* * *
There were many tales told of the menhir and stone circles that dotted the Kingdoms of the Green Isles. Wizardfolk named them holy places, sacred to the Summerlord; reservoirs where the old powers of hill and moon could be gathered by the rites of dhruides and the like. The priests of Dath named them evil and warned all to shun their influence. The commonfolk were merely wary of them—viewing them as neither good nor evil, but rather places where mysteries lay too deep for ordinary folk.
And there was mystery in them, Angharad thought.
From where she stood, she could see their tall fingers silhouetted against the sky. Mists lay thick about their hill—drawn up from the sea that murmured a stone’s throw or two beyond. The moon was higher now; the night as still as an inheld breath. Expectant. Angharad left the road to approach the stone circle where Pog claimed the kowrie danced on nights of the full moon. Nights when her harp played older musics than she knew, drawing the airs more from the wind, it seemed, than the flesh and bone that held the instrument and plucked its strings.
The gorse was damp underfoot. In no time at all, her bare legs were wet. She circled around two stone outcrops, her route eventually bringing her up the hill from the side facing the sea. The murmur of its waves was very clear now. The sharp tang of its salt was in the mist. Angharad couldn’t see below her waist for that mist, but the hilltop was clear. And the Stones.
They rose high above her, four times her height, grey and weathered. Before she entered their circle, she dropped her journeypack and staff to the ground. From its sheath on the inside of her jerkin, she took out a small knife and left that as well. If this was a place to which the kowrie came, she knew they would have no welcome for one bearing cold iron. Lastly, she unbuttoned her shoes and set them beside her pack. Only then did she enter the circle, barefoot, with only her harp in hand.
She wasn’t surprised to find the hunchback from the village inside the circle. He was perched on the kingstone, short legs dangling.
“Hello, Pog,” she said.
She had no fear of him as she crossed the circle to where he sat. There was more kinship between them than either might claim outside this circle. Their Summerblood bound them.
“Huh-huh-huh…” Frustration tightened every line of his body as he struggled to shape the word. “Huh-low…”
Angharad stepped close and laid her hand against his cheek. She wondered, what songs were held prisoner by that stumbling tongue? For she could see a poetry in his eyes, denied its voice. A longing, given no release.
“Will you sing for me, Pog?” she asked. “Will you help me call the stones to dance?”
The eagerness in his nod almost made her weep. But it was not for pity that she was here tonight. It was to commune with a kindred spirit. He caught her hand with his and she gave it a squeeze before gently freeing her fingers. She sat at the foot of the stone and brought her harp around to her lap. Pog was awkward as he scrambled down from his perch to sit where he could watch her.
Fingers to strings. Once, softly, one after the other, to test the tuning. And then she began to play.
It was the same music that the instrument had offered at the inn, but in this place it soared so freely that there could be no true comparison. There was nothing to deaden the ringing of the strings here. No stone walls and wooden roof. No metal furnishings and trappings. No hearts that had to be tricked into listening.
The moon was directly overhead now and the music resounded between it and the sacred hill of the stone circle. It woke echoes like the skirling of pipes, like the thunder of hooves on sod. It woke lights in the old grey stones—flickering glimmers that sparked from one tall menhir to the other. It woke a song so bright in Angharad’s heart that her chest hurt. It woke a dance in her companion so that he rose to his feet and shuffled between the stones.
Pog sang as he moved, a tuneless singing that made strange harmonies with Angharad’s harping. Against the moonlight of her harp notes, it was the sound of earth shifting, stones grinding. When it took on the bass timbre of a stag’s belling call, Angharad thought she saw antlers rising from his brow, the tines pointing skyward to the moon like the menhir. His back was straighter as he danced, the hump gone.
It’s Hafarl, Angharad thought, awestruck. The Summerlord’s possessed him.
