Complete Works of William Faulkner

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Complete Works of William Faulkner Page 674

by William Faulkner


  “He’s all right now,” Monckton said. “The dog’s gone back to his vomit.”

  “I said he was all right all the time,” the bosun said. “George didn’t give a damn.”

  “I wasn’t talking about George,” Monckton said. “George hasn’t made the grade yet.”

  V

  George told us. “He’d keep on moping and mooning, see, and I’d keep on trying to talk to him, to tell him I wasn’t mad no more. Jeez, it had to come some day; a man can’t be a angel all your life. But he wouldn’t even look back that way. Until all of a sudden he says one night:

  “‘What do you do to them?’ I looked at him. ‘How does a man treat them?’

  “‘You mean to tell me,’ I says, ‘that you spent three days with her and she ain’t showed you that?’

  “‘I mean, give them,’ he says. ‘Don’t men give—’

  “‘Jeez Christ,’ I says, ‘you done already give her something they would have paid you money for it in Siam. Would have made you the prince or the prime minister at the least. What do you mean?’

  “‘I don’t mean money,’ he says. ‘I mean . . .’

  “‘Well,’ I says, ‘if you was going to see her again, if she was going to be your girl, you’d give her something. Bring it back to her. Like something to wear or something: they don’t care much what, them foreign women, hustling them wops all their life that wouldn’t give them a full breath if they was a toy balloon; they don’t care much what it is. But you ain’t going to see her again, are you?’

  “‘No,’ he says. ‘No,’ he says. ‘No.’ And he looked like he was fixing to jump off the boat and swim on ahead and wait for us at Hatteras.

  “‘So you don’t want to worry about that,’ I says. Then I went and played the vic again, thinking that might cheer him up, because he ain’t the first, for Christ’s sake; he never invented it. But it was the next night; we was at the poop rail then — the first time he had looked back — watching the phosrus along the logline, when he says:

  “‘Maybe I got her into trouble.’

  “‘Doing what?’ I says. ‘With what? With the police? Didn’t you make her show you her petite?’ Like she would have needed a ticket, with that face full of gold; Jeez, she could have rode the train on her face alone; maybe that was her savings bank instead of using her stocking.

  “‘What ticket?’ he says. So I told him. For a minute I thought he was crying, then I seen that he was just trying to not puke. So I knew what the trouble was, what had been worrying him. I remember the first time it come as a surprise to me. ‘Oh,’ I says, ‘the smell. It don’t mean nothing,’ I says; you don’t want to let that worry you. It ain’t that they smell bad,’ I says, ‘that’s just the Italian national air.’”

  And then we thought that at last he really was sick. He worked all day long, coming to bed only after the rest of us were asleep and snoring, and I saw him in the night get up and go topside again, and I followed and saw him sitting on a windlass. He looked like a little boy, still, small, motionless in his underclothes. But he was young, and even an old man can’t be sick very long with nothing but work to do and salt air to breathe; and so two weeks later we were watching him and George dancing again in their undershirts after supper on the after well deck while the victrola lifted its fatuous and reiterant ego against the waxing moon and the ship snored and hissed through the long seas off Hatteras. They didn’t talk; they just danced, gravely and tirelessly as the nightly moon stood higher and higher up the sky. Then we turned south, and the Gulf Stream ran like blue ink alongside, bubbled with fire by night in the softening latitudes, and one night off Tortugas the ship began to tread the moon’s silver train like an awkward and eager courtier, and Carl spoke for the first time after almost twenty days.

  “George,” he said, “do me a favor, will you?”

  “Sure, bud,” George said, stamping on the deck each time the needle clucked, his black head shoulders above Carl’s sleek pale one, the two of them in decorous embrace, their canvas shoes hissing in unison: “Sure,” George said. “Spit it out.”

  “When we get to Galveston, I want you to buy me a suit of these pink silk teddybears that ladies use. A little bigger than I’d wear, see?”

