As little Annie heard this, she rose, and stole up to the Squire’s side. Her pale face was covered with blushes (all her pretty natural colour had not come back yet); she looked softly at Mr Colebatch, for a moment — then looked down — then said —
‘Don’t say you’re lonely sir! If you would let me be like a grandchild to you, I should be so glad. I — I always make the plum pudding, sir, on Christmas Day, for grandfather — if he would allow, — and if — if you—’
‘If that little love isn’t trying to screw her courage up to ask me to taste her plum pudding, I’m a Dutchman’ — cried the Squire, catching Annie in his arms, and fairly kissing her— ‘Without ceremony, Mr Wray, I invite myself here, to a Christmas dinner. We would have had it at Cropley Court; but you’re not strong enough yet, to go out these cold nights. Never mind! all the dinner, except Annie’s pudding, shall be done by my cook; Mrs Buddle, the housekeeper, shall come and help; and we’ll have such a feast, please God, as no king ever sat down to! No apologies, my good friend, on either side: I’m determined to spend the happiest Christmas Day I ever did in my life; and so shall you!’
And the good Squire kept his word. It was, of course, noised abroad over the whole town, that Matthew Colebatch, Esquire, Lord of the Manor of Tidbury-on-the-Marsh, was going to dine on Christmas Day with an old player, in a lodging house. The genteel population were universally scandalized and indignant. The Squire had exhibited his levelling tendencies pretty often before, they said. He had, for instance, been seen cutting jokes in the High Street with a travelling tinker, to whom he had applied in broad daylight to put a new ferrule on his walking stick; he had been detected coolly eating bacon and greens in one of his tenant farmer’s cottages; he had been heard singing, ‘Begone, dull care,’ in a cracked tenor, to amuse another tenant farmer’s child. These actions were disreputable enough; but to go publicly, and dine with an obscure stage-player, put the climax on everything! The Reverend Daubeny Daker said the Squire’s proper sphere of action, after that, was a lunatic asylum; and the Reverend Daubeny Daker’s friends echoed the sentiment.
Perfectly reckless of this expression of genteel popular opinion, Mr Colebatch arrived to dinner at No. 12, on Christmas Day; and, what is more, wore his black tights and silk stockings, as if he had been going to a grand party. His dinner had arrived before him; and fat Mrs Buddle, in her lavender silk gown, with a cambric handkerchief pinned in front to keep splashes off, appeared auspiciously with the banquet. Never did Annie feel the responsibility of having a plum-pudding to make, so acutely as she felt it, on seeing the savoury feast which Mr Colebatch had ordered, to accompany her one little item of saccharine cookery.
They sat down to dinner, with the Squire at the top of the table (Mr Wray insisted on that); and Mrs Buddle at the bottom (he insisted on that also); old Reuben and Annie, at one side; and ‘Julius Caesar’ all by himself (they knew his habits, and gave him elbow room), at the other. Things were comparatively genteel and quiet, till Annie’s pudding came in. At sight of that, Mr Colebatch set up a cheer, as if he had been behind a pack of fox-hounds. The carpenter, thrown quite off his balance by noise and excitement, knocked down a spoon, a wine glass, and a pepperbox, one after the other, in such quick succession, that Mrs Buddle thought him mad; and Annie — for the first time, poor little thing, since all her troubles — actually began to laugh again, as prettily as ever. Mr Colebatch did ample justice, it must be added, to her pudding. Twice did his plate travel up to the dish — a third time it would have gone; but the faithful housekeeper raised her warning voice, and reminded the old gentleman that he had a stomach.
When the tables were cleared, and the glasses filled with the Squire’s rare old port, that excellent man rose slowly and solemnly from his chair, announcing that he had three toasts to propose, and one speech to make; the latter, he said, being contingent on the chance of his getting properly at his voice, through two helpings of plum-pudding; a chance which he thought rather remote, principally in consequence of Annie’s having rather overdone the proportion of suet in mixing her ingredients.
