Complete Works of Virginia Woolf

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by Virginia Woolf


  Indeed if they had not been blessed in their weather, one blue day being bowled up after another, smooth, round, and flawless. Mrs. Ambrose would have found it very dull. As it was, she had her embroidery frame set up on deck, with a little table by her side on which lay open a black volume of philosophy. She chose a thread from the vari-coloured tangle that lay in her lap, and sewed red into the bark of a tree, or yellow into the river torrent. She was working at a great design of a tropical river running through a tropical forest, where spotted deer would eventually browse upon masses of fruit, bananas, oranges, and giant pomegranates, while a troop of naked natives whirled darts into the air. Between the stitches she looked to one side and read a sentence about the Reality of Matter, or the Nature of Good. Round her men in blue jerseys knelt and scrubbed the boards, or leant over the rails and whistled, and not far off Mr. Pepper sat cutting up roots with a penknife. The rest were occupied in other parts of the ship: Ridley at his Greek — he had never found quarters more to his liking; Willoughby at his documents, for he used a voyage to work of arrears of business; and Rachel — Helen, between her sentences of philosophy, wondered sometimes what Rachel did do with herself? She meant vaguely to go and see. They had scarcely spoken two words to each other since that first evening; they were polite when they met, but there had been no confidence of any kind. Rachel seemed to get on very well with her father — much better, Helen thought, than she ought to — and was as ready to let Helen alone as Helen was to let her alone.

  At that moment Rachel was sitting in her room doing absolutely nothing. When the ship was full this apartment bore some magnificent title and was the resort of elderly sea-sick ladies who left the deck to their youngsters. By virtue of the piano, and a mess of books on the floor, Rachel considered it her room, and there she would sit for hours playing very difficult music, reading a little German, or a little English when the mood took her, and doing — as at this moment — absolutely nothing.

  The way she had been educated, joined to a fine natural indolence, was of course partly the reason of it, for she had been educated as the majority of well-to-do girls in the last part of the nineteenth century were educated. Kindly doctors and gentle old professors had taught her the rudiments of about ten different branches of knowledge, but they would as soon have forced her to go through one piece of drudgery thoroughly as they would have told her that her hands were dirty. The one hour or the two hours weekly passed very pleasantly, partly owing to the other pupils, partly to the fact that the window looked upon the back of a shop, where figures appeared against the red windows in winter, partly to the accidents that are bound to happen when more than two people are in the same room together. But there was no subject in the world which she knew accurately. Her mind was in the state of an intelligent man’s in the beginning of the reign of Queen Elizabeth; she would believe practically anything she was told, invent reasons for anything she said. The shape of the earth, the history of the world, how trains worked, or money was invested, what laws were in force, which people wanted what, and why they wanted it, the most elementary idea of a system in modern life — none of this had been imparted to her by any of her professors or mistresses. But this system of education had one great advantage. It did not teach anything, but it put no obstacle in the way of any real talent that the pupil might chance to have. Rachel, being musical, was allowed to learn nothing but music; she became a fanatic about music. All the energies that might have gone into languages, science, or literature, that might have made her friends, or shown her the world, poured straight into music. Finding her teachers inadequate, she had practically taught herself. At the age of twenty-four she knew as much about music as most people do when they are thirty; and could play as well as nature allowed her to, which, as became daily more obvious, was a really generous allowance. If this one definite gift was surrounded by dreams and ideas of the most extravagant and foolish description, no one was any the wiser.

  Her education being thus ordinary, her circumstances were no more out of the common. She was an only child and had never been bullied and laughed at by brothers and sisters. Her mother having died when she was eleven, two aunts, the sisters of her father, brought her up, and they lived for the sake of the air in a comfortable house in Richmond. She was of course brought up with excessive care, which as a child was for her health; as a girl and a young woman was for what it seems almost crude to call her morals. Until quite lately she had been completely ignorant that for women such things existed. She groped for knowledge in old books, and found it in repulsive chunks, but she did not naturally care for books and thus never troubled her head about the censorship which was exercised first by her aunts, later by her father. Friends might have told her things, but she had few of her own age, — Richmond being an awkward place to reach, — and, as it happened, the only girl she knew well was a religious zealot, who in the fervour of intimacy talked about God, and the best ways of taking up one’s cross, a topic only fitfully interesting to one whose mind reached other stages at other times.

