by Walker Percy
Or is it that the sexual belongs to no category at all, is unspeakable? Isn’t sexual pleasure unspeakable? Then why shouldn’t the sexual offense be unspeakable?
No, I didn’t really forget anything. It was rather that seeing you allowed me to think about it. I wonder why. Because we were friends or because you are used to hearing the unspeakable? Or because seeing you reminded me of the pigeonnier?
But let me ask you seriously: Why is it such an unspeakable thing for one creature to obtrude a small portion of its body into the body of another creature? Is it not in fact a trivial matter when one puts it that way? I don’t think women attach too much importance to it.
But suppose I put it another way. Isn’t it unspeakable to me to imagine Margot lying under another man, her head turning to and fro in a way I knew only too well, her lips stretched, a little mew-cry escaping her lips? Isn’t that unspeakable? Yes. But why? When I imagined other things happening to Margot, even the worst things, they were painful but not intolerable: Margot seriously ill, Margot hurt in an accident, Margot stealing money, even Margot dead, murdered. The thought of Margot dead was painful but not intolerable. But Margot under another man …
Hm. Do you think it is only our generation who put so much stock in it, the sexual connection, or as the kids say, got hung up? The ancients didn’t seem to dwell on it too much; even the Bible is rather casual. Your God seemed much more jealous of false idols, golden calves, than his people messing around with each other. Perhaps God’s jealousy is different from ours. I wouldn’t have minded Margot kneeling before a Buddha. Then why should I worry about a small matter like Margot taking a small part of Merlin’s body into her body? As a physician, wouldn’t you say that nothing more is involved than the touch of one membrane against another? Cells touching cells.
Not even your church took it very seriously until recent years. Dante was downright indulgent with sexual sinners. They occupied a rather pleasant anteroom to hell.
And the present generation! Sex doesn’t even seem to rate among the Top Ten experiences. I remember once I visited my son. He got out of bed, where he and his girl friend were lying naked and twined about each other, yawned, threw a sheet over her, then proceeded to tell me what was really on his mind: a guitar. A guitar! A certain kind of guitar. Oh, Christ, if only he could afford that guitar! Maybe I was good for four hundred dollars? As I wrote him a check I remember thinking: Very well, he lusts after, loves that guitar. But once he got it, would he mind somebody else playing it? Perhaps. But he wouldn’t find it unspeakable.
My son got enough of women before he was twenty. Presently he appears to be a mild homosexual. But in either case, hetero or homo, it doesn’t seem to count for a great deal to him.
Is it just our generation which got hung up on it?
You shrug and cock an eye at the cemetery.
Then is it just me?
I remember where I first discovered her adultery. In the room under the pigeonnier. Do you remember that room? You and I used to sit there on weekends or in the summer and drink and read aloud—you mostly—the dirty parts of Ulysses and Tropic of Cancer. That was a discovery for me too: that there were not only bad dirty books and great clean books but also great dirty books (yes! that’s the connection: two discoveries made in the same place). When you and I went there, it was still being used by the pigeons, six inches deep in pigeon shit upstairs, and the cooing-chuckling going very well with Joyce and Miller read aloud. Downstairs was a junk room, an accumulation of the detritus of summer, crumbling hammocks and badminton nets and busted croquet balls, but dry and cool. Do you remember that summer? That was the year they drilled an oil well where the old wing of Belle Isle used to be (it too had burned mysteriously a hundred years earlier), and hit gas. For the first time since the war we had a little money. Do you remember poking around the junk in the pigeonnier and finding what looked like the original Bowie knife? Maybe it was. My ancestor did know Bowie, even had a part in the notorious Vidalia sand-bar duel in which Bowie actually carved a fellow limb from limb. At any rate, my grandfather made a good story of it when I showed him the knife, claimed it was one of the originals made by Bowie’s slave blacksmith (though it wasn’t: the original was made from a rasp and still showed the grooves), and displayed it as part of his spiel to the tourists whom he used to lead around Belle Isle at a dollar a head. He’d tell them Bowie stories and Eleanor Roosevelt stories.
