The words were scarcely uttered when Gino found himself standing in the middle of the court alone. The masked stranger had passed swiftly on, and was at the bottom of the Giant's Stairs ere the gondolier had time for reflection. He ascended with a light and rapid step, and without regarding the halberdier, he approached the first of three or four orifices which opened into the wall of the palace, and which, from the heads of the animal being carved in relief around them, had become famous as the receptacles of secret accusations under the name of the Lion's Mouths. Something he dropped into the grinning aperture of the marble, though what, the distance and the obscurity of the gallery prevented Gino from perceiving; and then his form was seen gliding like a phantom down the flight of massive steps.
Gino had retired towards the arch of the water-gate, in expectation that the stranger would rejoin him within its shadows; but, to his great alarm, he saw the form darting through the outer portal of the palace into the square of St. Mark. It was not a moment ere Gino, breathless with haste, was in chase. On reaching the bright and gay scene of the piazza, which contrasted with the gloomy court he had just quitted like morning with night, he saw the utter fruitlessness of further pursuit. Frightened at the loss of his master's signet, however, the indiscreet but well intentioned gondolier rushed into the crowd, and tried in vain to select the delinquent from among a thousand masks.
"Harkee, Signore," uttered the half-distracted gondolier to one, who, having first examined his person with distrust, evidently betrayed a wish to avoid him, "if thou hast sufficiently pleased thy finger with my master's signet, the occasion offers to return it."
"I know thee not," returned a voice, in which Gino's ear could detect no familiar sound.
"It may not be well to trifle with the displeasure of a noble as powerful as him, you know," he whispered at the elbow of another, who had come under his suspicions. "The signet, if thou pleasest, and the affair need go no further."
"He who would meddle in it, with or without that gage, would do well to pause."
The gondolier again turned away disappointed.
"The ring is not suited to thy masquerade, friend of mine," he essayed with a third; "and it would be wise not to trouble the podestà about such a trifle."
"Then name it not, lest he hear thee." The answer proved, like all the others, unsatisfactory and bootless.
Gino now ceased to question any; but he threaded the throng with an active and eager eye. Fifty times was he tempted to speak, but as often did some difference in stature or dress, some laugh, or trifle uttered in levity, warn him of his mistake. He penetrated to the very head of the piazza, and, returning by the opposite side, he found his way through the throng of the porticoes, looking into every coffee-house, and examining each figure that floated by, until he again issued into the piazzetta, without success. A slight jerk at the elbow of his jacket arrested his steps, and he turned to look at the person who had detained him. A female, attired like a contadina, addressed him in the feigned voice common to all.
"Whither so fast, and what hast thou lost in this merry crowd? If a heart, 'twill be wise to use diligence, for many here may be willing to wear the jewel."
"Corpo di Bacco!" exclaimed the disappointed gondolier; "any who find such a bauble of mine under foot, are welcome to their luck! Hast thou seen a domino of a size like that of any other man, with a gait that might pass for the step of a senator, padre, or Jew, and a mask that looks as much like a thousand of these in the square as one side of the campanile is like the other?"
"Thy picture is so well drawn that one cannot fail to know the original. He stands beside thee."
Gino wheeled suddenly, and saw that a grinning harlequin was playing his antics in the place where he had expected to find the stranger.
"And thy eyes, bella contadina, are as dull as a mole's."
He ceased speaking; for, deceived in his person, she who had saluted him was no longer visible. In this manner did the disappointed gondolier thread his way towards the water, now answering to the boisterous salute of some clown, and now repelling the advances of females less disguised than the pretended contadina, until he gained a space near the quays, where there was more room for observation. Here he paused, undetermined whether to return and confess his indiscretion to his master, or whether he should make still another effort to regain the ring which had been so sillily lost. The vacant space between the two granite columns was left to the quiet possession of himself and one other, who stood near the base of that which sustained the lion of St. Mark, as motionless as if he too were merely a form of stone. Two or three stragglers, either led by idle curiosity or expecting to meet one appointed to await their coming, drew near this immovable man, but all glided away, as if there were repulsion in his marble-like countenance. Gino had witnessed several instances of this evident dislike to remain near the unknown figure, ere he felt induced to cross the space between them, in order to inquire into its cause. A slow movement at the sound of his footsteps, brought the rays of the moon full upon the calm countenance and searching eye of the very man he sought.
The first impulse of the gondolier, like that of all the others he had seen approach the spot, was to retreat; but the recollection of his errand and his loss came in season to prevent such an exhibition of his disgust and alarm. Still he did not speak; but he met the riveted gaze of the Bravo with a look that denoted, equally, confusion of intellect and a half-settled purpose.
"Would'st thou aught with me?" demanded Jacopo, when the gaze of each had continued beyond the term of accidental glances.
"My master's signet."
"I know thee not."
"That image of San Teodoro could testify that this is holy truth, if it would but speak! I have not the honor of your friendship, Signor Jacopo; but one may have affairs even with a stranger. If you met a peaceable and innocent gondolier in the court of the palace since the clock of the piazza told the last quarter, and got from him a ring, which can be of but little use to any but its rightful owner, one so generous will not hesitate to return it."
