THE POOR CLARE BY ELIZABETH GASKELL
ORIGINALLY PUBLISHED SERIALLY IN
DICKENS’S HOUSEHOLD WORDS, 1856
THIS EDITION IS REPRINTED FROM LIZZIE LEIGH AND
OTHER TALES, PUBLISHED BY MACMILLAN & CO., 1896
COPYRIGHT © 2013 MELVILLE HOUSE PUBLISHING
MELVILLE HOUSE PUBLISHING
145 PLYMOUTH STREET
BROOKLYN, NY 11201
AND
8 BLACKSTOCK MEWS
ISLINGTON
LONDON N4 2BT
MHPBOOKS.COM FACEBOOK.COM/MHPBOOKS @MELVILLEHOUSE
LIBRARY OF CONGRESS CONTROL NUMBER: 2013943163
eISBN: 978-1-61219-219-2
v3.1
Contents
Cover
Title Page
Copyright
Chapter I
Chapter II
Chapter III
Other Titles in the Art of the Novella Series
Illuminations for The Poor Clare
1. Publication History
Illustration: Title page of Round the Sofa by Elizabeth Gaskell (1859).
Charles Dickens as Editor—Selection from Annette B. Hopkins’s “Dickens and Mrs. Gaskell.”
2. The Great Hunger
Illustration: Ireland during the famine (nineteenth century).
Illustration: Anonymous editorial in The Guardian (1821).
Illustration: Announcement in The Gardeners’ Chronicle (1845).
3. Lancashire
Illustration: Gawthorpe Hall, Lancashire (fourteenth century).
Starkey Manor-house—Excerpt from The Poor Clare.
Illustration: Barnoldswick to Weets Hill, Lancashire (present day).
4. Elizabeth Gaskell’s Family Life
Illustration: “Elizabeth Gaskell” by George Richmond (1851).
On Visiting the Grave of My Stillborn Little Girl—Poem by Elizabeth Gaskell.
“Refuge in invention”—Excerpt from Elizabeth Gaskell’s preface to Mary Barton.
Illustration: The interior of 42 Plymouth Grove.
“And we’ve got a house”—Letter to Eliza Fox, April 1850.
Illustration: The drawing room at 42 Plymouth Grove.
Illustration: “Elizabeth Gaskell,” photographer unknown (1864).
5. Gaskell’s Literary Friendships
Illustration: Newspaper review of Mary Barton (1848).
Illustration: Envelope from Thomas Carlyle’s letter to Elizabeth Gaskell (1848).
Illustration: “Charles Eliot Norton” by J. E. Purdy (1903).
We Reached Rome—Letter by Gaskell’s daughter.
Ache of Yearning—Letter to Charles Eliot Norton.
What I Did Believe—Letter to Charles Eliot Norton.
A Relationship with George Eliot—Selected correspondence.
Wordsworth Walked—From a letter to John Forster.
Elizabeth Gaskell’s Friendship with Charlotte Brontë—Selected correspondence.
Illustration: Letter from Brontë to Constantin Heger (1844).
Reading I: “The Heart of John Middleton” by Elizabeth Gaskell, under the pen name Cotton Mather.
Reading II: “An Accursed Race” by Elizabeth Gaskell.
6. The Poor Clares
A Picture of the Virgin—Excerpt from The Poor Clare.
Illustration: “The Seven Sorrows of the Virgin” by Niklas Stoer (ca. 1500).
Illustration: “The Seven Sorrows of the Virgin,” attributed to Master of the Passion (sixteenth century).
Illustration: The Virgin, with writing in Nahuatl (sixteenth century).
Illustration: “Madonna and Child with the Seven Sorrows of the Virgin” by an anonymous member of the Flemish School (sixteenth century).
Illustration: “Madonna of Misercordia” by Boccati, Giovanni di Permatteo de Camerino (fifteenth century).
Order of the Poor Clares—Selection from the 1911 Encyclopedia Brittanica.
The Order of Poor Ladies—Selections from Father Marianus Fiege’s The Princess of Poverty: Saint Clare of Assisi and the Order of Poor Ladies.
