But the red light was on the columns of the Parthenon, and the Greek women who were knitting their stockings and sometimes crying to a child to come and have the insects picked from its head were as jolly as sand-martins in the heat, quarrelling, scolding, suckling their babies, until the ships in the Piraeus fired their guns.
The sound spread itself flat, and then went tunnelling its way with fitful explosions among the channels of the islands.
Darkness drops like a knife over Greece.
“The guns?” said Betty Flanders, half asleep, getting out of bed and going to the window, which was decorated with a fringe of dark leaves.
“Not at this distance,” she thought. “It is the sea.”
Again, far away, she heard the dull sound, as if nocturnal women were beating great carpets. There was Morty lost, and Seabrook dead; her sons fighting for their country. But were the chickens safe? Was that some one moving downstairs? Rebecca with the toothache? No. The nocturnal women were beating great carpets. Her hens shifted slightly on their perches.
CHAPTER FOURTEEN
“He left everything just as it was,” Bonamy marvelled. “Nothing arranged. All his letters strewn about for any one to read. What did he expect? Did he think he would come back?” he mused, standing in the middle of Jacob’s room.
The eighteenth century has its distinction. These houses were built, say, a hundred and fifty years ago. The rooms are shapely, the ceilings high; over the doorways a rose or a ram’s skull is carved in the wood. Even the panels, painted in raspberry-coloured paint, have their distinction.
Bonamy took up a bill for a hunting-crop.
“That seems to be paid,” he said.
There were Sandra’s letters.
Mrs. Durrant was taking a party to Greenwich.
Lady Rocksbier hoped for the pleasure….
Listless is the air in an empty room, just swelling the curtain; the flowers in the jar shift. One fibre in the wicker arm-chair creaks, though no one sits there.
Bonamy crossed to the window. Pickford’s van swung down the street. The omnibuses were locked together at Mudie’s corner. Engines throbbed, and carters, jamming the brakes down, pulled their horses sharp up. A harsh and unhappy voice cried something unintelligible. And then suddenly all the leaves seemed to raise themselves.
“Jacob! Jacob!” cried Bonamy, standing by the window. The leaves sank down again.
“Such confusion everywhere!” exclaimed Betty Flanders, bursting open the bedroom door.
Bonamy turned away from the window.
“What am I to do with these, Mr. Bonamy?”
She held out a pair of Jacob’s old shoes.
MRS. DALLOWAY
Mrs Dalloway was first published on in 1925 by Hogarth Press and remains one of Woolf’s most renowned novels and is regarded as a pioneer work of twentieth century literature. The novel chronicles one day in the life of Clarissa Dalloway as she prepares to host a party that evening. She is a high society woman, acutely aware of her place and position in society and anxious that the evening should be considered a success. The narrative voice of the text is largely that of an internalised, stream of conscious thought which offers the feelings, perspectives and mental patterns of the characters.
Though the novel introduces many characters, the main focus of the work is on Clarissa and Septimus Smith, who is a World War I veteran, and the novel flits back and forth in time as the characters focus on the present and drift into thought about the past. Mrs. Dalloway deals with social, sexual and political topics, many of which remain significant to twenty-first century readers, particularly class structure, sexual orientation and mental health. The issue of class divide is apparent in the nameless, faceless servants that actually perform all the work for Clarissa’s party and it is also underlined in the parallel and contrasting narratives of the hostess and Septimus; the latter’s fate becomes the idle chatter and conversation of Mrs Dalloway’s soiree.
One of the most emotive and visceral aspects of the text is the mental disintegration suffered by Septimus. He is a victim of the psychological trauma inflicted on millions by the First World War, who received no substantial medical help for the severity of their conditions. Woolf is especially scathing of the psychiatrist, Sir Bradshaw, and the incompetent, dismissive and inconsiderate manner in which he treats Septimus, and the further pain and damage this causes to the mentally fragile man. The issue of sexuality and the confines of the period is also a prominent thread that is interwoven into the work. While Septimus is married to his caring wife Rezia, his greatest emotions are associated with his wartime friend Evans, whose memory and image haunts him throughout the work. Additionally, Clarissa’s thoughts repeatedly return to her time at Bourton and her friend Sally Seton with whom she once shared a kiss and whom Dalloway remembers as the antithesis of the conventional woman. Mrs Dalloway was a highly innovative novel and still remains a ground-breaking modernist work today.
