Complete Works of William Faulkner

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Complete Works of William Faulkner Page 202

by William Faulkner


  “When they were married, there were just ten people in the church, including the wedding party, of the hundred who had been invited; though when they emerged from the church (it was at night: Sutpen had brought in a half-dozen of his wild negroes to wait at the door with burning pine knots) the rest of the hundred were there in the persons of boys and youths and men from the drovers’ tavern on the edge of town — stock traders and hostlers and such who had not been invited. That was the other half of the reason for Ellen’s tears. It was the aunt who persuaded or cajoled Mr Coldfield into the big wedding. But Sutpen wanted it. He wanted, not the anonymous wife and the anonymous children, but the two names, the stainless wife and the unimpeachable father-in-law, on the license, the patent. Yes, patent, with a gold seal and red ribbons too if that had been practicable. But not for himself. She (Miss Rosa) would have called the gold seal and the ribbons vanity. But then, so had vanity conceived that house and, built it in a strange place and with little else but his bare hands and further handicapped by the chance and probability of meddling interference arising out of the disapprobation of all communities of men toward any situation which they do not understand. And pride: Miss Rosa had admitted that he was brave; perhaps she even allowed him pride: the same pride which wanted such a house, which would accept nothing less, and drove through to get it at whatever cost. And then he lived in it, alone, on a pallet on the floor for three years until he could furnish it as it should be furnished — not the least of which furniture was that wedding license. She was quite right. It was not just shelter, just anonymous wife and children that he wanted, just as he did not want just wedding. But when the female crisis came, when Ellen and the aunt tried to enlist him on their side to persuade Mr Coldfield to the big wedding, he refused to support them. He doubtless remembered even better than Mr Coldfield that two months ago he had been in jail; that public opinion which at some moment during the five preceding years had swallowed him even though he never had quite ever lain quiet on its stomach, had performed one of mankind’s natural and violent and inexplicable volte-faces and regurgitated him. And it did not help him any that at least two of the citizens who should have made two of the teeth in the outraged jaw served instead as props to hold the jaw open and impotent while he walked out of it unharmed.

  “Ellen and the aunt remembered this too. The aunt did. Being a woman, she was doubtless one of that league of Jefferson women who on the second day after the town saw him five years ago, had agreed never to forgive him for not having any past, and who had remained consistent. Since the marriage was now a closed incident, she probably looked upon it as the one chance not only to secure her niece’s future as his wife, but to justify the action of her brother in getting him out of jail and her own position as having apparently sanctioned and permitted the wedding which in reality she could not have prevented. It may have been for the sake of that big house and the position and state which the women realized long before the men did that he not only aimed at but was going to attain. Or maybe women are even less complex than that and to them any wedding is better than no wedding and a big wedding with a villain preferable to a small one with a saint.

  “So the aunt even used Ellen’s tears; and Sutpen, who probably knew about what was going to happen, becoming as the time drew near graver and graver. Not concerned: just watchful, like he must have been from the day when he turned his back upon all that he knew — the faces and the customs — and (he was just fourteen then, he told your grandfather) set out into a world which even in theory he knew nothing about, and with a fixed goal in his mind which most men do not set up until the blood begins to slow at thirty or more and then only because the image represents peace and indolence or at least a crowning of vanity. Even then he had that same alertness which he had to wear later day and night without changing or laying aside, like the clothing which he had to sleep in as well as live in, and in a country and among a people whose very language he had to learn — that unsleeping care which must have known that it could permit itself but one mistake; that alertness for measuring and weighing event against eventuality, circumstance against human nature, his own fallible judgment and mortal clay against not only human but natural forces, choosing and discarding, compromising with his dream and his ambition like you must with the horse which you take across country, over timber, which you control only through your ability to keep the animal from realizing that actually you cannot, that actually it is the stronger.