CHAPTER I
December 12th, 1747.—My life has been strangely bound up with extraordinary incidents, some of which occurred before I had any connection with the principal actors in them, or indeed, before I even knew of their existence. I suppose, most old men are, like me, more given to looking back upon their own career with a kind of fond interest and affectionate remembrance, than to watching the events—though these may have far more interest for the multitude—immediately passing before their eyes. If this should be the case with the generality of old people, how much more so with me!… If I am to enter upon that strange story connected with poor Lucy, I must begin a long way back. I myself only came to the knowledge of her family history after I knew her; but, to make the tale clear to any one else, I must arrange events in the order in which they occurred—not that in which I became acquainted with them.
There is a great old hall in the north-east of Lancashire, in a part they called the Trough of Bolland, adjoining that other district named Craven. Starkey Manor-house is rather like a number of rooms clustered round a gray, massive, old keep than a regularly-built hall. Indeed, I suppose that the house only consisted of a great tower in the centre, in the days when the Scots made their raids terrible as far south as this; and that after the Stuarts came in, and there was a little more security of property in those parts, the Starkeys of that time added the lower building, which runs, two stories high, all round the base of the keep. There has been a grand garden laid out in my days, on the southern slope near the house; but when I first knew the place, the kitchen-garden at the farm was the only piece of cultivated ground belonging to it. The deer used to come within sight of the drawing-room windows, and might have browsed quite close up to the house if they had not been too wild and shy. Starkey Manor-house itself stood on a projection or peninsula of high land, jutting out from the abrupt hills that form the sides of the Trough of Bolland. These hills were rocky and bleak enough towards their summit; lower down they were clothed with tangled copsewood and green depths of fern, out of which a gray giant of an ancient forest-tree would tower here and there, throwing up its ghastly white branches, as if in imprecation, to the sky. These trees, they told me, were the remnants of that forest which existed in the days of the Heptarchy, and were even then noted as landmarks. No wonder that their upper and more exposed branches were leafless, and that the dead bark had peeled away, from sapless old age.
Not far from the house there were a few cottages, apparently of the same date as the keep; probably built for some retainers of the family, who sought shelter—they and their families and their small flocks and herds—at the hands of their feudal lord. Some of them had pretty much fallen to decay. They were built in a strange fashion. Strong beams had been sunk firm in the ground at the requisite distance, and their other ends had been fastened together, two and two, so as to form the shape of one of those rounded waggon-headed gipsy-tents, only very much larger. The spaces between were filled with mud, stones, osiers, rubbish, mortar—anything to keep out the weather. The fires were made in the centre of these rude dwellings, a hole in the roof forming the only chimney. No Highland hut or Irish cabin could be of rougher construction.
The owner of this property, at the beginning of the present century, was a Mr. Patrick Byrne Starkey. His family had kept to the old faith, and were staunch Roman Catholics, esteeming it even a sin to marry any one of Protestant descent, however willing he or she might have been to embrace the Romish religion. Mr. Patrick Starkey’s father had been a follower of James the Second; and, during the disastrous Irish campaign of that monarch he had fallen in love with an Irish beauty, a Miss Byrne, as zealous for her reli
gion and for the Stuarts as himself. He had returned to Ireland after his escape to France, and married her, bearing her back to the court at St. Germains. But some licence on the part of the disorderly gentlemen who surrounded King James in his exile, had insulted his beautiful wife, and disgusted him; so he removed from St. Germains to Antwerp, whence, in a few years’ time, he quietly returned to Starkey Manor-house—some of his Lancashire neighbours having lent their good offices to reconcile him to the powers that were. He was as firm a Catholic as ever, and as staunch an advocate for the Stuarts and the divine rights of kings; but his religion almost amounted to asceticism, and the conduct of these with whom he had been brought in such close contact at St. Germains would little bear the inspection of a stern moralist. So he gave his allegiance where he could not give his esteem, and learned to respect sincerely the upright and moral character of one whom he yet regarded as an usurper. King William’s government had little need to fear such a one. So he returned, as I have said, with a sobered heart and impoverished fortunes, to his ancestral house, which had fallen sadly to ruin while the owner had been a courtier, a soldier and an exile. The roads into the Trough of Bolland were little more than cart-ruts; indeed, the way up to the house lay along a ploughed field before you came to the deer-park. Madam, as the