"Does it seem nice to you?" he asked insistently. "Will you feel comfortable there?"
"Why not?" Knecht said calmly. "But I wonder where Tito is. It's been quite some time since he was sent for."
They chatted for a while longer. Then they heard footsteps outside. The door opened, but neither Tito nor the maid dispatched for him entered. It was Tito's mother, Madame Designori. Knecht rose to greet her. She extended her hand, smiling with a somewhat artificial friendliness; he could see beneath this polite smile an expression of anxiety and vexation. She barely managed a few words of welcome and then turned to her husband and impetuously burst out with what was troubling her.
"It's really so awkward," she exclaimed. "Imagine, the boy has vanished and is nowhere to be found."
"Oh well, I imagine he has gone out," Plinio said soothingly. "He'll be along."
"Unfortunately that isn't likely," his wife said. "He's been gone all day. I noticed his absence early this morning."
"And why am I only now being told about it?"
"Because I naturally expected him back any minute and saw no reason to trouble you needlessly. At first I took it for granted that he had simply gone for a walk. When he didn't return by noon I began to worry. You were not lunching with us today or I would have spoken to you. Even then, I tried to persuade myself that it was simply carelessness on his part to make me wait so long. But it seems it wasn't that."
"Permit me a question," Knecht said. "The young man knew I would be arriving soon, didn't he, and about your plans for him and me?"
"Of course, Magister. And he seemed to be agreeable to those plans--or at least he preferred having you as his teacher to being sent back to some school."
"Oh well," Knecht said, "then there is nothing to worry about. Your son is used to a great deal of freedom, Signora, especially of late. It's understandable that the prospect of a tutor and disciplinarian should be rather dreadful to him. And so he's made off at just the moment he was to be turned over to his new teacher--probably less with the hope of actually escaping his fate than with the thought that he'll lose nothing by postponement. Besides, he probably wanted to play a trick on his parents and the schoolmaster they've found for him, and so show his defiance to the whole world of grown-ups and teachers."
Designori was glad that Knecht took the incident so lightly. He himself was full of anxiety; with his intense love for his son, he imagined all sorts of dangers. Perhaps, he thought, the boy had run away in all earnest; perhaps he even intended to do himself some harm. It seemed as if they were going to pay for all their faults of omission and commission in the boy's upbringing, just when they were hoping to remedy things.
Against Knecht's advice, he insisted that something must be done; he could not take this latest crisis passively, and worked himself up to a pitch of impatience and nervous agitation which his friend found deplorable. It was therefore decided to send messages to the homes of a few of Tito's friends, where he sometimes stayed overnight. Knecht was relieved when Madame Designori left to attend to this, and he had Plinio to himself for a while.
"Plinio," he said, "you look as if your son had just been carried dead into the house. He is no longer a small child and is not likely to have been run over or to have eaten deadly nightshade. So get a grip on yourself, my dear fellow. Since the boy isn't here, permit me for a moment to teach you something in his stead. I have been observing you and find that you're not in the best of form. The moment an athlete receives an unexpected blow or pressure, his muscles react of their own accord by making the necessary movements, stretching or contracting automatically and so helping him master the situation. You too, my pupil Plinio, the moment you received the blow--or what you exaggeratedly thought a blow--should have applied the first defensive measure against psychic assaults and resorted to slow, carefully controlled breathing. Instead you breathed like an actor when he seeks to represent extreme emotion. You are not sufficiently armored; you people in the world seem to be singularly exposed to suffering and cares. There is something helpless and touching about your state; though often, when real suffering is involved and there is meaning to such pangs, it is also magnificent. But for everyday life these protective measures are most valuable and should not be ignored. I will make sure that your son will be better armed when he needs such equipment. And now, Plinio, be so kind as to do a few exercises with me, so that I can see whether you have really forgotten it all."
