by Oscar Wilde
“Far away,” continued the statue in a low musical voice, “far away in a little street there is a poor house. One of the windows is open, and through it I can see a woman seated at a table. Her face is thin and worn, and she has coarse, red hands, all pricked by the needle, for she is a seamstress. She is embroidering passion-flowers on a satin gown for the loveliest of the Queen’s maids-of honour to wear at the next Court-ball. In a bed in the corner of the room her little boy is lying ill. He has a fever, and is asking for oranges. His mother has nothing to give him but river water, so he is crying. Swallow, Swallow, little Swallow, will you not bring her the ruby out of my sword-hilt? My feet are fastened to this pedestal and I cannot move.”
“I am waited for in Egypt,” said the Swallow. “My friends are flying up and down the Nile, and talking to the large lotus-flowers. Soon they will go to sleep in the tomb of the great King. The King is there himself in his painted coffin. He is wrapped in yellow linen, and embalmed with spices. Round his neck is a chain of pale green jade, and his hands are like withered leaves.”4
“Swallow, Swallow, little Swallow,” said the Prince, “will you not stay with me for one night, and be my messenger? The boy is so thirsty, and the mother so sad.”
“I don’t think I like boys,” answered the Swallow. “Last summer, when I was staying on the river, there were two rude boys, the miller’s sons, who were always throwing stones at me. They never hit me, of course; we swallows fly far too well for that, and besides, I come of a family famous for its agility; but still, it was a mark of disrespect.”
But the Happy Prince looked so sad that the little Swallow was sorry. “It is very cold here,” he said; “but I will stay with you for one night, and be your messenger.”
“Thank you, little Swallow,” said the Prince.
So the Swallow picked out the great ruby from the Prince’s sword, and flew away with it in his beak over the roofs of the town.
He passed by the cathedral tower, where the white marble angels were sculptured. He passed by the palace and heard the sound of dancing. A beautiful girl came out on the balcony with her lover. “How wonderful the stars are,” he said to her, “and how wonderful is the power of love!” “I hope my dress will be ready in time for the State-ball,” she answered, “I have ordered passion-flowers to be embroidered on it; but the seamstresses are so lazy.”
He passed over the river, and saw the lanterns hanging to the masts of the ships. He passed over the Ghetto, and saw the old Jews bargaining with each other, and weighing out money in copper scales. At last he came to the poor house and looked in. The boy was tossing feverishly on his bed, and the mother had fallen asleep, she was so tired. In he hopped, and laid the great ruby on the table beside the woman’s thimble. Then he flew gently round the bed, fanning the boy’s forehead with his wings. “How cool I feel,” said the boy, “I must be getting better;” and he sank into a delicious slumber.
Then the Swallow flew back to the Happy Prince, and told him what he had done.
“It is curious,” he remarked, “but I feel quite warm now, although it is so cold.”
“That is because you have done a good action,” said the Prince. And the little Swallow began to think, and then he fell asleep. Thinking always made him sleepy.
When day broke he flew down to the river and had a bath. “What a remarkable phenomenon,” said the Professor of Ornithology as he was passing over the bridge. “A swallow in winter!” And he wrote a long letter about it to the local newspaper. Every one quoted it, it was full of so many words that they could not understand.
“To-night I go to Egypt,” said the Swallow, and he was in high spirits at the prospect. He visited all the public monuments, and sat a long time on top of the church steeple. Wherever he went the Sparrows chirruped, and said to each other, “What a distinguished stranger!” so he enjoyed himself very much.
When the moon rose he flew back to the Happy Prince. “Have you any commissions for Egypt?” he cried. “I am just starting.”
“Swallow, Swallow, little Swallow,” said the Prince, “will you not stay with me one night longer?”
