They had their advice all prepared beforehand. That night she must hide a sharp knife and a lamp near her bed. When her husband was fast asleep she must leave the bed, light the lamp, and get the knife. She must steel herself to plunge it swiftly into the body of the frightful being the light would certainly show her. “We will be near,” they said, “and carry you away with us when he is dead.”
Then they left her torn by doubt and distracted what to do. She loved him; he was her dear husband. No; he was a horrible serpent and she loathed him. She would kill him—She would not. She must have certainty—She did not want certainty. So all day long her thoughts fought with each other. When evening came, however, she had given the struggle up. One thing she was determined to do: she would see him.
When at last he lay sleeping quietly, she summoned all her courage and lit the lamp. She tiptoed to the bed and holding the light high above her she gazed at what lay there. Oh, the relief and the rapture that filled her heart. No monster was revealed, but the sweetest and fairest of all creatures, at whose sight the very lamp seemed to shine brighter. In her first shame at her folly and lack of faith, Psyche fell on her knees and would have plunged the knife into her own breast if it had not fallen from her trembling hands. But those same unsteady hands that saved her betrayed her, too, for as she hung over him, ravished at the sight of him and unable to deny herself the bliss of filling her eyes with his beauty, some hot oil fell from the lamp upon his shoulder. He started awake: he saw the light and knew her faithlessness, and without a word he fled from her.
She rushed out after him into the night. She could not see him, but she heard his voice speaking to her. He told her who he was, and sadly bade her farewell. “Love cannot live where there is no trust,” he said, and flew away. “The God of Love!” she thought. “He was my husband, and I, wretch that I am, could not keep faith with him. Is he gone from me forever?… At any rate,” she told herself with rising courage, “I can spend the rest of my life searching for him. If he has no more love left for me, at least I can show him how much I love him.” And she started on her journey. She had no idea where to go; she knew only that she would never give up looking for him.
He meanwhile had gone to his mother’s chamber to have his wound cared for, but when Venus heard his story and learned that it was Psyche whom he had chosen, she left him angrily alone in his pain, and went forth to find the girl of whom he had made her still more jealous. Venus was determined to show Psyche what it meant to draw down the displeasure of a goddess.
Poor Psyche in her despairing wanderings was trying to win the gods over to her side. She offered ardent prayers to them perpetually, but not one of them would do anything to make Venus their enemy. At last she perceived that there was no hope for her, either in heaven or on earth, and she took a desperate resolve. She would go straight to Venus; she would offer herself humbly to her as her servant, and try to soften her anger. “And who knows,” she thought, “if he himself is not there in his mother’s house.” So she set forth to find the goddess who was looking everywhere for her.
When she came into Venus’ presence the goddess laughed aloud and asked her scornfully if she was seeking a husband since the one she had had would have nothing to do with her because he had almost died of the burning wound she had given him. “But really,” she said, “you are so plain and ill-favored a girl that you will never be able to get you a lover except by the most diligent and painful service. I will therefore show my good will to you by training you in such ways.” With that she took a great quantity of the smallest of the seeds, wheat and poppy and millet and so on, and mixed them all together in a heap. “By nightfall these must all be sorted,” she said. “See to it for your own sake.” And with that she departed.
Psyche, left alone, sat still and stared at the heap. Her mind was all in a maze because of the cruelty of the command; and, indeed, it was of no use to start a task so manifestly impossible. But at this direful moment she who had awakened no compassion in mortals or immortals was pitied by the tiniest creatures of the field, the little ants, the swift-runners. They cried to each other, “Come, have mercy on this poor maid and help her diligently.” At once they came, waves of them, one after another, and they labored separating and dividing, until what had been a confused mass lay all ordered, every seed with its kind. This was what Venus found when she came back, and very angry she was to see it. “Your work is by no means over,” she said. Then she gave Psyche a crust of bread and bade her sleep on the ground while she herself went off to her soft, fragrant couch. Surely if she could keep the girl at hard labor and half starve her, too, that hateful beauty of hers would soon be lost. Until then she must see that her son was securely guarded in his chamber where he was still suffering from his wound. Venus was pleased at the way matters were shaping.
The next morning she devised another task for Psyche, this time a dangerous one. “Down there near the riverbank,” she said, “where the bushes grow thick, are sheep with fleeces of gold. Go fetch me some of their shining wool.” When the worn girl reached the gently flowing stream, a great longing seized her to throw herself into it and end all her pain and despair. But as she was bending over the water she heard a little voice from near her feet, and looking down saw that it came from a green reed. She must not drown herself, it said. Things were not as bad as that. The sheep were indeed very fierce, but if Psyche would wait until they came out of the bushes toward evening to rest beside the river, she could go into the thicket and find plenty of the golden wool hanging on the sharp briars.
