‘But to return. Let us again pretend that life is a solid substance, shaped like a globe, which we turn about in our fingers. Let us pretend that we can make out a plain and logical story, so that when one matter is despatched — love for instance — we go on, in an orderly manner, to the next. I was saying there was a willow tree. Its shower of falling branches, its creased and crooked bark had the effect of what remains outside our illusions yet cannot stay them, is changed by them for the moment, yet shows through stable, still, and with a sternness that our lives lack. Hence the comment it makes; the standard it supplies, and the reason why, as we flow and change, it seems to measure. Neville, for example, sat with me on the turf. But can anything be as clear as all that, I would say, following his gaze, through the branches, to a punt on the river, and a young man eating bananas from a paper bag? The scene was cut out with such intensity and so permeated with the quality of his vision that for a moment I could see it too; the punt, the bananas, the young man, through the branches of the willow tree. Then it faded.
‘Rhoda came wandering vaguely. She would take advantage of any scholar in a blowing gown, or donkey rolling the turf with slippered feet to hide behind. What fear wavered and hid itself and blew to a flame in the depths of her grey, her startled, her dreaming eyes? Cruel and vindictive as we are, we are not bad to that extent. We have our fundamental goodness surely or to talk as I talk freely to someone I hardly know would be impossible — we should cease. The willow as she saw it grew on the verge of a grey desert where no bird sang. The leaves shrivelled as she looked at them, tossed in agony as she passed them. The trams and omnibuses roared hoarse in the street ran over rocks and sped foaming away. Perhaps one pillar, sunlit, stood in her desert by a pool where wild beasts come down stealthily to drink.
‘Then Jinny came. She flashed her fire over the tree. She was like a crinkled poppy, febrile, thirsty with the desire to drink dry dust. Darting, angular, not in the least impulsive, she came prepared. So little flames zigzag over the cracks in the dry earth. She made the willows dance, but not with illusion; for she saw nothing that was not there. It was a tree; there was the river; it was afternoon; here we were; I in my serge suit; she in green. There was no past, no future; merely the moment in its ring of light, and our bodies; and the inevitable climax, the ecstasy.
‘Louis, when he let himself down on the grass, cautiously spreading (I do not exaggerate) a mackintosh square, made one acknowledge his presence. It was formidable. I had the intelligence to salute his integrity; his research with bony fingers wrapped in rags because of chilblains for some diamond of indissoluble veracity. I buried boxes of burnt matches in holes in the turf at his feet. His grim and caustic tongue reproved my indolence. He fascinated me with his sordid imagination. His heroes wore bowler-hats and talked about selling pianos for tenners. Through his landscape the tram squealed; the factory poured its acrid fumes. He haunted mean streets and towns where women lay drunk, naked, on counterpanes on Christmas day. His words falling from a shot-tower hit the water and up it spurted. He found one word, one only for the moon. Then he got up and went; we all got up; we all went. But I, pausing, looked at the tree, and as I looked in autumn at the fiery and yellow branches, some sediment formed; I formed; a drop fell; I fell — that is, from some completed experience I had emerged.
‘I rose and walked away — I, I, I; not Byron, Shelley, Dostoevsky, but I, Bernard. I even repeated my own name once or twice. I went, swinging my stick, into a shop, and bought — not that I love music — a picture of Beethoven in a silver frame. Not that I love music, but because the whole of life, its masters, its adventurers, then appeared in long ranks of magnificent human beings behind me; and I was the inheritor; I, the continuer; I, the person miraculously appointed to carry it on. So, swinging my stick, with my eyes filmed, not with pride, but with humility rather, I walked down the street. The first whirr of wings had gone up, the carol, the exclamation; and now one enters; one goes into the house, the dry, uncompromising, inhabited house, the place with all its traditions, its objects, its accumulations of rubbish, and treasures displayed upon tables. I visited the family tailor, who remembered my uncle. People turned up in great quantities, not cut out, like the first faces (Neville, Louis, Jinny, Susan, Rhoda), but confused, featureless, or changed their features so fast that they seemed to have none. And blushing yet scornful, in the oddest condition of raw rapture and scepticism, I took the blow; the mixed sensations; the complex and disturbing and utterly unprepared for impacts of life all over, in all places, at the same time. How upsetting! How humiliating never to be sure what to say next, and those painful silences, glaring as dry deserts, with every pebble apparent; and then to say what one ought not to have said, and then to be conscious of a ramrod of incorruptible sincerity which one would willingly exchange for a shower of smooth pence, but could not, there at that party, where Jinny sat quite at her ease, rayed out on a gilt chair.
‘Then says some lady with an impressive gesture, “Come with me.” She leads one into a private alcove and admits one to the honour of her intimacy. Surnames change to Christian names; Christian names to nicknames. What is to be done about India, Ireland or Morocco? Old gentlemen answer the question standing decorated under chandeliers. One finds oneself surprisingly supplied with information. Outside the undifferentiated forces roar; inside we are very private, very explicit, have a sense indeed, that it is here, in this little room, that we make whatever day of the week it may be. Friday or Saturday. A shell forms upon the soft soul, nacreous, shiny, upon which sensations tap their beaks in vain. On me it formed earlier than on most. Soon I could carve my pear when other people had done dessert. I could bring my sentence to a close in a hush of complete silence. It is at that season too that perfection has a lure. One can learn Spanish, one thinks, by tying a string to the right toe and waking early. One fills up the little compartments of one’s engagement book with dinner at eight; luncheon at one-thirty. One has shirts, socks, ties laid out on one’s bed.
