by John Cheever
He laughed. “You, of all people,” he said scornfully. “You’d better take hold of yourself.”
“But Mother is afraid of airplanes,” I said. “And Brother hates elevators.”
“Your mother is past seventy,” he said, “and one of the most remarkable women I’ve ever known. I wouldn’t bring her into this. What you need is a little more backbone.”
This was all he had to say, and I asked him to recommend an analyst. He does not include psychoanalysis in medical science, and told me I would be wasting my time and money, but, yielding to his obligation to be helpful, he gave me the name and address of a psychiatrist, who told me that my fear of bridges was the surface manifestation of a deep-seated anxiety and that I would have to have a full analysis. I didn’t have the time, or the money, or, above all, the confidence in the doctor’s methods to put myself in his hands, and I said I would try and muddle through.
There are obviously areas of true and false pain, and my pain was meretricious, but how could I convince my lights and vitals of this? My youth and childhood had their deeply troubled and their jubilant years, and could some repercussions from this past account for my fear of heights? The thought of a life determined by hidden obstacles was unacceptable, and I decided to take the advice of the family doctor and ask more of myself. I had to go to Idlewild later in the week, and, rather than take a bus or a taxi, I drove the car myself. I nearly lost consciousness on the Triborough Bridge. When I got to the airport I ordered a cup of coffee, but my hand was shaking so I spilled the coffee on the counter. The man beside me was amused and said that I must have put in quite a night. How could I tell him that I had gone to bed early and sober but that I was afraid of bridges?
I flew to Los Angeles late that afternoon. It was one o’clock by my watch when we landed. It was only ten o’clock in California. I was tired and took a taxi to the hotel where I always stay, but I couldn’t sleep. Outside my hotel window was a monumental statue of a young woman, advertising a Las Vegas night club. She revolves slowly in a beam of light. At 2 A.M. the light is extinguished, but she goes on restlessly turning all through the night. I have never seen her cease her turning, and I wondered, that night, when they greased her axle and washed her shoulders. I felt some affection for her, since neither of us could rest, and I wondered if she had a familya stage mother, perhaps, and a compromised and broken-spirited father who drove a municipal bus on the West Pico line? There was a restaurant across the street, and I watched a drunken woman in a sable cape being led out to a car. She twice nearly fell. The crosslights from the open door, the lateness, her drunkenness, and the solicitude of the man with her made the scene, I thought, worried and lonely. Then two cars that seemed to be racing down Sunset Boulevard pulled up at a traffic light under my window. Three men piled out of each car and began to slug one another. You could hear the blows land on bone and cartilage. When the light changed, they got back into their cars and raced off. The fight, like the hoop of light I had seen from the plane, seemed like the sign of a new world, but in this case an emergence of brutality and chaos. Then I remembered that I was to go to San Francisco on Thursday, and was expected in Berkeley for lunch. This meant crossing the San Francisco-Oakland Bay Bridge, and I reminded myself to take a cab both ways and leave the car I rented in San Francisco in the hotel garage. I tried again to reason out my fear that the bridge would fall. Was I the victim of some sexual dislocation? My life has been promiscuous, carefree, and a source of immense pleasure, but was there some secret here that would have to be mined by a professional? Were all my pleasures impostures and evasions, and was I really in love with my old mother in her skating costume?