  Carcassonne

  AND ME ON a buckskin pony with eyes like blue electricity and a mane like tangled fire, galloping up the hill and right off into the high heaven of the world

  His skeleton lay still. Perhaps it was thinking about this. Anyway, after a time it groaned. But it said nothing. which is certainly not like you he thought you are not like yourself. but I can’t say that a little quiet is not pleasant

  He lay beneath an unrolled strip of tarred roofing made of paper. All of him that is, save that part which suffered neither insects nor temperature and which galloped unflagging on the destinationless pony, up a piled silver hill of cumulae where no hoof echoed nor left print, toward the blue precipice never gained. This part was neither flesh nor unflesh and he tingled a little pleasantly with its lackful contemplation as he lay beneath the tarred paper bedclothing.

  So were the mechanics of sleeping, of denning up for the night, simplified. Each morning the entire bed rolled back into a spool and stood erect in the corner. It was like those glasses, reading glasses which old ladies used to wear, attached to a cord that rolls onto a spindle in a neat case of unmarked gold; a spindle, a case, attached to the deep bosom of the mother of sleep.

  He lay still, savoring this. Beneath him Rincon followed its fatal, secret, nightly pursuits, where upon the rich and inert darkness of the streets lighted windows and doors lay like oily strokes of broad and overladen brushes. From the docks a ship’s siren unsourced itself. For a moment it was sound, then it compassed silence, atmosphere, bringing upon the eardrums a vacuum in which nothing, not even silence, was. Then it ceased, ebbed; the silence breathed again with a clashing of palm fronds like sand hissing across a sheet of metal.

  Still his skeleton lay motionless. Perhaps it was thinking about this and he thought of his tarred paper bed as a pair of spectacles through which he nightly perused the fabric of dreams:

  Across the twin transparencies of the spectacles the horse still gallops with its tangled welter of tossing flames. Forward and back against the taut roundness of its belly its legs swing, rhythmically reaching and overreaching, each spurning overreach punctuated by a flicking limberness of shod hooves. He can see the saddlegirth and the soles of the rider’s feet in the stirrups. The girth cuts the horse in two just back of the withers, yet it still gallops with rhythmic and unflagging fury and without progression, and he thinks of that riderless Norman steed which galloped against the Saracen Emir, who, so keen of eye, so delicate and strong the wrist which swung the blade, severed the galloping beast at a single blow, the several halves thundering on in the sacred dust where him of Bouillon and Tancred too clashed in sullen retreat; thundering on through the assembled foes of our meek Lord, wrapped still in the fury and the pride of the charge, not knowing that it was dead.

  The ceiling of the garret slanted in a ruined pitch to the low eaves. It was dark, and the body consciousness, assuming the office of vision, shaped in his mind’s eye his motionless body grown phosphorescent with that steady decay which had set up within his body on the day of his birth. the flesh is dead living on itself subsisting consuming itself thriftily in its own renewal will never die for I am the Resurrection and the Life Of a man, the worm should be lusty, lean, hairedover. Of women, of delicate girls briefly like heard music in tune, it should be suavely shaped, falling feeding into prettinesses, feeding. what though to Me but as a seething of new milk Who am the Resurrection and the Life

  It was dark. The agony of wood was soothed by these latitudes; empty rooms did not creak and crack. Perhaps wood was like any other skeleton though, after a time, once reflexes of old compulsions had spent themselves. Bones might lie under seas, in the caverns of the sea, knocked together by the dying echoes of waves. Like bones of horses cursing the
inferior riders who bestrode them, bragging to one another about what they would have done with a first-rate rider up. But somebody always crucified the first-rate riders. And then it’s better to be bones knocking together to the spent motion of falling tides in the caverns and the grottoes of the sea.

  where him of Bouillon and Tancred too

  His skeleton groaned again. Across the twin transparencies of the glassy floor the horse still galloped, unflagging and without progress, its destination the barn where sleep was stabled. It was dark. Luis, who ran the cantina downstairs, allowed him to sleep in the garret. But the Standard Oil Company, who owned the garret and the roofing paper, owned the darkness too; it was Mrs Widdrington’s, the Standard Oil Company’s wife’s, darkness he was using to sleep in. She’d make a poet of you too, if you did not work anywhere. She believed that, if a reason for breathing were not acceptable to her, it was no reason. With her, if you were white and did not work, you were either a tramp or a poet. Maybe you were. Women are so wise. They have learned how to live unconfused by reality, impervious to it. It was dark.

