"What do you mean?" I asked.
"I'll tell you about it," he replied. "A chappie here got a fish-bone stuck in his throat. Of course it didn't stay there. They never do. But the prick in his soft palate did, and he was convinced that the bone was still there. So he sent for a doctor. Doctor came, looked in his throat. Couldn't see any fish-bone and, like a fool, said so. Tried to persuade the patient that there was no bone there. But the chappie said it was his throat and he knew better. He could feel it there. So he sent for another doctor and the same thing happened. No go. He had four different doctors and they hadn't the sense of an infant among them. Then he sent for me.
"Now, as soon as I heard how the land lay, I nipped into the surgery and got a fish-bone that I keep there in a pillbox for emergencies, stuck it into the jaws of a pair of throat-forceps, and off I went. 'Show me whereabouts it is,' says I, handing him a probe to point with. He showed me the spot and nearly swallowed the probe. 'All right,' said I. 'I can see it. Just shut your eyes and open your mouth wide and I will have it out in a jiffy.' I popped the forceps into his mouth, gave a gentle prod with the point on the soft palate, patient hollered out, 'Hoo!' I whisked out the forceps and held them up before his eyes with the fish-bone grasped in their jaws.
"'Ha!' says he. 'Thank Gawd! What a relief! I can swallow quite well now.' And so he could. It was a case of suggestion and counter-suggestion. Imaginary fish-bone cured by imaginary extraction. And it made my local reputation. Well, good-bye, old chap. I've got a visit to make here. Come in one evening and smoke a pipe with me. You know where to find me. And take my advice to heart. Never go to extract a fish-bone without one in your pocket; and it isn't a bad thing to keep a dried earwig by you. I do. People will persist in thinking they've got one in their ears. So long. Look me up soon," and with a farewell flourish of the umbrella, he turned to a shabby street-door and began to work the top bell-pull as if it were the handle of an air-pump.
I went on my way, not a little amused by my friend's genial cynicism, nor entirely uninstructed. For 'there is a soul of truth in things erroneous,' as the philosopher reminds us; and if the precepts of Solomon Usher did not sound the highest note of professional ethics, they were based on a very solid foundation of worldly wisdom.
When, having finished my short round of visits, I arrived at my temporary home, I was informed by the housemaid in a mysterious whisper that a police officer was waiting to see me. "Name of Follett," she added. "He's waiting in the consulting-room."
Proceeding thither, I found my friend, the Highgate inspector, standing with one eye closed before a card of test-types that hung on the wall. We greeted one another cordially and then, as I looked at him inquiringly, he produced from his pocket without remark an official envelope, from which he extracted a coin, a silver pencil-case and a button. These objects he laid on the writing-table and silently directed my attention to them. A little puzzled by his manner, I picked up the coin and examined it attentively. It was a Charles the Second guinea, dated 1663, very clean and bright and in remarkably perfect preservation. But I could not see that it was any concern of mine.
"It is a beautiful coin," I remarked; "but what about it?"
"It doesn't belong to you, then?" he asked.
"No. I wish it did."
"Have you ever seen it before?"
"Never, to my knowledge."
"What about the pencil-case?"
I picked it up and turned it over in my fingers. "No," I said, "it is not mine and I have no recollection of ever having seen it before."
"And the button?"
"It is apparently a waistcoat button," I said after having inspected it, "which seems to belong to a tweed waistcoat; and judging by the appearance of the thread and the wisp of cloth that it still holds, it must have been pulled off with some violence. But it isn't off my waistcoat, if that is what you want to know."
"I didn't much think it was," he replied, "but I thought it best to make sure. And it didn't come from poor Mr. D'Arblay's waistcoat, because I have examined that and there is no button missing. I showed these things to Miss D'Arblay and she is sure that none of them belonged to her father. He never used a pencil-case—artists don't, as a rule—and as to the guinea, she knew nothing about it. If it was her father's, he must have come by it immediately before his death; otherwise she felt sure he would have shown it to her, seeing that they were both interested in anything in the nature of sculpture."
