had not finished when Brown came in. “Well, well, well,” Brown said. Christmas said nothing. He was facing the shard of mirror nailed to the wall, knotting his tie. Brown had stopped in the center of the floor: a tall, lean, young man in dirty overalls, with a dark, weakly handsome face and curious eyes. Beside his mouth there was a narrow scar as white as a thread of spittle. After a while Brown said: “Looks like you are going somewhere.”
“Does it?” Christmas said. He did not look around. He whistled monotonously but truely: something in minor, plaintive and negroid.
“I reckon I wont bother to clean up none,” Brown said, “seeing as you are almost ready.”
Christmas looked back at him. “Ready for what?”
“Aint you going to town?”
“Did I ever say I was?” Christmas said. He turned back to the glass.
“Oh,” Brown said. He watched the back of Christmas’s head. “Well, I reckon from that that you’re going on private business.” He watched Christmas. “This here’s a cold night to be laying around on the wet ground without nothing under you but a thin gal.”
“Aint it, though?” Christmas said, whistling, preoccupied and unhurried. He turned and picked up his coat and put it on, Brown still watching him. He went to the door. ‘See you in the morning,’ he said. The door did not close behind him. He knew that Brown was standing in it, looking after him. But he did not attempt to conceal his purpose. He went on toward the house. ‘Let him watch,’ he thought. ‘Let him follow me if he wants to.’
The table was set for him in the kitchen. Before sitting down he took the unopened note from his pocket and laid it beside his plate. It was not enclosed, not sealed; it sprang open of its own accord, as though inviting him, insisting. But he did not look at it. He began to eat. He ate without haste. He had almost finished when he raised his head suddenly, listening. Then he rose and went to the door through which he had entered, with the noiselessness of a cat, and jerked the door open suddenly. Brown stood just outside, his face leaned to the door, or where the door had been. The light fell upon his face and upon it was an expression of intent and infantile interest which became surprise while Christmas looked at it, then it recovered, falling back a little. Brown’s voice was gleeful though quiet, cautious, conspiratorial, as if he had already established his alliance and sympathy with Christmas, unasked, and without waiting to know what was going on, out of loyalty to his partner or perhaps to abstract man as opposed to all woman. “Well, well, well,” he said. “So this is where you tomcat to every night. Right at our front door, you might say—”
Without saying a word Christmas struck him. The blow did not fall hard, because Brown was already in innocent and gleeful back-motion, in midsnicker as it were. The blow cut his voice short off; moving, springing backward, he vanished from the fall of light, into the darkness, from which his voice came, still not loud, as if even now he would not jeopardise his partner’s business, but tense now with alarm, astonishment: “Dont you hit me!” He was the taller of the two: a gangling shape already in a ludicrous diffusion of escape as if he were on the point of clattering to earth in complete disintegration as he stumbled backward before the steady and still silent advance of the other. Again Brown’s voice came, high, full of alarm and spurious threat: “Dont you hit me!” This time the blow struck his shoulder as he turned. He was running now. He ran for a hundred yards before he slowed, looking back. Then he stopped and turned. “You durn yellowbellied wop,” he said, in a tentative tone, jerking his head immediately, as if his voice had made more noise, sounded louder, than he had intended. There was no sound from the house; the kitchen door was dark again, closed again. He raised his voice a little: “You durn yellowbellied wop! I’ll learn you who you are monkeying with.” There came no sound anywhere. It was chilly. He turned and went back to the cabin, mumbling to himself.
When Christmas reentered the kitchen he did not even look back at the table on which lay the note which he had not yet read. He went on through the door which led into the house and on to the stairs. He began to mount, not fast. He mounted steadily; he could now see the bedroom door, a crack of light, firelight, beneath it. He went steadily on and put his hand upon the door. Then he opened it and he stopped dead still. She was sitting at a table, beneath the lamp. He saw a figure that he knew, in a severe garment that he knew — a garment that looked as if it had been made for and worn by a careless man. Above it he saw a head with hair just beginning to gray drawn gauntly back to a knot as savage and ugly as a wart on a diseased bough. Then she looked up at him and he saw that she wore steelrimmed spectacles which he had never seen before. He stood in the door, his hand still on the knob, quite motionless. It seemed to him that he could actually hear the words inside him: You should have read that note. You should have read that note thinking, ‘I am going to do something. Going to do something.’