So spoke the kind and gentle reed, and Psyche, following the directions, was able to carry back to her cruel mistress a quantity of the shining fleece. Venus received it with an evil smile. “Someone helped you,” she said sharply. “Never did you do this by yourself. However, I will give you an opportunity to prove that you really have the stout heart and the singular prudence you make such a show of. Do you see that black water which falls from the hill yonder? It is the source of the terrible river which is called hateful, the river Styx. You are to fill this flask from it.” That was the worst task yet, as Psyche saw when she approached the waterfall. Only a winged creature could reach it, so steep and slimy were the rocks on all sides, and so fearful the onrush of the descending waters. But by this time it must be evident to all the readers of this story (as, perhaps, deep in her heart it had become evident to Psyche herself ) that although each of her trials seemed impossibly hard, an excellent way out would always be provided for her. This time her savior was an eagle, who poised on his great wings beside her, seized the flask from her with his beak and brought it back to her full of the black water.
But Venus kept on. One cannot but accuse her of some stupidity. The only effect of all that had happened was to make her try again. She gave Psyche a box which she was to carry to the underworld and ask Proserpine to fill with some of her beauty. She was to tell her that Venus really needed it, she was so worn-out from nursing her sick son. Obediently as always Psyche went forth to look for the road to Hades. She found her guide in a tower she passed. It gave her careful directions how to get to Proserpine’s palace, first through a great hole in the earth, then down to the river of death, where she must give the ferryman, Charon, a penny to take her across. From there the road led straight to the palace. Cerberus, the three-headed dog, guarded the doors, but if she gave him a cake he would be friendly and let her pass.
All happened, of course, as the tower had foretold. Proserpine was willing to do Venus a service, and Psyche, greatly encouraged, bore back the box, returning far more quickly than she had gone down.
Her next trial she brought upon herself through her curiosity and, still more, her vanity. She felt that she must see what that beauty-charm in the box was; and, perhaps, use a little of it herself. She knew quite as well as Venus did that her looks were not improved by what she had gone through, and always in her mind was the thought that she might suddenly meet Cupid. If only she could make herself more lovely f
or him! She was unable to resist the temptation; she opened the box. To her sharp disappointment she saw nothing there; it seemed empty. Immediately, however, a deadly languor took possession of her and she fell into a heavy sleep.
At this juncture the God of Love himself stepped forward. Cupid was healed of his wound by now and longing for Psyche. It is a difficult matter to keep Love imprisoned. Venus had locked the door, but there were the windows. All Cupid had to do was to fly out and start looking for his wife. She was lying almost beside the palace, and he found her at once. In a moment he had wiped the sleep from her eyes and put it back into the box. Then waking her with just a prick from one of his arrows, and scolding her a little for her curiosity, he bade her take Proserpine’s box to his mother and he assured her that all thereafter would be well.
While the joyful Psyche hastened on her errand, the god flew up to Olympus. He wanted to make certain that Venus would give them no more trouble, so he went straight to Jupiter himself. The Father of Gods and Men consented at once to all that Cupid asked—“Even though,” he said, “you have done me great harm in the past—seriously injured my good name and my dignity by making me change myself into a bull and a swan and so on.… However, I cannot refuse you.”
Then he called a full assembly of the gods, and announced to all, including Venus, that Cupid and Psyche were formally married, and that he proposed to bestow immortality upon the bride. Mercury brought Psyche into the palace of the gods, and Jupiter himself gave her the ambrosia to taste which made her immortal. This, of course, completely changed the situation. Venus could not object to a goddess for her daughter-in-law; the alliance had become eminently suitable. No doubt she reflected also that Psyche, living up in heaven with a husband and children to care for, could not be much on the earth to turn men’s heads and interfere with her own worship.
So all came to a most happy end. Love and the Soul (for that is what Psyche means) had sought and, after sore trials, found each other; and that union could never be broken.
II
PYRAMUS AND THISBE
This story is found only in Ovid. It is quite characteristic of him at his best: well-told; several rhetorical monologues; a little essay on Love by the way.
Once upon a time the deep red berries of the mulberry tree were white as snow. The change in color came about strangely and sadly. The death of two young lovers was the cause.
Pyramus and Thisbe, he the most beautiful youth and she the loveliest maiden of all the East, lived in Babylon, the city of Queen Semiramis, in houses so close together that one wall was common to both. Growing up thus side by side they learned to love each other. They longed to marry, but their parents forbade. Love, however, cannot be forbidden. The more that flame is covered up, the hotter it burns. Also love can always find a way. It was impossible that these two whose hearts were on fire should be kept apart.
In the wall both houses shared there was a little chink. No one before had noticed it, but there is nothing a lover does not notice. Our two young people discovered it and through it they were able to whisper sweetly back and forth. Thisbe on one side, Pyramus on the other. The hateful wall that separated them had become their means of reaching each other. “But for you we could touch, kiss,” they would say. “But at least you let us speak together. You give a passage for loving words to reach loving ears. We are not ungrateful.” So they would talk, and as night came on and they must part, each would press on the wall kisses that could not go through to the lips on the other side.
Every morning when the dawn had put out the stars, and the sun’s rays had dried the hoarfrost on the grass, they would steal to the crack and, standing there, now utter words of burning love and now lament their hard fate, but always in softest whispers. Finally a day came when they could endure no longer. They decided that that very night they would try to slip away and steal out through the city into the open country where at last they could be together in freedom. They agreed to meet at a well-known place, the Tomb of Ninus, under a tree there, a tall mulberry full of snow-white berries, near which a cool spring bubbled up. The plan pleased them and it seemed to them the day would never end.