"Where did you get these things?' I asked.
"From the pond in the wood," he replied. "I will tell you how I came to find them—that is, if I am not taking up too much of your time."
"Not at all," I assured him; and even as I spoke, I thought of Solomon Usher. He wouldn't have said that. He would have anxiously consulted his engagement-book to see how many minutes he could spare. However, Inspector Follett was not a patient, and I wanted to hear his story. So having established him in the easy-chair, I sat down to listen.
"The morning after the inquest," he began, "an officer of the CID came up to get particulars of the case and see what was to be done. Well, as soon as I had told him all I knew and shown him our copy of the depositions, it was pretty clear to me that he didn't think there was anything to be done but wait for some fresh evidence. Mind you, Doctor, this is in strict confidence."
"I understand that. But if the Criminal Investigation Department doesn't investigate crime, what the deuce is the good of it?"
"That is hardly a fair way of putting it," he protested. "The people at Scotland Yard have got their hands pretty full and they can't spend their time in speculating about cases in which there is no evidence. They can't create evidence; and you can see for yourself that there isn't the ghost of a clue to the identity of the man who committed this murder. But they are keeping the case in mind, and meanwhile we have got to report any new facts that may turn up. Those were our instructions, and when I heard them I decided to do a bit of investigating on my own, with the superintendent's permission, of course.
"Well, I began by searching the wood thoroughly, but I got nothing out of that excepting Mr. D'Arblay's hat, which I found in the undergrowth not far from the main path.
"Then I thought of dragging the pond; but I decided that, as it was only a small pond and shallow, it would be best to empty it and expose the bottom completely. So I dammed up the little stream that feeds it and deepened the outflow, and very soon I had it quite empty excepting a few small puddles. And I think it was well worth the trouble. These things don't tell us much, but they may be useful one day for identification. And they do tell us something. They suggest that this man was a collector of coins; and they make it fairly clear that there was a struggle in the pond before Mr. D'Arblay fell down."
"That is, assuming that the things belonged to the murderer," I interposed. "There is no evidence that they did."
"No, there isn't," he admitted; "but if you consider the three things together, they suggest a very strong probability. Here is a waistcoat button violently pulled off, and here are two things such as would be carried in a waistcoat pocket and might fall out if the waistcoat were dragged at violently when the wearer was stooping over a fallen man and struggling to avoid being pulled down with him. And then there is this coin. Its face-value is a guinea, but it must be worth a good deal more than that. Do you suppose anybody would leave a thing of that kind in a shallow pond from which it could be easily recovered with a common landing-net? Why, it would have paid to have had the pond dragged or even emptied. But, as I say, that wouldn't have been necessary."
"I am inclined to think you are right. Inspector," said I, rather impressed by the way in which he had reasoned the matter out; "but even so, it doesn't seem to me that we are much more forward. The things don't point to any particular person."
"Not at present," he rejoined. "But a fact is a fact and you can never tell in advance what you may get out of it. If we should get a hint of any other kind pointing to some particular person, these things might furnish
invaluable evidence connecting that person with the crime. They may even give a clue now to the people at the CID, though that isn't very likely."
"Then you are going to hand them over to the Scotland Yard people?"
"Certainly. The CID are the lions, you know. I'm only a jackal."
I was rather sorry to hear this, for the idea had floated into my mind that I should have liked Thorndyke to see these waifs, which, could they have spoken, would have had much to tell. To me they conveyed nothing that threw any light on the ghastly events of that night of horror. But to my teacher, with his vast experience and his wonderful power of analysing evidence, they might convey some quite important significance.
I reflected rapidly on the matter. It would not be wise to say anything to the inspector about Thorndyke, and it was quite certain that a loan of the articles would not be entertained. Probably a description of them would be enough for the purpose; but still I had a feeling that an inspection of them would be better. Suddenly I had a bright idea and proceeded cautiously to broach it.
"I should rather like to have a record of these things," said I, "particularly of the coin. Would you object to my taking an impression of it in sealing-wax?"