Please note: Mrs. Dalloway was originally published with no chapter divisions as one continual text, emphasising the stream of consciousness technique to full effect. The text appears in this edition as the author originally intended, with no table of contents or divisions in the text.
The first edition
Nicole Kidman as Virginia Woolf in 2002 film ‘The Hours’. The film was largely based on ‘Mrs. Dalloway’ and Kidman won an Academy Award for her portrayal of the author
MRS DALLOWAY.
Mrs. Dalloway said she would buy the flowers herself.
For Lucy had her work cut out for her. The doors would be taken off their hinges; Rumpelmayer’s men were coming. And then, thought Clarissa Dalloway, what a morning — fresh as if issued to children on a beach.
What a lark! What a plunge! For so it had always seemed to her, when, with a little squeak of the hinges, which she could hear now, she had burst open the French windows and plunged at Bourton into the open air. How fresh, how calm, stiller than this of course, the air was in the early morning; like the flap of a wave; the kiss of a wave; chill and sharp and yet (for a girl of eighteen as she then was) solemn, feeling as she did, standing there at the open window, that something awful was about to happen; looking at the flowers, at the trees with the smoke winding off them and the rooks rising, falling; standing and looking until Peter Walsh said, “Musing among the vegetables?” — was that it?— “I prefer men to cauliflowers” — was that it? He must have said it at breakfast one morning when she had gone out on to the terrace — Peter Walsh. He would be back from India one of these days, June or July, she forgot which, for his letters were awfully dull; it was his sayings one remembered; his eyes, his pocket-knife, his smile, his grumpiness and, when millions of things had utterly vanished — how strange it was! — a few sayings like this about cabbages.
She stiffened a little on the kerb, waiting for Durtnall’s van to pass. A charming woman, Scrope Purvis thought her (knowing her as one does know people who live next door to one in Westminster); a touch of the bird about her, of the jay, blue-green, light, vivacious, though she was over fifty, and grown very white since her illness. There she perched, never seeing him, waiting to cross, very upright.
For having lived in Westminster — how many years now? over twenty, — one feels even in the midst of the traffic, or waking at night, Clarissa was positive, a particular hush, or solemnity; an indescribable pause; a suspense (but that might be her heart, affected, they said, by influenza) before Big Ben strikes. There! Out it boomed. First a warning, musical; then the hour, irrevocable. The leaden circles dissolved in the air. Such fools we are, she thought, crossing Victoria Street. For Heaven only knows why one loves it so, how one sees it so, making it up, building it round one, tumbling it, creating it every moment afresh; but the veriest frumps, the most dejected of miseries sitting on doorsteps (drink their downfall) do the same; can’t be dealt with, she felt positive, by Acts of Parliament for that very reason: they love life. In people’s eyes, in the swing, tramp, and trudge; in
the bellow and the uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment of June.
