He could count money and save it too. So when he was sixteen and that empty oil tank blew his father away and the oil company gave Mrs Snopes the thousand dollars, about a month later we found out that Mrs Snopes had bought a half interest in the grocery store and Wall had graduated from high school by now and he was a partner in the store. Though he was still the one that got up before daylight on the winter mornings to start the fire and sweep. Then he was nineteen years old and his partner had sold the rest of the store to Mrs Snopes and retired, and even if because of Wall’s age the store still couldn’t be in his name, we knew who it really belonged to, with a hired boy of his own now to come before daylight on the winter mornings to build the fire and sweep.
And another one too, except that another Snopes industry wouldn’t be the right word for this one, because there wasn’t any profit in it. No, that’s wrong; we worked at it too hard and Uncle Gavin says that anything people work at as hard as all of us did at this, has a profit, is for profit whether you can convert that profit into dollars and cents or not or even want to.
The last Snopes they brought into Jefferson didn’t quite make it. I mean, this one came just so far, right up to in sight of the town clock in fact, and then refused to go any further; even, they said, threatening to go back to Frenchman’s Bend, like an old cow or a mule that you finally get right up to the open gate of the pen, but not a step more.
He was the old one. Some folks said he was Mr Flem’s father but some said he was just his uncle: a short thick dirty old man with fierce eyes under a tangle of eyebrows and a neck that would begin to swell and turn red before, as Ratliff said, you had barely had time to cross the first word with him. So they bought a little house for him about a mile from town, where he lived with an old maid daughter and the twin sons named Vardaman and Bilbo that belonged to I.O. Snopes’s other wife, the one that Uncle Gavin called the Number Two wife that was different from the Number One one that rocked all day long on the front gallery of the Snopes hotel.
The house had a little piece of ground with it, that old man Snopes made into a truck garden and water-melon patch. The water-melon patch was the industry. No, that’s wrong. Maybe I mean the industry took place because of the watermelon patch. Because it was like the old man didn’t really raise the water-melons to sell or even just to be eaten, but as a bait for the pleasure or sport or contest or maybe just getting that mad, of catching boys robbing it; planting and cultivating and growing water-melons just so he could sit ambushed with a loaded shotgun behind a morning glory vine on his back gallery until he could hear sounds from the melon patch and then shooting at it.
Then one moonlight night he could see enough too and this time he actually shot John Wesley Roebuck with a load of squirrel shot, and the next morning Mr Hub Hampton, the sheriff, rode out there and told old Snopes that if he ever again let that shotgun off he would come back and take it away from him and throw him in jail to boot. So after that, old Snopes didn’t dare use the gun. All he could do now was to stash away piles of rocks at different places along the fence, and just sit behind the vine with a heavy stick and a flashlight.
That was how the industry started. Mr Hampton had passed the word around town to all the mothers and fathers to tell their sons to stay out of that damned patch now; that any time they wanted a water-melon that bad, he, Mr Hampton, would buy them one, because if they kept on making old man Snopes that mad, someday he would burst a blood vessel and die and we would all be in jail. But old Snopes didn’t know that because Vardaman and Bilbo didn’t tell him. They would wait until he was in the house, lying down maybe to take a nap after dinner, when they would run in and wake him, yelling, hollering that some boys were in the patch, and he would jump up yelling and cursing and grab up the oak cudgel and go tearing out to the patch, and nobody in it or near it except Vardaman and Bilbo behind the corner of the house dying laughing, then dodging and running and still laughing while the old man scrabbled up his piled rocks to throw at them.
Because he never would catch on. No, that’s wrong too: he always caught on. The trouble was, he didn’t dare risk doing nothing when they would run in hollering “Grampaw! Grampaw! Chaps in the melon patch!” because it might be true. He would have to jump up and grab the stick and run out, knowing before hand he probably wouldn’t find anybody there except Vardaman and Bilbo behind the corner of the house that he couldn’t even catch, throwing the rocks and cursing them until he would give out of rocks and breath both, then standing there gasping and panting with his neck as red as a turkey gobbler’s and without breath anymore to curse louder than whispering. That’s what we — all the boys in Jefferson between six and twelve years old and sometimes even older — would go out there to hide behind the fence and watch. We never had seen anybody bust a blood vessel and die and we wanted to be there when it happened to see what it would look like.