  and knock my bones together and together It was dark, a darkness filled with a fairy pattering of small feet, stealthy and intent. Sometimes the cold patter of them on his face waked him in the night, and at his movement they scurried invisibly like an abrupt disintegration of dead leaves in a wind, in whispering arpeggios of minute sound, leaving a thin but definite effluvium of furtiveness and voracity. At times, lying so while daylight slanted grayly along the ruined pitch of the eaves, he watched their shadowy flickings from obscurity to obscurity, shadowy and huge as cats, leaving along the stagnant silences those whisperings gusts of fairy feet.

  Mrs Widdrington owned the rats too. But wealthy people have to own so many things. Only she didn’t expect the rats to pay for using her darkness and silence by writing poetry. Not that they could not have, and pretty fair verse probably. Something of the rat about Byron: allocutions of stealthful voracity; a fairy pattering of little feet behind a bloody arras where fell where fell where I was King of Kings but the woman with the woman with the dog’s eyes to knock my bones together and together

  “I would like to perform something,” he said, shaping his lips soundlessly in the darkness, and the galloping horse filled his mind again with soundless thunder. He could see the saddlegirth and the soles of the rider’s stirruped feet, and he thought of that Norman steed, bred of many fathers to bear iron mail in the slow, damp, green valleys of England, maddened with heat and thirst and hopeless horizons filled with shimmering nothingness, thundering along in two halves and not knowing it, fused still in the rhythm of accrued momentum. Its head was mailed so that it could not see forward at all, and from the center of the plates projected a — projected a —

  “Chamfron,” his skeleton said.

  “Chamfron.” He mused for a time, while the beast that did not know that it was dead thundered on as the ranks of the Lamb’s foes opened in the sacred dust and let it through. “Chamfron,” he repeated. Living, as it did, a retired life, his skeleton could know next to nothing of the world. Yet it had an astonishing and exasperating way of supplying him with bits of trivial information that had temporarily escaped his mind. “All you know is what I tell you,” he said.

  “Not always,” the skeleton said. “I know that the end of life is lying still. You haven’t learned that yet. Or you haven’t mentioned it to me, anyway.”

  “Oh, I’ve learned it,” he said. “I’ve had it dinned into me enough. It isn’t that. It’s that I don’t believe it’s true.”

  The skeleton groaned.

  “I don’t believe it, I say,” he repeated.

  “All right, all right,” the skeleton said testily. “I shan’t dispute you. I never do. I only give you advice.”

  “Somebody has to, I guess,” he agreed sourly. “At least, it looks like it.” He lay still beneath the tarred paper, in a silence filled with fairy patterings. Again his body slanted and slanted downward through opaline corridors groined with ribs of dying sunlight upward dissolving dimly, and came to rest at last in the windless gardens of the sea. About him the swaying caverns and the grottoes, and his body lay on the rippled floor, tumbling peacefully to the wavering echoes of the tides.

  I want to perform something bold and tragical and austere he repeated, shaping the soundless words in the pattering silence me on a buckskin pony with eyes like blue electricity and a mane like tangled fire, galloping up the hill and right off into the high heaven of the world Still galloping, the horse soars outward; still galloping, it thunders up the long blue hill of heaven, its tossing mane in golden swirls like fire. Steed and rider thunder on, thunder punily diminishing: a dying star upon the immensity of darkness and of silence within which, steadfast, fading, deepbreasted and grave of flank, muses the dark and tragic figure of the Earth, his mother.

  Uncollected Stories

  CONTENTS

  Spotted Horses

  The Hound

  Lizards in Jamshyd’s Courtyard

  Fool About a Horse

  Race at Morning

  Once Aboard the Lugger

  Miss Zilphia Gant

  Thrift

  Idyll in the Desert

  Two Dollar Wife

  Afternoon of a Cow

  Sepulture South: Gaslight

  Mr. Acarius

  Spotted Horses

  Scribner’s, June 1931. Later revised for ‘The Hamlet’

  I

  YES, SIR. FLEM Snopes has filled that whole country full of spotted horses. You can hear folks running them all day and all night, whooping and hollering, and the horses running back and forth across them little wooden bridges ever now and then kind of like thunder. Here I was this morning pretty near half way to town, with the team ambling along and me setting in the buckboard about half asleep, when all of a sudden something come swurging up outen the bushes and jumped the road clean, without touching hoof to it. It flew right over my team, big as a billboard and flying through the air like a hawk. It taken me thirty minutes to stop my team and untangle the harness and the buckboard and hitch them up again.

