So only the old knew it, the irreconcilable Jeffersonians and Yoknapatawphians who had (and without doubt firmly intended to continue to have) actual personal dealings with it on the blue Monday mornings after holidays, or during the semi-yearly terms of Circuit or Federal Court: — until suddenly you, a stranger, an outlander say from the East or the North or the Far West, passing through the little town by simple accident, or perhaps relation or acquaintance or friend of one of the outland families which had moved into one of the pristine and recent subdivisions, yourself turning out of your way to fumble among road signs and filling stations out of frank curiosity, to try to learn, comprehend, understand what had brought your cousin or friend or acquaintance to elect to live here — not specifically here, of course, not specifically Jefferson, but such as here, such as Jefferson — suddenly you would realise that something curious was happening or had happened here: that instead of dying off as they should as time passed it was as though these old irreconcilables were actually increasing in number; as though with each interment of one, two more shared that vacancy: where in 1900, only thirty-five years afterward, there could not have been more than two or three capable of it, either by knowledge or memory of leisure, or even simple willingness and inclination, now, in 1951, eighty-six years afterward, they could be counted in dozens (and in 1965, a hundred years afterward, in hundreds because — by now you had already begun to understand why your kin or friends or acquaintance had elected to come to such as this with his family and call it his life — by then the children of that second outland invasion following a war, would also have become not just Mississippians but Jeffersonians and Yoknapatawphians: by which time — who knows? — not merely the pane, but the whole window, perhaps the entire wall, may have been removed and embalmed intact into a museum by an historical, or anyway a cultural, club of ladies — why, by that time they may not even know, or even need to know: only that the window-pane bearing the girl’s name and the date is that old, which is enough; has lasted that long: one small rectangle of wavy, crudely-pressed, almost opaque glass, bearing a few faint scratches apparently no more durable than the thin dried slime left by the passage of a snail, yet which has endured a hundred years) who are capable and willing too to quit whatever they happen to be doing — sitting on the last of the wooden benches beneath the last of the locust and chinaberry trees among the potted conifers of the new age dotting the courthouse yard, or in the chairs along the shady sidewalk before the Holston House, where a breeze always blows — to lead you across the street and into the jail and (with courteous neighbourly apologies to the jailor’s wife stirring or turning on the stove the peas and grits and side-meat — purchased in bargain-lot quantities by shrewd and indefatigable peditation from store to store — which she will serve to the prisoners for dinner or supper at so much a head — plate — payable by the County, which is no mean factor in the sinecure of her husband’s incumbency) into the kitchen and so to the cloudy pane bearing the faint scratches which, after a moment, you will descry to be a name and a date;
Not at first, of course, but after a moment, a second, because at first you would be a little puzzled, a little impatient because of your illness-at-ease from having been dragged without warning or preparation into the private kitchen of a strange woman cooking a meal; you would think merely What? So what? annoyed and even a little outraged, until suddenly, even while you were thinking it, something has already happened: the faint frail illegible meaningless even inference-less scratching on the ancient poor-quality glass you stare at, has moved, under your eyes, even while you stared at it, coalesced, seeming actually to have entered into another sense than vision: a scent, a whisper, filling that hot cramped strange room already fierce with the sound and reek of frying pork-fat: the two of them in conjunction — the old milky obsolete glass, and the scratches on it: that tender ownerless obsolete girl’s name and the old dead date in April almost a century ago — speaking, murmuring, back from, out of, across from, a time as old as lavender, older than album or stereopticon, as old as daguerreotype itself;
And being a stranger and a guest would have been enough, since, a stranger and a guest, you would have shown the simple courtesy and politeness of asking the questions naturally expected of you by the host or anyway volunteer guide, who had dropped whatever he was doing (even if that had been no more than sitting with others of his like on a bench in a courthouse yard or on the sidewalk before a hotel) in order to bring you here; not to mention your own perfectly natural desire for, not revenge perhaps, but at least compensation, restitution, vindication, for the shock and annoyance of having been brought here without warning or preparation, into the private quarters of a strange woman engaged in something as intimate as cooking a meal; but by now you had not only already begun to understand why your kin or friend or acquaintance had elected, not Jefferson but such as Jefferson, for his life, but you had heard that voice, that whisper, murmur, frailer than the scent of lavender, yet (for that second anyway) louder than all the seethe and fury of frying fat; so you ask the questions, not only which are expected of you, but whose answers you yourself must have if you are to get back into your car and fumble with any attention and concentration among the road signs and filling stations, to get on to wherever it is you had started when you stopped by chance or accident in Jefferson for an hour or a day or a night, and the host — guide — answers them, to the best of his ability out of the town’s composite heritage of remembering that long back, told, repeated, bequeathed to him by his father; or rather, his mother: from her mother: or better still, to him when he himself was a child, direct from his great-aunt: the spinsters, maiden and childless out of a time when there were too many women because too many of the young men were maimed or dead: the indomitable and undefeated, maiden progenitresses of spinster and childless descendants still capable of rising up and stalking out in the middle of Gone With the Wind;