  “His was the curious position now. He was the solitary one. Not Ellen. She not only had the aunt to support her, but the fact that women never plead nor claim loneliness until impenetrable and insurmountable circumstance forces them to give up all hope of attaining the particular bauble which at the moment they happen to want. And not Mr Coldfield. He had not only public opinion but his own disinclination for the big wedding to support it without incongruity or paradox. Then (the tears won; Ellen and the aunt wrote out a hundred invitations — Sutpen brought in one of the wild negroes who carried them from door to door by hand — and even sent out a dozen more personal ones for the dress rehearsal) when they reached the church for the rehearsal on the night before the wedding and found the church itself empty and a handful of men from the town’s purlieus (including two of old Ikkemotubbe’s Chickasaws) standing in the shadows outside the door, the tears came down again. Ellen went through the rehearsal, but afterward the aunt took her home in a state very near hysteria, though by the next day it had become just quiet intermittent weeping again. There was some talk even of putting the wedding off. I dont know who it came from, perhaps from Sutpen. But I know who vetoed it. It was as though the aunt were now bent, no longer on merely thrusting Sutpen down the town’s throat, but thrusting the wedding itself. She spent all the next day going from house to house, the invitation list in her hand, in a house dress and a shawl and one of the Coldfield negroes (they were both women) following her, perhaps for protection, perhaps just sucked along like a leaf in the wake of that grim virago fury of female affront; yes, she came to our house too, though your grandfather had never intended anything else but to attend the wedding: the aunt must have had no doubts about father since father had helped take Sutpen out of jail, though she was probably past all ratiocination by then. Father and your grandmother were just married then and mother was a stranger in Jefferson and I dont know what she thought except that she would never talk about what happened: about the mad woman whom she had never seen before, who came bursting into the house, not to invite her to a wedding but to dare her not to come, and then rushed out again. Mother could not even tell what wedding she meant at first, and when father came home he found mother in hysterics too, and even twenty years later mother could not tell what actually happened. There was nothing comic in it to her. Father used to tease her about it, but even twenty years after that day, when he would tease her I have seen her begin to raise her hand (perhaps with the thimble on one finger) as though to protect herself and the same look come into her face that must have been there when Ellen’s aunt departed.

  “The aunt covered the town that morning. It did not take her long and it was complete; by nightfall the circumstances of the situation had spread not only beyond the town but beneath it, penetrating the livery stable and the drovers’ tavern which was to supply the guests who did attend it. Ellen of course was not aware of this, anymore than the aunt herself was, or would have believed what was going to happen even if she had been clairvoyant and could actually have seen the rehearsal of events before time produced them. Not that the aunt would have considered herself insulated against being thus affronted, she simply could not have believed that her intentions and actions of the day could have any result other than the one for which she had surrendered for the time not only all Coldfield dignity but all female modesty as well. Sutpen I suppose could have told her, but doubtless he knew that the aunt would not have believed him. Probably he did not even try: he just did the only thing he could do, which was to send out to Sutpen’s Hundred
and bring in six or seven more of his negroes, men on whom he could depend, the only men on whom he could depend, and arm them with the lighted pine knots which they were holding at the door when the carriage came up and the wedding party got out. And this is where the tears stopped, because now the street before the church was lined with carriages and buggies, though only Sutpen and possibly Mr Coldfield remarked that instead of being drawn up before the door and empty, they were halted across the street and still occupied, and that now the banquette before the church door was a sort of arena lighted by the smoking torches which the negroes held above their heads, the light of which wavered and gleamed upon the two lines of faces between which the party would have to pass to enter the church. There were no catcalls yet, no jeering; evidently neither Ellen nor the aunt suspected that anything was wrong.

  “For a time Ellen walked out of the weeping, the tears, and so into the church. It was empty yet save for your grandfather and grandmother and perhaps a half-dozen more who might have come out of loyalty to the Coldfields or perhaps to be close and so miss nothing of that which the town, as represented by the waiting carriages, seemed to have anticipated as well as Sutpen did. It was still empty even after the ceremony started and concluded. Ellen had something of pride too, or at least that vanity which at times can assume the office of pride and fortitude; besides, nothing had happened yet. The crowd outside was quiet yet, perhaps out of respect for the church, out of that aptitude and eagerness of the Anglo-Saxon for complete mystical acceptance of immolated sticks and stones. She seems to have walked out of the church and so into it without any warning whatever. Perhaps she was still moving beneath that pride which would not allow the people inside the church to see her weep. She just walked into it, probably hurrying toward the seclusion of the carriage where she could weep; perhaps her first intimation was the voice shouting, ‘Look out! Dont hit her now!’ and then the object — dirt, filth, whatever it was — passing her, or perhaps the changing light itself as she turned and saw one of the negroes, his torch raised and in the act of springing toward the crowd, the faces, when Sutpen spoke to him in that tongue which even now a good part of the county did not know was a civilized language. That was what she saw, what the others saw from the halted carriages across the street — the bride shrinking into the shelter of his arm as he drew her behind him and he standing there, not moving even after another object (they threw nothing which could actually injure: it was only clods of dirt and vegetable refuse) struck the hat from his head, and a third struck him full in the chest — standing there motionless, with an expression almost of smiling where his teeth showed through the beard, holding his wild negroes with that one word (there were doubtless pistols in the crowd; certainly knives: the negro would not have lived ten seconds if he had sprung) while about the wedding party the circle of faces with open mouths and torch-reflecting eyes seemed to advance and waver and shift and vanish in the smoky glare of the burning pine. He retreated to the carriage, shielding the two women with his body, ordering the negroes to follow with another word. But they threw nothing else. Apparently it was that first spontaneous outburst, though they had come armed and prepared with the ones they did throw. In fact, that seemed to have been the entire business which had come to a head when the vigilance committee followed him to Mr Coldfield’s gate that day two months before. Because the men who had composed the mob, the traders and drovers and teamsters, returned, vanished back into the region from which they had emerged for this one occasion like rats; scattered, departed about the country — faces which even Ellen was not to remember, seen for the night or the meal or just the drink at other taverns twenty and fifty and a hundred miles further on along nameless roads and then gone from there too; and those who had come in the carriages and buggies to see a Roman holiday, driving out to Sutpen’s Hundred to call and (the men) to hunt his game and eat his food again and on occasion gathering at night in his stable while he matched two of his wild negroes against one another as men match game cocks or perhaps even entered the ring himself. It blew away, though not out of memory. He did not forget that night, even though Ellen, I think, did, since she washed it out of her remembering with tears. Yes, she was weeping again now; it did, indeed, rain on that marriage.”