  That Flem Snopes. I be dog if he ain’t a case, now. One morning about ten years ago, the boys was just getting settled down on Varner’s porch for a little talk and tobacco, when here come Flem out from behind the counter, with his coat off and his hair all parted, like he might have been clerking for Varner for ten years already. Folks all knowed him; it was a big family of them about five miles down the bottom. That year, at least. Share-cropping. They never stayed on any place over a year. Then they would move on to another place, with the chap or maybe the twins of that year’s litter. It was a regular nest of them. But Flem. The rest of them stayed tenant farmers, moving ever year, but here come Flem one day, walking out from behind Jody Varner’s counter like he owned it. And he wasn’t there but a year or two before folks knowed that, if him and Jody was both still in that store in ten years more, it would be Jody clerking for Flem Snopes. Why, that fellow could make a nickel where it wasn’t but four cents to begin with. He skun me in two trades, myself, and the fellow that can do that, I just hope he’ll get rich before I do; that’s all.

  All right. So here Flem was, clerking at Varner’s, making a nickel here and there and not telling nobody about it. No, sir. Folks never knowed when Flem got the better of somebody lessen the fellow he beat told it. He’d just set there in the store-chair, chewing his tobacco and keeping his own business to hisself, until about a week later we’d find out it was somebody else’s business he was keeping to hisself — provided the fellow he trimmed was mad enough to tell it. That’s Flem.

  We give him ten years to own ever thing Jody Varner had. But he never waited no ten years. I reckon you-all know that gal of Uncle Billy Varner’s, the youngest one; Eula. Jody’s sister. Ever Sunday ever yellow-wheeled buggy and curried riding horse in that country would be hitched to Bill Varner’s fence, and the young bucks setting on the porch, swarming around Eula like bees arou
nd a honey pot. One of these here kind of big, soft-looking gals that could giggle richer than plowed new-ground. Wouldn’t none of them leave before the others, and so they would set there on the porch until time to go home, with some of them with nine and ten miles to ride and then get up tomorrow and go back to the field. So they would all leave together and they would ride in a clump down to the creek ford and hitch them curried horses and yellow-wheeled buggies and get out and fight one another. Then they would get in the buggies again and go on home.

  Well, one day about a year ago, one of them yellow-wheeled buggies and one of them curried saddle-horses quit this country. We heard they was heading for Texas. The next day Uncle Billy and Eula and Flem come in to town in Uncle Bill’s surrey, and when they come back, Flem and Eula was married. And on the next day we heard that two more of them yellow-wheeled buggies had left the country. They mought have gone to Texas, too. It’s a big place.

  Anyway, about a month after the wedding, Flem and Eula went to Texas, too. They was gone pretty near a year. Then one day last month, Eula come back, with a baby. We figgured up, and we decided that it was as well-growed a three-months-old baby as we ever see. It can already pull up on a chair. I reckon Texas makes big men quick, being a big place. Anyway, if it keeps on like it started, it’ll be chewing tobacco and voting time it’s eight years old.

  And so last Friday here come Flem himself. He was on a wagon with another fellow. The other fellow had one of these two-gallon hats and a ivory-handled pistol and a box of gingersnaps sticking out of his hind pocket, and tied to the tail-gate of the wagon was about two dozen of them Texas ponies, hitched to one another with barbed wire. They was colored like parrots and they was quiet as doves, and ere a one of them would kill you quick as a rattlesnake. Nere a one of them had two eyes the same color, and nere a one of them had ever see a bridle, I reckon; and when that Texas man got down offen the wagon and walked up to them to show how gentle they was, one of them cut his vest clean offen him, same as with a razor.

 

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