He was still hearing that while he stood beside the table on which papers were scattered and from which she had not risen, and listened to the calm enormity which her cold, still voice unfolded, his mouth repeating the words after her while he looked down at the scattered and enigmatic papers and documents and thinking fled smooth and idle, wondering what this paper meant and what that paper meant. “To school,” his mouth said.
“Yes,” she said. “They will take you. Any of them will. On my account. You can choose any one you want among them. We wont even have to pay.”
“To school,” his mouth said. “A nigger school. Me.”
“Yes. Then you can go to Memphis. You can read law in Peebles’s office. He will teach you law. Then you can take charge of all the legal business. All this, all that he does, Peebles does.”
“And then learn law in the office of a nigger lawyer,” his mouth said.
“Yes. Then I will turn over all the business to you, all the money. All of it. So that when you need money for yourself you could . . . you would know how; lawyers know how to do it so that it . . . You would be helping them up out of darkness and none could accuse or blame you even if they found out . . . even if you did not replace . . . but you could replace the money and none would ever know. . . .”
“But a nigger college, a nigger lawyer,” his voice said, quiet, not even argumentative; just promptive. They were not looking at one another; she had not looked up since he entered.
“Tell them,” she said.
“Tell niggers that I am a nigger too?” She now looked at him. Her face was quite calm. It was the face of an old woman now.
“Yes. You’ll have to do that. So they wont charge you anything. On my account.”
Then it was as if he said suddenly to his mouth: ‘Shut up. Shut up that drivel. Let me talk.’ He leaned down. She did not move. Their faces were not a foot apart: the one cold, dead white, fanatical, mad; the other parchmentcolored, the lip lifted into the shape of a soundless and rigid snarl. He said quietly: “You’re old. I never noticed that before. An old woman. You’ve got gray in your hair.” She struck him, at once, with her flat hand, the rest of her body not moving at all. Her blow made a flat sound; his blow as close upon it as echo. He struck with his fist, then in that long blowing wind he jerked her up from the chair and held her, facing him, motionless, not a flicker upon her still face, while the long wind of knowing rushed down upon him. “You haven’t got any baby,” he said. “You never had one. There is not anything the matter with you except being old. You just got old and it happened to you and now you are not any good anymore. That’s all that’s wrong with you.” He released her and struck her again. She fell huddled onto the bed, looking up at him, and he struck her in the face again and standing over her he spoke to her the words which she had once loved to hear on his tongue, which she used to say that she could taste there, murmurous, obscene, caressing. “That’s all. You’re just worn-out. You’re not any good anymore. That’s all.”
She
lay on the bed, on her side, her head turned and looking up at him across her bleeding mouth. “Maybe it would be better if we both were dead,” she said.
He could see the note lying on the blanket as soon as he opened the door. Then he would go and take it up and open it. He would now remember the hollow fence post as something of which he had heard told, as having taken place in another life from any that he had ever lived. Because the paper, the ink, the form and shape, were the same. They had never been long; they were not long now. But now there was nothing evocative of unspoken promise, of rich and unmentionable delights, in them. They were now briefer than epitaphs and more terse than commands.
His first impulse would be to not go. He believed that he dared not go. Then he knew that he dared not fail to go. He would not change his clothes now. In his sweatstained overalls he would traverse the late twilight of May and enter the kitchen. The table was never set with food for him now. Sometimes he would look at it as he passed and he would think, ‘My God. When have I sat down in peace to eat.’ And he could not remember.