With the breathing exercises, which he guided by strictly rhythmical commands, he was able to distract Plinio from his self-induced agonies until he was willing to listen to rational arguments and dismantle the structure of alarm and anxiety he had so lavishly built. They went up to Tito's room, where Knecht looked benignly around at the confusion of boyish possessions. He picked up a book lying on the night table, saw a slip of paper jutting from it, and found it was a note from the vanished boy. Laughing, he handed the paper to Designori, whose expression immediately brightened. Tito had written that he was leaving at daybreak and going to the mountains alone, where he would wait at Belpunt for his new teacher. He hoped, the message said, that his parents would not mind his having this last little jaunt before his freedom was once more awfully restricted; his spirits sank when he thought of having to make this pleasant little journey accompanied by his teacher, a prisoner under supervision.
"Quite understandable," Knecht commented. "I'll leave for Belpunt tomorrow and will probably find the boy already there. But now you'd better go to your wife and tell her the news."
For the rest of the day the atmosphere in the house was happy and relaxed. That evening, on Plinio's insistence, Knecht summarized the events of the past several days, and in particular described his two conversations with Master Alexander. On that evening he also scribbled some curious lines of verse on a scrap of paper which is today in the possession of Tito Designori. That came about in the following way.
Before dinner his host had left him alone for an hour. Knecht saw a bookcase full of old books which aroused his curiosity. Idle reading was another pleasure which he had unlearned and almost forgotten in years of abstinence. This moment now reminded him intensely of his student years: to stand before a shelf of unknown books, reach out at random, and choose one or another volume whose gilt or author's name, format or the color of the binding, appealed to him. With pleasure he glanced over the titles on the spines and saw that the shelf consisted entirely of nineteenth-and twentieth-century belles-lettres. Finally he picked out a faded clothbound volume whose title, Wisdom of the Brahmans, tempted him. Standing for a while, then seated, he leafed through the book, which contained many hundreds of didactic poems. It was a curious composite of learned loquacity and real wisdom, of philistinism and genuine poetry. This strange and touching book held, it seemed to him, a good deal of important esoteric philosophy, but this was almost lost in the heavyhanded treatment. The best poems were by no means the ones in which the poet tried hard to give form to a theory or a truth, but the ones in which the poet's temperament, his capacity for love, his sincerity, humanitarianism, and deep respectability, found expression. As Knecht delved into the book, with mixed feelings of esteem and amusement, he was struck by a stanza which he absorbed with satisfaction and assent. Reading it, he nodded smilingly, as if it had been specially sent to him for this day in his life. It went:
Our days are precious but we gladly see them going
If in their place we find a thing more precious growing:
A rare, exotic plant, our gardener's heart delighting;
A child whom we are teaching, a booklet we are writing.
He opened the drawer of the desk, found a sheet of paper, and copied out the stanza. Later he showed it to Plinio, and commented: "I liked these lines. There is something special about them; they are so dry and at the same time so deeply felt. And they so well suit me and my momentary situation and mood. Although I am not a gardener and don't intend to devote my days to the cultivation of an exotic plant, I am a teacher, and am on
the way to my task, to the child I mean to teach. How I am looking forward to it! As for the author of these lines, the poet Ruckert, I would suppose he possessed all three of these noble passions: that of gardener, teacher, and writer. I suppose the third ranked highest with him; he shapes the stanza so that it receives the maximum stress, and dotes so on the object of his passion that he becomes positively tender and calls it not a book, but a booklet. How touching that is."
Plinio laughed. "Who knows," he observed, "whether the diminutive is not just a rhymester's trick because he needed a two-syllable instead of a one-syllable word there."
"Let us not underestimate him," Knecht replied. "A man who wrote tens of thousands of lines of verse in his lifetime would not be driven into a corner by shabby metrical necessity. No, just listen to it, how loving it sounds, and at the same time just a little sheepish: a booklet we are writing. Perhaps it isn't only his affection that transforms the book into a booklet. Perhaps he also meant it apologetically. Probably this poet was so devoted to his writing that now and again he felt his own passion for making books as a kind of vice. In that case the word booklet would have not only the sense of an endearment, but also a propitiating, disarming connotation, as when a gambler invites someone to a 'little game' or a drinker asks for 'just a drop.' Well, these are speculations. In any case, I find myself in full agreement and sympathy with the poet about the child he wishes to teach and the booklet he wants to write. Because I am not only familiar with the passion for teaching; I'm also rather inclined to do a little scribbling too. And now that I have liberated myself from officialdom, I am much drawn to the idea of using my leisure and good spirits one of these days to write a book--or rather, a booklet, a little thing for friends and those who share my views."
