There is a dead silence in the room while everybody watches her.
JUDGE
Have you anything to say before the sentence of the court is pronounced upon you?
Nancy neither answers nor moves; she doesn’t even seem to be listening.
That you, Nancy Mannigoe, did on the ninth day of September, wilfully and with malice aforethought kill and murder the infant child of Mr. and Mrs. Gowan Stevens in the town of Jefferson and the County of Yoknapatawpha . . .
It is the sentence of this court that you be taken from hence back to the county jail of Yoknapatawpha County and there on the thirteenth day of March be hanged by the neck until you are dead. And may God have mercy on your soul.
NANCY
(quite loud in the silence, to no one, quite calm, not moving)
Yes, Lord.
There is a gasp, a sound, from the invisible spectators in the room, of shock at this unheard-of violation of procedure: the beginning of something which might be consternation and even uproar, in the midst of, or rather above which, Nancy herself does not move. The judge bangs his gavel, the bailiff springs up, the curtain starts hurriedly and jerkily down as if the judge, the officers, the court itself were jerking frantically at it to hide this disgraceful business; from somewhere among the unseen spectators there comes the sound of a woman’s voice — a moan, wail, sob perhaps.
BAILIFF
(loudly)
Order! Order in the court! Order!
The curtain descends rapidly, hiding the scene, the lights fade rapidly into darkness: a moment of darkness: then the curtain rises smoothly and normally on:
SCENE II
STEVENSES’ LIVING-ROOM. 6.00 p.m. November thirteenth.
Living-room, a centre table with a lamp, chairs, a sofa left rear, floor-lamp, wall-bracket lamps, a door left enters from the hall, double doors rear stand open on a dining-room, a fireplace right with gas logs. The atmosphere of the room is smart, modern, up-to-date, yet the room itself has the air of another time — the high ceiling, the cornices, some of the furniture; it has the air of being in an old house, an ante-bellum house descended at last to a spinster survivor who has modernised it (vide the gas fire and the two overstuffed chairs) into apartments rented to young couples or families who can afford to pay that much rent in order to live on the right street among other young couples who belong to the right church and the country club.
Sound of feet, then the lights come on as if someone about to enter had pressed a wall switch, then the door left opens and Temple enters, followed by Gowan, her husband, and the lawyer, Gavin Stevens. She is in the middle twenties, very smart, soignée, in an open fur coat, wearing a hat and gloves and carrying a handbag. Her air is brittle and tense, yet controlled. Her face shows nothing as she crosses to the centre table and stops. Gowan is three or four years older. He is almost a type; there were many of him in America, the South, between the two great wars: only children of financially secure parents living in city apartment hotels, alumni of the best colleges, South or East, where they belonged to the right clubs; married now and raising families yet still alumni of their schools, performing acceptably jobs they themselves did not ask for, usually concerned with money: cotton futures, or stocks, or bonds. But this face is a little different, a little more than that. Something has happened to it — tragedy — something, against which it had had no warning, and to cope with which (as it discovered) no equipment, yet which it has accepted and is trying, really and sincerely and selflessly (perhaps for the first time in its life) to do its best with according to its code. He and Stevens wear their overcoats, carrying their hats. Stevens stops just inside the room. Gowan drops his hat onto the sofa in passing and goes on to where Temple stands at the table, stripping off one of her gloves.
TEMPLE
(takes cigarette from box on the table: mimics the prisoner; her voice, harsh, reveals for the first time repressed, controlled, hysteria)
Yes, God. Guilty, God. Thank you, God. If that’s your attitude toward being hung, what else can you expect from a judge and jury except to accommodate you?
GOWAN
Stop it, Boots. Hush now. Soon as I light the fire, I’ll buy a drink.
(to Stevens)
Or maybe Gavin will do the fire while I do the butler.
TEMPLE
(takes up lighter)
I’ll do the fire. You get the drinks. Then Uncle Gavin won’t have to stay. After all, all he wants to do is say good-bye and send me a postcard. He can almost do that in two words, if he tries hard. Then he can go home.
She crosses to the hearth and kneels and turns the gas valve, the lighter ready in her other hand.
GOWAN
(anxiously)
Now, Boots.
TEMPLE
(snaps lighter, holds flame to the jet)
Will you for God’s sake please get me a drink?
GOWAN
Sure, honey.
(he turns: to Stevens)
Drop your coat anywhere.
He exits into the dining-room. Stevens does not move, watching Temple as the log takes fire.
TEMPLE
(still kneeling, her back to Stevens)
If you’re going to stay, why don’t you sit down? Or vice versa. Backward. Only, it’s the first one that’s backward: if you’re not sitting down, why don’t you go? Let me be bereaved and vindicated, but at least let me do it in privacy, since God knows if any one of the excretions should take place in privacy, triumph should be the one ——
Stevens watches her. Then he crosses to her, taking the handkerchief from his breast pocket, stops behind her and extends the handkerchief down where she can see it. She looks at it, then up at him. Her face is quite calm.