And again one sense assumes the office of two or three: not only hearing, listening, and seeing too, but you are even standing on the same spot, the same boards she did that day she wrote her name into the window and on the other one three years later watching and hearing through and beyond that faint fragile defacement the sudden rush and thunder: the dust: the crackle and splatter of pistols: then the face, gaunt, battle-dirty, stubbled-over; urgent of course, but merely harried, harassed; not defeated, turned for a fleeing instant across the turmoil and the fury, then gone: and still the girl in the window (the guide — host — has never said one or the other; without doubt in the town’s remembering after a hundred years it has changed that many times from blonde to dark and back to blonde again: which doesn’t matter, since in your own remembering that tender mist and veil will be forever blonde) not even waiting: musing; a year, and still not even waiting: meditant, not even unimpatient: just patienceless, in the sense that blindness and zenith are colourless; until at last the mule, not out of the long north-eastern panorama of defeat and dust and fading smoke, but drawn out of it by that impregnable, that invincible, that incredible, that terrifying passivity, coming at that one fatigueless unflagging job all the way from Virginia — the mule which was a better mule in 1865 than the blood mare had been a horse in ‘-2 and ‘-3 and ‘-4, for the reason that this was now 1865, and the man, still gaunt and undefeated: merely harried and urgent and short of time to get on to Alabama and see the condition of his farm — or (for that matter) if he still had a farm, and now the girl, the fragile and workless girl not only incapable of milking a cow but of whom it was never even demanded required, suggested, that she substitute for her father in drying the dishes, mounting pillion on a mule behind a paroled cavalry subaltern out of a surrendered army who had swapped his charger for a mule and the sabre of his rank and his defeatless pride for a stocking full of seed corn, whom she had not known or even spoken to long enough to have learned his middle name or his preference in food, or told him hers, and no time for that even now: riding, hurrying toward a country she had never seen, to b
egin a life which was not even simple frontier, engaged only with wilderness and shoeless savages and the tender hand of God but one which had been rendered into a desert (assuming that it was still there at all to be returned to) by the iron and fire of civilisation;
Which was all your host (guide) could tell you, since that was all he knew, inherited, inheritable from the town: which was enough, more than enough in fact, since all you needed was the face framed in its blonde and delicate veil behind the scratched glass; yourself, the stranger, the outlander from New England or the prairies or the Pacific Coast, no longer come by the chance or accident of kin or friend or acquaintance or road map, but drawn too from ninety years away by that incredible and terrifying passivity, watching in your turn through and beyond that old milk-dim disfigured glass that shape, that delicate frail and useless bone and flesh departing pillion on a mule without one backward look, to the reclaiming of an abandoned and doubtless even ravaged (perhaps even usurped) Alabama hill farm — being lifted on to the mule (the first time he touched her probably, except to put the ring on: not to prove nor even to feel, touch, if there actually was a girl under the calico and the shawls; there was no time for that yet; but simply to get her up so they could start), to ride a hundred miles to become the farmless mother of farmers (she would bear a dozen, all boys, herself no older, still fragile, still workless among the churns and stove and brooms and stacks of wood which even a woman could split into kindlings; unchanged), bequeathing to them in their matronymic the heritage of that invincible inviolable ineptitude;
Then suddenly, you realise that that was nowhere near enough, not for that face — bridehood, motherhood, grandmotherhood, then widowhood and at last the grave — the long peaceful connubial progress toward matriarchy in a rocking chair nobody else was allowed to sit in, then a headstone in a country churchyard — not for that passivity, that stasis, that invincible captaincy of soul which didn’t even need to wait but simply to be, breathe tranquilly, and take food — infinite not only in capacity but in scope too: that face, one maiden muse which had drawn a man out of the running pell-mell of a cavalry battle, a whole year around the long iron perimeter of duty and oath, from Yoknapatawpha County, Mississippi, across Tennessee into Virginia and up to the fringe of Pennsylvania before it curved back into its closing fade along the headwaters of the Appomattox river and at last removed from him its iron hand: where, a safe distance at last into the rainy woods from the picket lines and the furled flags and the stacked muskets, a handful of men leading spent horses, the still-warm pistols still loose and quick for the hand in the unstrapped scabbards, gathered in the failing twilight — privates and captains, sergeants and corporals and subalterns — talking a little of one last desperate cast southward where (by last report) Johnston was still intact, knowing that they would not, that they were done not only with vain resistance but with indomitability too; already departed this morning in fact for Texas, the West, New Mexico: a new land even if not yet (spent too — like the horses — from the long harassment and anguish of remaining indomitable and undefeated) a new hope, putting behind them for good and all the lost of both: the young dead bride — drawing him (that face) even back from this too, from no longer having to remain undefeated too: who swapped the charger for the mule and the sabre for the stocking of seed corn: back across the whole ruined land and the whole disastrous year by that virgin inevictable passivity more inescapable than lodestar;