"What about?" Designori asked with curiosity.
"Oh, anything, the subject would not matter. It would only be a pretext for me to seclude myself and enjoy the happiness of having a great deal of leisure. The tone would be what mattered to me, a proper mean between the solemn and the intimate, earnestness and jest, a tone not of instruction, but of friendly communication and discourse on various things I think I have learned. I don't suppose the way this poet Friedrich Ruckert mixes instruction and thinking, information and casual talk, would be my way, and yet something about it appeals strongly to me; it is personal and yet not arbitrary, playful and yet submits to strict rules of form. I like that. Well, for the present I shall not enter upon the joys and problems of writing little books; I have to keep my mind on other tasks. But some time later, I imagine, I might very well experience the joys of authorship, of the sort I foresee: an easygoing, but careful examination of things not just for my solitary pleasure, but always with a few good friends and readers in mind."
Next morning Knecht set out for Belpunt. Designori had wanted to accompany him, but Knecht had firmly vetoed the idea, and when the father attempted to press it, had almost snapped at him. "The boy will have enough to do coming to terms with this nuisance of a new teacher," he said curtly. "To foist his father on him at the same time would scarcely help things."
As he rode through the brisk September morning in the car Plinio had hired for him, his good humor of yesterday returned. He chatted frequently with the chauffeur, asking him to stop or drive slowly every so often when the landscape looked particularly attractive, and several times he played his little flute. It was a beautiful and exciting ride from the lowlands in which the capital lay toward the foothills and on into the high mountains. The journey also led from fading summer deeper into autumn. About noon the last great climb began, over sweeping serpentines, through thinning evergreen forest, past foaming mountain streams roaring between cliffs, over bridges and by solitary, massive walled farmhouses with tiny windows, into a stony, ever rougher and more austere world of mountains, amid whose bleakness and sobriety the flowering meadows bloomed like tiny paradises with doubled loveliness.
The small cottage they reached at last was tucked away near a mountain lake, among gray cliffs with which it scarcely contrasted. The traveler was at once aware of the austerity, even the gloom, of this kind of building, which so accorded with the ruggedness of the mountains. But then a cheerful smile lighted his face, for in the open door of the house he saw a figure standing, a young man in a colorful jacket and shorts. It could only be his pupil Tito, and although he had not really been seriously concerned about the fugitive, he nevertheless breathed a grateful sigh of relief. If Tito were here and welcoming his teacher on the threshold, all was well; that disposed of a good many possible complications he had been considering during the ride.
The boy came forward to meet him, smiling, friendly, and a little embarrassed. While helping Knecht out of the car, he said: "I didn't mean to be horrid, letting you travel alone." And before Knecht had a chance to reply, he added trustfully: "I think you understood my feeling. Otherwise you would have brought my father with you. I've already let him know that I arrived safely."
Laughing, Knecht shook hands with the boy. He was guided into the house, where the servant welcomed him and promised that supper would soon be ready. Yielding to an unwonted need, he lay down for a little while before the meal, and only then realized that he was curiously tired, in fact exhausted, from the lovely automobile trip. During the evening, moreover, as he chatted with his pupil and looked at Tito's collections of mountain flowers and butterflies, his fatigue increased. He even felt something akin to giddiness, a kind of emptiness in the head that he had never experienced before, and an annoying weakness and irregularity of his heartbeat. But he continued to sit with Tito until their agreed bedtime, and took pains not to show any sign that he was not feeling well. Tito was somewhat surprised that the Magister said not a word about the beginning of school, schedules, report cards, and similar matters. In fact, when he ventured to capitalize on this good mood and proposed a long walk for the morning, to acquaint his teacher with his new surroundings, the proposal was readily accepted.