  III

  IF HE THREW Miss Rosa over, I wouldn’t think she would want to tell anybody about it Quentin said.

  Ah Mr Compson said again After Mr Coldfield died in ‘64, Miss Rosa moved out to Sutpen’s Hundred to live with Judith. She was twenty then, four years younger than her niece whom, in obedience to her sister’s dying request, she set out to save from the family’s doom which Sutpen seemed bent on accomplishing, apparently by the process of marrying him. She (Miss Rosa) was born in 1845, with her sister already seven years married and the mother of two children and Miss Rosa born into her parents’ middleage (her mother must have been at least forty and she died in that childbed and Miss Rosa never forgave her father for it) and at a time when — granted that Miss Rosa merely mirrored her parents attitude toward the son-in-law — the family wanted only peace and quiet and probably did not expect and maybe did not even want another child. But she was born, at the price of her mother’s life and was never to be permitted to forget it. She was raised by the same spinster aunt who tried to force not only the elder sister’s bridegroom but the wedding too down the throat of a town which did not want it, growing up in that closed masonry of females to see in the fact of her own breathing not only the lone justification for the sacrifice of her mother’s life, not only a living and walking reproach to her father, but a breathing indictment, ubiquitous and even transferable, of the entire male principle (that principle which had left the aunt a virgin at thirty-five). So for the first sixteen years of her life she lived in that grim tight little house with the father whom she hated without knowing it — that queer silent man whose only companion and friend seems to have been his conscience and the only thing he cared about his reputation for probity among his fellow men — that man who was later to nail himself in his attic and starve to death rather than look upon his native land in the throes of repelling an invading army — and the aunt who even ten years later was still taking revenge for the fiasco of Ellen’s wedding by striking at the town, the human race, through any and all of its creatures — brother nieces nephew-in-law herself and all — with the blind irrational fury of a shedding snake. The aunt had taught Miss Rosa to look upon her sister as a woman who had vanished, not only out of the family and the house but out of life too, into an edifice like Bluebeard’s and there transmogrified into a mask looking back with passive and hopeless grief upon the irrevocable world, held there not in durance but in a kind of jeering suspension by a man who had entered hers and her family’s life before she was born with the abruptness of a tornado, done irrevocable and incalculable damage, and gone on. In a grim mausoleum air of Puritan righteousness and outraged female vindictiveness Miss Rosa’s childhood was passed, that aged and ancient and timeless absence of youth which consisted of a Cassandralike listening beyond closed doors, of lurking in dim halls filled with that presbyterian effluvium of lugubrious and vindictive anticipation, while she waited for the infancy and childhood with which nature had confounded and betrayed her to overtake the disapprobation regarding any and every thing which could penetrate the walls of that house through the agency of any man, particularly her father, which the aunt seems to have invested her with at birth along with the swaddling clothes.

  Perhaps she saw in her father’s death, in the resulting necessity upon her as an orphan and a pauper, to turn to her next of kin for food and shelter and protection — and this kin the niece whom she had been asked to save — perhaps in this she saw fate itself supplying her with the opportunity to observe her sister’s dying request. Perhaps she even saw herself as an instrument of retribution: if not in herself an active instrument strong enough to cope with him, at least as a kind of passive symbol of inescapable reminding to rise bloodless and without dimension from the sa
crificial stone of the marriage-bed. Because until he came back from Virginia in ‘66 and found her living there with Judith and Clytie — (Yes, Clytie was his daughter too: Clytemnestra. He named her himself. He named them all himself: all his own get and all the get of his wild niggers after the country began to assimilate them. Miss Rosa didn’t tell you that two of the niggers in the wagon that day were women?

 

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