  But lying in her chair, with one hand behind her head, the other grasping the knob on the arm, she was clearly following her thoughts intently. Her education left her abundant time for thinking. Her eyes were fixed so steadily upon a ball on the rail of the ship that she would have been startled and annoyed if anything had chanced to obscure it for a second. She had begun her meditations with a shout of laughter, caused by the following translation from Tristan:

  In shrinking trepidation

  His shame he seems to hide

  While to the king his relation

  He brings the corpse-like Bride.

  Seems it so senseless what I say?

  She cried that it did, and threw down the book. Next she had picked up Cowper’s Letters, the classic prescribed by her father which had bored her, so that one sentence chancing to say something about the smell of broom in his garden, she had thereupon seen the little hall at Richmond laden with flowers on the day of her mother’s funeral, smelling so strong that now any flower-scent brought back the sickly horrible sensation; and so from one scene she passed, half-hearing, half-seeing, to another. She saw her Aunt Lucy arranging flowers in the drawing-room.

  “Aunt Lucy,” she volunteered, “I don’t like the smell of broom; it reminds me of funerals.”

  “Nonsense, Rachel,” Aunt Lucy replied; “don’t say such foolish things, dear. I always think it a particularly cheerful plant.”

  Lying in the hot sun her mind was fixed upon the characters of her aunts, their views, and the way they lived. Indeed this was a subject that lasted her hundreds of morning walks round Richmond Park, and blotted out the trees and the people and the deer. Why did they do the things they did, and what did they feel, and what was it all about? Again she heard Aunt Lucy talking to Aunt Eleanor. She had been that morning to take up the character of a servant, “And, of course, at half-past ten in the morning one expects to find the housemaid brushing the stairs.” How odd! How unspeakably odd! But she could not explain to herself why suddenly as her aunt spoke the whole system in which they lived had appeared before her eyes as something quite unfamiliar and inexplicable, and themselves as chairs or umbrellas dropped about here and there without any reason. She could only say with her slight stammer, “Are you f-f-fond of Aunt Eleanor, Aunt Lucy?” to which her aunt replied, with her nervous hen-like twitter of a laugh, “My dear child, what questions you do ask!”

  “How fond? Very fond!” Rachel pursued.

  “I can’t say I’ve ever thought ‘how,’” said Miss Vinrace. “If one cares one doesn’t think ‘how,’ Rachel,” which was aimed at the niece who had never yet “come” to her aunts as cordially as they wished.

  “But you know I care for you, don’t you, dear, because you’re your mother’s daughter, if for no other reason, and there are plenty of other reasons” — and she leant over and kissed her with some emotion, and the argument was spilt irretrievably about the place like a bucket of milk.

&nbs
p; By these means Rachel reached that stage in thinking, if thinking it can be called, when the eyes are intent upon a ball or a knob and the lips cease to move. Her efforts to come to an understanding had only hurt her aunt’s feelings, and the conclusion must be that it is better not to try. To feel anything strongly was to create an abyss between oneself and others who feel strongly perhaps but differently. It was far better to play the piano and forget all the rest. The conclusion was very welcome. Let these odd men and women — her aunts, the Hunts, Ridley, Helen, Mr. Pepper, and the rest — be symbols, — featureless but dignified, symbols of age, of youth, of motherhood, of learning, and beautiful often as people upon the stage are beautiful. It appeared that nobody ever said a thing they meant, or ever talked of a feeling they felt, but that was what music was for. Reality dwelling in what one saw and felt, but did not talk about, one could accept a system in which things went round and round quite satisfactorily to other people, without often troubling to think about it, except as something superficially strange. Absorbed by her music she accepted her lot very complacently, blazing into indignation perhaps once a fortnight, and subsiding as she subsided now. Inextricably mixed in dreamy confusion, her mind seemed to enter into communion, to be delightfully expanded and combined with the spirit of the whitish boards on deck, with the spirit of the sea, with the spirit of Beethoven O, even with the spirit of poor William Cowper there at Olney. Like a ball of thistledown it kissed the sea, rose, kissed it again, and thus rising and kissing passed finally out of sight. The rising and falling of the ball of thistledown was represented by the sudden droop forward of her own head, and when it passed out of sight she was asleep.