‘The first toast,’ said the old gentleman, ‘is the health of Mr Reuben Wray; and God bless him!’ When this had been drunk with immense fervour, Mr Colebatch went on at once to his second toast, without pausing to sit down — a custom which other after-dinner orators would do well to imitate.
‘The second toast,’ said he, taking Mr Wray’s hand, and looking at the mask, which hung opposite, prettily decorated with holly,— ‘the second toast, is a wide circulation and a hearty welcome all through England, for the Mask of Shakespeare!’ This was duly honoured; and immediately Mr Colebatch went on like lightning to the third toast.
‘The third,’ said he, ‘is the speech toast.’ Here he endeavoured, unsuccessfully, to cough up his voice out of the plum pudding. ‘I say, ladies and gentlemen, this is the speech toast.’ He stopped again, and desired the carpenter to pour him out a small glass of brandy; having swallowed which, he went on fluently.
‘Mr Wray, sir,’ pursued the old gentleman, ‘I address you in particular, because you are particularly concerned in what I am going to say. Three days ago, I had a little talk in private with those two young people. Young people, sir, are never wholly free from some imprudent tendencies; and falling in love’s one of them.’ (At this point, Annie slunk behind her grandfather; the carpenter, having nobody to slink behind, put himself quite at his ease, by knocking down an orange.) ‘Now, sir,’ continued the Squire, ‘the private talk that I was speaking of, leads me to suppose that those two particular young people mean to marry each other. You, I understand, objected at first to their engagement; and like good and obedient children, they respected your objection. I think it’s time to reward them for that, now. Let them marry, if they will, sir, while you can live happily to see it! I say nothing about our little darling there, but this: — the vital question for her, and for all girls, is not how high, but how good, she, and they, marry. And I must confess, I don’t think she’s altogether chosen so badly.’ (The Squire hesitated a moment. He had in his mind, what he could not venture to speak — that the carpenter had saved old Reuben’s life when the burglars were in the house; and that he had shown himself well worthy of Annie’s confidence, when she asked him to accompany her, in going to recover the mould from Stratford.) ‘In short, sir,’ Mr Colebatch resumed, ‘to cut short this speechifying, I don’t think you can object to let them marry, provided they can find means of support. This, I think, they can do. First there are the profits sure to come from the mask, which you are sure to share with them, I know.’ (This prophecy about the profits was fulfilled: fifty copies of the cast were ordered by the new year; and they sold better still, after that.) ‘This will do to begin on, I think, Mr Wray. Next, I intend to get our friend there a good berth as master-carpenter for the new crescent they’re going to build on my land, at the top of the hill — and that won’t be a bad thing, I can tell you! Lastly, I mean you all to leave Tidbury, and live in a cottage of mine that’s empty now, and going to rack and ruin for want of a tenant. I’ll charge rent, mind, Mr Wray, and come for it every quarter myself, as regular as a tax-gatherer. I don’t insult an independent man by the offer of an asylum. Heaven forbid! but till you can do better, I want you to keep my cottage warm for me. I can’t give up seeing my new grandchild sometimes! and I want my chat with an old stager, about the British Drama and glorious John Kemble! To cut the thing short, sir: with such a prospect before them as this, do you object to my giving the healths of Mr and Mrs Martin Blunt that are to be!’
Conquered by the Squire’s kind looks and words, as much as by his reasons, Old Reuben murmured approval of the toast, adding tenderly, as he looked round on Annie, ‘If she’ll only promise always to let me live with her!’
‘There, there!’ cried Mr Colebatch, ‘don’t go kissing your grandfather before company like that you little jade; making other people envious of him on Christmas Day! Listen to this! Mr and Mrs Martin Blunt tha
t are to be — married in a week!’ added the old gentleman peremptorily.
‘Lord, sir!’ said Mrs Buddle, ‘she can’t get her dresses ready in that time!’
‘She shall, ma’am, if every mantua-making wench in Tidbury stitches her fingers off for it! and there’s an end of my speech-making!’ Having said this, the Squire dropped back into his chair with a gasp of satisfaction.
‘Now we are all happy!’ he exclaimed, filling his glass; ‘and now we’ll set in to enjoy our port in earnest — eh, my good friend?’
