"During the next month the bat reappeared several times, in the bedroom, in corridors and once in a garret, when it flew out as Frank opened the door."
"What was he doing in the garret?" asked Thorndyke.
"He went up to fetch an ancient coffin-stool that Mrs. Price had seen there and was telling him about. Well, this went on until the end of the second month. And then came the second act. It seems that by some infernal stupidity, he was occupying the bedroom that had been used by Gilbert. Now on this night, as soon as he had gone up, he must needs pay a visit to the little dressing-room, which is now known as 'Gilbert's cabin'—so he tells me, for I was not aware of it—and where Gilbert's cutlass, telescope, quadrant and the old navigator's watch are kept."
"Did he take a light with him?" inquired Thorndyke.
"I think not. There is a gas jet in the corridor and presumably he lit that. Then he opened the door of the cabin; and immediately he saw, a few feet in front of him, a man's head, upside down, apparently hanging in mid-air. It gave him a fearful shock—the more so, perhaps, because he half expected it—and, as before, he ran downstairs, all of a tremble. Price had gone to bed but Mrs. Price came up with him, and he showed hr the horrible thing which was still hanging in the middle of the dark room.
"But Mrs. Price could see nothing. She assured him that it was all his imagination; and in proof of it, she walked into the room, right through the head, as it seemed, and when she had found the matches, she lit the gas. Of course, there was nothing whatever in the room.
"Another month passed. The bat appeared at intervals and kept poor Frank's nerves in a state of constant tension. On the night of the appointed day, as you will anticipate, Frank went again to Gilbert's cabin, drawn there by an attraction that one can quite understand. And there, of course, was the confounded head as before. That was a fortnight ago. So, you see, the affair is getting urgent. Either there is some truth in this weird story—which I don't believe for a moment—or poor old Frank is ripe for the asylum. But in any case something will have to be done."
"You spoke just now," said Thorndyke, "of some insanity in the family. What does it amount to, leaving these apparitions out of the question?"
"Well, a cousin of Frank's committed suicide in an asylum."
"And Frank's parents?
"They were quite sane. The cousin was the son of Frank's mother's sister; and she was all right, too. But the boy's father had to be put away."
"Then," said Thorndyke, "the insanity doesn't seem to be in Frank's family at all, in a medical sense. Legal inheritance and physiological inheritance do not follow the same lines. If his mother's sister married a lunatic, he might inherit that lunatic's property, but he could not inherit his insanity. There was no blood relationship."
"No, that's true," Brodribb admitted, "though Frank certainly seems as mad as a hatter. But now, to come back to the holiday question, what do you say to a week or so at St. David's?"
Thorndyke looked at me interrogatively. "What says my learned friend?" he asked.
"I say: Let us put up the shutters and leave Polton in charge," I replied; and Thorndyke assented without a murmur.
Less than a week later, we were installed in the very comfortable rooms that Mr. Brodribb had found for us in the hamlet of St. David's, within five minutes' walk of the steep gap-way that led down to the beach.
Thorndyke entered into the holiday with an enthusiasm that would have astonished the denizens of King Bench Walk. He explored the village, he examined the church, inside and out, he sampled all the footpaths with the aid of the Ordnance map, he foregathered with the fishermen on the beach and renewed his acquaintance with boat-craft, and he made a pilgrimage to the historic cavern—it was less than a mile along the shore—arid inspected its dark and chilly interior with the most lively curiosity.
We had not been at St. David's twenty-four hours before we made the acquaintance of Frank Lumley. Mr. Brodribb saw to that. For the old solicitor was profoundly anxious about his client—he took his responsibilities very seriously, did Mr. Brodribb. His "family" clients were to him as his own kin, and their interests his own interests—and his confidence in Thorndyke's wisdom was unbounded. We were very favourably impressed by the quiet, gentle, rather frail young man, and for my part, I found him, for a certifiable lunatic, a singularly reasonable and intelligent person. Indeed, apart from his delusions—or rather hallucinations—he seemed perfectly sane; for a somewhat eager interest in psychical and supernormal phenomena (of which he made no secret) is hardly enough to create a suspicion of a man's sanity.
But he was clearly uneasy about his own mental condition. He realised that the apparitions might be the products of a disordered brain, though that not his own view of them; and he discussed them us in the most open and ingenuous manner.
"You don't think," Thorndyke suggested, "that these apparitions may possibly be natural appearances which you have misinterpreted or exaggerated in consequence of having read that very circumstantial story?"
Lumley shook his head emphatically. "It is impossible," said he. "How could I? Take the case of the bat. I have seen it on several occasions quite distinctly. It was obviously a bat; but yet it seemed full of a ghostly, greenish light like that of a glow-worm. If it was not what it appeared, what was it? And then the head. There it was, perfectly clear and solid and real, hanging in mid-air within three or four feet of me. I could have touched it if I had dared."
"What size did it appear?" asked Thorndyke.
Lumley reflected. "It was not quite life-size. I should say about two-thirds the size of an ordinary head."
"Should you recognise the face if you saw it again?
"I can't say," replied Lumley. "You see, it was upside down. I haven't a very clear picture of it—I mean as to what the face would have been like the right way up."