  Ten minutes later Mrs. Ambrose opened the door and looked at her. It did not surprise her to find that this was the way in which Rachel passed her mornings. She glanced round the room at the piano, at the books, at the general mess. In the first place she considered Rachel aesthetically; lying unprotected she looked somehow like a victim dropped from the claws of a bird of prey, but considered as a woman, a young woman of twenty-four, the sight gave rise to reflections. Mrs. Ambrose stood thinking for at least two minutes. She then smiled, turned noiselessly away and went, lest the sleeper should waken, and there should be the awkwardness of speech between them.

  Chapter III

  Early next morning there was a sound as of chains being drawn roughly overhead; the steady heart of the Euphrosyne slowly ceased to beat; and Helen, poking her nose above deck, saw a stationary castle upon a stationary hill. They had dropped anchor in the mouth of the Tagus, and instead of cleaving new waves perpetually, the same waves kept returning and washing against the sides of the ship.

  As soon as breakfast was done, Willoughby disappeared over the vessel’s side, carrying a brown leather case, shouting over his shoulder that every one was to mind and behave themselves, for he would be kept in Lisbon doing business until five o’clock that afternoon.

  At about that hour he reappeared, carrying his case, professing himself tired, bothered, hungry, thirsty, cold, and in immediate need of his tea. Rubbing his hands, he told them the adventures of the day: how he had come upon poor old Jackson combing his moustache before the glass in the office, little expecting his descent, had put him through such a morning’s work as seldom came his way; then treated him to a lunch of champagne and ortolans; paid a call upon Mrs. Jackson, who was fatter than ever, poor woman, but asked kindly after Rachel — and O Lord, little Jackson had confessed to a confounded piece of weakness — well, well, no harm was done, he supposed, but what was the use of his giving orders if they were promptly disobeyed? He had said distinctly that he would take no passengers on this trip. Here he began searching in his pockets and eventually discovered a card, which he planked down on the table before Rachel. On it she read, “Mr. and Mrs. Richard Dalloway, 23 Browne Street, Mayfair.”

  “Mr. Richard Dalloway,” continued Vinrace, “seems to be a gentleman who thinks that because he was once a member of Parliament, and his wife’s the daughter of a peer, they can have what they like for the asking. They got round poor little Jackson anyhow. Said they must have passages — produced a letter from Lord Glenaway, asking me as a personal favour — overruled any objections Jackson made (I don’t believe they came to much), and so there’s nothing for it but to submit, I suppose.”

  But it was evident that for some reason or other Willoughby was quite pleased to submit, although he made a show of growling.

  The truth was that Mr. and Mrs. Dalloway had found themselves stranded in Lisbon. They had been travelling on the Continent for some weeks, chiefly with a view to broadening Mr. Dalloway’s mind. Unable for a season, by one of the accidents of political life, to serve his country in Parliament, Mr. Dalloway was doing the best he could to serve it out of Parliament. For that purpose the Latin countries did very well, although the East, of course, would have done better.