country-folk used to call Mrs. Starkey, rode on a pillion behind her husband, holding on to him with a light hand by his leather riding-belt. Little master (he that was afterwards Squire Patrick Byrne Starkey) was held on to his pony by a serving-man. A woman past middle age walked, with a firm and strong step, by the cart that held much of the baggage; and high up on the mails and boxes, sat a girl of dazzling beauty, perched lightly on the topmost trunk, and swaying herself fearlessly to and fro, as the cart rocked and shook in the heavy roads of late autumn. The girl wore the Antwerp faille, or black Spanish mantle over her head, and altogether her appearance was such that the old cottager, who described the possession to me many years after, said that all the country-folk took her for a foreigner. Some dogs, and the boy who held them in charge, made up the company. They rode silently along, looking with grave, serious eyes at the people, who came out of the scattered cottages to bow or curtsy to the real Squire, “come back at last,” and gazed after the little procession with gaping wonder, not deadened by the sound of the foreign language in which the few necessary words that passed among them were spoken. One lad, called from his staring by the Squire to come and help about the cart, accompanied them to the Manor-house. He said that when the lady had descended from her pillion, the middle-aged woman whom I have described as walking while the others rode, stepped quickly forward, and taking Madam Starkey (who was of a slight and delicate figure) in her arms, she lifted her over the threshold, and set her down in her husband’s house, at the same time uttering a passionate and outlandish blessing. The Squire stood by, smiling gravely at first; but when the words of blessing were pronounced, he took off his fine feathered hat, and bent his head. The girl with the black mantle stepped onward into the shadow of the dark hall, and kissed the lady’s hand; and that was all the lad could tell to the group that gathered round him on his return, eager to hear everything, and to know how much the Squire had given him for his services.
From all I could gather, the Manor-house, at the time of the Squire’s return, was in the most dilapidated state. The stout gray walls remained firm and entire; but the inner chambers had been used for all kinds of purposes. The great withdrawing-room had been a barn; the state tapestry-chamber had held wool, and so on. But, by-and-by, they were cleared out; and if the Squire had no money to spend on new furniture, he and his wife had the knack of making the best of the old. He was no despicable joiner; she had a kind of grace in whatever she did, and imparted an air of elegant picturesqueness to whatever she touched. Besides, they had brought many rare things from the Continent; perhaps I should rather say, things that were rare in that part of England—carvings, and crosses, and beautiful pictures. And then, again, wood was plentiful in the Trough of Bolland, and great log-fires danced and glittered in all the dark, old rooms, and gave a look of home and comfort to everything.
Why do I tell you all this? I have little to do with the Squire and Madame Starkey; and yet I dwell upon them, as if I were unwilling to come to the real people with whom my life was so strangely mixed up. Madam had been nursed in Ireland by the very woman who lifted her in her arms, and welcomed her to her husband’s home in Lancashire. Excepting for the short period of her own married life, Bridget Fitzgerald had never left her nursling. Her marriage—to one above her in rank—had been unhappy. Her husband had died, and left her in even greater poverty than that in which she was when he had first met with her. She had one child, the beautiful daughter who came riding on the waggon-load of furniture that was brought to the Manor-house. Madame Starkey had taken her again into her service when she became a widow. She and her daughter had followed “the mistress” in all her fortunes; they had lived at St. Germains and at Antwerp, and were now come to her home in Lancashire. As soon as Bridget had arrived there, the Squire gave her a cottage of her own, and took more pains in furnishing it for her than he did in anything else out of his own house. It was only nominally her residence. She was constantly up at the great house; indeed, it was but a short cut across the woods from her own home to the home of her nursling. Her daughter Mary, in like manner, moved from one house to the other at her own will. Madam loved both mother and child dearly. They had great influence over her, and, through her, over her husband. Whatever Bridget or Mary willed was sure to come to pass. They were not disliked; for, though wild and passionate, they were also generous by nature. But the other servants were afraid of them, as being in secret the ruling spirits of the household. The Squire had lost his interest in all secular things; Madam was gentle, affectionate, and yielding. Both husband and wife were tenderly attached to each other and to their boy; but they grew more and more to shun the trouble of decision on any point; and hence it was that Bridget could exert such despotic power. But if everyone else yielded to her “magic of a superior mind,” her daughter not unfrequently rebelled. She and her mother were too much alike to agree. There were wild quarrels between them, and wilder