Aguila rang a clay bell that hung near the doorway of the structure. There was no door, just a blanket that was draped over a wood slat hammered across the top of the passage. A voice inside called, "Abierto," and they went inside.
Munoz was a small man, deeply tanned and with gray hair tied in a knot behind his head. He wore no shirt, which exposed the sheriff's star tattooed on the right side of his chest, the ghost on the left. He looked at Aguila and then at Bosch, staring curiously at him. Aguila introduced Bosch and told Munoz why they had come. He spoke slowly enough so that Bosch could understand. Aguila told the old man that he needed to take a look at some photographs. This confused Munoz—until Bosch slipped the morgue shots out of the file and he saw that the photographs were of a dead man.
"Is it Fernal Gutierrez-Llosa?" Aguila inquired after the man had studied the photographs long enough.
"It is him."
Munoz now looked away. Bosch looked around for the first time. The one-room shack was very much like a large prison cell. Just the necessities. A bed. A box of clothes. A towel hung over the back of an old chair. A candle and a mug with a toothbrush in it on top of a cardboard box next to the bed. It had a squalid smell and he felt embarrassed that he had intruded.
"Where was his place?" he asked Aguila in English. Aguila looked at Munoz and said, "I am sorry for the loss of your friend, Mr. Munoz. It will be my duty to inform his wife. Do you know if she is here?"
Munoz nodded and said the woman was at her dwelling.
"Would you like to come with us to help?"
Munoz nodded again, picked a white shirt up off the bed and put it on. Then he went to the door, parted the curtain over the opening and held it for them.
Bosch first went to the trunk of the Caprice and got the print kit from his briefcase. Then they walked farther down the dusty street until they came to a plywood shack with a canvas canopy in front of it. Aguila touched Bosch on the elbow.
"Señor Munoz and I will deal with the woman. We will bring her out here. You go in and collect the fingerprints you need and do whatever else you need to do."
Munoz called out the name Marita and a few moments later a small woman peeked through the white plastic shower curtain hung across the doorway. When she saw Munoz and Aguila she came out. Bosch could tell by her face that she already knew the news that the men were there to deliver. Women were always that way. Harry thought of the first night he had seen Sylvia Moore. She knew. They all knew. Bosch handed the file to Aguila, in case the woman demanded to see the photos, and ducked into the room the woman and the Juan Doe had shared.
It was a room with spare furnishings. No surprise there. A queen-sized mattress lay on top of a wooden pallet. There was a single chair on one side of it and on the other a bureau had been made out of a wood and cardboard shipping crate. A few articles of clothing hung inside the box. The back wall of the room was a large piece of uncut aluminum with the Tecate beer trademark printed on it. Wood-slat shelves went across this, holding coffee cans, a cigar box and other small items.
Bosch could hear the woman crying quietly outside the shack and Munoz trying to console her. He looked around the room quickly, trying to decide which was a likely spot to lift prints. He was unsure if he even needed to do this. The woman's tears seemed to confirm the identity.
He walked to the shelves and used a fingernail to flip open the cigar box. It contained a dirty comb, a few pesos and a set of dominoes.
"Carlos?" he called out.
Aguila stuck his head in past the shower curtain.
"Ask if she has handled this box lately. It looks like it was her husband's stuff. If it's his, I'll try some lifts on it."
He heard the questioning in Spanish outside and the woman said she did not touch the box ever because it was her husband's. Using his nails Harry put the box on top of the makeshift bureau. He opened the print kit and took out a small spray bottle, a vial of black powder, a sable-hair brush, a wide roll of clear tape and a stack of 3 x 5 cards. He laid all of these out on the bed and set to work.
He picked up the spray bottle and pumped four sprays of ninhydrin mist over the box. After the mist settled, he took out a cigarette, lit it and then moved the still-burning match along the edge of the box about two inches from the surface. The heat brought up the ridges of several fingerprints in the ninhydrin. Bosch bent over the table and studied them, looking for complete examples. There were two. He uncapped the vial of black powder and lightly brushed some onto the prints, clearly defining the ridges and bifurcations. He then unrolled a short length of tape, held it down on one of the prints and lifted it. He pressed the tape against a white 3 x 5 card. He did it again with the other print. He had two good prints to take back with him.
Aguila came into the room then.
"Did you get a print?"
"A couple. Hopefully they are his and not hers. Doesn't seem to matter much. Sounded like she made an ID, too. She look at the pictures?"
Aguila nodded and said, "She insisted. Did you search the room?"
"For what?"
"I do not know."
"I looked around. Not much here."
"Did you take fingerprints from the coffee cans?"
Bosch looked at the shelves. There were three old Maxwell House cans. He said, "Nah, I figured her prints are on them. I don't want to have to print her to clear her for comparisons. It's not worth putting her through that."
Aguila nodded but then looked puzzled.
"Why would a poor man and his wife have three cans of coffee?"