‘But it is a mistake, this extreme precision, this orderly and military progress; a convenience, a lie. There is always deep below it, even when we arrive punctually at the appointed time with our white waistcoats and polite formalities, a rushing stream of broken dreams, nursery rhymes, street cries, half-finished sentences and sights — elm trees, willow trees, gardeners sweeping, women writing — that rise and sink even as we hand a lady down to dinner. While one straightens the fork so precisely on the table-cloth, a thousand faces mop and mow. There is nothing one can fish up in a spoon; nothing one can call an event. Yet it is alive too and deep, this stream. Immersed in it I would stop between one mouthful and the next, and look intently at a vase, perhaps with one red flower, while a reason struck me, a sudden revelation. Or I would say, walking along the Strand, “That’s the phrase I want”, as some beautiful, fabulous phantom bird, fish or cloud with fiery edges swam up to enclose once and for all some notion haunting me, after which on I trotted taking stock with renewed delight of ties and things in shop-windows.
‘The crystal, the globe of life as one calls it, far from being hard and cold to the touch, has walls of thinnest air. If I press them all will burst. Whatever sentence I extract whole and entire from this cauldron is only a string of six little fish that let themselves be caught while a million others leap and sizzle, making the cauldron bubble like boiling silver, and slip through my fingers. Faces recur, faces and faces — they press their beauty to the walls of my bubble — Neville, Susan, Louis, Jinny, Rhoda and a thousand others. How impossible to order them rightly; to detach one separately, or to give the effect of the whole — again like music. What a symphony with its concord and its discord, and its tunes on top and its complicated bass beneath, then grew up! Each played his own tune, fiddle, flute, trumpet, drum or whatever the instrument might be. With Neville, “Let’s discuss Hamlet.” With Louis, science. With Jinny, love. Then suddenly, in a moment of exasperation, off to Cumberland with a quiet man for a whole week in an i
nn, with the rain running down the window-panes and nothing but mutton and mutton and again mutton for dinner. Yet that week remains a solid stone in the welter of unrecorded sensation. It was then we played dominoes; then we quarrelled about tough mutton. Then we walked on the fell. And a little girl, peeping round the door, gave me that letter, written on blue paper, in which I learnt that the girl who had made me Byron was to marry a squire. A man in gaiters, a man with a whip, a man who made speeches about fat oxen at dinner — I exclaimed derisively and looked at the racing clouds, and felt my own failure; my desire to be free; to escape; to be bound; to make an end; to continue; to be Louis; to be myself; and walked out in my mackintosh alone, and felt grumpy under the eternal hills and not in the least sublime; and came home and blamed the meat and packed and so back again to the welter; to the torture.
‘Nevertheless, life is pleasant, life is tolerable. Tuesday follows Monday; then comes Wednesday. The mind grows rings; the identity becomes robust; pain is absorbed in growth. Opening and shutting, shutting and opening, with increasing hum and sturdiness, the haste and fever of youth are drawn into service until the whole being seems to expand in and out like the mainspring of a clock. How fast the stream flows from January to December! We are swept on by the torrent of things grown so familiar that they cast no shadow. We float, we float . . .
‘However, since one must leap (to tell you this story), I leap, here, at this point, and alight now upon some perfectly commonplace object — say the poker and tongs, as I saw them sometime later, after that lady who had made me Byron had married, under the light of one whom I will call the third Miss Jones. She is the girl who wears a certain dress expecting one at dinner, who picks a certain rose, who makes one feel “Steady, steady, this is a matter of some importance”, as one shaves. Then one asks, “How does she behave to children?” One observes that she is a little clumsy with her umbrella; but minded when the mole was caught in the trap; and finally, would not make the loaf at breakfast (I was thinking of the interminable breakfasts of married life as I shaved) altogether prosaic — it would not surprise one sitting opposite this girl to see a dragon-fly perched on the loaf at breakfast. Also she inspired me with a desire to rise in the world; also she made me look with curiosity at the hitherto repulsive faces of new-born babies. And the little fierce beat — tick-tack, tick-tack — of the pulse of one’s mind took on a more majestic rhythm. I roamed down Oxford Street. We are the continuers, we are the inheritors, I said, thinking of my sons and daughters; and if the feeling is so grandiose as to be absurd and one conceals it by jumping on to a bus or buying the evening paper, it is still a curious element in the ardour with which one laces up one’s boots, with which one now addresses old friends committed to different careers. Louis, the attic dweller; Rhoda, the nymph of the fountain always wet; both contradicted what was then so positive to me; both gave the other side of what seemed to me so evident (that we marry, that we domesticate); for which I loved them, pitied them, and also deeply envied them their different lot.