reconciliations. There were times when, in the heat of passion, they could have stabbed each other. At all other times they both—Bridget especially—would have willingly laid down their lives for one another. Bridget’s love for her child lay very deep—deeper than that daughter ever knew; or I should think she would never have wearied of home as she did, and prayed her mistress to obtain for her some situation—as waiting maid—beyond the seas, in that more cheerful continental life, among the scenes of which so many of her happiest years had been spent. She thought, as youth thinks, that life would last for ever, and that two or three years were but a small portion of it to pass away from her mother, whose only child she was. Bridget thought differently, but was too proud ever to show what she felt. If her child wished to leave her, why—she should go. But people said Bridget became ten years older in the course of two months at this time. She took it that Mary wanted to leave her. The truth was, that Mary wanted for a time to leave the place, and to seek some change, and would thankfully have taken her mother with her. Indeed when Madam Starkey had gotten her a situation with some grand lady abroad, and the time drew near for her to go, it was Mary who clung to her mother with passionate embrace, and, with floods of tears, declared that she would never leave her; and it was Bridget, who at last loosened her arms, and, grave and tearless herself, bade her keep her word, and go forth into the wide world. Sobbing aloud, and looking back continually, Mary went away. Bridget was still as death, scarcely drawing her breath, or closing her stony eyes; till at last she turned back into her cottage, and heaved a ponderous old settle against the door. There she sat, motionless, over the gray ashes of her extinguished fire, deaf to Madam’s sweet voice, as she begged leave to enter and comfort her nurse. Deaf, stony, and motionless, she sat for more than twenty hours; till, for the third time, Mad
am came across the snowy path from the great house, carrying with her a young spaniel, which had been Mary’s pet up at the hall; and which had not ceased all night long to seek for its absent mistress, and to whine and moan after her. With tears Madam told this story, through the closed door—tears excited by the terrible look of anguish, so steady, so immovable—so the same to-day as it was yesterday—on her nurse’s face. The little creature in her arms began to utter its piteous cry, as it shivered with the cold. Bridget stirred; she moved—she listened. Again that long whine; she thought it was for her daughter; and what she had denied to her nursling and mistress she granted to the dumb creature that Mary had cherished. She opened the door, and took the dog from Madam’s arms. Then Madam came in, and kissed and comforted the old woman, who took but little notice of her or anything. And sending up Master Patrick to the hall for fire and food, the sweet young lady never left her nurse all that night. Next day, the Squire himself came down, carrying a beautiful foreign picture—Our Lady of the Holy Heart, the Papists call it. It is a picture of the Virgin, her heart pierced with arrows, each arrow representing one of her great woes. That picture hung in Bridget’s cottage when I first saw her; I have that picture now.
Years went on. Mary was still abroad. Bridget was still and stern, instead of active and passionate. The little dog, Mignon, was indeed her darling. I have heard that she talked to it continually; although, to most people, she was so silent. The Squire and Madam treated her with the greatest consideration, and well they might; for to them she was as devoted and faithful as ever. Mary wrote pretty often, and seemed satisfied with her life. But at length the letters ceased—I hardly know whether before or after a great and terrible sorrow came upon the house of the Starkeys. The Squire sickened of a putrid fever; and Madam caught it in nursing him, and died. You may be sure, Bridget let no other woman tend her but herself; and in the very arms that had received her at her birth, that sweet young woman laid her head down, and gave up her breath. The Squire recovered, in a fashion. He was never strong—he had never the heart to smile again. He fasted and prayed more than ever; and people did say that he tried to cut off the entail, and leave all the property away to found a monastery abroad, of which he prayed that some day little Squire Patrick might be the reverend father. But he could not do this, for the strictness of the entail and the laws against the Papists. So he could only appoint gentlemen of his own faith as guardians to his son, with many charges about the lad’s soul, and a few about the land, and the way it was to be held while he was a minor. Of course, Bridget was not forgotten. He sent for her as he lay on his death-bed, and asked her if she would rather have a sum down, or have a small annuity settled upon her. She said at once she would have a sum down; for she thought of her daughter, and how she could bequeath the money to her, whereas an annuity would have died with her. So the Squire left her her cottage for life, and a fair sum of money. And then he died, with as ready and willing a heart as, I suppose, ever any gentleman took out of this world with him. The young Squire was carried off by his guardians, and Bridget was left alone.
The Poor Clare Page 1