Looking at Sunset Boulevard at three in the morning, I felt that my terror of bridges was an expression of my clumsily concealed horror of what is becoming of the world. I can drive with composure through the outskirts of Cleveland and Toledopast the birthplace of the Polish Hot Dog, the Buffalo Burger stands, the used-car lots, and the architectural monotony. I claim to enjoy walking down Hollywood Boulevard on a Sunday afternoon. I have cheerfully praised the evening sky hanging beyond the disheveled and expatriated palm trees on Doheny Boulevard, stuck up against the incandescence, like rank upon rank of wet mops. Duluth and East Seneca are charming, and if they aren’t, just look away. The hideousness of the road between San Francisco and Palo Alto is nothing more than the search of honest men and women for a decent place to live. The same thing goes for San Pedro and all that coast. But the height of bridges seemed to be one link I could not forge or fasten in this hypocritical chain of acceptances. The truth is, I hate freeways and Buffalo Burgers. Expatriated palm trees and monotonous housing developments depress me. The continuous music on special-fare trains exacerbates my feelings. I detest the destruction of familiar landmarks, I am deeply troubled by the misery and drunkenness I find among my friends, I abhor the dishonest practices I see. And it was at the highest point in the arc of a bridge that I became aware suddenly of the depth and bitterness of my feelings about modern life, and of the profoundness of my yearning for a more vivid, simple, and peaceable world.
But I couldn’t reform Sunset Boulevard, and until I could, I couldn’t drive across the San Francisco-Oakland Bay Bridge. What could I do? Go back to St. Botolphs, wear a Norfolk jacket, and play cribbage in the firehouse? There was only one bridge in the village, and you could throw a stone across the river there.
I got home from San Francisco on Saturday, and found my daughter back from school for the weekend. On Sunday morning, she asked me to drive her to the convent school in Jersey where she is a student. She had to be back in time for nine-o’clock Mass, and we left our apartment in the city a little after seven. We were talking and laughing, and I had approached and was in fact on the George Washington Bridge without having remembered my weakness. There were no preliminaries this time. The seizure came with a rush. The strength went out of my legs, I gasped for breath, and felt the terrifying loss of sight. I was, at the same time, determined to conceal these symptoms from my daughter. I made the other side of the bridge, but I was violently shaken. My daughter didn’t seem to have noticed. I got her to school in time, kissed her goodbye, and started home. There was no question of my crossing the George Washington Bridge again, and I decided to drive north to Nyack and cross on the Tappan Zee Bridge. It seemed, in my memory, more gradual and more securely anchored to its shores. Driving up the parkway on the west shore, I decided that oxygen was what I needed, and I opened all the windows of the car. The fresh air seemed to help, but only momentarily. I could feel my sense of reality ebbing. The roadside and the car itself seemed to have less substance than a dream. I had some friends in the neighborhood, and I thought of stopping and asking them for a drink, but it was only a little after nine in the morning, and I could not face the embarrassment of asking for a drink so early in the day, and of explaining that I was afraid of bridges. I thought I might feel better if I talked to someone, and I stopped at a gas station and bought some gas, but the attendant was laconic and sleepy, and I couldn’t explain to him that his conversation might make the difference between life and death. I had got onto the Thruway by then, and I wondered what alternatives I had if I couldn’t cross the bridge. I could call my wife and ask her to make some arrangements for removing me, but our relationship involves so much self-esteem and face that to admit openly to this foolishness might damage our married happiness. I could call the garage we use and ask them to send up a man to chauffeur me home. I could park the car and wait until one o’clock, when the bars opened, and fill up on whiskey, but I had spent the last of my money for gasoline. I decided to take a chance, and turned onto the approach to the bridge.
All the symptoms returned, and this time they were much worse than ever. The wind was knocked out of my lungs as by a blow. My equilibrium was so shaken that the car swerved from one lane into another. I drove to the side and pulled on the hand brake. The loneliness of my predicament was harrowing. If I had been miserable with roman
tic love, racked with sickness, or beastly drunk, it would have seemed more dignified. I remembered my brother’s face, sallow and greasy with sweat in the elevator, and my mother in her red skirt, one leg held gracefully aloft as she coasted backward in the arms of a rink attendant, and it seemed to me that we were all three characters in some bitter and sordid tragedy, carrying impossible burdens and separated from the rest of mankind by our misfortunes. My life was over, and it would never come back, everything that I lovedblue-sky courage, lustiness, the natural grasp of things. It would never come back. I would end up in the psychiatric ward of the county hospital, screaming that the bridges, all the bridges in the world, were falling down.