"I am looking forward to the walk," Knecht added, "and want to ask you a favor right now. While looking at your plant collection I could see that you know far more about mountain plants than I do. One of the purposes of our being together is, among other things, that we exchange knowledge and reach a balance with each other. Let us begin by your checking over my meager understanding of botany and helping me go further in this field."
By the time they bade each other good night, Tito was in excellent spirits and had made some good resolutions. Once again he had found this Magister Knecht very much to his liking. Without using fancy language and going on about scholarship, virtue, the aristocracy of intellect, and so on, as his schoolteachers were prone to do, this serene, friendly man had something in his manner and his speech that imposed an obligation and brought out your good, chivalric, higher aspirations and forces. It could be fun, and sometimes you felt it as a badge of honor, to deceive and outwit the ordinary schoolmaster, but in the presence of this man such notions never even occurred to you. He was--why, what exactly was he like? Tito reflected on this, trying to determine what it was about this stranger that was so likeable and at the same time so impressive. He decided that it was the man's nobility, his innate aristocratic quality. This was what drew him to Knecht, this above all. He was a nobleman, although no one knew his family and his father might have been a shoemaker. He was nobler and more aristocratic than most of the people Tito knew, more aristocratic than Tito's own father. The boy, who highly prized the patrician instincts and traditions of his house and could not forgive his father for having broken with them, was for the first time encountering intellectual aristocracy, cultivated nobility. Knecht was an example of that power which under favorable conditions can sometimes work miracles, overleaping a long succession of ancestors and within a single human life transforming a plebeian child into a member of the highest nobility. In the proud and fiery boy's heart there stirred an inkling that to belong to this kind of nobility, and to serve it, might be a duty and honor for him; that
here perhaps, embodied in this teacher who for all his gentleness and friendliness was a nobleman through and through, the meaning of his own life was drawing near to him, that his own goals were being set.
Knecht, after being shown to his room, did not lie down at once, although he craved rest. The evening had cost him a great effort. He had found it difficult to comport himself so that nothing in his expression, posture, or voice would reveal his peculiar fatigue or depression or illness to the young man, who was undoubtedly observing him closely. Still, he seemed to have succeeded. But now he had to meet and master this vacuity, this nausea, this alarming giddiness, this deathly tiredness which was at the same time restiveness. He could master it only if he recognized its cause. This was not hard to find, although it took him some time. The reason for his indisposition, he decided, was simply the journey which had taken him in so short a time from the lowlands to an altitude of close to seven thousand feet. Except for a few outings in his early youth, he was unaccustomed to such heights and had not reacted well to the rapid ascent. Probably this disability would last another day or two. If it did not disappear by then, he would have to return home with Tito and the housekeeper, in which case Plinio's plan for a stay in lovely Belpunt would come to nothing. That would be a pity, but no great misfortune.
After these reflections, he went to bed, and since sleep refused to come, spent the night partly in reviewing his travels since his departure from Waldzell, partly trying to quiet his heartbeat and his exacerbated nerves. He also thought a good deal about his pupil, with pleasure, but without making any plans. It seemed to him wiser to tame this noble but refractory colt by kindness and slow domestication; nothing must be hasty or forced in this case. He thought that he would gradually bring the boy to an awareness of his gifts and powers, and at the same time nourish in him that noble curiosity, that aristocratic dissatisfaction from which springs love for the sciences, the humanities, and the arts. The task was a rewarding one, and his pupil was not just any talented young man whom he had to awaken and train. As the only son of a wealthy and influential patrician he was also a future leader, one of the social and political shapers of the country and the nation, destined to command and to be imitated. Castalia had failed the Designori family; it had not educated Tito's father thoroughly enough, had not made him strong enough for his difficult position poised between the world and culture. As a result, gifted and charming young Plinio had become an unhappy man with a life out of balance and ill managed. As a further result, his only son was endangered in his turn and had been drawn into his father's difficulties. Here was something to heal and make good; here was a debt to be paid. It seemed meaningful, and gladdened him, that this task should fall to him of all persons, to him the disobedient and seemingly apostate Castalian.
The Glass Bead Game Page 44