Their music grew more fierce, a wild exultant sound that rang between the stones. The sparking flickers of light moved so quickly they were like streaming ribbons, bright as moonlight. The mist scurried in between the stones, swirling in its own dance, so that more often than not Angharad could only catch glimpses of the antlered dancing figure. His movements were liquid, echoing each rise and fall of the music. Angharad’s heart reached out to him. He was—
Something struck her across the head. The music faltered, stumbled, then died as her harp was knocked from her grip. A hand grabbed one of her braids and hauled her to her feet.
“Do you see? Did you hear?” a harsh voice demanded.
Angharad could see them now—men from the inn. Their voices were loud in the sudden silence. Their shapes exaggerated, large and threatening in the mist.
“We see, Macal.”
It was the one named Macal who had struck her. Who had watched her so intently in the commonroom of the inn. Who held her by her braid. Who hit her again. He stank of sweat and strong drink. And fear.
“Calling down a curse on us, she was,” Macal cried. “And what better place than these damned Stones?”
Other men gripped her now. They shackled her wrists with cold iron and pulled her from the circle by a chain attached to those shackles. She fell to her knees and looked back. There was no sign of Pog, no sign of anything but her harp, lying on its side near the kingstone. The men dragged her to her feet.
“Leave me alo—” she began, finally finding her voice.
Macal hit her a third time. “You’ll not speak again, witch. Not till the priest questions you. Understand?”
They tore cloth strips from her skirt then to gag her. They tore open her blouse and fondled and pinched her as they dragged her back to town. They threw her into the small storage room of the village’s mill. Four stone walls. A door barred on the outside by a wooden beam, slotted in place. Two drunk men for guards outside, laughing and singing.
It took a long time for Angharad to lift her bruised body up from the stone floor and work free the gag. She closed her blouse somewhat by tying together the shirt tails. She hammered at the door with her shackled fists. There was no answer. Finally she sank to her knees and laid her head against the wall. She closed her eyes, trying to recapture the moment before this horror began, but all she could recall was the journey from the stone circle to this prison. The cruel men and the joy they took from her pain.
Then she thought of Pog…. Had they captured him as well? When she tried to bring his features to mind, all that came was an image of a stag on a hilltop, bellowing at the moon. She could see…
* * *
The stag. Pog. Changed into an image of Hafarl by the music. Left as a stag in the stone circle by the intrusion of the men from the inn who’d come, cursing and drunk, to find themselves a witch. The men hadn’t seen him. But as Angharad’s assailants dragged her from the stone circle, grey-clad shapes stepped from the stones, where time held them bound except for nights such as this when the moon was full.
They were kowrie, thin and wiry, with narrow dark-skinned faces and feral eyes. Their dark hair was braided with shells and feathers; their jerkins, trousers, boots and cloaks were the grey of the Stones. One by one, they stepped out into the circle until there were as many of them as there were Stones. Thirteen kowrie. The stag bellowed at the moon, a trumpeting sound. The kowrie touched Angharad’s harp with fingers thin as rowan twigs.
“Gone now,” one said, her voice a husky whisper.
Another drew a plaintive note from Angharad’s harp. “Music stolen, moonlight spoiled,” he said.
A third laid her narrow hands on the sta
g’s trembling flanks. “Lead us to her, Summerborn,” she said.
Other kowrie approached the beast.
“The cold iron bars us from their dwellings,” one said.
Another nodded. “But not you.”
“Lead us to her.”
“Open their dwellings to us.”
“We were but waking.”
“We missed our dance.”
“A hundred moons without music.”
“We would hear her harp.”
“We would follow our kin.”
“Into the green.”
The green, where poetry and harping met and opened a door to the Middle Kingdom. The stag pawed at the ground, hearing the need in their voices. It lifted its antlered head, snorting at the sky. The men. Where had they taken her? The stag remembered a place where men dwelt in houses set close to each other. There was pain in that place….