Inspector Follett looked doubtful. "It would be a bit irregular," he said. "It is a bit irregular for me to have shown it to you, but you are interested in the case, and you are a responsible person. What did you want the impression for?"
"Well," I said, "we don't know much about that coin. I thought I might be able to pick up some further information. Of course, I understand that what you have told me is strictly confidential. I shouldn't go showing the thing about, or talking. But I should like to have the impression to refer to, if necessary."
"Very well," said he. "On that understanding, I have no objection. But see that you don't leave any wax on the coin, or the CID people will be asking questions."
With this permission, I set about the business gleefully, determined to get as good an impression as possible. From the surgery I fetched an ointment slab, a spirit-lamp, a stick of sealing-wax, a tea-spoon, some powder-papers, a bowl of water and a jar of vaseline. Laying a paper on the slab, I put the coin on it and traced its outline with a pencil. Then I broke off a piece of sealing-wax, melted it in the tea-spoon and poured it out carefully into the marked circle so that it formed a round, convex button of the right size. While the wax was cooling to the proper consistency, I smeared the coin with vaseline and wiped the excess off with my handkerchief. Then I carefully laid it on the stiffening wax and made steady pressure. After a few moments, I cautiously lifted the paper and dropped it into the water, leaving it to cool completely. When, finally, I turned it over under water, the coin dropped away by its own weight.
"It is a beautiful impression," the inspector remarked, as he examined it with the aid of my pocket-lens, while I prepared to operate on the reverse of the coin. "As good as the original. You seem rather a dab at this sort of thing, Doctor. I wonder if you would mind doing another pair for me?"
Of course, I complied gladly; and when the inspector departed a few minutes later he took with him a couple of excellent wax impressions to console him for the necessity of parting with the original.
As soon as he was gone, I proceeded to execute a plan that had already formed in my mind. First, I packed the two wax impressions very carefully in lint and bestowed them in a tin tobacco-box, which I made up into a neat parcel and addressed it to Dr. Thorndyke. Then I wrote him a short letter giving him the substance of my talk with Inspector Follett and asking for an appointment early in the following week to discuss the situation with him. I did not suppose that the wax impressions would convey, even to him, anything that would throw fresh light on this extraordinarily obscure crime. But one never knew. And the mere finding of the coin might suggest to him some significance that I had overlooked. In any case, the new incident gave me an excuse for reopening the matter with him.
I did not trust the precious missive to the maid, but as soon as the letter was written I took it and the parcel in my own hands to the post, dropping the letter into the box but giving the parcel the added security of registration. This business being thus dispatched, my mind was free to occupy itself with pleasurable anticipations of the projected visit to Highgate on the morrow and to deal with whatever exigencies might arise in the course of the Saturday-evening consultations.
VI. Marion D'Arblay At Home
Most of us have, I imagine, been conscious at times of certain misgivings as to whether the Progress of which we hear so much has done for us all that it is assumed to have done, whether the undoubted gain of advancing knowledge has not a somewhat heavy counterpoise of loss. We moderns are accustomed to look upon a world filled with objects that would have made our forefathers gasp with admiring astonishment, and we are accordingly a little puffed up by our superiority. But the museums and galleries and ancient buildings sometimes tell a different tale. By them we are made aware that the same 'rude forefathers' were endowed with certain powers and aptitudes that seem to be denied to the present generation.
Some such reflections as these passed through my mind as I sauntered about the ancient village of Highgate, having arrived in the neighbourhood nearly an hour too early. Very delightful the old village was to look upon, and so it had been even when the mellow red brick was new and the plaster on the timber houses was but freshly laid; when the great elms were saplings and the stage-wagon with its procession of horses rumbled along the road which now resounds to the thunder of the electric tram. It was not Time that had made beautiful its charming old houses and pleasant streets and closes, but fine workmanship guided by unerring taste.
At four o'clock precisely, by the chime of the church dock, I pushed open the gate of Ivy Cottage, and as I walked up the flagged path, read the date, 1709, on a stone tablet let into the brickwork. I had no occasion to knock, for my approach had been observed, and as I mounted the threshold the door opened and Miss D'Arblay stood in the opening.