TEMPLE
What’s that for?
STEVENS
It’s all right. It’s dry too.
(still extending the handkerchief)
For tomorrow, then.
TEMPLE
(rises quickly)
Oh, for cinders. On the train. We’re going by air; hadn’t Gowan told you? We leave from the Memphis airport at midnight; we’re driving up after supper. Then California tomorrow morning; maybe we’ll even go on to Hawaii in the spring. No; wrong season: Canada, maybe. Lake Louise in May and June ——
(she stops, listens a moment toward the dining-room doors)
So why the handkerchief? Not a threat, because you don’t have anything to threaten me with, do you? And if you don’t have anything to threaten me with, I must not have anything you want, so it can’t be a bribe either, can it?
(they both hear the sound from beyond the dining-room doors which indicates that Gowan is approaching. Temple lowers her voice again, rapidly)
Put it this way then. I don’t know what you want, because I don’t care. Because whatever it is, you won’t get it from me.
(the sound is near now — footsteps, clink of glass)
Now he’ll offer you a drink, and then he’ll ask you too what you want, why you followed us home. I’ve already answered you. No. If what you came for is to see me weep, I doubt if you’ll even get that. But you certainly won’t get anything else. Not from me. Do you understand that?
STEVENS
I hear you.
TEMPLE
Meaning, you don’t believe it. All right, touché then.
(quicker, tenser)
I refused to answer your question; now I’ll ask you one: How much do you —
(as Gowan enters, she changes what she was saying so smoothly in mid-sentence that anyone entering would not even realise that the pitch of her voice had altered)
— are her lawyer, she must have talked to you; even a dope-fiend that murders a little baby must have what she calls some excuse for it, even a nigger dope-fiend and a white baby — or maybe even more, a nigger dope-fiend and a white baby ——
GOWAN
I said, stop it, Boots.
He carries a tray containing a pitcher of water, a bowl of ice, thre
e empty tumblers and three whiskey glasses already filled. The bottle itself protrudes from his topcoat pocket. He approaches Temple and offers the tray.
That’s right. I’m going to have one myself. For a change. After eight years. Why not?
TEMPLE
Why not?
(looks at the tray)
Not highballs?
GOWAN
Not this one.
She takes one of the filled glasses. He offers the tray to Stevens, who takes the second one. Then he sets the tray on the table and takes up the third glass.
Nary a drink in eight years; count ’em. So maybe this will be a good time to start again. At least, it won’t be too soon.
(to Stevens)
Drink up. A little water behind it?
As though not aware that he had done so, he sets his untasted glass back on the tray, splashes water from the pitcher into a tumbler and hands the tumbler to Stevens as Stevens empties his glass and lowers it, taking the tumbler. Temple has not touched hers either.
Now maybe Defence Attorney Stevens will tell us what he wants here.
STEVENS
Your wife has already told you. To say good-bye.
GOWAN
Then say it. One more for the road, and where’s your hat, huh?
He takes the tumbler from Stevens and turns back to the table.
TEMPLE
(sets her untasted glass back on the tray)
And put ice in it this time, and maybe even a little water. But first, take Uncle Gavin’s coat.
GOWAN
(takes bottle from his pocket and makes a highball for Stevens in the tumbler)
That won’t be necessary. If he could raise his arm in a white courtroom to defend a murdering nigger, he can certainly bend it in nothing but a wool overcoat — at least to take a drink with the victim’s mother.
(quickly: to Temple)
Sorry. Maybe you were right all the time, and I was wrong. Maybe we’ve both got to keep on saying things like that until we can get rid of them, some of them, a little of them ——
TEMPLE
All right, why not? Here goes then.
(she is watching, not Gowan but Stevens, who watches her in return, grave and soberly)
Don’t forget the father too, dear.
GOWAN
(mixing the drink)
Why should I, dear? How could I, dear? Except that the child’s father is unfortunately just a man. In the eyes of the law, men are not supposed to suffer: they are merely appellants or appellees. The law is tender only of women and children — particularly of women, particularly particular of nigger dope-fiend whores who murder white children.
(hands the highball to Stevens, who takes it)
So why should we expect Defence Attorney Stevens to be tender of a man or a woman who just happen to be the parents of the child that got murdered?
TEMPLE
(harshly)
Will you for God’s sake please get through? Then will you for God’s sake please hush?
GOWAN
(quickly: turns)
Sorry.
(he turns toward her, sees her hand empty, then sees her full glass beside his own on the tray)
No drink?
TEMPLE
I don’t want it. I want some milk.
GOWAN
Right. Hot, of course.
TEMPLE
Please.
GOWAN
(turning)
Right. I thought of that too. I put a pan on to heat while I was getting the drinks.