"Dost thou take me for a jeweller of the Rialto that thou speakest to me of rings?"
"I take you for one well known and much valued by many of name and quality, here in Venice, as witness my errand from my own master."
"Remove thy mask. Men of fair dealing need not hide the features which nature has given them."
"You speak nothing but truths, Signor Frontoni, which is little remarkable considering thy opportunities of looking into the motives of men. There is little in my face to pay you for the trouble of casting a glance at it. I would as lief do as others in this gay season, if it be equally agreeable to you."
"Do as thou wilt; but I pray thee to give me the same permission."
"There are few so bold as to dispute thy pleasure, Signore."
"It is, to be alone."
"Cospetto! There is not a man in Venice who would more gladly consult it, if my master's errand were fairly done!" muttered Gino, between his teeth. "I have here a packet, which it is my duty to put into your hands, Signore, and into those of no other."
"I know thee not—thou hast a name?"
"Not in the sense in which you speak, Signore. As to that sort of reputation I am as nameless as a foundling."
"If thy master is of no more note than thyself the packet may be returned."
"There are few within the dominions of St. Mark of better lineage or of fairer hopes than the Duke of Sant' Agata."
The cold expression of the Bravo's countenance changed.
"If thou comest from Don Camillo Monforte, why dost thou hesitate to proclaim it? Where are his requests?"
"I know not whether it is his pleasure or that of another which this paper contains, but such as it is, Signor Jacopo, my duty commands me to deliver it to thee."
The packet was received calmly, though the organ which glanced at its seal and its superscription, gleamed with an expression which the credulous gondolier fancied to resemble that of the tige
r at the sight of blood.
"Thou said'st something of a ring. Dost thou bear thy master's signet? I am much accustomed to see pledges ere I give faith."
"Blessed San Teodore grant that I did! Were it as heavy as a skin of wine, I would willingly bear the load; but one that I mistook for you, Master Jacopo, has it on his own light finger, I fear."
"This is an affair that thou wilt settle with thy master," returned the Bravo, coldly, again examining the impression of the seal.
"If you are acquainted with the writing of my master," hurriedly remarked Gino, who trembled for the fate of the packet, "you will see his skill in the turn of those letters. There are few nobles in Venice, or indeed in the Sicilies, who have a more scholarly hand, with a quill, than Don Camillo Monforte; I could not do the thing half so well myself."
"I am no clerk," observed the Bravo, without betraying shame at the confession. "The art of deciphering a scroll, like this, was never taught me; if thou art so expert in the skill of a penman, tell me the name the packet bears."
"'Twould little become me to breathe a syllable concerning any of my master's secrets," returned the gondolier, drawing himself up in sudden reserve. "It is enough that he bid me deliver the letter; after which I should think it presumption even to whisper more."
The dark eye of the Bravo was seen rolling over the person of his companion, by the light of the moon, in a manner that caused the blood of the latter to steal towards his heart.
"I bid thee read to me aloud the name the paper bears," said Jacopo, sternly. "Here is none but the lion and the saint above our heads to listen."
"Just San Marco! who can tell what ear is open or what ear is shut in Venice? If you please, Signor Frontoni, we will postpone the examination to a more suitable occasion."
"Friend, I do not play the fool! The name, or show me some gage that thou art sent by him thou hast named, else take back the packet; 'tis no affair for my hand."
"Reflect a single moment on the consequences, Signor Jacopo, before you come to a determination so hasty."
"I know no consequences which can befall a man who refuses to receive a message like this."
"Per Diana! Signore, the Duca will not be likely to leave me an ear to hear the good advice of Father Battista."
"Then will the Duca save the public executioner some trouble."
As he spoke, the Bravo cast the packet at the feet of the gondolier, and began to walk calmly up the piazzetta. Gino seized the letter, and, with his brain in a whirl, with the effort to recall some one of his master's acquaintances to whom he would be likely to address an epistle on such an occasion, he followed.
"I wonder, Signor Jacopo, that a man of your sagacity has not remembered that a packet to be delivered to himself should bear his own name."
The Bravo took the paper, and held the superscription again to the light.
"That is not so. Though unlearned, necessity has taught me to know when I am meant."
"Diamine! That is just my own case, Signore. Were the letter for me, now the old should not know its young quicker than I would come at the truth."
"Then thou canst not read?"
"I never pretended to the art. The little said was merely about writing. Learning, as you well understand, Master Jacopo, is divided into reading, writing, and figures; and a man may well understand one, without knowing a word of the others. It is not absolutely necessary to be a bishop to have a shaved head, or a Jew to wear a beard."
"Thou would'st have done better to have said this at once; go, I will think of the matter."
Gino gladly turned away, but he had not left the other many paces before he saw a female form gliding behind the pedestal of one of the granite columns. Moving swiftly in a direction to uncover this seeming spy, he saw at once that Annina had been a witness of his interview with the Bravo.
Chapter IV
*
"'T will make me think
The world is full of rubs, and that my fortune
Runs 'gainst the bias."
RICHARD THE SECOND.
