“Good-evening, Mrs. McNab,” she would say.
She had a pleasant way with her. The girls all liked her. But, dear, many things had changed since then (she shut the drawer); many families had lost their dearest. So she was dead; and Mr. Andrew killed; and Miss Prue dead too, they said, with her first baby; but everyone had lost some one these years. Prices had gone up shamefully, and didn’t come down again neither. She could well remember her in her grey cloak.
“Good-evening, Mrs. McNab,” she said, and told cook to keep a plate of milk soup for her — quite thought she wanted it, carrying that heavy basket all the way up from town. She could see her now, stooping over her flowers; and faint and flickering, like a yellow beam or the circle at the end of a telescope, a lady in a grey cloak, stooping over her flowers, went wandering over the bedroom wall, up the dressing-table, across the wash-stand, as Mrs. McNab hobbled and ambled, dusting, straightening. And cook’s name now? Mildred? Marian? — some name like that. Ah, she had forgotten — she did forget things. Fiery, like all red-haired women. Many a laugh they had had. She was always welcome in the kitchen. She made them laugh, she did. Things were better then than now.
She sighed; there was too much work for one woman. She wagged her head this side and that. This had been the nursery. Why, it was all damp in here; the plaster was falling. Whatever did they want to hang a beast’s skull there? gone mouldy too. And rats in all the attics. The rain came in. But they never sent; never came. Some of the locks had gone, so the doors banged. She didn’t like to be up here at dusk alone neither. It was too much for one woman, too much, too much. She creaked, she moaned. She banged the door. She turned the key in the lock, and left the house alone, shut up, locked.
9
The house was left; the house was deserted. It was left like a shell on a sandhill to fill with dry salt grains now that life had left it. The long night seemed to have set in; the trifling airs, nibbling, the clammy breaths, fumbling, seemed to have triumphed. The saucepan had rusted and the mat decayed. Toads had nosed their way in. Idly, aimlessly, the swaying shawl swung to and fro. A thistle thrust itself between the tiles in the larder. The swallows nested in the drawing-room; the floor was strewn with straw; the plaster fell in shovelfuls; rafters were laid bare; rats carried off this and that to gnaw behind the wainscots. Tortoise-shell butterflies burst from the chrysalis and pattered their life out on the window-pane. Poppies sowed themselves among the dahlias; the lawn waved with long grass; giant artichokes towered among roses; a fringed carnation flowered among the cabbages; while the gentle tapping of a weed at the window had become, on winters’ nights, a drumming from sturdy trees and thorned briars which made the whole room green in summer.
What power could now prevent the fertility, the insensibility of nature? Mrs. McNab’s dream of a lady, of a child, of a plate of milk soup? It had wavered over the walls like a spot of sunlight and vanished. She had locked the door; she had gone. It was beyond the strength of one woman, she said. They never sent. They never wrote. There were things up there rotting in the drawers — it was a shame to leave them so, she said. The place was gone to rack and ruin. Only the Lighthouse beam entered the rooms for a moment, sent its sudden stare over bed and wall in the darkness of winter, looked with equanimity at the thistle and the swallow, the rat and the straw. Nothing now withstood them; nothing said no to them. Let the wind blow; let the poppy seed itself and the carnation mate with the cabbage. Let the swallow build in the drawing-room, and the thistle thrust aside the tiles, and the butterfly sun itself on the faded chintz of the arm-chairs. Let the broken glass and the china lie out on the lawn and be tangled over with grass and wild berries.
For now had come that moment, that hesitation when dawn trembles and night pauses, when if a feather alight in the scale it will be weighed down. One feather, and the house, sinking, falling, would have turned and pitched downwards to the depths of darkness. In the ruined room, picnickers would have lit their kettles; lovers sought shelter there, lying on the bare boards; and the shepherd stored his dinner on the bricks, and the tramp slept with his coat round him to ward off the cold. Then the roof would have fallen; briars and hemlocks would have blotted out path, step and window; would have grown, unequally but lustily over the mound, until some trespasser, losing his way, could have told only by a red-hot poker among the nettles, or a scrap of china in the hemlock, that here once some one had lived; there had been a house.