"Miss Boler saw you coming up the Grove," she explained, as we shook hands. "It is surprising how much of the outer world you can see from a bay window. It is as good as a watch-tower." She disposed of my hat and stick and then preceded me into the room to which the window appertained, where, beside a bright fire. Miss Boler was at the moment occupied with a brilliantly-burnished copper kettle and a silver teapot. She greeted me with an affable smile and as much of a bow as was possible under the circumstances, and then proceeded to make the tea with an expression of deep concentration.
"I do like punctual people," she remarked, placing the teapot on a carved wooden stand. "You know where you are with them. At the very moment when you turned the corner, sir, Miss Marion finished buttering the last muffin and the kettle boiled over. So you won't have to wait a moment."
Miss D'Arblay laughed softly. "You speak as if Dr. Gray had staggered into the house in a famished condition, roaring for food," said she.
"Well," retorted Miss Boler, "you said 'tea at four o'clock,' and at four o'clock the tea was ready and Dr. Gray was here. If he hadn't been, he would have had to eat leathery muffins, that's all."
"Horrible!" exclaimed Miss D'Arblay. "One doesn't like to think of it; and there is no need to as it hasn't happened. Remember that this is a gate-legged table. Dr. Gray, when you sit down. They are delightfully picturesque, but exceedingly bad for the knees of the unwary."
I thanked her for the warning and took my seat with due caution. Then Miss Boler poured out the tea and uncovered the muffins with the grave and attentive air of one performing some ceremonial rite.
As the homely, simple meal proceeded, to an accompaniment of desultory conversation on everyday topics, I found myself looking at the two women with a certain ill-defined surprise. Both were garbed in unobtrusive black, and both, in moments of repose, looked somewhat tired and worn. But in their manner and the subjects of their conversation they were astonishingly ordinary and normal. No stranger, looking at them and listening to t
heir talk, would have dreamed of the tragedy that overshadowed their lives. But so it constantly happens. We go into a house of mourning and are almost scandalized by its cheerfulness, forgetting that whereas to us the bereavement is the one salient fact, to the bereaved there is the necessity of taking up afresh the threads of their lives. Food must be prepared even while the corpse lies under the roof, and the common daily round of duty stands still for no human affliction.
But, as I have said, in the pauses of the conversation when their faces were in repose, both women looked strained and tired. Especially was this so in the case of Miss D'Arblay. She was not only pale, but she had a nervous, shaken manner which I did not like. And as I looked anxiously at the delicate, pallid face, I noticed, not for the first time, several linear scratches on the cheek and a small cut on the temple.
"What have you been doing to yourself?" I asked. "You look as if you have had a fall."
"She has," said Miss Boler in an indignant tone. "It is a marvel that she is here to tell the tale. The wretches!"
I looked at Miss D'Arblay in consternation. "What wretches?" I asked.
"Ah! indeed!" growled Miss Boler. "I wish I knew. Tell him about it. Miss Marion."
"It was really rather a terrifying experience," said Miss D'Arblay, "and most mysterious. You know Southwood Lane and the long, steep hill at the bottom of it?" I nodded, and she continued: "I have been going down to the studio every day on my bicycle, just to tidy up, and of course I went by Southwood Lane. It is really the only way. But I always put on the brake at the top of the hill and go down quite slowly because of the cross-roads at the bottom. Well, three days ago I started as usual and ran down the Lane pretty fast until I got on the hill. Then I put on the brake; and I could feel at once that it wasn't working."
"Has your bicycle only one brake?" I asked.
"It had. I am having a second one fixed now. Well, when I found that the brake wasn't acting, I was terrified. I was already going too fast to jump off, and the speed increased every moment. I simply flew down the hill, faster and faster, with the wind whistling about my ears and the trees and houses whirling past like express trains. Of course, I could do nothing but steer straight down the hill; but at the bottom there was the Archway Road with the trams and buses and wagons. I knew that if a tram crossed the bottom of the Lane as I reached the road, it was practically certain death. I was horribly frightened.
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