He would go on into the house and mount the stairs. Already he would be hearing her voice. It would increase as he mounted and until he reached the door to the bedroom. The door would be shut, locked; from beyond it the monotonous steady voice came. He could not distinguish the words; only the ceaseless monotone. He dared not try to distinguish the words. He did not dare let himself know what she was at. So he would stand there and wait, and after a while the voice would cease and she would open the door and he would enter. As he passed the bed he would look down at the floor beside it and it would seem to him that he could distinguish the prints of knees and he would jerk his eyes away as if it were death that they had looked at.
Likely the lamp would not yet be lighted. They did not sit down. Again they stood to talk, as they used to do two years ago; standing in the dusk while her voice repeated its tale: “. . . not to school, then, if you dont want to go . . . Do without that . . . Your soul. Expiation of . . .” And he waiting, cold, still, until she had finished: “. . . hell . . . forever and ever and ever . . .”
“No,” he said. And she would listen as quietly, and he knew that she was not convinced and she knew that he was not. Yet neither surrendered; worse: they would not let one another alone; he would not even go away. And they would stand for a while longer in the quiet dusk peopled, as though from their loins, by a myriad ghosts of dead sins and delights, looking at one another’s still and fading face, weary, spent, and indomitable.
Then he would leave. And before the door had shut and the bolt had shot to behind him, he would hear the voice again, monotonous, calm, and despairing, saying what and to what or whom he dared not learn nor suspect. And as he sat in the shadows of the ruined garden on that August night three months later and heard the clock in the courthouse two miles away strike ten and then eleven, he believed with calm paradox that he was the volitionless servant of the fatality in which he believed that he did not believe. He was saying to himself I had to do it already in the past tense; I had to do it. She said so herself
She had said it two nights ago. He found the note and went to her. As he mounted the stairs the monotonous voice grew louder, sounded louder and clearer than usual. When he reached the top of the stairs he saw why. The door was open this time, and she did not rise from where she knelt beside the bed when he entered. She did not stir; her voice did not cease. Her head was not bowed. Her face was lifted, almost with pride, her attitude of formal abjectness a part of the pride, her voice calm and tranquil and abnegant in the twilight. She did not seem to be aware that he had entered until she finished a period. Then she turned her head. “Kneel with me,” she said.
“No,” he said.
“Kneel,” she said. “You wont even need to speak to Him yourself. Just kneel. Just make the first move.”
“No,” he said. “I’m going.”
She didn’t move, looking back and up at him. “Joe,” she said, “will you stay? Will you do that much?”
“Yes,” he said. “I’ll stay. But make it fast.”
She prayed again. She spoke quietly, with that abjectness of pride. When it was necessary to use the symbolwords which he had taught her, she used them, spoke them forthright and without hesitation, talking to God as if He were a man in the room with two other men. She spoke of herself and of him as of two other people, her voice still, monotonous, sexless. Then she ceased. She rose quietly. They stood in the twilight, facing one another. This time she did not even ask the question; he did not even need to reply. After a time she said quietly:
“Then there’s just one other thing to do.”
“There’s just one other thing to do,” he said.
‘So now it’s all done, all finished,’ he thought quietly, sitting in the dense shadow of the shrubbery, hearing the last stroke of the far clock cease and die away. It was a spot where he had overtaken her, found her on one of the wild nights two years ago. But that was in another time, another life. Now it was still, quiet, the fecund earth now coolly suspirant. The dark was filled with the voices, myriad, out of all time that he had known, as though all the past was a flat pattern. And going on: tomorrow night, all the tomorrows, to be a part of the flat pattern, going on. He thought of that with quiet astonishment: going on, myriad, familiar, since all that had ever been was the same as all that was to be, since tomorrow to-be and had-been would be the same. Then it was time.
He rose. He moved from the shadow and went around the house and entered the kitchen. The house was dark. He had not been to the cabin since early morning and he did not know if she had left a note for him or not, expected him or not. Yet he did not try for silence. It was as if he were not thinking of sleep, of whether she would be asleep or not. He mounted the stairs steadily and entered the bedroom. Almost at once she spoke from the bed. “Light the lamp,” she said.