Later Margot, discovering that the pigeonnier was an architectural gem, had it converted into a study for me. To her delight, after scraping off 150 years of pigeon shit they found the original cypress floor of two-by-twelves marvelously preserved, two-foot-thick walls of slave brick—even pigeons lived better than we do now. She found me a plantation desk and chair made by slave artisans and there I sat, feeling like Jeff Davis at Beauvoir. ready to write my memoirs. Except I had no memoirs. There was nothing to remember.
At any rate, it was there at 5:01 in the afternoon that I discovered purely by chance that my wife had been, and probably was still, unfaithful to me.
It is a mystery which I ponder endlessly: that my life is divided into two parts. Before and After, before and after the moment I discovered that my wife had been rendered ecstatic, beside herself, by a man on top of her.
My discovery occurred purely by accident. At exactly 5:01 p.m. the Ethyl whistle had just stopped blowing.
I happened to look down at my desk and saw something. Only on second sight—and I don’t even know why I looked at it again—did it begin to take on a terrific significance.
My reaction was not what you might suppose. I can only compare it, my reaction, to that of a scientist, an astronomer say, who routinely examines photographic plates of sectors of the heavens and sees the usual random scattering of dots of light. He is about to file away one such plate, has already done so, when a tiny little something clicks in his head. Hold on. Hm. Whoa. What’s this? Something is wrong. Let’s have a look. So he takes another look. Yes, sure enough, one dot, not even a bright dot, one of the lesser dots, is a bit out of place. You’ve seen the photos in the newspapers, random star dots and four arrows pointing to a single dot. To make sure, the astronomer compares this plate with the last he took of the same tiny sector of the heavens. Sure enough, the dot is out of place. It has moved. What of it, thinks the layman, one insignificant dot out of a billion dots slightly out of place? The astronomer knows better: the dot is one millisecond out of place, click click goes the computer, and from the most insignificant observation the astronomer calculates with absolute certainty and finality that a comet is on a collision course with the earth and will arrive in two and a half months. In eight weeks the dot will have grown to the size of the sun, the oceans risen forty feet. New York will be under water, skyscrapers toppling, U.N. meeting on Mount Washington, etc.
How can such dire and absolutely verifiable events follow upon the most insignificant of evidence?
In my case, the evidence was not the minute shift of a dot on a photographic plate but a letter on my desk. No, not a love letter; no, I mean a letter in the alphabet. The letter O. I’ll explain, if you’re interested. Christ, you don’t seem to be. Are you watching that girl I hear singing? I hear her every day. You know her, don’t you?
I’ve seen you speak to her on the levee. She’s lovely, isn’t she? Clean jeans, clean combed hair halfway down her back. She crosses the levee every day. I think she lives in one of the shacks on the batture. Probably a transient from the North, like one of the hundreds of goldfinches who blow in every October.
One becomes good at observing people after a year, like an old lady who has nothing better to do than peep through the blinds. I observed that you know her well. Are you in love with her?
Ah, that does surprise you, doesn’t it? Listen to the girl. She’s singing.
Freedom’s just another word, Lord, for nothing
left to lose
Freedom was all she left for me
Do you believe that? Maybe t
he girl and I come closer to believing it than you, even though you surrendered your freedom voluntarily and I didn’t. Maybe the girl knows more than either of us.
But we were speaking not of astronomical categories but rather of the sexual. A horse of another color, you might say. Well, yes and no. There are certain similarities. Compare the two discoveries. The astronomer sees a dot in the wrong place, makes a calculation, and infers the indisputable: comet on collision course, tidal waves, oceans rising, forests ablaze. The cuckold sees a single letter of the alphabet in the wrong place. From such insignificant evidence he can infer with at least as much certitude as the astronomer an equally incommensurate scene: his wife’s thighs spread, a cry, not recognizably hers, escaping her lips. The equivalent of the end of the world following upon the out-of-place dot is her ecstasy inferred from the O.
Beyond any doubt she was both beside herself and possessed by something, someone? Such considerations have led me to the conclusion that, contrary to the usual opinion, sex is not a category at all. It is not merely an item on a list of human needs like food, shelter, air, but is rather a unique ecstasy, ek-stasis, which is a kind of possession. Just as possession by Satan is not a category. You smile. You disagree? Are you then one of the new breed who believe that Satan is only a category, the category of evil?