“I am waited for in Egypt,” answered the Swallow. “To-morrow my friends will fly up to the Second Cataract.5 The river-horse6 couches there among the bulrushes, and on a great granite throne sits the God Memnon. All night long he watches the stars, and when the morning star shines he utters one cry of joy, and then he is silent.7 At noon the yellow lions come down to the water’s edge to drink. They have eyes like green beryls, and their roar is louder than the roar of the cataract.”8
“Swallow, Swallow, little Swallow,” said the Prince, “far away across the city I see a young man in a garret. He is leaning over a desk covered with papers, and in a tumbler by his side there is a bunch of withered violets. His hair is brown and crisp, and his lips are red as a pomegranate, and he has large and dreamy eyes. He is trying to finish a play for the Director of the Theatre, but he is too cold to write any more. There is no fire in the grate, and hunger has made him faint.”
“I will wait with you one night longer,” said the Swallow, who really had a good heart. “Shall I take him another ruby?”
“Alas! I have no ruby now,” said the Prince, “my eyes are all that I have left. They are made of rare sapphires, which were brought out of India a thousand years ago. Pluck out one of them and take it to him. He will sell it to the jeweller, and buy food and firewood, and finish his play.”
“Dear Prince,” said the Swallow, “I cannot do that;” and he began to weep.
“Swallow, Swallow, little Swallow,” said the Prince, “do as I command you.”
So the Swallow plucked out the Prince’s eye, and flew away to the student’s garret. It was easy enough to get in, as there was a hole in the roof. Through this he darted, and came into the room. The young man had his head buried in his hands, so he did not hear the flutter of the bird’s wings, and when he looked up he found the beautiful sapphire lying on the withered violets.
“I am beginning to be appreciated,” he cried, “this is from some great admirer. Now I can finish my play,” and he looked quite happy.
The next day the Swallow flew down to the harbour. He sat on the mast of a large vessel and watched the sailors hauling big chests out of the hold with ropes. “Heave a-hoy!” they shouted as each chest came up. “I am going to Egypt!” cried the Swallow, but nobody minded, and when the moon rose he flew back to the Happy Prince.
“I am come to bid you good-bye,” he cried.
“Swallow, Swallow, little Swallow,” said the Prince, “will you not stay with me one night longer?”
“It is winter,” answered the Swallow, “and the chill snow will soon be here. In Egypt the sun is warm on the green palm-trees, and the crocodiles lie in the mud and look lazily about them. My companions are building a nest in the Temple of Baalbec,9 and the pink and white doves are watching them, and cooing to each other. Dear Prince, I must leave you, but I will never forget you, and next spring I will bring you back two beautiful jewels in place of those you have given away. The ruby shall be redder than a red rose, and the sapphire shall be as blue as the great sea.”
“In the square below,” said the Happy Prince, “there stands a little match-girl.10 She has let her matches fall in the gutter, and they are all spoiled. Her father will beat her if she does not bring home some money, and she is crying. She has no shoes or stockings, and her little head is bare. Pluck out my other eye, and give it to her, and her father will not beat her.”
“I will stay with you one night longer,” said the Swallow, “but I cannot pluck out your eye. You would be quite blind then.”
“Swallow, Swallow, little Swallow,” said the Prince, “do as I command you.”
So he plucked out the Prince’s other eye, and darted down with it. He swooped past the match-girl, and slipped the jewel into the palm of her hand. “What a lovely bit of glass,” cried the little girl; and she ran home, laughing.
Then t
he Swallow came back to the Prince. “You are blind now,”11 he said, “so I will stay with you always.”
“No, little Swallow,” said the poor Prince, “you must go away to Egypt.”
“I will stay with you always,” said the Swallow, and he slept at the Prince’s feet.
All the next day he sat on the Prince’s shoulder, and told him stories of what he had seen in strange lands. He told him of the red ibises, who stand in long rows on the banks of the Nile, and catch gold fish in their beaks; of the Sphinx, who is as old as the world itself, and lives in the desert, and knows everything; of the merchants, who walk slowly by the side of their camels, and carry amber beads in their hands; of the King of the Mountains of the Moon, who is as black as ebony, and worships a large crystal; of the great green snake that sleeps in a palm-tree, and has twenty priests to feed it with honey-cakes; and of the pygmies who sail over a big lake on large flat leaves, and are always at war with the butterflies.