It was a good point. Bosch went to the shelves and took down one can. It rattled and when he opened it he found a handful of pesos inside the can. The next one he pulled down was about a third full of coffee. The last one was the lightest. Inside he found papers, a baptismal certificate for Gutierrez-Llosa and a marriage license. The couple had been married thirty-two years. It depressed him to think about it. There was also a Polaroid photo of Gutierrez-Llosa and Bosch could see it was Juan Doe #67. Identity confirmed. And there was a Polaroid of his wife. And lastly, there was a stack of check stubs held together in a rubber band. Bosch looked through these, finding them all for small amounts of money from several businesses—the financial records of a day laborer. The businesses that didn't pay their day laborers in cash paid with checks. The last two in the stack were receipts for sixteen dollars each for checks issued by EnviroBreed Inc. Bosch put the check stubs into his pocket and told Aguila he was ready to go.
While Aguila expressed condolences again to the new widow, Bosch went to the trunk of the car to put away the fingerprint kit and the cards with the lifts he had taken. He looked over the trunk lid and saw Aguila still standing with Munoz and the woman. Harry quickly lifted up the rug on the right side of the trunk, pulled up the spare tire and grabbed his Smith. He put the gun in his holster and slid it around on his waist so that the gun would be on his back. It was under his jacket but an eye looking for such things could see it. However, Bosch was no longer worried about Aguila. He got in the car and waited. Aguila got in a few moments later.
Bosch watched the widow and the sheriff in the rear view mirror as they drove away.
"What will happen with her now?" he asked Aguila.
"You don't want to know, Detective Bosch. Her life was difficult before. Now, her hardships will only multiply. I believe she cries for herself as much as her lost husband. And rightly so."
Bosch drove in silence until they were out of Lost Souls and back on the main road.
"That was clever, what you did back there," he said after a while. "With the coffee cans."
Aguila didn't say anything. He didn't have to. Bosch knew he had been in there before and had seen the EnviroBreed stubs. Grena was scamming and Aguila didn't like it or approve of it or maybe he was just unhappy because he hadn't been cut in on the deal. Whatever the reason, he was pointing Bosch in the right direction. Aguila wanted Bosch to find the stubs. He wanted Bosch to know Grena was a liar.
"
Did you go to EnviroBreed, check it out on your own?"
"No," Aguila said. "This would be reported to my captain. I could not go there after he had made the appropriate inquiry. EnviroBreed is involved in international business. It holds contracts with government agencies in the United States. You must understand, it is a . . ."
"Delicate situation?"
"Yes, this is true."
"I'm familiar with those. I understand. You can't buck Grena but I can. Where is EnviroBreed?"
"Not far from here. To the southwest, where the land is mostly flat until it rises into the Sierra de los Cucapah. There are many industrial concerns there and large ranches."
"And how close is it between EnviroBreed and the ranch owned by the pope?"
"The pope?"
"Zorrillo. The pope of Mexicali. I thought you wanted to know about the other case I'm working."
They drove a little bit in silence. Bosch looked over and saw that Aguila's face had clouded. Even with the mirrors, Bosch could see this. His mention of Zorrillo probably confirmed a suspicion the Mexican detective had held since Grena had tried to derail the investigation. Bosch already knew from Corvo that EnviroBreed was just across the highway from the ranch. His question was merely one more test of Aguila.
It was a while before Aguila finally answered.
"The ranch and EnviroBreed are very close, I'm afraid."
"Good. Show me."
Twenty-Two
"LET ME ASK YOU A QUESTION," BOSCH SAID. "How come you sent that inquiry to the consul's office? I mean, you don't have missing persons down here. Somebody turns up missing, they crossed the border but you don't send out inquiries. What made you think this was different?"
They were heading toward the range of mountains that rose high above a layer of light brown smog from the city. They were going southwest on Avenida Val Verde and were moving through an area where ranch lands extended to the west and industrial parks lined the roadway to the east.
"The woman convinced me," Aguila said. "She came to the plaza with the sheriff and made the report. Grena gave me the investigation and her words convinced me that Gutierrez-Llosa would not cross the border willingly without her. So I went to the circle."
Aguila said the circle below the golden statue of Benito Juarez on Calzado Lopez Mateos was where men went to wait for work. Other day laborers interviewed at the circle said the EnviroBreed vans came two or three times a week to hire workers. The men who had worked at the bug-breeding plant had described it as difficult work. They made food paste for the breeding process and loaded heavy incubation cartons into the vans. Flies constantly flew in their mouths and eyes. Many who had worked there said they never went back, choosing to wait for other employers to stop at the circle.
But not Gutierrez-Llosa. Others at the circle had reported seeing him get into the EnviroBreed van. Compared to the other laborers, he was an old man. He did not have much choice in employers.
Aguila said that when he learned the product made at EnviroBreed was shipped across the border, he sent out missing-person notices to consulates in southern California. Among his theories was that the old man had been killed in an accident at the plant and his body hidden to avoid an inquiry that could halt production. Aguila believed this was a common occurrence in the industrial sectors of the city.
"A death investigation, even accidental death, can be very expensive," Aguila said.
"La mordida."
"Yes, the bite."
Aguila explained that his investigation stopped when he discussed his findings with Grena. The captain said he would handle the EnviroBreed inquiry and later reported it to be a dead end. And that was where it stood until Bosch called with news of the body.