Yet how can such portentous consequences be inferred from such trivial evidence? I will tell you if you wish to know, but first I want to report my own reaction to my discovery, which was, to say the least, the strangest of all. You would think, wouldn’t you, that the new cuckold would respond with the appropriate emotion—shock, shame, humiliation, sorrow, anger, hate, vengefulness, etc. Would you believe me when I tell you that I felt none of these emotions? Can you guess what I did feel? Hm. What’s this? What have we here? Hm. What I felt was a prickling at the base of the spine, a turning of the worm of interest.
Yes, interest! The worm of interest. Are you surprised? No? Yes? One conclusion I have reached here after a year in my cell is that the only emotion people feel nowadays is interest or the lack of it. Curiosity and interest and boredom have replaced the so-called emotions we used to read about in novels or see registered on actors’ faces. Even the horrors of the age translate into interest. Did you ever watch anybody pick up a newspaper and read the headline PLANE CRASH KILLS THREE HUNDRED? How horrible! says the reader. But look at him when he hands you the paper. Is he horrified? No. he is interested. When was the last time you saw anybody horrified?
Yet not even my sad case seems to interest you. Are you listening? What do you see down in the cemetery? The women getting ready for All Souls’ Day? whitewashing the tombs, trimming the tiny lawns, putting out chrysanthemums real and plastic, scrubbing the marble lintels. Catercornered from the cemetery if you look close is what used to be the Negro entrance to the old Majestic Theater, now Adult Cinema 16. Remember going there when we came to New Orleans? We used to see movies like The 49ers with—who? Vera Hruba Ralston (the hubba hubba girl) and Charles Starrett, or was it Veronica Lake and Preston Foster? Or Robert Preston and Virginia Mayo? Now they’re showing something called The 69ers. From here all you can make out of the poster is a kind of vague yin-yang, showing, I guess, a couple, as if Charles and Vera Hruba had got caught in the vortex of time and gone whirling yin-yanged down the years.
Across the street you can make out the blackboard of La Branche’s Bar. What’s the specialty today? Gumbo? Oyster po’ boys, shrimp soup? And Dixie draught.
New Orleans! Not a bad place to spend a year in prison—except in summer. Imagine being locked up in Birmingham or Memphis. What is it I can smell, even from here, as if the city had a soul and the soul exhaled an effluvium all its own? I can’t quite name it. A certain vital decay? A lively fetor? Whenever I think of New Orleans away from New Orleans. I think of rotting fish on the sidewalk and good times inside. A Catholic city in a sense, but that’s not it. Providence, Rhode Island, is a Catholic city, but my God who would want to live in Providence, Rhode Island? It’s not it, your religion, that informs this city, but rather some special local accommodation to it or relaxation from it. This city’s soul I think of as neither damned nor saved but eased rather, existing in a kind of comfortable Catholic limbo somewhere between the outer circle of hell, where sexual sinners don’t have it all that bad, and the inner circle of purgatory, where things are even better. Add to that a flavor of Marseilles vice leavened by Southern U.S.A. good nature. Death and sex treated unseriously and money seriously. The Whitney Bank is as solemn as the cemetery is lively. Protestants started Mardi Gras, you know. Presbyterians take siestas or play gin at the Boston Club. Jews ride on carnival floats celebrating the onset of Christ’s forty-day fast.
I like your banal little cathedral in the Vieux Carré. It is set down squarely in the midst of the greatest single concentration of drunks, drugheads, whores, pimps, queers, sodomists in the hemisphere. But isn’t that where cathedrals are supposed to be? It, like the city, has something else even more comforting to me, a kind of triumphant mediocrity. The most important event which occurred here in all of history was the John L. Sullivan–Jim Corbett fight. Three hundred years of history and it has never produced a single significant historical event, one single genius, or even a first-class talent—except a chess player, the world’s greatest. But genius makes people nervous, including the genius, so he quit playing chess and began worrying about money like everyone else. It is altogether in keeping that the famous Battle of New Orleans was fought after the war was over and was without significance.