For it was the middle of June. The War was over, except for some one like Mrs. Foxcroft at the Embassy last night eating her heart out because that nice boy was killed and now the old Manor House must go to a cousin; or Lady Bexborough who opened a bazaar, they said, with the telegram in her hand, John, her favourite, killed; but it was over; thank Heaven — over. It was June. The King and Queen were at the Palace. And everywhere, though it was still so early, there was a beating, a stirring of galloping ponies, tapping of cricket bats; Lords, Ascot, Ranelagh and all the rest of it; wrapped in the soft mesh of the grey-blue morning air, which, as the day wore on, would unwind them, and set down on their lawns and pitches the bouncing ponies, whose forefeet just struck the ground and up they sprung, the whirling young men, and laughing girls in their transparent muslins who, even now, after dancing all night, were taking their absurd woolly dogs for a run; and even now, at this hour, discreet old dowagers were shooting out in their motor cars on errands of mystery; and the shopkeepers were fidgeting in their windows with their paste and diamonds, their lovely old sea-green brooches in eighteenth-century settings to tempt Americans (but one must economise, not buy things rashly for Elizabeth), and she, too, loving it as she did with an absurd and faithful passion, being part of it, since her people were courtiers once in the time of the Georges, she, too, was going that very night to kindle and illuminate; to give her party. But how strange, on entering the Park, the silence; the mist; the hum; the slow-swimming happy ducks; the pouched birds waddling; and who should be coming along with his back against the Government buildings, most appropriately, carrying a despatch box stamped with the Royal Arms, who but Hugh Whitbread; her old friend Hugh — the admirable Hugh!
“Good-morning to you, Clarissa!” said Hugh, rather extravagantly, for they had known each other as children. “Where are you off to?”
“I love walking in London,” said Mrs. Dalloway. “Really it’s better than walking in the country.”
They had just come up — unfortunately — to see doctors. Other people came to see pictures; go to the opera; take their daughters out; the Whitbreads came “to see doctors.” Times without number Clarissa had visited Evelyn Whitbread in a nursing home. Was Evelyn ill again? Evelyn was a good deal out of sorts, said Hugh, intimating by a kind of pout or swell of his very well-covered, manly, extremely handsome, perfectly upholstered body (he was almost too well dressed always, but presumably had to be, with his little job at Court) that his wife had some internal ailment, nothing serious, which, as an old friend, Clarissa Dalloway would quite understand without requiring him to specify. Ah yes, she did of course; what a nuisance; and felt very sisterly and oddly conscious at the same time of her hat. Not the right hat for the early morning, was that it? For Hugh always made her feel, as he bustled on, raising his hat rather extravagantly and assuring her that she might be a girl of eighteen, and of course he was coming to her party to-night, Evelyn absolutely insisted, only a little late he might be after the party at the Palace to which he had to take one of Jim’s boys, — she always felt a little skimpy beside Hugh; schoolgirlish; but attached to him, partly from having known him always, but she did think him a good sort in his own way, though Richard was nearly driven mad by him, and as for Peter Walsh, he had never to this day forgiven her for liking him.
She could remember scene after scene at Bourton — Peter furious; Hugh not, of course, his match in any way, but still not a positive imbecile as Peter made out; not a mere barber’s block. When his old mother wanted him to give up shooting or to take her to Bath he did it, without a word; he was really unselfish, and as for saying, as Peter did, that he had no heart, no brain, nothing but the manners and breeding of an English gentleman, that was only her dear Peter at his worst; and he could be intolerable; he could be impossible; but adorable to walk with on a morning like this.
(June had drawn out every leaf on the trees. The mothers of Pimlico gave suck to their young. Messages were passing from the Fleet to the Admiralty. Arlington Street and Piccadilly seemed to chafe the very air in the Park and lift its leaves hotly, brilliantly, on waves of that divine vitality which Clarissa loved. To dance, to ride, she had adored all that.)
For they might be parted for hundreds of years, she and Peter; she never wrote a letter and his were dry sticks; but suddenly it would come over her, If he were with me now what would he say? — some days, some sights bringing him back to her calmly, without the old bitterness; which perhaps was the reward of having cared for people; they came back in the middle of St. James’s Park on a fine morning — indeed they did. But Peter — however beautiful the day might be, and the trees and the grass, and the little girl in pink — Peter never saw a thing of all that. He would put on his spectacles, if she told him to; he would look. It was the state of the world that interested him; Wagner, Pope’s poetry, people’s characters eternally, and the defects of her own soul. How he scolded her! How they argued! She would marry a Prime Minister and stand at the top of a staircase; the perfect hostess he called her (she had cried over it in her bedroom), she had the makings of the perfect hostess, he said.