Then a young girl opened the door of the car and got in. “I didn’t think anyone would pick me up on the bridge,” she said. She carried a cardboard suitcase andbelieve mea small harp in a cracked waterproof. Her straight light-brown hair was brushed and brushed and grained with blondness and spread in a kind of cape over her shoulders. Her face seemed full and merry.
“Are you hitchhiking?” I asked.
“But isn’t it dangerous for a girl your age?”
“Not at all.”
“Do you travel much?”
“All the time. I sing a little. I play the coffee-houses.”
“What do you sing?”
“Oh, folk music, mostly. And some old thingsPurcell and Dowland. But mostly folk music.. ‘I gave my love a cherry that had no stone,’” she sang in a true and pretty voice. “‘I gave my love a chicken that had no bone I told my love a story that had no end I gave my love a baby with no cryin’.’”
She sang me across a bridge that seemed to be an astonishingly sensible, durable, and even beautiful construction designed by intelligent men to simplify my travels, and the water of the Hudson below us was charming and tranquil. It all came backblue-sky courage, the high spirits of lustiness, an ecstatic sereneness. Her song ended as we got to the toll station on the east bank, and she thanked me, said goodbye, and got out of the car. I offered to take her wherever she wanted to go, but she shook her head and walked away, and I drove on toward the city through a world that, having been restored to me, seemed marvelous and fair. When I got home, I thought of calling my brother and telling him what had happened, on the chance that there was also an angel of the elevator banks, but the harpthat single detailthreatened to make me seem ridiculous or mad, and I didn’t call.
I wish I could say that I am convinced that there will always be some merciful intercession to help me with my worries, but I don’t believe in rushing my luck, so I will stay off the George Washington Bridge, although I can cross the Triborough and the Tappan Zee with ease. My brother is still afraid of elevators, and my mother, although she’s grown quite stiff, still goes around and around and around on the ice.
THE BRIGADIER AND THE GOLF WIDOW
I would not want to be one of those writers who begin each morning by exclaiming, “O Gogol, O Chekhov, O Thackeray and Dickens, what would you have made of a bomb shelter ornamented with four plaster-of-Paris ducks, a birdbath, and three composition gnomes with long beards and red mobcaps?” As I say, I wouldn’t want to begin a day like this, but I often wonder what the dead would have done. But the shelter is as much a part of my landscape as the beech and horse-chestnut trees that grow on the ridge. I can see it from this window where I write. It was built by the Pasterns, and stands on the acre of ground that adjoins our property. It bulks under a veil of thin, new grass, like some embarrassing fact of physicalness, and I think Mrs. Pastern set out the statuary to soften its meaning. It would have been like her. She was a pale woman. Sitting on her terrace, sitting in her parlor, sitting anywhere, she ground an ax of self-esteem. Offer her a cup of tea and she would say, “Why, these cups look just like a set I gave to the Salvation Army last year.” Show her the new swimming pool and she would say, slapping her ankle, “I suppose this must be where you breed your gigantic mosquitoes.” Hand her a chair and she would say, “Why, it’s a nice imitation of those Queen Anne chairs I inherited from Grandmother Delancy.” These trumps were more touching than they were anything else, and seemed to imply that the nights were long, her children ungrateful, and her marriage bewilderingly threadbare. Twenty years ago, she would have been known as a golf widow, and the sum of her manner was perhaps one of bereavement. She usually wore weeds, and a stranger watching her board a train might have guessed that Mr. Pastern was dead, but Mr. Pastern was far from dead. He was marching up and down the locker room of the Grassy Brae Golf Club shouting, “Bomb Cuba! Bomb Berlin! Let’s throw a little nuclear hardware at them and show them who’s boss.” He was brigadier of the club’s locker-room light infantry, and at one time or another declared war on Russia, Czechoslovakia, Yugoslavia, and China.