“Dear little Swallow,” said the Prince, “you tell me of marvellous things, but more marvellous than anything is the suffering of men and of women. There is no Mystery so great as Misery. Fly over my city, little Swallow, and tell me what you see there.”12
So the Swallow flew over the great city, and saw the rich making merry in their beautiful houses, while the beggars were sitting at the gates. He flew into dark lanes, and saw the white faces of starving children looking out listlessly at the black streets. Under the archway of a bridge two little boys were lying in one another’s arms to try and keep themselves warm. “How hungry we are!” they said. “You must not lie here,” shouted the Watchman, and they wandered out into the rain.
Then he flew back and told the Prince what he had seen.
“I am covered with fine gold,” said the Prince, “you must take it off, leaf by leaf, and give it to my poor; the living always think that gold can make them happy.”13
Leaf after leaf of the fine gold the Swallow picked off, till the Happy Prince looked quite dull and grey. Leaf after leaf of the fine gold he brought to the poor, and the children’s faces grew rosier, and they laughed and played games in the street. “We have bread now!” they cried.
Then the snow came, and after the snow came the frost. The streets looked as if they were made of silver, they were so bright and glistening; long icicles like crystal daggers hung down from the eaves of the houses, everybody went about in furs, and the little boys wore scarlet caps and skated on the ice.
The poor little Swallow grew colder and colder, but he would not leave the Prince, he loved him too well. He picked up crumbs outside the baker’s door when the baker was not looking, and tried to keep himself warm by flapping his wings.
But at last he knew that he was going to die. He had just strength to fly up to the Prince’s shoulder once more. “Good-bye, dear Prince!” he murmured, “will you let me kiss your hand?”
“I am glad that you are going to Egypt at last, little Swallow,” said the Prince, “you have stayed too long here; but you must kiss me on the lips, for I love you.”
“It is not to Egypt that I am going,” said the Swallow. “I am going to the House of Death. Death is the brother of Sleep, is he not?”
And he kissed the Happy Prince on the lips,14 and fell down dead at his feet.15
At that moment a curious crack sounded inside the statue, as if something had broken. The fact is that the leaden heart had snapped right in two. It certainly was a dreadfully hard frost.16
Early the next morning the Mayor was walking in the square below in company with the Town Councillors. As they passed the column he looked up at the statue: “Dear me! how shabby the Happy Prince looks!” he said.
“How shabby indeed!” cried the Town Councillors, who always agreed with the Mayor, and they went up to look at it.
“The ruby has fallen out of his sword, his eyes are gone, and he is golden no longer,” said the Mayor, “in fact, he is little better than a beggar!”
“Little better than a beggar,” said the Town Councillors.
“And here is actually a dead bird at his feet!” continued the Mayor. “We must really issue a proclamation that birds are not to be allowed to die here.” And the Town Clerk made a note of the suggestion.
So they pulled down the statue of the Happy Prince. “As he is no longer beautiful he is no longer useful,” said the Art Professor at the University.17
Then they melted the statue in a furnace, and the Mayor held a meeting of the Corporation to decide what was to be done with the metal. “We must have another statue, of course,” he said, “and it shall be a statue of myself.”
“Of myself,” said each of the Town Councillors, and they quarrelled. When I last heard of them they were quarrelling still.
“What a strange thing!” said the overseer of the workmen at the foundry. “This broken lead heart will not melt in the furnace. We must throw it away.” So they threw it on a dust-heap where the dead Swallow was also lying.
“Bring me the two most precious things in the city,” said God to one of His Angels; and the Angel brought Him the leaden heart and the dead bird.