"Was the room quite dark on both occasions?" Thorndyke asked.
"Yes, quite. The gas jet in the corridor is just above the door and does not cast any light into the room."
"And what is there opposite the door?"
"There is a small window, but that is usually kept shuttered nowadays. Under the window is a small folding dressing-table that belonged to Gilbert Lumley. He had it made when he came home from sea."
Thus Lumley was quite lucid and coherent in his answers. His manner was perfectly sane; it was only the matter that was abnormal. Of the reality of the apparitions he had not the slightest doubt, and he never varied in the smallest degree in his description of their appearance. The fact that they had been invisible both to Mr. Price and his wife he explained by pointing out that the curse applied only to the direct descendants of Gilbert Lumley, and to those only in alternate generations.
After one of our conversations, Thorndyke expressed a wish to see the little manuscript book that had been the cause of all the trouble—or at least had been the forerunner; and Lumley promised to bring it to our rooms on the following afternoon. But then came an interruption to our holiday, not entirely unexpected; an urgent telegram from one of our solicitor friends asking consultation on an important and intricate case that had just been put into his hands, and making it necessary for us to go up to town by an early train on the following morning.
We sent a note to Brodribb, telling him that we should be away from St. David's for perhaps a day or two, and on our way to the station he overtook us.
"I am sorry you have had to break your holiday," he said; " but I hope you will be back before Thursday."
"Why Thursday, in particular?" inquired Thorndyke.
"Because Thursday is the day on which that damned head is due to make its third appearance. It will be an anxious time. Frank hasn't said anything, but I know his nerves are strung up to concert pitch."
"You must watch him," said Thorndyke. "Don't let him out of your sight if you can help it."
"That's all very well," said Brodribb, "but he isn't a child, and I am not his keeper. He is the master of the house and I am just his guest. I
can't follow him about if he wants to be alone."
"You mustn't stand on politeness, Brodribb," rejoined Thorndyke. "It will be a critical time and you must keep him in sight."
"I shall do my best," Brodribb said anxiously, "but I do hope you will be back by then."
He accompanied us dejectedly to the platform and stayed with us until our train came in. Suddenly, just as we were entering our carriage, he thrust his hand into his pocket.
"God bless me!" he exclaimed, "I had nearly forgotten this book. Frank asked me to give it to you." As he spoke, he drew out a little rusty calf-bound volume and handed it to Thorndyke. "You can look through it at your leisure," said he, "and if you think it best to chuck the infernal thing out of the window, do so. I suspect poor Frank is none the better for conning it over perpetually as he does."
I thought there was a good deal of reason in Brodribb's opinion. If Lumley's illusions were, as I suspected, the result of suggestion produced by reading the narrative, that suggestion would certainly tend to be reinforced by conning it over and over again. But the old lawyer's proposal was hardly practicable.
As soon as the train had fairly started, Thorndyke proceeded to inspect the little volume; and his manner of doing so was highly characteristic.
An ordinary person would have opened the book and looked through the contents, probably seeking out at once the sinister history of Gilbert Lumley.
Not so Thorndyke. His inspection began at the very beginning and proceeded systematically to deal with every fact that the book had to disclose. First he made an exhaustive examination of the cover; scrutinised the corners; inspected the bottom edges and compared them with the top edges; and compared the top and bottom head-caps. Then he brought out his lens and examined the tooling, which was simple in character and worked in "blind"—i.e. not gilt. He also inspected the head-bands through the glass, and then he turned his attention to the interior. He looked carefully at both end-papers, he opened the sections and examined the sewing-thread, he held the leaves up to the light and tested the paper by eye and by touch and he viewed the writing in several places through his lens. Finally he handed the book and the lens to me without remark.
It was a quaint little volume, with a curiously antique air, though it was but a century old. The cover was of rusty calf, a good deal rubbed, but not in bad condition; for the joints were perfectly sound; but then it had probably had comparatively little use. The paper—a laid paper with very distinct wire-lines but no watermark—had turned with age to a pale, creamy buff; the writing had faded to a warm brown, but was easily legible and very clearly and carefully written. Having noted these points, I turned over the leaves until I came to the story of Gilbert Lumley and the ill-fated Glynn, which I read through attentively, observing that Mr. Brodribb's notes had given the whole substance of the narrative with singular completeness.
"This story," I said, as I handed the book back to Thorndyke, "strikes me as rather unreal and unconvincing. One doesn't see how Walter Lumley got his information."
"No," agreed Thorndyke. "It is on the plane of fiction. The narrator speaks in the manner of a novelist with complete knowledge of events and actions which were apparently known only to the actors."
"Do you think it possible that Walter Lumley was simply romancing?"
"I think it quite possible, and in fact very probable that the whole narrative is fictitious," he replied. "We shall have to go into that question later on. For the present, I suppose, we had better give our attention to the case that we have in hand at the moment."
The little volume was accordingly put away, and for the rest of the journey our conversation was occupied with the matter of the consultation that formed our immediate business. As this, however, had no connection with the present history, I need make no further reference to it beyond stating that it kept us both busy for three days and that we finished with it on the evening of the third.