This was after Uncle Gavin finally got home from rehabilitating Europe. We were crossing the Square when she passed us. I never could tell if she had looked at Uncle Gavin, though I know she never looked at me, let alone spoke when we passed. But then, that was all right; I didn’t expect her either to or not to; sometimes she would speak to me but sometimes she never spoke to anybody and we were used to it. Like she did this time: just walking on past us exactly like a pointer dog walks just before it freezes onto the birds. Then I saw that Uncle Gavin had stopped and turned to look after her. But then I remembered he had been away since 1914 which was eight years ago now so she was only about five or six when he saw her last.
“Who is that?” he said.
“Linda Snopes,” I said. “You know: Mr Flem Snopes’s girl.” And I was still watching her too. “She walks like a pointer,” I said. “I mean, a pointer that’s just — —”
“I know what you mean,” Uncle Gavin said. “I know exactly what you mean.”
EIGHT
Gavin Stevens
I KNEW EXACTLY what he meant. She was walking steadily toward us, completely aware of us, yet not once had she looked at either of us, the eyes not hard and fixed so much as intent, oblivious; fixed and unblinking on something past us, beyond us, behind us, as a young pointer will walk over you if you dont move out of the way, during the last few yards before the actual point, since now it no longer needs depend on clumsy and fumbling scent because now it is actually looking at the huddled trigger-set covey. She went past us still walking, striding, like the young pointer bitch, the maiden bitch of course, the virgin bitch, immune now in virginity, not scorning the earth, spurning the earth, because she needed it to walk on in that immunity: just intent from earth and us too, not proud and not really oblivious: just immune in intensity and ignorance and innocence as the sleepwalker is for the moment immune from the anguishes and agonies of breath.
She would be thirteen, maybe fourteen now and the reason I did not know her and would not have known her was not because I had possibly not seen her in eight years and human females change so drastically in the years between ten and fifteen. It was because of her mother. It was as though I — you too perhaps — could not have believed but that a woman like that must, could not other than, produce an exact replica of herself. That Eula Varner — You see? Eula Varner. Never Eula Snopes even though I had — had had to — watched them in bed together. Eula Snopes it could never be simply because it must not simply because I would decline to have it so. — that Eula Varner owed that much at least to the simple male hunger which she blazed into anguish just by being, existing, breathing; having been born, becoming born, becoming a part of Motion; — that hunger which she herself could never assuage since there was but one of her to match with all that hungering. And that single one doomed to fade; by the fact of that mortality doomed not to assuage nor even negate the hunger; doomed never to efface the anguish and the hunger from Motion even by her own act of quitting Motion and so fill with her own absence from it, the aching void where once had glared that incandescent shape.
That’s what you thought at fir
st, of course: that she must of necessity repeat herself, duplicate herself if she reproduced at all. Because immediately afterward you realised that obviously she must not, must not duplicate: very Nature herself would not permit that to occur, permit two of them in a place no larger than Jefferson, Mississippi in one century, let alone in overlapping succession, within the anguished scope of a single generation. Because even Nature, loving concupiscent uproar and excitement as even Nature loves it, insists that it at least be reproductive of fresh fodder for the uproar and the excitement. Which would take time, the time necessary to produce that new crop of fodder, since she — Eula Varner — had exhausted, consumed, burned up that one of hers. Whereupon I would remember what Maggie said once to Gowan back there in the dead long time ago when I was in the throes of my own apprenticeship to holocaust: “You dont marry Helen and Semiramis; you just commit suicide for her.”