“You have rightly chosen,” said God, “for in my garden of Paradise this little bird shall sing for evermore, and in my city of gold the Happy Prince shall praise me.”18
* “The Happy Prince” was purportedly composed in the rooms of a young Cambridge undergraduate named Harry Marillier with whom Wilde was briefly conducting a flirtatious, possibly sexual, relationship in late 1885. See Jonathan Fryer, “Harry Marillier and the Love of the Impossible,” The Wildean 28 (Jan. 2006). The story was probably finished by late 1886, but it “languished in the manuscript chest of [The English Illustrated Magazine] for eighteen months” (CL 385) before eventually appearing as the title story to Wilde’s story collection The Happy Prince and Other Tales (London: David Nutt, 1888), where it was accompanied by illustrations and page ornaments by Walter Crane and George Jacomb-Hood. As noted in the Introduction, Wilde sent signed copies to the social reformers John Ruskin and William Ewart Gladstone, as well as to Toynbee Hall, a social settlement in London’s East End. Wilde liked “The Happy Prince” best of all the stories in the collection, calling it “an attempt to treat a tragic modern problem in a form that aims at delicacy and imaginative treatment.”
1 The Town Councillor is a Utilitarian and materialist of the grossest sort.
2 The Mathematical Master is not alone in his disapproval of the childlike imagination: all of the adults, with the exception of the disappointed man, suffer from stunted imaginations.
3 In his youthful obliviousness to suffering, the Happy Prince prefigures the protagonists of Wilde’s later stories “The Birthday of the Little Princess” and “The Young King.” Sans-Souci, meaning “without worries,” or “carefree,” was the name given by Frederick the Great to his summer palace at Potsdam, near Berlin. Towards the end of his life, Wilde remarked from prison that “my only mistake was that I confined myself exclusively to the sun-lit side of the garden, and shunned the other side for its shadow and gloom” (De Profundis). The remark suggests interesting parallels between the prince and Wilde himself, who grew up in an affluent city square (Merrion Square, Dublin) bordering some of the poorest slums in Europe.
4 When Walter Pater said that The Happy Prince and Other Stories “abounds with delicate touches and pure English” (see Introduction, p. 9, above), he instanced this paragraph as one of several “little poems in prose” or “gems” in the collection (quoted CL 351, n.1).
5 The six cataracts are shallow lengths of the Nile River, in Egypt and Sudan, between Khartoum and Aswan, where the surface of the water is or was broken by small boulders and stones. The second cataract is now submerged beneath Lake Nubia in Sudan.
6 Hippopotamus.
7 The statue of Memnon, at Thebes, is said to emit music when struck by the sun’s rays.
8 Wilde’s heroic, talkative, swallow
is indebted to the swallow in Hans Christian Andersen’s “Thumbelina” (see n.15 below) as well as to Théophile Gautier’s poem “What the Swallows Say: An Autumn Song.” In the latter, a migrating swallow plans on wintering in Egypt “At the second cataract … /’mid beauties brown, … The place exact / Is a granite monarch’s crown.’ ” Wilde would later reference Gautier’s poem in The Picture of Dorian Gray, when Dorian takes up Gautier’s poem collection Emaux et Camées and reads of “swallows that … talk gravely to each other” and of “the hot lotus-covered Nile, where there are Sphynxes, and rose-red ibises, and white vultures with gilded claws, and crocodiles, with small beryl eyes, that crawl over the green steaming mud.”
9 Another reference indebted to Gautier’s “What the Swallows Say,” in which a migrating swallow dreams of wintering at the Temple of Balbec.
10 A deliberate echo of Hans Christian Andersen’s “Little Match Girl,” although Wilde’s little match girl differs sharply from Andersen’s. Andersen’s story ends with the poor match girl’s soul ascending heavenward at her death, after first receiving a vision of “stars in heaven.” By contrast Wilde’s little match girl runs home clutching a jewel which she treats as a “pretty piece of glass,” leaving open the possibility that her father will either beat her for not “bring[ing] home some money” or else deprive her of the one thing that makes her misery bearable. Wilde’s reference was timely when the story was first published: the London Match Girl’s Strike of July 1888 saw women and girls who worked at the Bryant & May match factory strike in protest at poor working conditions, including fourteen-hour work days, poor pay, and severe health complications that resulted from working with white phosphorus.
11 Although literally blind, the Prince “sees” more clearly than anybody else in the story except for the Swallow.