* * *
Angharad opened her eyes. What had she seen? A dream? Pog, with that poetry in his eyes, become a stag, surrounded by feral-eyed kowrie…. She pushed herself away from the wall and sat on her haunches, shackled wrists held on her lap before her. The stone walls of her prison bound her. The cold chains weighed her down. Still, her heart beat, her thoughts were her own. Her voice had not been taken from her.
She began to sing.
It was the music of hill and moon, a calling-down music, keening and wild. There was a stag’s lowing in it, the murmur of sea against shore. There was moonlight in it and the slow grind of earth against stone. There was harping in it, and the sound of the wind as it sped across the gorse-backed hills.
On a night such as this, she thought, there was no stilling such music. It was not bound by walls or shackles. It ran free, out from her prison, out of the village; into the night, into the hills. It was heard there, by kowrie and stag. It was heard closer as well.
From the faraway place that the music took her, Angharad heard the alarm raised outside her prison. The wooden beam scraping as it was drawn from the door. The door was pushed open and the small chamber where her body sat singing grew bright from the glare of torches. But she was hardly even there anymore. She was out on the hills, running with the stag and the kowrie, leading them to her with her song, one more ghostly shape in the mist that was rolling down into the village.
“St-stop that you,” one of the guards said. His unease was plain in voice and stance. Like his companion, he was suddenly sober.
Angharad heard him, but only from a great distance. Her music never faltered.
The two guards kept to the doorway, staring at her, unsure of what to do. Then Macal was there, with his hatred of witches, and they followed his lead. He struck her until she fell silent, but the music carried on, from her heart into the night, inaudible to these men, but growing louder when they dragged her out. The earth underfoot resounded like a drumskin with her silent song. The moonlit sky above trembled.
“Bring wood,” Macal called as he pulled her along the ground by her chains. “We’ll burn her now.”
“But the priest…” one of the men protested.
Macal glared at the man. “If we wait for him, she’ll have us all enspelled. We’ll do it now.”
No one moved. Other villagers were waking now—Fael the innkeeper and the barmaid Jessa; the miller, roused first by Angharad’s singing, now coming to see to what use Macal had put his mill; fishermen, grumpy, for it was still hours before dawn when they’d rise to set their nets out past the shoals; the village goodwives. They looked at the red-haired woman, lying on the ground at Macal’s feet, her hands shackled, the chains in Macal’s hands. His earlier supporters backed away from him.
“Have you gone mad?” the miller demanded of him.
Macal pointed at Angharad. “Dath damn you, are you blind? She’s a witch. She’s casting a spell on us all. Can’t you smell the stink of it in the air?”
“Let her go,” the innkeeper said quietly.
Macal shook his head and drew his sword. “Fire’s best—it burns the magic from them—but a sword can do the job as well.”
The mist was entering the village now, roiling down the streets, filled with ghostly running shapes. Lifting her head from the ground, Angharad saw the kowrie, saw the stag. She looked at her captor and suddenly understood what drove him to his hate of witches. He had the Summerblood in his veins too.
“There…there’s no need for this,” she said. “We are kin….”
But Macal didn’t hear her. He was staring into the mist. He saw the flickering shapes of the kowrie. And towering over them all he saw the stag, its tined antlers gleaming in the moonlight, the poetry in its eyes that burned like a fire. He dropped the chains and ran towards the beast, swinging his sword two-handedly.
Villagers ran to intercept him, but they were too late. Macal’s sword bit deep into the stag’s throat.
The beast stumbled to its knees, spraying blood. Macal lifted his blade for a second stroke, but strong hands wrestled the sword from him. When he tried to rise, the villagers struck him with their fists.
“Murderer!” the miller cried.
“He never did you harm!”
“It was a beast!” Macal cried. “A demon beast—summoned by the witch!”
They let him rise then to see what he’d slain. Pog lay there, gasping his last breath, the poetry dying in his eyes. Only Macal and Angharad with their Summerblood had seen a stag. To the villagers, Macal had struck down their village half-wit who’d never done a hurtful thing.
“I…” Macal began taking a step forward, but the villagers pushed him away.