After the terrible events at Belle Isle, a year of non-events in a place like this is a relief. There is a sense here of people seriously occupied with small tasks. We, you and I, our families, were different from the Creoles. We lived from one great event to another, tragic events, triumphant events, with years of melancholy in between. We lost Vicksburg, got slaughtered at Shiloh, fought duels, defied Huey Long, and were bored to death between times. The Creoles have the secret of living ordinary lives well. A hundred years from now I don’t doubt that women like those out there will be scrubbing the tombs on All Souls’ Day, a La Branche will be polishing his bar, and a dirty movie will be playing across the street.
But in order for you to understand what happened at Belle Isle and why I am here, you must understand exactly how it was that day a year ago. I was sitting in my pigeonnier as snug as could be, the day very much like today, the same Northern tang in the air, but utterly still, sun shining, sky as blue as Nebraska cornflowers, not a cloud in the sky. I was reading a book. Yet even before I glanced down at my desk and discovered my wife’s infidelity, there was something odd about the day. You will understand this because we, you and I, used to have a taste for the odd and the whimsical.
For now that I’ve thought about it, things were a little odd even before my interesting discovery. There I sat in my pigeonnier, happy as could be, master of Belle Isle, the loveliest house on the River Road, gentleman and even bit of a scholar (Civil war, of course), married to a beautiful rich loving (I thought) wife, and father (I thought) to a lovely little girl; a moderate reader, moderate liberal, moderate drinker (I thought), moderate music lover, moderate hunter and fisherman, and past president of the United Way. I moderately opposed segregation. I was moderately happy. At least at the moment I was happy. But not for the reasons given above. The reason I was happy was that I was reading for perhaps the fourth or fifth time a Raymond Chandler novel. It gave me pleasure, (no, I’ll put it more strongly: it didn’t just give me pleasure, it was the only way I could stand my life) to sit there in old goldgreen Louisiana under the levee and read, not about General Beauregard, but about Philip Marlowe taking a bottle out of his desk drawer in his crummy office in seedy Los Angeles in 1933 and drinking alone and all those from-nowhere people living in stucco bungalows perched in Laurel Canyon. The only way I could stand my life in Louisiana, where I had everything, was to read about crummy lonesome Los Angeles in the 1930’s. Maybe that shoul
d have told me something. If I was happy, it was an odd sort of happiness.
But it was odder even than that. Things were split. I was physically in Louisiana but spiritually in Los Angeles. The day was split too. One window let onto this kind of October day, blue sky, sun shining, children already building Christmas bonfires on the levee from willows their fathers had cut on the batture. The other window let onto a thunderstorm. My wife’s friend’s film company had set up a thunderstorm machine in the tourist parking lot where ordinarily cars from Michigan, Indiana, Ohio would be parked while rumpled amiable bemused Midwesterners paid their five dollars and went gawking through the great rooms as foreign to them as Castel Gandolfo (never, surely, in history were there ever a stranger pair than those victors and us vanquished). A propeller on a tower blew rain on the south wing of Belle Isle, whitening the live oaks, and the thunder machine thundered, a huge stretch of sheet metal with a motor and a padded eccentric cam. They were trying it out. A scene in the movie required a hurricane. The propeller roared like a B-29, wind and rain lashed Belle Isle, the live oaks turned inside out, Spanish moss tore loose, the sheet metal thundered. But on the other side of the pigeonnier the sun shone serenely.
Margot had told me about it but I didn’t pay much attention. The movie was about some people who seek shelter in the great house during a hurricane, a young Cajun trapper, a black sharecropper, a white sharecropper, A Christlike hippy, a Klan type, a beautiful half-caste but also half-wit swamp girl, a degenerate river rat, the son and daughter of the house, even though there are no sharecroppers or Cajuns or even a swamp hereabouts and river rats disappeared with the fish in the Mississippi years ago. And I don’t even know what a “half-caste swamp girl” is. I am still unclear about the plot. The Negro sharecropper and the redneck’s father, who seem at first to hate each other, form an unlikely alliance to protect the women of the house against rapists of both races. With the help of the Christlike hippy, white and black discover their common humanity. There was something too about the master of the house trying to steal the sharecropper’s land, which has oil under it. My only contribution to the story discussions was to point out that the land could not belong to the sharecropper if he was a sharecropper.