‘Yes; all happy!’ echoed old Reuben, patting Annie’s hand, which lay in his; ‘but I think I should be still happier, though, if I could only manage not to remember that horrible dream!’
‘Not remember it!’ cried Mr Colebatch, ‘we’ll all remember it — all remember it together, from this time forth, in the same pleasant way!’
‘How? How?’ exclaimed Mr Wray, eagerly.
‘Why, my good friend!’ answered the Squire, tapping him briskly on the shoulder, ‘we’ll all remember it gaily, as nothing but a STORY FOR A CHRISTMAS FIRESIDE!’
FIRST LOVE by Ivan Turgenev
Translated by Constance Garnett, 1897
This famous novella was first published in 1860. First Love employs a frame story structure, recounting the memory of the protagonist’s first love.
Turgenev close to the time of publication
CONTENTS
FIRST LOVE
I
II
III
IV
V
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
XV
XVI
XVII
XVIII
XIX
XX
XXI
XXII
FIRST LOVE
The party had long ago broken up. The clock struck half - past twelve.
There was left in the room only the master of the house and Sergei
Nikolaevitch and Vladimir Petrovitch.
The master of the house rang and ordered the remains of the supper to be cleared away. ‘And so it’s settled,’ he observed, sitting back farther in his easy - chair and lighting a cigar; ‘each of us is to tell the story of his first love. It’s your turn, Sergei Nikolaevitch.’
Sergei Nikolaevitch, a round little man with a plump, light - complexioned face, gazed first at the master of the house, then raised his eyes to the ceiling. ‘I had no first love,’ he said at last; ‘I began with the second.’
‘How was that?’
‘It’s very simple. I was eighteen when I had my first flirtation with a charming young lady, but I courted her just as though it were nothing new to me; just as I courted others later on. To speak accurately, the first and last time I was in love was with my nurse when I was six years old; but that’s in the remote past. The details of our relations have slipped out of my memory, and even if I remembered them, whom could they interest?’
‘Then how’s it to be?’ began the master of the house. ‘There was nothing much of interest about my first love either; I never fell in love with any one till I met Anna Nikolaevna, now my wife, — and everything went as smoothly as possible with us; our parents arranged the match, we were very soon in love with each other, and got married without loss of time. My story can be told in a couple of words. I must confess, gentlemen, in bringing up the subject of first love, I reckoned upon you, I won’t say old, but no longer young, bachelors. Can’t you enliven us with something, Vladimir Petrovitch?’
‘My first love, certainly, was not quite an ordinary one,’ responded, with some reluctance, Vladimir Petrovitch, a man of forty, with black hair turning grey.
‘Ah!’ said the master of the house and Sergei Nikolaevitch with one voice: ‘So much the better…. Tell us about it.’
‘If you wish it … or no; I won’t tell the story; I’m no hand at telling a story; I make it dry and brief, or spun out and affected. If you’ll allow me, I’ll write out all I remember and read it you.’
His friends at first would not agree, but Vladimir Petrovitch insisted on his own way. A fortnight later they were together again, and Vladimir Petrovitch kept his word.
His manuscript contained the following story: —
I
I was sixteen then. It happened in the summer of 1833.
I lived in Moscow with my parents. They had taken a country house for the summer near the Kalouga gate, facing the Neskutchny gardens. I was preparing for the university, but did not work much and was in no hurry.
No one interfered with my freedom. I did what I liked, especially after parting with my last tutor, a Frenchman who had never been able to get used to the idea that he had fallen ‘like a bomb’ (comme une bombe) into Russia, and would lie sluggishly in bed with an expression of exasperation on his face for days together. My father treated me with careless kindness; my mother scarcely noticed me, though she had no children except me; other cares completely absorbed her. My father, a man still young and very handsome, had married her from mercenary considerations; she was ten years older than he. My mother led a melancholy life; she was for ever agitated, jealous and angry, but not in my father’s presence; she was very much afraid of him, and he was severe, cold, and distant in his behaviour…. I have never seen a man more elaborately serene, self - confident, and commanding.