‘Once I had a biographer, dead long since, but if he still followed my footsteps with his old flattering intensity he would here say, “About this time Bernard married and bought a house . . . His friends observed in him a growing tendency to domesticity . . . The birth of children made it highly desirable that he should augment his income.” That is the biographic style, and it does to tack together torn bits of stuff, stuff with raw edges. After all, one cannot find fault with the biographic style if one begins letters “Dear Sir”, ends them “your faithfully”; one cannot despise these phrases laid like Roman roads across the tumult of our lives, since they compel us to walk in step like civilized people with the slow and measured tread of policemen though one may be humming any nonsense under one’s breath at the same time— “Hark, hark, the dogs do bark”, “Come away, come away, death”, “Let me not to the marriage of true minds”, and so on. “He attained some success in his profession . . . He inherited a small sum of money from an uncle” — that is how the biographer continues, and if one wears trousers and hitches them up with braces, one has to say that, though it is tempting now and then to go blackberrying; tempting to play ducks and drakes with all these phrases. But one has to say that.
‘I became, I mean, a certain kind of man, scoring my path across life as one treads a path across the fields. My boots became worn a little on the left side. When I came in, certain re-arrangements took place. “Here’s Bernard!” How differently different people say that! There are many rooms — many Bernards. There was the charming, but weak; the strong, but supercilious; the brilliant, but remorseless; the very good fellow, but, I make no doubt, the awful bore; the sympathetic, but cold; the shabby, but — go into the next room — the foppish, worldly, and too well dressed. What I was to myself was different; was none of these. I am inclined to pin myself down most firmly there before the loaf at breakfast with my wife, who being now entirely my wife and not at all the girl who wore when she hoped to meet me a certain rose, gave me that feeling of existing in the midst of unconsciousness such as the tree-frog must have couched on the right shade of green leaf. “Pass” . . . I would say. “Milk” . . . she might answer, or “Mary’s coming” . . . — simple words for those who have inherited the spoils of all the ages but not as said then, day after day, in the full tide of life, when one feels complete, entire, at breakfast. Muscles, nerves, intestines, blood-vessels, all that makes the coil and spring of our being, the unconscious hum of the engine, as well as the dart and flicker of the tongue, functioned superbly. Opening, shutting; shutting, opening; eating, drinking; sometimes speaking — the whole mechanism seemed to expand, to contract, like the mainspring of a clock. Toast and butter, coffee and bacon. The Times and letters — suddenly the telephone rang with urgency and I rose deliberately and went to the telephone. I took up the black mouth. I marked the ease with which my mind adjusted itself to assimilate the message — it might be (one has these fancies) to assume command of the British Empire; I observed my composure; I remarked with what magnificent vitality the atoms of my attention dispersed, swarmed round the interruption, assimilated the message, adapted themselves to a new state of affairs and had created, by the time I put back the receiver, a richer, stronger, a more complicated world in which I was called upon to act my part and had no doubt whatever that I could do it. Clapping my hat on my head, I strode into a world inhabited by vast numbers of men who had also clapped their hats on their heads, and as we jostled and encountered in trains and tubes we exchanged the knowing wink of competitors and comrades braced with a thousand snares and dodges to achieve the same end — to earn our livings.
‘Life is pleasant. Life is good. The mere process of life is satisfactory. Take the ordinary man in good health. He likes eating and sleeping. He likes the snuff of fresh air and walking at a brisk pace down the Strand. Or in the country there’s a cock crowing on a gate; there’s a foal galloping round a field. Something always has to be done next. Tuesday follows Monday; Wednesday Tuesday. Each spreads the same ripple of wellbeing, repeats the same curve of rhythm; covers fresh sand with a chill or ebbs a little slackly without. So the being grows rings; identity becomes robust. What was fiery and furtive like a fling of grain cast into the air and blown hither and thither by wild gusts of life from every quarter is now methodical and orderly and flung with a purpose — so it seems.
‘Lord, how pleasant! Lord, how good! How tolerable is the life of little shopkeepers, I would say, as the train drew through the suburbs and one saw lights in bedroom windows. Active, energetic as a swarm of ants, I said, as I stood at the window and watched workers, bag in hand, stream into town. What hardness, what energy and violence of limb, I thought, seeing men in white drawers’ scouring after a football on a patch of snow in January. Now being grumpy about some small matter — it might be the meat — it seemed luxurious to disturb with a little ripple the enormous stability, whose quiver, for our child was about to be born, increased its joy, of our married life. I sn
apped at dinner. I spoke unreasonably as if, being a millionaire, I could throw away five shillings; or, being a perfect steeple-jack, stumbled over a footstool on purpose. Going up to bed we settled our quarrel on the stairs, and standing by the window looking at a sky clear like the inside of a blue stone, “Heaven be praised,” I said, “we need not whip this prose into poetry. The little language is enough.” For the space of the prospect and its clarity seemed to offer no impediment whatsoever, but to allow our lives to spread out and out beyond all bristling of roofs and chimneys to the flawless verge.
Complete Works of Virginia Woolf Page 190
