He walked up the path of patent glazed dies, and listened. No sign of life. He passed into the hail. There was no light anywhere. Where was everybody, and why was the front door open? There was no one in the drawing room, the dining room and the study (nine feet by seven) were equally blank. Everyone was out, evidently. But the unpleasant sense that he was, perhaps, not the first casual visitor to walk through that open door impelled him to look through the house before he went away and closed it after him. So he went upstairs, and at the door of the first bedroom he came to he struck a wax match, as he had done in the sitting rooms. Even as he did so he felt that he was not alone. And he was prepared to see something but for what he saw he was not prepared. For what he saw lay on the bed, in a white loose gown-and it was his sweetheart, and its throat was cut from ear to ear. He doesn’t know what happened then, nor how he got downstairs and into the street; but he got out somehow, and the policeman found him in a fit, under the lamp-post at the corner of the street He couldn’t speak when they picked him up, and he passed the night in the police cells, because the policeman had seen plenty of drunken men before, but never one in a fit.
The next morning he was better, though still very white and shaky. But the tale he told the magistrate was convincing, and they sent a couple of constables with him to her house.
There was no crowd about it as he had fancied there would be, and the blinds were not down.
He held on to the door-post for support…
“She’s all right, you see,” said the constable, who had found him under the lamp. “I told you you was drunk, but you would know best-”
When he was alone with her he told her-not all-for that would not bear telling-but how he had come into the commodious semi-detached, and how he had found the door open and the lights out, and that he had been into that long back room facing the stairs, and had seen something-in even trying to hint at which he turned sick and broke down and had to have brandy given him.
“But, my dearest,” she said, “I dare say the house was dark, for we were all at the Crystal Palace with my uncle, and no doubt the door was open, for the maids will run out if they’re left. But you could not have been in that room, because I locked it when I came away, and the key was in my pocket. I dressed in a hurry and I left all my odds and ends lying about.”
“I know,” he said; “I saw a green scarf on a chair, and some long brown gloves, and a lot of hairpins and ribbons, and a prayerbook, and a lace handkerchief on the dressing table. Why, I even noticed the almanack on the mantelpiece-21 October. At least it couldn’t be that, because this is May. And yet it was. Your almanack is at 21 October, isn’t it?”
“No, of course it isn’t,” she said, smiling rather anxiously; “but all the other things were just as you say. You must have had a dream, or a vision, or something.”
He was a very ordinary, commonplace, City young man, and he didn’t believe in visions, but he never rested day or night till he got his sweetheart and her mother away from that commodious semi-detached, and settled them in a quiet distant suburb. In the course of the removal he incidentally married her, and the mother went on living with them.
His nerves must have been a good bit shaken, because he was very queer for a long time, and was always enquiring if anyone had taken the desirable semi-detached; and when an old stockbroker with a family took it, he went the length of calling on the old gentleman and imploring him by all that he held dear, not to live in that fatal house.
“Why?” said the stockbroker, not unnaturally.
And then he got so vague and confused, between trying to tell why and trying not to tell why, that the stockbroker showed him out, and thanked his God he was not such a fool as to allow a lunatic to stand in the way of his taking that really remarkably cheap and desirable semi-detached residence.
Now the curious and quite inexplicable part of this story is that when she came down to breakfast on the morning of the 22 October she found him looking like death, with the morning paper in his hand. He caught hers—he couldn’t speak, and pointed to the paper. And there she read that on the night of the 21st a young lady, the stockbroker’s daughter, had been found, with her throat cut from ear to ear, on the bed in the long back bedroom facing the stairs of that desirable semi-detached.
THE GHOSTLY RENTAL, by Henry James
Originally published in 1876.
I was in my twenty-second year, and I had just left college. I was at liberty to choose my career, and I chose it with much promptness. I afterward renounced it, in truth, with equal ardor, but I have never regretted those two youthful years of perplexed and excited, but also of agreeable and fruitful experiment. I had a taste for theology, and during my college term I had been an admiring reader of Dr. Channing. This was theology of a grateful and succulent savor; it seemed to offer one the rose of faith delightfully stripped of its thorns. And then (for I rather think this had something to do with it), I had taken a fancy to the old Divinity School. I have always had an eye to the back scene in the human drama, and it seemed to me that I might play my part with a fair chance of applause (from myself at least), in that detached and tranquil home of mild casuistry, with its respectable avenue on one side, and its prospect of green fields and contact with acres of woodland on the other. Cambridge, for the lovers of woods and fields, has changed for the worse since those days, and the precinct in question has forfeited much of its mingled pastoral and scholastic quietude. It was then a College-hall in the woods—a charming mixture. What it is now has nothing to do with my story; and I have no doubt that there are still doctrine-haunted young seniors who, as they stroll near it in the summer dusk, promise themselves, later, to taste of its fine leisurely quality. For myself, I was not disappointed. I established myself in a great square, low-browed room, with deep window-benches; I hung prints from Overbeck and Ary Scheffer on the walls; I arranged my books, with great refinement of classification, in the alcoves beside the high chimney-shelf, and I began to read Plotinus and St. Augustine. Among my companions were two or three men of ability and of good fellowship, with whom I occasionally brewed a fireside bowl; and with adventurous reading, deep discourse, potations conscientiously shallow, and long country walks, my initiation into the clerical mystery progressed agreeably enough.