Because she — the child — didn’t look at all like her mother. And then in that same second I knew exactly who she did resemble. Back there in that time of my own clowning belated adolescence (none the less either for being both), I remember how I could never decide which of the two unbearables was the least unbearable; which (as the poet has it) of the two chewed bitter thumbs was the least bitter for chewing. That is, whether Manfred de Spain had seduced a chaste wife, or had simply been caught up in passing by a rotating nympholept. This was my anguish. If the first was right, what qualities of mere man did Manfred have that I didn’t? If the second, what blind outrageous fortune’s lightning-bolt was it that struck Manfred de Spain that mightn’t, shouldn’t, couldn’t, anyway didn’t, have blasted Gavin Stevens just as well? Or even also (oh yes, it was that bad once, that comical once) I would even have shared her if I had to, couldn’t have had her any other way.
That was when (I mean the thinking why it hadn’t been me in Manfred’s place to check that glance’s idle fateful swing that day whenever that moment had been) I would say that she must be chaste, a wife true and impeachless. I would think It’s that damned child, that damned baby — that innocent infant which, simply by innocently being, breathing, existing, lacerated and scoriated and reft me of peace: if there had only been no question of the child’s paternity; or better still, no child at all. Thus I would even get a little relief from my chewed thumbs since I would need both of them for the moment to count with. Ratliff had told me how they departed for Texas immediately after the wedding and when they returned twelve months later, the child was already walking. Which (the walking at least) I did not believe, not because of the anguish, the jealousy, the despair, but simply because of Ratliff. In fact, it was Ratliff who gave me that ease of hope — or if you like, ease from anguish; all right: tears too, peaceful tears but tears, which are the jewel-baubles of the belated adolescence’s clown-comedian — to pant with. Because even if the child had been only one day old, Ratliff would have invented the walking, being Ratliff. In fact, if there had been no child at all yet, Ratliff would have invented one, invented one already walking for the simple sake of his own paradox and humor, secured as he was from checkable facts by this much miles and time between Frenchman’s Bend and Jefferson two years later. That was when I would rather believe it was Flem’s own child; rather defilement by Manfred de Spain than promiscuity by Eula Varner — whereupon I would need only to taste that thumb again to realise that any other thumb was less bitter, no matter which: let her accept the whole earth’s Manfred de Spains and refuse Gavin Stevens, than to accept one Flem Snopes and still refuse him.
So you see how much effort a man will make and trouble he will invent, to guard and defend himself from the boredom of peace of mind. Or rather perhaps the pervert who deliberately infests himself with lice, not just for the simple pleasure of being rid of them again, since even in the folly of youth we know that nothing lasts; but because even in that folly we are afraid that maybe Nothing will last, that maybe Nothing will last forever, and anything is better than Nothing, even lice. So now, as another poet sings, That Fancy passed me by And nothing will remain; which, praise the gods, is a damned lie since, praise, O gods! Nothing cannot remain anywhere since nothing is vacuum and vacuum is paradox and unbearable and we will have none of it even if we would, the damned-fool poet’s Nothing steadily and perennially full of perennially new and perennially renewed anguishes for me to measure my stature against whenever I need reassure myself that I also am Motion.
Because the second premise was much better. If I was not to have her, then Flem Snopes shall never have. So instead of the poet’s Fancy passes by And nothing remaining, it is Remaining which will always remain, never to be completely empty of that olden anguish. So no matter how much more the blood will slow and remembering grow more lascerant, the blood at least will always remember that once it was that capable, capable at least of anguish. So that girl-child was not Flem Snopes’s at all, but mine; my child and my grandchild both since the McCarron boy who begot her (oh yes, I can even believe Ratliff when it suits me) in that lost time, was Gavin Stevens in that lost time; and, since remaining must remain or quit being remaining, Gavin Stevens is fixed by his own child forever at that one age in that one moment. So since the son is father to the man, the McCarron fixed forever and timeless in that dead youth as Gavin Stevens, is of necessity now the son of Gavin Stevens’s age, and McCarron’s child is Gavin Stevens’s grandchild.