Not that face; that was nowhere near enough: no symbol there of connubial matriarchy, but fatal instead with all insatiate and deathless sterility; spouseless, barren, and undescended; not even demanding more than that: simply requiring it, requiring all — Lilith’s lost and insatiable face drawing the substance — the will and hope and dream and imagination — of all men (you too: yourself and the host too) into that one bright fragile net and snare; not even to be caught, over-flung, by one single unerring cast of it, but drawn to watch in patient and thronging turn the very weaving of the strangling golden strands — drawing the two of you from almost a hundred years away in your turn — yourself the stranger, the outlander with a B.A. or (perhaps even) M.A. from Harvard or Northwestern or Stanford, passing through Jefferson by chance or accident on the way to somewhere else, and the host who in three generations has never been out of Yoknapatawpha farther than a few prolonged Saturday-nights in Memphis or New Orleans, who has heard of Jenny Lind, not because he has heard of Mark Twain and Mark Twain spoke well of her, but for the same reason that Mark Twain spoke well of her: not that she sang songs, but that she sang them in the old West in the old days, and the man sanctioned by public affirmation to wear a pistol openly in his belt is an inevictable part of the Missouri and the Yoknapatawpha dream too, but never of Duse or Bernhardt or Maximilian of Mexico, let alone whether the Emperor of Mexico even ever had a wife or not (saying — the host — : ‘You mean, she was one of them? maybe even that emperor’s wife?’ and you: ‘Why not? Wasn’t she a Jefferson girl?’) — to stand, in this hot strange little room furious with frying fat, among the roster and chronicle, the deathless murmur of the sublime and deathless names and the deathless faces, the faces omnivorous and insatiable and forever incontent: demon-nun and angel-witch; empress, siren, Erinys: Mistinguette, too, invincibly possessed of a half-century more of years than the mere threescore or so she bragged and boasted, for you to choose among, which one she was — not might have been, nor even could have been, but was: so vast, so limitless in capacity is man’s imagination to disperse and burn away the rubble-dross of fact and probability, leaving only truth and dream — then gone, you are outside again, in the hot noon sun: late; you have already wasted too much time: to unfumble among the road signs and filling stations to get back on to a highway you know, back into the United States; not that it matters, since you know again now that there is no time: no space: no distance: a fragile and workless scratching almost depthless in a sheet of old barely transparent glass, and (all you had to do was look at it a while; all you have to do now is remember it) there is the clear undistanced voice as though out of the delicate antenna-skeins of radio, further than empress’s throne, than splendid insatiation, even than matriarch’s peaceful rocking chair, across the vast instantaneous intervention, from the long long time ago: ‘Listen, stranger; this was myself: this was I.’
SCENE I
INTERIOR, THE JAIL. 10.30 a.m. March twelfth.
The common room, or ‘bullpen.’ It is on the second floor. A heavy barred door at left is the entrance to it, to the entire cell-block, which — the cells — are indicated by a row of steel doors, each with its own individual small barred window, lining the right wall. A narrow passage at the far end of the right wall leads to more cells. A single big heavily barred window in the rear wall looks down into the street. It is mid-morning of a sunny day.
The door, left, opens with a heavy clashing of the steel lock, and swings back and outward. Temple enters, followed by Stevens and the Jailor. Temple has changed her dress, but wears the fur coat and the same hat. Stevens is dressed exactly as he was in Act II. The Jailor is a typical small-town turnkey, in shirt-sleeves and no necktie, carrying the heavy keys on a big iron ring against his leg as a farmer carries a lantern, say. He is drawing the door to behind him as he enters.
Temple stops just inside the room. Stevens perforce stops also. The Jailor closes the door and locks it on the inside with another clash and clang of steel, and turns.
JAILOR
Well, Lawyer, singing school will be over after tonight, huh?
(to Temple)
You been away, you see. You don’t know about this, you ain’t up with what’s ——
(he stops himself quickly; he is about to commit what he would call a very bad impoliteness, what in the tenets of his class and kind would be the most grave of gaucherie and bad taste: referring directly to a recent bereavement in the presence of the bereaved, particularly one of this nature, even though by this time tomorrow the state itself will have made restituti
on with the perpetrator’s life. He tries to rectify it)
Not that I wouldn’t too, if I’d a been the ma of the very ——
(stopping himself again; this is getting worse than ever; now he not only is looking at Stevens, but actually addressing him)
Every Sunday night, and every night since last Sunday except last night — come to think of it, Lawyer, where was you last night? We missed you — Lawyer here and Na — the prisoner have been singing hymns in her cell. The first time, he just stood out there on the sidewalk while she stood in that window yonder. Which was all right, not doing no harm, just singing church hymns. Because all of us home folks here in Jefferson and Yoknapatawpha County both know Lawyer Stevens, even if some of us might have thought he got a little out of line ——
Complete Works of William Faulkner Page 411