If the feather had fallen, if it had tipped the scale downwards, the whole house would have plunged to the depths to lie upon the sands of oblivion. But there was a force working; something not highly conscious; something that leered, something that lurched; something not inspired to go about its work with dignified ritual or solemn chanting. Mrs. McNab groaned; Mrs. Bast creaked. They were old; they were stiff; their legs ached. They came with their brooms and pails at last; they got to work. All of a sudden, would Mrs. McNab see that the house was ready, one of the young ladies wrote: would she get this done; would she get that done; all in a hurry. They might be coming for the summer; had left everything to the last; expected to find things as they had left them. Slowly and painfully, with broom and pail, mopping, scouring, Mrs. McNab, Mrs. Bast, stayed the corruption and the rot; rescued from the pool of Time that was fast closing over them now a basin, now a cupboard; fetched up from oblivion all the Waverley novels and a tea-set one morning; in the afternoon restored to sun and air a brass fender and a set of steel fire-irons. George, Mrs. Bast’s son, caught the rats, and cut the grass. They had the builders. Attended with the creaking of hinges and the screeching of bolts, the slamming and banging of damp-swollen woodwork, some rusty laborious birth seemed to be taking place, as the women, stooping, rising, groaning, singing, slapped and slammed, upstairs now, now down in the cellars. Oh, they said, the work!
They drank their tea in the bedroom sometimes, or in the study; breaking off work at mid-day with the smudge on their faces, and their old hands clasped and cramped with the broom handles. Flopped on chairs, they contemplated now the magnificent conquest over taps and bath; now the more arduous, more partial triumph over long rows of books, black as ravens once, now white-stained, breeding pale mushrooms and secreting furtive spiders. Once more, as she felt the tea warm in her, the telescope fitted itself to Mrs. McNab’s eyes, and in a ring of light she saw the old gentleman, lean as a rake, wagging his head, as she came up with the washing, talking to himself, she supposed, on the lawn. He never noticed her. Some said he was dead; some said she was dead. Which was it? Mrs. Bast didn’t know for certain either. The young gentleman was dead. That she was sure. She had read his name in the papers.
There was the cook now, Mildred, Marian, some such name as that — a red- headed woman, quick-tempered like all her sort, but kind, too, if you knew the way with her. Many a laugh they had had together. She saved a plate of soup for Maggie; a bite of ham, sometimes; whatever was over. They lived well in those days. They had everything they wanted (glibly, jovially, with the tea hot in her, she unwound her ball of memories, sitting in the wicker arm-chair by the nursery fender). There was always plenty doing, people in the house, twenty staying sometimes, and washing up till long past midnight.
Mrs. Bast (she had never known them; had lived in Glasgow at that time) wondered, putting her cup down, whatever they hung that beast’s skull there for? Shot in foreign parts no doubt.
It might well be, said Mrs. McNab, wantoning on with her memories; they had friends in eastern countries; gentlemen staying there, ladies in evening dress; she had seen them once through the dining-room door all sitting at dinner. Twenty she dared say all in their jewellery, and she asked to stay help wash up, might be till after midnight.
Ah, said Mrs. Bast, they’d find it changed. She leant out of the window. She watched her son George scything the grass. They might well ask, what had been done to it? seeing how old Kennedy was supposed to have charge of it, and then his leg got so bad after he fell from the cart; and perhaps then no one fo
r a year, or the better part of one; and then Davie Macdonald, and seeds might be sent, but who should say if they were ever planted? They’d find it changed.
She watched her son scything. He was a great one for work — one of those quiet ones. Well they must be getting along with the cupboards, she supposed. They hauled themselves up.
At last, after days of labour within, of cutting and digging without, dusters were flicked from the windows, the windows were shut to, keys were turned all over the house; the front door was banged; it was finished.
And now as if the cleaning and the scrubbing and the scything and the mowing had drowned it there rose that half-heard melody, that intermittent music which the ear half catches but lets fall; a bark, a bleat; irregular, intermittent, yet somehow related; the hum of an insect, the tremor of cut grass, disevered yet somehow belonging; the jar of a dorbeetle, the squeak of a wheel, loud, low, but mysteriously related; which the ear strains to bring together and is always on the verge of harmonising, but they are never quite heard, never fully harmonised, and at last, in the evening, one after another the sounds die out, and the harmony falters, and silence falls. With the sunset sharpness was lost, and like mist rising, quiet rose, quiet spread, the wind settled; loosely the world shook itself down to sleep, darkly here without a light to it, save what came green suffused through leaves, or pale on the white flowers in the bed by the window.