With one of my comrades I formed an especial friendship, and we passed a great deal of time together. Unfortunately he had a chronic weakness of one of his knees, which compelled him to lead a very sedentary life, and as I was a methodical pedestrian, this made some difference in our habits. I used often to stretch away for my daily ramble, with no companion but the stick in my hand or the book in my pocket. But in the use of my legs and the sense of unstinted open air, I have always found company enough. I should, perhaps, add that in the enjoyment of a very sharp pair of eyes, I found something of a social pleasure. My eyes and I were on excellent terms; they were indefatigable observers of all wayside incidents, and so long as they were amused I was contented. It is, indeed, owing to their inquisitive habits that I came into possession of this remarkable story. Much of the country about the old College town is pretty now, but it was prettier thirty years ago. That multitudinous eruption of domiciliary pasteboard which now graces the landscape, in the direction of the low, blue Waltham Hills, had not yet taken place; there were no genteel cottages to put the shabby meadows and scrubby orchards to shame—a juxtaposition by which, in later years, neither element of the contrast has gained. Certain crooked cross-roads, then, as I remember them, were more deeply and naturally rural, and the solitary dwellings on the long grassy slopes beside them, under the tall, customary elm that curved its foliage in mid-air like the outward dropping ears of a girdled wheat-sheaf, sat with their shingled hoods well pulled down on their ears, and no prescience whatever of the fashion of French roofs—weather-wrinkled old peasant women, as you might call them, quietly wearing the native coif, and never dreaming of mounting bonnets,
and indecently exposing their venerable brows. That winter was what is called an “open” one; there was much cold, but little snow; the roads were firm and free, and I was rarely compelled by the weather to forego my exercise. One gray December afternoon I had sought it in the direction of the adjacent town of Medford, and I was retracing my steps at an even pace, and watching the pale, cold tints—the transparent amber and faded rose-color—which curtained, in wintry fashion, the western sky, and reminded me of a sceptical smile on the lips of a beautiful woman. I came, as dusk was falling, to a narrow road which I had never traversed and which I imagined offered me a short cut homeward. I was about three miles away; I was late, and would have been thankful to make them two. I diverged, walked some ten minutes, and then perceived that the road had a very unfrequented air. The wheel-ruts looked old; the stillness seemed peculiarly sensible. And yet down the road stood a house, so that it must in some degree have been a thoroughfare. On one side was a high, natural embankment, on the top of which was perched an apple-orchard, whose tangled boughs made a stretch of coarse black lace-work, hung across the coldly rosy west. In a short time I came to the house, and I immediately found myself interested in it. I stopped in front of it gazing hard, I hardly knew why, but with a vague mixture of curiosity and timidity. It was a house like most of the houses thereabouts, except that it was decidedly a handsome specimen of its class. It stood on a grassy slope, it had its tall, impartially drooping elm beside it, and its old black well-cover at its shoulder. But it was of very large proportions, and it had a striking look of solidity and stoutness of timber. It had lived to a good old age, too, for the wood-work on its door-way and under its eaves, carefully and abundantly carved, referred it to the middle, at the latest, of the last century. All this had once been painted white, but the broad back of time, leaning against the door-posts for a hundred years, had laid bare the grain of the wood. Behind the house stretched an orchard of apple-trees, more gnarled and fantastic than usual, and wearing, in the deepening dusk, a blighted and exhausted aspect. All the windows of the house had rusty shutters,; without slats, and these were closely drawn. There was no sign of life about it; it looked blank, bare and vacant, and yet, as I lingered near it, it seemed to have a familiar meaning—an audible eloquence. I have always thought of the impression made upon me at first sight, by that gray colonial dwelling, as a proof that induction may sometimes be near akin to divination; for after all, there was nothing on the face of the matter to warrant the very serious induction that I made. I fell back and crossed the road. The last red light of the sunset disengaged itself, as it was about to vanish, and rested faintly for a moment on the time-silvered front of the old house. It touched, with perfect regularity, the series of small panes in the fan-shaped window above the door, and twinkled there fantastically. Then it died away, and left the place more intensely somber. At this moment, I said to myself with the accent of profound conviction—“The house is simply haunted!”
Somehow, immediately, I believed it, and so long as I was not shut up inside, the idea gave me pleasure. It was implied in the aspect of the house, and it explained it. Half an hour before, if I had been asked, I would have said, as befitted a young man who was explicitly cultivating cheerful views of the supernatural, that there were no such things as haunted houses. But the dwelling before me gave a vivid meaning to the empty words; it had been spiritually blighted.