(crossing toward dining-room exit)
Don’t let Uncle Gavin get away until I get back. Lock the door, if you have to. Or maybe just telephone that nigger freedom agent — what’s his name? ——
He exits. They don’t move until the slap of the pantry door sounds.
TEMPLE
(rapid and hard)
How much do you know?
(rapidly)
Don’t lie to me; don’t you see there’s not time?
STEVENS
Not time for what? Before your plane leaves tonight? She has a little time yet — four months, until March, the thirteenth of March ——
TEMPLE
You know what I mean — her lawyer — seeing her every day — just a nigger, and you a white man — even if you needed anything to frighten her with — you could just buy it from her with a dose of cocaine or a pint of . . .
(she stops, stares at him, in a sort of amazement, despair; her voice is almost quiet)
Oh, God, oh, God, she hasn’t told you anything. It’s me; I’m the one that’s —— Don’t you see? It’s that I cannot believe — will not believe — impossible ——
STEVENS
Impossible to believe that all human beings really don’t — as you would put it — stink? Even — as you put it — dope-fiend nigger whores? No, she told me nothing more.
TEMPLE
(prompts)
Even if there was anything more.
STEVENS
Even if there was.
TEMPLE
Then what is it you think you know? Never mind where you got it; just tell me what you think it is.
STEVENS
There was a man there that night.
TEMPLE
(quick, glib, almost before he has finished)
Gowan.
STEVENS
That night? When Gowan had left with Bucky at six that morning to drive to New Orleans in a car?
TEMPLE
(quick, harsh)
So I was right. Did you frighten her, or just buy it?
(interrupts herself)
I’m trying. I’m really trying. Maybe it wouldn’t be so hard if I could just understand why they don’t stink — what reason they would have for not stinking. . . .
(she stops; it is as if she had heard a sound presaging Gowan’s return, or perhaps simply knew by instinct or from knowledge of her own house that he had had time to heat a cup of milk. Then continues, rapid and quiet)
There was no man there. You see? I told you, warned you, that you would get nothing from me. Oh, I know; you could have put me on the stand at any time, under oath; of course, your jury wouldn’t have liked it — that wanton crucifixion of a bereaved mamma, but what’s that in the balance with justice? I don’t know why you didn’t. Or maybe you still intend to — provided you can catch us before we cross the Tennessee line tonight.
(quick, tense, hard)
All right. I’m sorry. I know better. So maybe it’s just my own stinking after all that I find impossible to doubt.
(the pantry door slaps again; they both hear it)
Because I’m not even going to take Gowan with me when I say good-bye and go up stairs. — And who knows ——
She stops. Gowan enters, carrying a small tray bearing a glass of milk, a salt-shaker and a napkin, and comes to the table.
GOWAN
What are you talking about now?
TEMPLE
Nothing. I was telling Uncle Gavin that he had something of Virginia or some sort of gentleman in him too that he must have inherited from you through your grandfather, and that I’m going up to give Bucky his bath and supper.
(she touches the glass for heat, then takes it up: to Gowan)
Thank you, dear.
GOWAN
Right, dear.
(to Stevens)
You see? Not just a napkin: the right napkin. That’s how I’m trained.
(he stops suddenly, noticing Temple, who has done nothing apparently: just standing there holding the milk. But he seems to know what is going on: to her)
What’s this for?
TEMPLE
I don’t know.
He moves; they kiss, not long but not a peck either; definitely a kiss between a man and a woman. Then, carrying the milk, Temple crosses toward the hall door.
(to Stevens)
Good-bye then until next June. Bucky will send you and Maggie a postcard.
(she goes
on to the door, pauses and looks back at Stevens)
I may even be wrong about Temple Drake’s odour too; if you should happen to hear something you haven’t heard yet and it’s true, I may even ratify it. Maybe you can even believe that — if you can believe you are going to hear anything that you haven’t heard yet.
STEVENS
Do you?
TEMPLE
(after a moment)
Not from me, Uncle Gavin. If someone wants to go to heaven, who am I to stop them? Good night. Good-bye.
She exits, closes the door. Stevens, very grave, turns back and sets his highball down on the tray.
GOWAN
Drink up. After all, I’ve got to eat supper and do some packing too. How about it?
STEVENS
About what? The packing, or the drink? What about you? I thought you were going to have one.
GOWAN
Oh, sure, sure.
(takes up the small filled glass)
Maybe you had better go on and leave us to our revenge.
STEVENS
I wish it could comfort you.
GOWAN
I wish to God it could. I wish to God that what I wanted was only revenge. An eye for an eye — were ever words emptier? Only, you have got to have lost the eye to know it.
STEVENS
Yet she still has to die.
GOWAN
Why not? Even if she would be any loss — a nigger whore, a drunkard, a dope-fiend ——
Complete Works of William Faulkner Page 399