[Lily Briscoe had her bag carried up to the house late one evening in September. Mr. Carmichael came by the same train.]
10
Then indeed peace had come. Messages of peace breathed from the sea to the shore. Never to break its sleep any more, to lull it rather more deeply to rest, and whatever the dreamers dreamt holily, dreamt wisely, to confirm — what else was it murmuring — as Lily Briscoe laid her head on the pillow in the clean still room and heard the sea. Through the open window the voice of the beauty of the world came murmuring, too softly to hear exactly what it said — but what mattered if the meaning were plain? entreating the sleepers (the house was full again; Mrs. Beckwith was staying there, also Mr. Carmichael), if they would not actually come down to the beach itself at least to lift the blind and look out. They would see then night flowing down in purple; his head crowned; his sceptre jewelled; and how in his eyes a child might look. And if they still faltered (Lily was tired out with travelling and slept almost at once; but Mr. Carmichael read a book by candlelight), if they still said no, that it was vapour, this splendour of his, and the dew had more power than he, and they preferred sleeping; gently then without complaint, or argument, the voice would sing its song. Gently the waves would break (Lily heard them in her sleep); tenderly the light fell (it seemed to come through her eyelids). And it all looked, Mr. Carmichael thought, shutting his book, falling asleep, much as it used to look.
Indeed the voice might resume, as the curtains of dark wrapped themselves over the house, over Mrs. Beckwith, Mr. Carmichael, and Lily Briscoe so that they lay with several folds of blackness on their eyes, why not accept this, be content with this, acquiesce and resign? The sigh of all the seas breaking in measure round the isles soothed them; the night wrapped them; nothing broke their sleep, until, the birds beginning and the dawn weaving their thin voices in to its whiteness, a cart grinding, a dog somewhere barking, the sun lifted the curtains, broke the veil on their eyes, and Lily Briscoe stirring in her sleep. She clutched at her blankets as a faller clutches at the turf on the edge of a cliff. Her eyes opened wide. Here she was again, she thought, sitting bold upright in bed. Awake.
THE LIGHTHOUSE
1
What does it mean then, what can it all mean? Lily Briscoe asked herself, wondering whether, since she had been left alone, it behoved her to go to the kitchen to fetch another cup of coffee or wait here. What does it mean? — a catchword that was, caught up from some book, fitting her thought loosely, for she could not, this first morning with the Ramsays, contract her feelings, could only make a phrase resound to cover the blankness of her mind until these vapours had shrunk. For really, what did she feel, come back after all these years and Mrs. Ramsay dead? Nothing, nothing — nothing that she could express at all.
She had come late last night when it was all mysterious, dark. Now she was awake, at her old place at the breakfast table, but alone. It was very early too, not yet eight. There was this expedition — they were going to the Lighthouse, Mr. Ramsay, Cam, and James. They should have gone already — they had to catch the tide or something. And Cam was not ready and James was not ready and Nancy had forgotten to order the sandwiches and Mr. Ramsay had lost his temper and banged out of the room.
“What’s the use of going now?” he had stormed.
Nancy had vanished. There he was, marching up and down the terrace in a rage. One seemed to hear doors slamming and voices calling all over the house. Now Nancy burst in, and asked, looking round the room, in a queer half dazed, half desperate way, “What does one send to the Lighthouse?” as if she were forcing herself to do what she despaired of ever being able to do.
What does one send to the Lighthouse indeed! At any other time Lily could have suggested reasonably tea, tobacco, newspapers. But this morning everything seemed so extraordinarily queer that a question like Nancy’s — What does one send to the Lighthouse? — opened doors in one’s mind that went banging and swinging to and fro and made one keep asking, in a stupefied gape, What does one send? What does one do? Why is one sitting here, after all?
Sitting alone (for Nancy went out again) among the clean cups at the long table, she felt cut off from other people, and able only to go on watching, asking, wondering. The house, the place, the morning, all seemed strangers to her. She had no attachment here, she felt, no relations with it, anything might happen, and whatever did happen, a step outside, a voice calling (“It’s not in the cupboard; it’s on the landing,” some one cried), was a question, as if the link that usually bound things together had been cut, and they floated up here, down there, off, anyhow. How aimless it was,, how chaotic, how unreal it was, she thought, looking at her empty coffee cup. Mrs. Ramsay dead; Andrew killed; Prue dead too — repeat it as she might, it roused no feeling in her. And we all get together in a house like this on a morning like this, she said, looking out of the window. It was a beautiful still day.