At last the sun sank into the sea and night arose. In the darkness Thisbe crept out and made her way in all secrecy to the tomb. Pyramus had not come; still she waited for him, her love making her bold. But of a sudden she saw by the light of the moon a lioness. The fierce beast had made a kill; her jaws were bloody and she was coming to slake her thirst in the spring. She was still far away for Thisbe to escape, but as she fled she dropped her cloak. The lioness came upon it on her way back to her lair and she mouthed it and tore it before disappearing into the woods. That is what Pyramus saw when he appeared a few minutes later. Before him lay the bloodstained shreds of the cloak and clear in the dust were the tracks of the lioness. The conclusion was inevitable. He never doubted that he knew all. Thisbe was dead. He had let his love, a tender maiden, come alone to a place full of danger, and not been there first to protect her. “It is I who killed you,” he said. He lifted up from the trampled dust what was left of the cloak and kissing it again and again carried it to the mulberry tree. “Now,” he said, “you shall drink my blood, too.” He drew his sword and plunged it into his side. The blood spurted up over the berries and dyed them a dark red.
Thisbe, although terrified of the lioness, was still more afraid to fail her lover. She ventured to go back to the tree of the tryst, the mulberry with the shining white fruit. She could not find it. A tree was there, but not one gleam of white was on the branches. As she stared at it, something moved on the ground beneath. She started back shuddering. But in a moment, peering through the shadows, she saw what was there. It was Pyramus, bathed in blood and dying. She flew to him and threw her arms around him. She kissed his cold lips and begged him to look at her, to speak to her. “It is I, your Thisbe, your dearest,” she cried to him. At the sound of her name he opened his heavy eyes for one look. Then death closed them.
She saw his sword fallen from his hand and beside it her cloak stained and torn. She understood all. “Your own hand killed you,” she said, “and your love for me. I, too, can be brave. I, too, can love. Only death would have had the power to separate us. It shall not have that power now.” She plunged into her heart the sword that was still wet with his life’s blood.
The gods were pitiful at the end, and the lovers’ parents, too. The deep red fruit of the mulberry is the everlasting memorial of these true lovers, and one urn holds the ashes of the two whom not even death could part.
ORPHEUS AND EURYDICE
The account of Orpheus with the Argonauts is told only by Apollonius of Rhodes, a third-century Greek poet. The rest of the story is told best by two Roman poets, Virgil and Ovid, in very much the same style. The Latin names of the gods are therefore used here. Apollonius influenced Virgil a good deal. Indeed, any one of the three might have written the entire story as it stands.
The very earliest musicians were the gods. Athena was not distinguished in that line, but she invented the flute although she never played upon it. Hermes made the lyre and gave it to Apollo who drew from it sounds so melodious that when he played in Olympus the gods forgot all else. Hermes also made the shepherd-pipe for himself and drew enchanting music from it. Pan made the pipe of reeds which can sing as sweetly as the nightingale in spring. The Muses had no instrument peculiar to them, but their voices were lovely beyond compare.
Next in order came a few mortals so excellent in their art that they almost equaled the divine performers. Of these by far the greatest was Orpheus. On his mother’s side he was more than mortal. He was the son of one of the Muses and a Thracian prince. His mother gave him the gift of music and Thrace where he grew up fostered it. The Thracians were the most musical of the peoples of Greece. But Orpheus had no rival there or anywhere except the gods alone. There was no limit to his power when he played and sang. No one and nothing could resist him.
In the deep still woods upon the Thracian
mountains
Orpheus with his singing lyre led the trees,
Led the wild beasts of the wilderness.
Everything animate and inanimate followed him. He moved the rocks on the hillside and turned the course of the rivers.
Little is told about his life before his ill-fated marriage, for which he is even better known than for his music, but he went on one famous expedition and proved himself a most useful member of it. He sailed with Jason on the Argo, and when the heroes were weary or the rowing was especially difficult he would strike his lyre and they would be aroused to fresh zeal and their oars would smite the sea together in time to the melody. Or if a quarrel threatened he would play so tenderly and soothingly that the fiercest spirits would grow calm and forget their anger. He saved the heroes, too, from the Sirens. When they heard far over the sea singing so enchantingly sweet that it drove out all other thoughts except a desperate longing to hear more, and they turned the ship to the shore where the Sirens sat, Orpheus snatched up his lyre and played a tune so clear and ringing that it drowned the sound of those lovely fatal voices. The ship was put back on her course and the winds sped her away from the dangerous place. If Orpheus had not been there the Argonauts, too, would have left their bones on the Sirens’ island.
Where he first met and how he wooed the maiden he loved, Eurydice, we are not told, but it is clear that no maiden he wanted could have resisted the power of his song. They were married, but their joy was brief. Directly after the wedding, as the bride walked in a meadow with her bridesmaids, a viper stung her and she died. Orpheus’ grief was overwhelming. He could not endure it. He determined to go down to the world of death and try to bring Eurydice back. He said to himself,
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