Though Venice at that hour was so gay in her squares, the rest of the town was silent as the grave. A city in which the hoof of horse or the rolling of wheels is never heard, necessarily possesses a character of its own; but the peculiar form of the government, and the long training of the people in habits of caution, weighed on the spirits of the gay. There were times and places, it is true, when the buoyancy of youthful blood, and the levity of the thoughtless, found occasion for their display—nor were they rare; but when men found themselves removed from the temptation, and perhaps from the support of society, they appeared to imbibe the character of their sombre city.
Such was the state of most of the town, while the scene described in the previous chapter was exhibited in the lively piazza of San Marco. The moon had risen so high that its light fell between the range of walls, here and there touching the surface of the water, to which it imparted a quivering brightness, while the domes and towers rested beneath its light in a solemn but grand repose. Occasionally the front of a palace received the rays on its heavy cornices and labored columns, the gloomy stillness of the interior of the edifice furnishing, in every such instance, a striking contrast to the richness and architectural beauty without. Our narrative now leads us to one of these patrician abodes of the first class.
A heavy magnificence pervaded the style of the dwelling. The vestibule was vast, vaulted, and massive. The stairs, rich in marbles, heavy and grand. The apartments were imposing in their gildings and sculpture, while the walls sustained countless works on which the highest geniuses of Italy had lavishly diffused their power. Among these relics of an age more happy in this respect than that of which we write, the connoisseur would readily have known the pencils of Titian, Paul Veronese, and Tintoretto—the three great names in which the subjects of St. Mark so justly prided themselves. Among these works of the higher masters were mingled others by the pencils of Bellino, and Montegna, and Palma Vecchio—artists who were secondary only to the more renowned colorists of the Venetian school. Vast sheets of mirrors lined the walls, wherever the still more precious paintings had no place; while the ordinary hangings of velvet and silk became objects of secondary admiration, in a scene of nearly royal magnificence. The cool and beautiful floors, made of a composition in which all the prized marbles of Italy and of the East polished to the last degree of art, were curiously embedded, formed a suitable finish to a style so gorgeous, and in which luxury and taste were blended in equal profusion.
The building, which, on two of its sides, literally rose from out the water, was, as usual, erected around a dark court. Following its different faces, the eye might penetrate, by many a door, open at that hour for the passage of the air from off the sea, through long suites of rooms, furnished and fitted in the manner described, all lighted by shaded lamps that spread a soft and gentle glow around. Passing without notice ranges of reception and sleeping rooms—the latter of a magnificence to mock the ordinary wants of the body—we shall at once introduce the reader into the part of the palace where the business of the tale conducts us.
At the angle of the dwelling on the side of the smaller of the two canals, and most remote from the principal water-avenue of the city on which the edifice fronted, there was a suite of apartments, which, while it exhibited the same style of luxury and magnificence as those first mentioned in its general character, discovered greater attention in its details to the wants of ordinary life. The hangings were of the richest velvets or of glossy silks, the mirrors were large and of exquisite truth, the floors of the same gay and pleasing colors, and the walls were adorned with their appropriate works of art. But the whole was softened down to a picture of domestic comfort. The tapestries and curtains hung in careless folds, the beds admitted of sleep, and the pictures were delicate copies by the pencil of some youthful amateur, whose leisure had been exercised in this gentle and feminine employment.
The fair being herself, whose early instruction had given b
irth to so many skilful imitations of the divine expression of Raphael, or to the vivid tints of Titian, was at that hour in her privacy, discoursing with her ghostly adviser, and one of her own sex, who had long discharged the joint trusts of instructor and parent. The years of the lady of the palace were so tender that, in a more northern region, she would scarcely have been deemed past the period of childhood, though in her native land, the justness and maturity of her form, and the expression of a dark, eloquent eye, indicated both the growth and the intelligence of womanhood.
"For this good counsel I thank you, my father, and my excellent Donna Florinda will thank you still more, for your opinions are so like her own, that I sometimes admire the secret means by which experience enables the wise and the good to think so much alike, on a matter of so little personal interest."
A slight but furtive smile struggled around the mortified mouth of the Carmelite, as he listened to the naive observation of his ingenuous pupil.
"Thou wilt learn, my child," he answered, "as time heaps wisdom on thy head, that it is in concerns which touch our passions and interests least, we are most apt to decide with discretion and impartiality. Though Donna Florinda is not yet past the age when the heart is finally subdued, and there is still so much to bind her to the world, she will assure thee of this truth, or I greatly mistake the excellence of that mind, which hath hitherto led her so far blameless, in this erring pilgrimage to which we are all doomed."
Though the cowl was over the head of the speaker, who was evidently preparing to depart, and his deeply-seated eye never varied from its friendly look at the fair face of her he instructed, the blood stole into the pale cheeks of the maternal companion, and her whole countenance betrayed some such reflection of feeling at his praise, as a wintry sky exhibits at a sudden gleam from the setting sun.
"I trust that Violetta does not now hear this for the first time," observed Donna Florinda, in a voice so meek and tremulous as to be observed.
The Bravo Page 5