2
Suddenly Mr. Ramsay raised his head as he passed and looked straight at her, with his distraught wild gaze which was yet so penetrating, as if he saw you, for one second, for the first time, for ever; and she pretended to drink out of her empty coffee cup so as to escape him — to escape his demand on her, to put aside a moment longer that imperious need. And he shook his head at her, and strode on (“Alone” she heard him say, “Perished” she heard him say) and like everything else this strange morning the words became symbols, wrote themselves all over the grey-green walls. If only she could put them together, she felt, write them out in some sentence, then she would have got at the truth of things. Old Mr. Carmichael came padding softly in, fetched his coffee, took his cup and made off to sit in the sun. The extraordinary unreality was frightening; but it was also exciting. Going to the Lighthouse. But what does one send to the Lighthouse? Perished. Alone. The grey-green light on the wall opposite. The empty places. Such were some of the parts, but how bring them together? she asked. As if any interruption would break the frail shape she was building on the table she turned her back to the window lest Mr. Ramsay should see her. She must escape somewhere, be alone somewhere. Suddenly she remembered. When she had sat there last ten years ago there had been a little sprig or leaf pattern on the table-cloth, which she had looked at in a moment of revelation. There had been a problem about a foreground of a picture. Move the tree to the middle, she had said. She had never finished that picture. She would paint that picture now. It had been knocking about in her mind all these years. Where were her paints, she wondered? Her paints, yes. She had left them in the hall last night. She would start at once. She got up quickly, before Mr. Ramsay tu
rned.
She fetched herself a chair. She pitched her easel with her precise old-maidish movements on the edge of the lawn, not too close to Mr. Carmichael, but close enough for his protection. Yes, it must have been precisely here that she had stood ten years ago. There was the wall; the hedge; the tree. The question was of some relation between those masses. She had borne it in her mind all these years. It seemed as if the solution had come to her: she knew now what she wanted to do.
But with Mr. Ramsay bearing down on her, she could do nothing. Every time he approached — he was walking up and down the terrace — ruin approached, chaos approached. She could not paint. She stooped, she turned; she took up this rag; she squeezed that tube. But all she did was to ward him off a moment. He made it impossible for her to do anything. For if she gave him the least chance, if he saw her disengaged a moment, looking his way a moment, he would be on her, saying, as he had said last night, “You find us much changed.” Last night he had got up and stopped before her, and said that. Dumb and staring though they had all sat, the six children whom they used to call after the Kings and Queens of England — the Red, the Fair, the Wicked, the Ruthless — she felt how they raged under it. Kind old Mrs. Beckwith said something sensible. But it was a house full of unrelated passions — she had felt that all the evening. And on top of this chaos Mr. Ramsay got up, pressed her hand, and said: “You will find us much changed” and none of them had moved or had spoken; but had sat there as if they were forced to let him say it. Only James (certainly the Sullen) scowled at the lamp; and Cam screwed her handkerchief round her finger. Then he reminded them that they were going to the Lighthouse tomorrow. They must be ready, in the hall, on the stroke of half-past seven. Then, with his hand on the door, he stopped; he turned upon them. Did they not want to go? he demanded. Had they dared say No (he had some reason for wanting it) he would have flung himself tragically backwards into the bitter waters of depair. Such a gift he had for gesture. He looked like a king in exile. Doggedly James said yes. Cam stumbled more wretchedly. Yes, oh, yes, they’d both be ready, they said. And it struck her, this was tragedy — not palls, dust, and the shroud; but children coerced, their spirits subdued. James was sixteen, Cam, seventeen, perhaps. She had looked round for some one who was not there, for Mrs. Ramsay, presumably. But there was only kind Mrs. Beckwith turning over her sketches under the lamp. Then, being tired, her mind still rising and falling with the sea, the taste and smell that places have after long absence possessing her, the candles wavering in her eyes, she had lost herself and gone under. It was a wonderful night, starlit; the waves sounded as they went upstairs; the moon surprised them, enormous, pale, as they passed the staircase window. She had slept at once.
Complete Works of Virginia Woolf Page 142