It all began on an autumn afternoonand who, after all these centuries, can describe the fineness of an autumn day? One might pretend never to have seen one before, or, to more purpose, that there would never be another like it. The clear and searching sweep of sun on the lawns was like a climax of the year’s lights. Leaves were burning somewhere and the smoke smelled, for all its ammoniac acidity, of beginnings. The boundless blue air was stretched over the zenith like the skin of a drum. Leaving her house one late afternoon, Mrs. Pastern stopped to admire the October light. It was the day to canvass for infectious hepatitis. Mrs. Pastern had been given sixteen names, a bundle of literature, and a printed book of receipts. It was her work to go among her neighbors and collect their checks. Her house stood on a rise of ground, and before she got into her car she looked at the houses below. Charity as she knew it was complex and reciprocal, and almost every roof she saw signified charity. Mrs. Balcoim worked for the brain. Mrs. Ten Fyke did mental health. Mrs. Trenchard worked for the blind. Mrs. Horowitz was in charge of diseases of the nose and throat. Mrs. Trempler was tuberculosis, Mrs. Surcliffe was Mothers’ March of Dimes, Mrs. Craven was cancer, and Mrs. Gilkson did the kidney. Mrs. Hewlitt led the birth-control league, Mrs. Ryerson was arthritis, and way in the distance could be seen the slate roof of Ethel Littleton’s house, a roof that signified gout.
Mrs. Pastern undertook the work of going from house to house with the thoughtless resignation of an honest and traditional laborer. It was her destiny; it was her life. Her mother had done it before her, and even her old grandmother had collected money for smallpox and unwed mothers. Mrs. Pastern had telephoned most of her neighbors in advance, and most of them were ready for her. She experienced none of the suspense of some poor stranger selling encyclopedias. Here and there she stayed to visit and drink a glass of sherry. The contributions were ahead of what she had got the previous year, and while the money, of course, was not hers, it excited her to stuff her kit with big checks. She stopped at the Surcliffes’ after dusk, and had a Scotch and soda. She stayed too late, and when she left it was dark and time to go home and cook supper for her husband. “I got a hundred and sixty dollars for the hepatitis fund,” she said excitedly when he walked in. “I did everybody on my list but the Blevins and the Flannagans. I want to get my kit in tomorrow morningwould you mind doing them while I cook the dinner?”
“But I don’t know the Flannagans,” Charlie Pastern said.
“Nobody does, but they gave me ten last year.”
He was tired, he had his business worries, and the sight of his wife arranging pork chops in the broiler only seemed like an extension of a boring day. He was happy enough to take the convertible and race up the hill to the Blevins’, thinking that they might give him a drink. But the Blevins were away; their maid gave him an envelope with a check in it and shut the door. Turning in at the Flannagans’ driveway, he tried to remember if he had ever met them. The name encouraged him, because he always felt that he could handle the Irish. There was a glass pane in the front door, and through this he could see into a hallway where a plump woman with red hair was arranging flowers.
“Infectious hepatitis,” he shouted heartily.
She took a
good look at herself in the mirror before she turned and, walking with very small steps, started toward the door. “Oh, please come in,” she said. The girlish voice was nearly a whisper. She was not a girl, he could see. Her hair was dyed, and her bloom was fading, and she must have been crowding forty, but she seemed to be one of those women who cling to the manners and graces of a pretty child of eight. “Your wife just called,” she said, separating one word from another, exactly like a child. “And I am not sure that I have any cashany money, that isbut if you will wait just a minute I will write you out a check if I can find my checkbook. Won’t you step into the living room, where it’s cozier?”
A fire had just been lighted, he saw, and things had been set out for drinks, and, like any stray, his response to these comforts was instantaneous. Where was Mr. Flannagan? he wondered. Traveling home on a late train? Changing his clothes upstairs? Taking a shower? At the end of the room there was a desk heaped with papers, and she began to riffle these, making sighs and noises of girlish exasperation. “I am terribly sorry to keep you waiting,” she said, “but won’t you make yourself a little drink while you wait? Everything’s on the table.”
“What train does Mr. Flannagan come out on?”