The longer I looked at it, the intenser seemed the secret that it held. I walked all round it, I tried to peep here and there, through a crevice in the shutters, and I took a puerile satisfaction in laying my hand on the door-knob and gently turning it. If the door had yielded, would I have gone in?—would I have penetrated the dusky stillness? My audacity, fortunately, was not put to the test. The portal was admirably solid, and I was unable even to shake it. At last I turned away, casting many looks behind me. I pursued my way, and, after a longer walk than I had bargained for, reached the high-road. At a certain distance below the point at which the long lane I have mentioned entered it, stood a comfortable, tidy dwelling, which might have offered itself as the model of the house which is in no sense haunted—which has no sinister secrets, and knows nothing but blooming prosperity. Its clean white paint stated placidly through the dusk, and its vine-covered porch had been dressed in straw for the winter. An old, one-horse chaise, freighted with two departing visitors, was leaving the door, and through the undraped windows, I saw the lamp-lit sitting-room, and the table spread with the early “tea,” which had been improvised for the comfort of the guests. The mistress of the house had come to the gate with her friends; she lingered there after the chaise had wheeled creakingly away, half to watch them down the road, and half to give me, as I passed in the twilight, a questioning look. She was a comely, quick young woman, with a sharp, dark eye, and I ventured to stop and speak to her.
“That house down that side-road,” I said, “about a mile from here—the only one—can you tell me whom it belongs to?”
She stared at me a moment, and, I thought, colored a little. “Our folks never go down that road,” she said, briefly.
“But it’s a short way to Medford,” I answered.
She gave a little toss of her head. “Perhaps it would turn out a long way. At any rate, we don’t use it.”
This was interesting. A thrifty Yankee household must have good reasons for this scorn of time-saving processes. “But you know the house, at least?” I said.
“Well, I have seen it.”
“And to whom does it belong?”
She gave a little laugh and looked away, as if she were aware that, to a stranger, her words might seem to savor of agricultural superstition. “I guess it belongs to them that are in it.”
“But is there any one in it? It is completely closed.”
“That makes no difference. They never come out, and no one ever goes in.” And she turned away.
But I laid my hand on her arm, respectfully. “You mean,” I said, “that the house is haunted?”
She drew herself away, colored, raised her finger to her lips, and hurried into the house, where, in a moment, the curtains were dropped over the windows.
For several days, I thought repeatedly of this little adventure, but I took some satisfaction in keeping it to myself. If the house was not haunted, it was useless to expose my imaginative whims, and if it was, it was agreeable to drain the cup of horror without assistance. I determined, of course, to pass that way again; and a week later—it was the last day of the year—I retraced my steps. I approached the house from the opposite direction, and found myself before it at about the same hour as before. The light was failing, the sky low and gray; the wind wailed along the hard, bare ground, and made slow eddies of the frost-blackened leaves. The melancholy mansion stood there, seeming to gather the winter twilight around it, and mask itself in it, inscrutably. I hardly knew on what errand I had come, but I had a vague feeling that if this time the door-knob were to turn and the door to open, I should take my heart in my hands, and let them close behind me. Who were the mysterious tenants to whom the good woman at the corner had alluded? What had been seen or heard—what was related? The door was as stubborn as before, and my impertinent fumblings with the latch caused no upper window to be thrown open, nor any strange, pale face to be thrust out. I ventured even to raise the rusty knocker and give it half-a-dozen raps, but they made a flat, dead sound, and aroused no echo. Familiarity breeds contempt; I don’t know what I should have done next, if, in the distance, up the road (the same one I had followed), I had not seen a solitary figure advancing. I was unwilling to be observed hanging about this ill-famed dwelling, and I sought refuge among the dense shadows of a grove of pines near by, where I might peep forth, and yet remain invisible. Presently, the new-comer drew near, and I perceived that he was making straight for the house. He was a little, old man, the most striking feature of whose appearance was a voluminous cloak, of a sort of m
ilitary cut. He carried a walking-stick, and advanced in a slow, painful, somewhat hobbling fashion, but with an air of extreme resolution. He turned off from the road, and followed the vague wheel-track, and within a few yards of the house he paused. He looked up at it, fixedly and searchingly, as if he were counting the windows, or noting certain familiar marks. Then he took off his hat, and bent over slowly and solemnly, as if he were performing an obeisance. As he stood uncovered, I had a good look at him. He was, as I have said, a diminutive old man, but it would have been hard to decide whether he belonged to this world or to the other. His head reminded me, vaguely, of the portraits of Andrew Jackson. He had a crop of grizzled hair, as stiff as a brush, a lean, pale, smooth-shaven face, and an eye of intense brilliancy, surmounted with thick brows, which had remained perfectly black. His face, as well as his cloak, seemed to belong to an old soldier; he looked like a retired military man of a modest rank; but he struck me as exceeding the classic privilege of even such a personage to be eccentric and grotesque. When he had finished his salute, he advanced to the door, fumbled in the folds of his cloak, which hung down much further in front than behind, and produced a key. This he slowly and carefully inserted into the lock, and then, apparently, he turned it. But the door did not immediately open; first he bent his head, turned his ear, and stood listening, and then he looked up and down the road. Satisfied or re-assured, he applied his aged shoulder to one of the deep-set panels, and pressed a moment. The door yielded—opening into perfect darkness. He stopped again on the threshold, and again removed his hat and made his bow. Then he went in, and carefully closed the door behind him.
The Sixth Ghost Story Megapack Page 16