So she would still find herself arguing in St. James’s Park, still making out that she had been right — and she had too — not to marry him. For in marriage a little licence, a little independence there must be between people living together day in day out in the same house; which Richard gave her, and she him. (Where was he this morning for instance? Some committee, she never asked what.) But with Peter everything had to be shared; everything gone into. And it was intolerable, and when it came to that scene in the little garden by the fountain, she had to break with him or they would have been destroyed, both of them ruined, she was convinced; though she had borne about with her for years like an arrow sticking in her heart the grief, the anguish; and then the horror of the moment when some one told her at a concert that he had married a woman met on the boat going to India! Never should she forget all that! Cold, heartless, a prude, he called her. Never could she understand how he cared. But those Indian women did presumably — silly, pretty, flimsy nincompoops. And she wasted her pity. For he was quite happy, he assured her — perfectly happy, though he had never done a thing that they talked of; his whole life had been a failure. It made her angry still.
She had reached the Park gates. She stood for a moment, looking at the omnibuses in Piccadilly.
She would not say of any one in the world now that they were this or were that. She felt very young; at the same time unspeakably aged. She sliced like a knife through everything; at the same time was outside, looking on. She had a perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very, very dangerous to live even one day. Not that she thought herself clever, or much out of the ordinary. How she had got through life on the few twigs of knowledge Fräulein Daniels gave them she could not think. She knew nothing; no language, no history; she scarcely read a book now, except memoirs in bed; and yet to her it was absolutely absorbing; all this; the cabs passing; and she would not say of Peter, she would not say of herself, I am this, I am that.
Her only gift was knowing people almost by instinct, she thought, walking on. If you put her in a room with some one, up went her back like a cat’s; or she purred. Devonshire House, Bath House, the house with the china cockatoo, she had seen them all lit up once; and remembered Sylvia, Fred, Sally Seton — such hosts of people; and dancing all night; and the waggons plodding past to market; and driving home across the Park. She remembered once throwing a shilling into the Serpentine. But every one remembered; what she loved was this, here, now, in front of her; the fat lady in the cab. Did it matter then, she asked herself, walking towards Bond Street, did it matter that she mu
st inevitably cease completely; all this must go on without her; did she resent it; or did it not become consoling to believe that death ended absolutely? but that somehow in the streets of London, on the ebb and flow of things, here, there, she survived, Peter survived, lived in each other, she being part, she was positive, of the trees at home; of the house there, ugly, rambling all to bits and pieces as it was; part of people she had never met; being laid out like a mist between the people she knew best, who lifted her on their branches as she had seen the trees lift the mist, but it spread ever so far, her life, herself. But what was she dreaming as she looked into Hatchards’ shop window? What was she trying to recover? What image of white dawn in the country, as she read in the book spread open:
Fear no more the heat o’ the sun
Nor the furious winter’s rages.
This late age of the world’s experience had bred in them all, all men and women, a well of tears. Tears and sorrows; courage and endurance; a perfectly upright and stoical bearing. Think, for example, of the woman she admired most, Lady Bexborough, opening the bazaar.
There were Jorrocks’ Jaunts and Jollities; there were Soapy Sponge and Mrs. Asquith’s Memoirs and Big Game Shooting in Nigeria, all spread open. Ever so many books there were; but none that seemed exactly right to take to Evelyn Whitbread in her nursing home. Nothing that would serve to amuse her and make that indescribably dried-up little woman look, as Clarissa came in, just for a moment cordial; before they settled down for the usual interminable talk of women’s ailments. How much she wanted it — that people should look pleased as she came in, Clarissa thought and turned and walked back towards Bond Street, annoyed, because it was silly to have other reasons for doing things. Much rather would she have been one of those people like Richard who did things for themselves, whereas, she thought, waiting to cross, half the time she did things not simply, not for themselves; but to make people think this or that; perfect idiocy she knew (and now the policeman held up his hand) for no one was ever for a second taken in. Oh if she could have had her life over again! she thought, stepping on to the pavement, could have looked even differently!
Complete Works of Virginia Woolf Page 110