The mists swirled thick around him. Only he and Angharad could see the flickering grey shapes that moved in it, feral eyes gleaming, slender fingers pinching and nipping at his skin. He fled, running headlong between the houses. The mist clotted around him as he reached the outskirts of the village. A great wind rushed down from the hills. Hafarl’s breath, Angharad thought, watching.
The wind tore away the mists. She saw the kowrie flee with it, thirteen slender shapes running into the hills. Where Macal had fallen, only a squat stone lay that looked for all the world like a crouching man, arms and legs drawn in close to his body. It had not been there before.
The villagers shaped the Sign of Horns to ward themselves. Angharad held out her shackled arms to the innkeeper. Silently he fetched the key from one of Macal’s companions. Just as silently Angharad pointed to the men who had attacked her in the stone circle. She met their shamed gazes, one by one, then pointed to where Pog lay.
She waited while they fetched a plank and rolled Pog’s body onto it. When they were ready, she led the way out of the village to the stone circle, the men following. Not until they had delivered their burden to the hilltop Stones did she speak.
“Go now.”
They left at a run. Angharad stood firm until they were out of sight, then slowly she sank to her knees beside the body. Laying her head on its barrelled chest, she wept.
It was the kowrie who hollowed the ground under the kingstone and laid Pog there. And it was the kowrie who pressed the small harp into Angharad’s hands and bade her play. She could feel no joy in this music that her fingers pulled from the strings. The magic was gone. But she played all the same, head bent over her instrument while the kowrie moved amongst the stones in a slow dance to honour the dead.
Mists grew thick again. Then a hoofbeat brought Angharad’s head up. Her music faltered. The stag stood there watching her, the poetry alive in its eyes.
“Are you truly there?” she asked the beast. “Or are you but a phantom I’ve called up to ease my heart?”
The stag stepped forward and pressed a wet nose against her cheek. She stroked its neck. The hairs were coarse. There was no doubt that this was flesh and muscle under her hand. When the stag stepped away, she began to play once more. The music grew of its own accord under her fingers, that wild exultant music that was bitter and sweet, all at once.
Between her music and the poetry
in the stag’s eyes, Angharad sensed the membrane that separated this world from the Middle Kingdoms of the kowrie growing thin. So thin. Like mist. One by one the dancing kowrie passed through, thirteen grey-cloaked figures with teeth gleaming white in their dark faces as they smiled and stepped from this world to the one beyond. Last to go was the stag, he gave her one final look, the poetry shining in his eyes, then stepped away. The music stilled in Angharad’s fingers. The harp fell silent. They were gone now, Pog and his kowrie. Gone from this hill, from this world.
Stepped away.
Into the green.
Hugging her harp to her chest, Angharad waited for the rising sun to wash over the old stone circle and tried not to feel so alone.
The Graceless Child
I am not a little girl anymore.
And I am grateful and lighter
for my lessened load.
I have shouldered it.
—Ally Sheedy, from “A Man’s World”
Tetchie met the tattooed man the night the wild dogs came down from the hills. She was waiting in among the roots of a tall old gnarlwood tree, waiting and watching as she did for an hour or two every night, nested down on the mossy ground with her pack under her head and her mottled cloak wrapped around her for warmth. The leaves of the gnarlwood had yet to turn, but winter seemed to be in the air that night.
She could see the tattooed man’s breath cloud about him, white as pipe smoke in the moonlight. He stood just beyond the spread of the gnarlwood’s twisted boughs, in the shadow of the lone standing stone that shared the hilltop with Tetchie’s tree. He had a forbidding presence, tall and pale, with long fine hair the colour of bone tied back from his high brow. Above his leather trousers he was bare-chested, the swirl of his tattoos crawling across his blanched skin like pictographic insects. Tetchie couldn’t read, but she knew enough to recognize that the dark blue markings were runes.
She wondered if he’d come here to talk to her father.
The Very Best of Charles De Lint Page 15