"Do you propose to go down to St. David's to-night or to-morrow?" I asked, as we let ourselves into our chambers.
"To-night," replied Thorndyke. "This is Thursday, you know, and Brodribb was anxious that we should be back some time to-day. I have sent him a telegram saying that we shall go down by the train that arrives about ten o'clock. So if he wants us, he can meet us it the station or send a message."
"I wonder," said I, "if the apparition of Glynn's head will make its expected visitation to-night."
"It probably will if there is an opportunity," Thorndyke replied. "But I hope that Brodribb will manage to prevent the opportunity from occurring. And, talking of Lumley, as we have an hour to spare, we may as well finish our inspection of his book. I snipped off a corner of one of the leaves and gave it to Polton to boil up in weak caustic soda. It will be ready for examination by now."
"You don't suspect that the book has been faked, do you?" said I.
"I view that book with the deepest suspicion," he replied, opening a drawer and producing the little volume. "Just look at it, Jervis. Look at the cover, for instance."
"Well," I said, turning the book over in my hand, "the cover looks ancient enough to me; typical old, rusty calf with a century's wear on it."
"Oh, there's no doubt that it is old calf," said he; "just the sort of leather that you could skin off the cover of an old quarto or folio. But don't you see that the signs of wear are all in the wrong places? How does a book wear in use? Well, first there are the bottom edges, which rub on the shelf. Then the corners, which are the thinnest leather and the most exposed. Then the top head-cap, which the finger hooks into in pulling the book from the shelf. Then the joint or hinge, which wears through from frequent opening and shutting. The sides get the least wear of all. But in this book, the bottom edges, the corners, the top head-cap and the joints are perfectly sound. They are not more worn than the sides; and the tooling is modern in character. It looks quite fresh and the tool-marks are impressed on the marks of wear instead of being themselves worn. The appearances suggest to me a new binding with old leather.
"Then look at the paper. It professes to be discoloured by age. But the discoloration of the leaves of an old book occurs principally at the edges, where the paper has become oxidised by exposure to the air. The leaves of this book are equally discoloured all over. To me they suggest a bath of weak tea rather than old age.
"Again, there is the writing. Its appearance is that of faded writing done with the old-fashioned writing ink—made with iron sulphate and oak-galls. But it doesn't look quite the right colour. However, we can easily test that. If it is old iron-gall ink, a drop of ammonium sulphide will turn it black. Let us take the book up to the laboratory and try it—and we had better have a "control" to compare it with."
He ran his eye along the book-shelves and took down a rusty-looking volume of Humphry Clinker, the end-paper of which bore several brown and faded signatures. Here is a signature dated 1803," said he. "That will be near enough"; and with the two books in his hand he led the way upstairs to the laboratory.
Here he took down the ammonium sulphide bottle, and dipping up a little of the liquid in a fine glass tube, opened the cover of Humphry Clinker and carefully deposited a tiny drop on the figure 3 in the date. Almost immediately the. ghostly brown began to darken until it at length became jet black. Then, in the same way, he opened Walter Lumley's manuscript book and on the 9 of the date, 1819, he deposited a drop of the solution.
But this time there was no darkening of the pale brown writing; on the contrary, it faded rapidly to a faint and muddy violet.
"It is not an iron ink," said Thorndyke, and it looks suspiciously like an aniline brown. But let us see what the paper is made of. Have you boiled up that fragment, Polton?"
"Yes, sir," answered our laboratory assistant, "and I've washed the soda out of it, so it's all ready."
He produced a labelled test-tube containing a tiny corner of paper floating in water, which he carefully emptied into a large watch-glass.
From this Thorndyke transferred the
little pulpy fragment to a microscope slide and, with a pair of mounted needles, broke it up into its constituent fibres. Then he dropped on it a drop of aniline stain, removed the surplus with blotting-paper, added a drop of glycerine and put on it a large cover-slip.
"There, Jervis," said he, handing me the slide, "let us have your opinion on Walter Lumley's paper."
I placed the slide on the stage of the microscope and proceeded to inspect the specimen. But no exhaustive examination was necessary. The first glance settled the matter.
"It is nearly all wood," I said. "Mechanical wood fibre, with some esparto, a little cotton and a few linen fibres."
"Then," said Thorndyke, "it is a modern paper. Mechanical wood-pulp—prepared by Keller's process—was first used in paper-making in 1840. 'Chemical wood-pulp' came in later; and esparto was not used until 1860. So we can say with confidence that this paper was not made until more than twenty years after the date that is written on it. Probably it is of quite recent manufacture."
"In that case," said I, "this book is a counterfeit—presumably fraudulent."
"Yes. In effect it is a forgery."
"But that seems to suggest a conspiracy."
"It does," Thorndyke agreed; "especially if it is considered in conjunction with the apparitions. The suggestion is that this book was prepared for the purpose of inducing a state of mind favourable to the acceptance of supernatural appearances. The obvious inference is that the apparitions themselves were an imposture produced for fraudulent purposes. But it is time for us to go."
We shook hands with Polton, and, having collected our suit-cases from the sitting-room, set forth for the station.
Dr. Thorndyke Omnibus Vol 4 Page 93