  “Expect to hear of me next in Petersburg or Teheran,” he had said, turning to wave farewell from the steps of the Travellers’. But a disease had broken out in the East, there was cholera in Russia, and he was heard of, not so romantically, in Lisbon. They had been through France; he had stopped at manufacturing centres where, producing letters of introduction, he had been shown over works, and noted facts in a pocket-book. In Spain he and Mrs. Dalloway had mounted mules, for they wished to understand how the peasants live. Are they ripe for rebellion, for example? Mrs. Dalloway had then insisted upon a day or two at Madrid with the pictures. Finally they arrived in Lisbon and spent six days which, in a journal privately issued afterwards, they described as of “unique interest.” Richard had audiences with ministers, and foretold a crisis at no distant date, “the foundations of government being incurably corrupt. Yet how blame, etc.”; while Clarissa inspected the royal stables, and took several snapshots showing men now exiled and windows now broken. Among other things she photographed Fielding’s grave, and let loose a small bird which some ruffian had trapped, “because one hates to think of anything in a cage where English people lie buried,” the diary stated. Their tour was thoroughly unconventional, and followed no meditated plan. The foreign correspondents of the Times decided their route as much as anything else. Mr. Dalloway wished to look at certain guns, and was of opinion that the African coast is far more unsettled than people at home were inclined to believe. For these reasons they wanted a slow inquisitive kind of ship, comfortable, for they were bad sailors, but not extravagant, which would stop for a day or two at this port and at that, taking in coal while the Dalloways saw things for themselves. Meanwhile they found themselves stranded in Lisbon, unable for the moment to lay hands upon the precise vessel they wanted. They heard of the Euphrosyne, but heard also that she was primarily a cargo boat, and only took passengers by special arrangement, her business being to carry dry goods to the Amazons, and rubber home again. “By special arrangement,” however, were words of high encouragement to them, for they came of a class where almost everything was specially arranged, or could be if necessary. On this occasion all that Richard did was to write a note to Lord Glenaway, the head of the line which bears his title; to call on poor old Jackson; to represent to him how Mrs. Dalloway was so-and-so, and he had been something or other else, and what they wanted was such and such a thing. It was done. They parted with compliments and pleasure on both sides, and here, a week later, came the boat rowing up to the ship in the dusk with the Dalloways on board of it; in three minutes they were standing together on the deck of the Euphrosyne. Their arrival, of course, created some stir, and it was seen by several pairs of eyes that Mrs. Dalloway was a tall slight woman, her body wrapped in furs, her head in veils, while Mr. Dalloway appeared to be a middle-sized man of sturdy build, dressed like a sportsman on an autumnal moor. Many solid leather bags of a rich brown hue soon surrounded them, in addition to which Mr. Dalloway carried a despatch box, and his wife a dressing-case suggestive of a diamond necklace and bottles with silver tops.

  “It’s so like Whistler!” she excl
aimed, with a wave towards the shore, as she shook Rachel by the hand, and Rachel had only time to look at the grey hills on one side of her before Willoughby introduced Mrs. Chailey, who took the lady to her cabin.

  Momentary though it seemed, nevertheless the interruption was upsetting; every one was more or less put out by it, from Mr. Grice, the steward, to Ridley himself. A few minutes later Rachel passed the smoking-room, and found Helen moving arm-chairs. She was absorbed in her arrangements, and on seeing Rachel remarked confidentially:

  “If one can give men a room to themselves where they will sit, it’s all to the good. Arm-chairs are the important things—” She began wheeling them about. “Now, does it still look like a bar at a railway station?”

  She whipped a plush cover off a table. The appearance of the place was marvellously improved.

  Again, the arrival of the strangers made it obvious to Rachel, as the hour of dinner approached, that she must change her dress; and the ringing of the great bell found her sitting on the edge of her berth in such a position that the little glass above the washstand reflected her head and shoulders. In the glass she wore an expression of tense melancholy, for she had come to the depressing conclusion, since the arrival of the Dalloways, that her face was not the face she wanted, and in all probability never would be.

  However, punctuality had been impressed on her, and whatever face she had, she must go in to dinner.

  These few minutes had been used by Willoughby in sketching to the Dalloways the people they were to meet, and checking them upon his fingers.

 

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