"Sounds like Grena got his bite."
Aguila did not answer this. They began to pass a ranch protected by a chain metal fence topped with razor wire. Bosch looked through it to the Sierra de los Cucapah and saw nothing in the vast expanse between the road and mountains. But soon they passed a break in the fence, an entrance to the ranch where there was a pickup truck parked lengthwise across the roadway. Two men were sitting in the cab and they looked at Bosch and he looked at them as he drove by.
"That's it, isn't it?" he said. "That's Zorrillo's ranch."
"Yes. The entrance."
"Zorrillo's name never came up before you heard it from me?"
"Not until you said it."
Aguila offered no other comment. In a minute they were coming up to some buildings inside the ranch's fence line but close to the road. Bosch could see a concrete barnlike structure with a garage door that was closed. There were corrals on either side of it and in these he saw a half dozen bulls in single pens. He saw no one around.
"He breeds bulls for the ring," Aguila said.
"I heard that. Lot of money in that around here, huh?"
"All from the seed of one prized bull. El Temblar. A very famous animal in Mexicali. The bull that killed Meson, the famous torero. He lives here now and roams the ranch at his will, taking the heifers as he wishes. A champion animal."
"The Tremble?" he said.
"Yes. It is said that man and earth tremble when the beast charges. That is the legend. The death of Meson a decade ago is very well known. A story recalled each Sunday at the plaza."
"And the Tremble just runs around in there loose? Like a watchdog or something. A bulldog."
"Sometimes people stand at the fence waiting for a glimpse of the great animal. The bulls his seed produces are considered the most game in all of Baja. Pull over here."
Bosch turned onto the shoulder. He noticed Aguila was looking across the street at a line of warehouses and businesses. Some had signs on them. Most in English. They were companies that used cheap Mexican labor and paid low taxes to make products for the United States. There were furniture manufacturers, tile makers, circuit board factories.
"See the Mexitec Furniture building?" Aguila said. "The second structure down, with no sign, that is EnviroBreed."
It was a white building, and Aguila was right. No sign or other indication of what went on there. It was surrounded by a ten-foot fence topped with razor wire. Signs on the fence warned in two languages that it was electrified and there were dogs inside of it. Bosch didn't see any dogs and decided they were probably only put in the yard at night. He did see two cameras on the front corners of the building and several cars parked inside the compound. He saw no EnviroBreed vans but the two garage doors at the front of the building were closed.
Bosch had to press a button, state his business and hold his badge up to a remote camera before the fence gate automatically rolled open. He parked next to a maroon Lincoln with California tags and they walked across the dusty unpaved lot to the door marked Office. He brushed his hand against the back of his hip and felt the gun under his jacket. A small measure of comfort. The door was opened as he reached for the doorknob and a man wearing a Stetson to shade his acne-scarred and sun-hardened face stepped out lighting a cigarette. He was an Anglo and Bosch thought he might have been the van driver he had seen at the eradication center in L.A.
"Last door on the left," the man said. "He's waiting." "Who's he?"
"Him."
The man in the Stetson smiled and Bosch thought his face might crack. Bosch and Aguila stepped through the door into a wood-paneled hallway. It went straight back with a small reception desk on the left followed by three doors. At the end of the hall there was a fourth door. A young Mexican woman sat at the reception desk and stared at them silently. Bosch nodded and they headed back. The first door they passed was closed and letters on it said USDA. The next two doors had no letters. The one at the end of the hall had a sign that said:
DANGER—RADIATION NO UNAUTHORIZED ADMITTANCE
Harry saw a hook next to the door that had goggles and breathing masks hanging on it. He opened the last door on the left and they stepped into a small anteroom with a secretary's desk but no secretary.
"In here, please," a voice said f
rom the next room. Bosch and Aguila stepped into a large office that was weighted in the center by a huge steel desk. A man in a light blue guayaberra shirt sat behind it. He was writing something in a ledger book and there was a Styrofoam cup of steaming coffee on the desk. Enough light came through the jalousie window behind him so that he didn't need a desk light. He looked about fifty years old, with gray hair that showed streaks of old black dye. He also was a gringo.
The man said nothing and continued writing. Bosch looked around and saw the four-picture closed-circuit television console on a low shelf against the wall next to the desk. He saw the black-and-white images from the gate and front corners. The fourth image was very dark and was an interior look at what Harry assumed was the cargo-loading room. He saw a white van with its rear doors open, two or three men loading large white boxes into it.
"Yes?" the man said. He still hadn't looked up.
"Quite a lot of security for flies."
Now he looked up. "Excuse me?"
"Didn't know they were so valuable."
"What can I do for you?" He threw his pen down on the desk to signal that the wheels of international commerce were grinding to a halt because of Bosch.
"Harry Bosch, Los Angeles po—"
"You said that at the gate. What can I do for you?"
"I am here to talk about one of your employees."
"Name?" He picked up the pen again and went back to work on the ledger.
"You know something? I would think that if a cop had come three hundred miles, crossed the border, just to ask you a few questions, then it might rate a little interest. But not with you. That bothers me."
The Black Ice Page 22