“It wont need any light,” he said.
“Light the lamp.”
“No,” he said. He stood over the bed. He held the razor in his hand. But it was not open yet. But she did not speak again and then his body seemed to walk away from him. It went to the table and his hands laid the razor on the table and found the lamp and struck the match. She was sitting up in the bed, her back against the headboard. Over her nightdress she wore a shawl drawn down across her breast. Her arms were folded upon the shawl, her hands hidden from sight. He stood at the table. They looked at one another.
“Will you kneel with me?” she said. “I dont ask it.”
“No,” he said.
“I dont ask it. It’s not I who ask it. Kneel with me.”
“No.”
They looked at one another. “Joe,” she said, “for the last time. I dont ask it. Remember that. Kneel with me.”
“No,” he said. Then he saw her arms unfold and her right hand come forth from beneath the shawl. It held an old style, single action, cap-and-ball revolver almost as long and heavier than a small rifle. But the shadow of it and of her arm and hand on the wall did not waver at all, the shadow of both monstrous, the cocked hammer monstrous, backhooked and viciously poised like the arched head of a snake; it did not waver at all. And her eyes did not waver at all. They were as still as the round black ring of the pistol muzzle. But there was no heat in them, no fury. They were calm and still as all pity and all despair and all conviction. But he was not watching them. He was watching the shadowed pistol on the wall; he was watching when the cocked shadow of the hammer flicked away.
Standing in the middle of the road, with his right hand lifted full in the glare of the approaching car, he had not actually expected it to stop. Yet it did, with a squealing and sprawling suddenness that was almost ludicrous. It was a small car, battered and old. When he approached it, in the reflected glare of the headlights two young faces seemed to float like two softcolored and aghast balloons, the nearer one, the girl’s, backshrunk in a soft, wide horror. But Christmas did not notice this at the time. “How about riding with you, as f
ar as you go?” he said. They said nothing at all, looking at him with that still and curious horror which he did not notice. So he opened the door to enter the rear seat.
When he did so, the girl began to make a choked wailing sound which would be much louder in a moment, as fear gained courage as it were. Already the car was in motion; it seemed to leap forward, and the boy, without moving his hands from the wheel or turning his head toward the girl hissed: “Shut up! Hush! It’s our only chance! Will you hush now?” Christmas did not hear this either. He was sitting back now, completely unaware that he was riding directly behind desperate terror. He only thought with momentary interest that the small car was travelling at a pretty reckless speed for a narrow country road.
“How far does this road go?” he said.
The boy told him, naming the same town which the negro boy had named to him on that afternoon three years ago, when he had first seen Jefferson. The boy’s voice had a dry, light quality. “Do you want to go there, cap’m?”
“All right,” Christmas said. “Yes. Yes. That will do. That will suit me. Are you going there?”
“Sure,” the boy said, in that light, flat tone. “Wherever you say.” Again the girl beside him began that choked, murmurous, small-animallike moaning; again the boy hissed at her, his face still rigidly front, the little car rushing and bouncing onward: “Hush! Shhhhhhhhhhh. Hush! Hush!” But again Christmas did not notice. He saw only the two young, rigidly forwardlooking heads against the light glare, into which the ribbon of the road rushed swaying and fleeing. But he remarked both them and the fleeing road without curiosity; he was not even paying attention when he found that the boy had apparently been speaking to him for some time; how far they had come or where they were he did not know. The boy’s diction was slow now, recapitulant, each word as though chosen simply and carefully and spoken slowly and clearly for the ear of a foreigner: “Listen, cap’m. When I turn off up here. It’s just a short cut. A short cutoff to a better road. I am going to take the cutoff. When I come to the short cut. To the better road. So we can get there quicker. See?”
Complete Works of William Faulkner Page 153