Whether Gavin Stevens intended to be that father-grandfather or not, of course. But then neither did he dream that that one idle glance of Eula Varner’s eye which didn’t even mark him in passing, would confer on him foster-uncleship over every damned Snopes wanting to claim it out of that whole entire damned connection she married into. I mean foster-uncleship in the sense that simple enragement and outrage and obsession per se take care of their own just as simple per se poverty and (so they say) virtue do of theirs. But foster-uncleship only to he: never she. So this was not the first time I ever thought how apparently all Snopeses are male, as if the mere and simple incident of woman’s divinity precluded Snopesishness and made it paradox. No: it was rather as if Snopes were some profound and incontrovertible hermaphroditic principle for the furtherance of a race, a species, the principle vested always physically in the male, any anonymous conceptive or gestative organ drawn into that radius to conceive and spawn, repeating that male principle and then vanishing; the Snopes female incapable of producing a Snopes and hence harmless like the malaria-bearing mosquito of whom only the female is armed and potent, turned upside down and backward. Or even more than a mere natural principle: a divine one: the unsleeping hand of God Himself, unflagging and constant, else before now they would have owned the whole earth, let alone just Jefferson Mississippi.
Because now Flem Snopes was vice president of what we still called Colonel Sartoris’s bank. Oh yes, our banks have vice presidents the same as anybody else’s bank. Only nobody in Jefferson ever paid any attention to just the vice president of a bank before; he — a bank vice president — was like someone who had gained the privilege of calling himself major or colonel by having contributed time or money or influence to getting a governor elected, as compared to him who had rightfully inherited his title from a father or grandfather who had actually ridden a horse at a Yankee soldier, like Manfred de Spain or our Colonel Sartoris.
So Flem was the first actual living vice president of a bank we had ever seen to notice. We heard he had fallen heir to the vice presidency when Manfred de Spain moved up his notch, and we knew why: Uncle Billy Varner’s stock plus the odds and ends which (we now learned) Flem himself had been picking up here and there for some time, plus Manfred de Spain himself. Which was all right; it was done now; too late to help; we were used to our own Jefferson breed or strain of bank vice presidents and we expected no more of even a Snopes bank vice president than simple conformation to pattern.
Then to our surprise we saw that he was trying to be what he — a Snopes or anyway a Flem Snopes — thought a bank vice president was or should be. He began to s
pend most of the day in the bank. Not in the back office where Colonel Sartoris had used to sit and where Manfred de Spain now sat, but in the lobby, standing a little back from the window watching the clients coming and going to leave their money or draw it out, still in that little cloth cap and the snap-on-behind bow tie he had come to town in thirteen years ago and his jaw still moving faintly and steadily as if he were chewing something though I anyway in my part of those thirteen years had never seen him spit.
Then one day we saw him at his post in the lobby and we didn’t even know him. He was standing where he always stood, back where he would be out of the actual path to the window but where he could still watch it (watching how much money was going in or how much was coming out, we didn’t know which; whether perhaps what held him thralled there was the simple solvency of the bank which in a way — by deputy, by proxy — was now his bank, his pride: that no matter how much money people drew out of it, there was always that one who had just deposited that zero-plus-one dollar into it in time; or whether he actually did believe in an inevitable moment when De Spain or whoever the designated job would belong to, would come to the window from the inside and say “Sorry, folks, you cant draw out any more money because there aint any more”, and he — Flem — simply wanted to prove to himself that he was wrong).
But this time we didn’t know him. He still wore the little bow tie and his jaw was still pulsing faintly and steadily, but now he wore a hat, a new one of the broad black felt kind which country preachers and politicians wore. And the next day he was actually inside the cage where the money actually was and where the steel door opened into the concrete vault where it stayed at night; and now we realised that he was not watching the money any longer; he had learned all there was to learn about that. Now he was watching the records of it, how they kept the books.
Complete Works of William Faulkner Page 473