I shall never forget the first weeks I spent at the country house. The weather was magnificent; we left town on the 9th of May, on St. Nicholas’s day. I used to walk about in our garden, in the Neskutchny gardens, and beyond the town gates; I would take some book with me — Keidanov’s Course, for instance — but I rarely looked into it, and more often than anything declaimed verses aloud; I knew a great deal of poetry by heart; my blood was in a ferment and my heart ached — so sweetly and absurdly; I was all hope and anticipation, was a little frightened of something, and full of wonder at everything, and was on the tiptoe of expectation; my imagination played continually, fluttering rapidly about the same fancies, like martins about a bell - tower at dawn; I dreamed, was sad, even wept; but through the tears and through the sadness, inspired by a musical verse, or the beauty of evening, shot up like grass in spring the delicious sense of youth and effervescent life.
I had a horse to ride; I used to saddle it myself and set off alone for long rides, break into a rapid gallop and fancy myself a knight at a tournament. How gaily the wind whistled in my ears! or turning my face towards the sky, I would absorb its shining radiance and blue into my soul, that opened wide to welcome it.
I remember that at that time the image of woman, the vision of love, scarcely ever arose in definite shape in my brain; but in all I thought, in all I felt, lay hidden a half - conscious, shamefaced presentiment of something new, unutterably sweet, feminine….
This presentiment, this expectation, permeated my whole being; I breathed in it, it coursed through my veins with every drop of blood … it was destined to be soon fulfilled.
The place, where we settled for the summer, consisted of a wooden manor - house with columns and two small lodges; in the lodge on the left there was a tiny factory for the manufacture of cheap wall - papers…. I had more than once strolled that way to look at about a dozen thin and dishevelled boys with greasy smocks and worn faces, who were perpetually jumping on to wooden levers, that pressed down the square blocks of the press, and so by the weight of their feeble bodies struck off the variegated patterns of the wall - papers. The lodge on the right stood empty, and was to let. One day — three weeks after the 9th of May — the blinds in the windows of this lodge were drawn up, women’s faces appeared at them — some family had installed themselves in it. I remember the same day at dinner, my mother inquired of the butler who were our new neighbours, and hearing the name of the Princess Zasyekin, first observed with some respect, ‘Ah! a princess!’ … and then added, ‘A poor one, I su
ppose?’
‘They arrived in three hired flies,’ the butler remarked deferentially, as he handed a dish: ‘they don’t keep their own carriage, and the furniture’s of the poorest.’
‘Ah,’ replied my mother, ‘so much the better.’
My father gave her a chilly glance; she was silent.
Certainly the Princess Zasyekin could not be a rich woman; the lodge she had taken was so dilapidated and small and low - pitched that people, even moderately well - off in the world, would hardly have consented to occupy it. At the time, however, all this went in at one ear and out at the other. The princely title had very little effect on me; I had just been reading Schiller’s Robbers.
II
I was in the habit of wandering about our garden every evening on the look - out for rooks. I had long cherished a hatred for those wary, sly, and rapacious birds. On the day of which I have been speaking, I went as usual into the garden, and after patrolling all the walks without success (the rooks knew me, and merely cawed spasmodically at a distance), I chanced to go close to the low fence which separated our domain from the narrow strip of garden stretching beyond the lodge to the right, and belonging to it. I was walking along, my eyes on the ground. Suddenly I heard a voice; I looked across the fence, and was thunder - struck…. I was confronted with a curious spectacle.
A few paces from me on the grass between the green raspberry bushes stood a tall slender girl in a striped pink dress, with a white kerchief on her head; four young men were close round her, and she was slapping them by turns on the forehead with those small grey flowers, the name of which I don’t know, though they are well known to children; the flowers form little bags, and burst open with a pop when you strike them against anything hard. The young men presented their foreheads so eagerly, and in the gestures of the girl (I saw her in profile), there was something so fascinating, imperious, caressing, mocking, and charming, that I almost cried out with admiration and delight, and would, I thought, have given everything in the world on the spot only to have had those exquisite fingers strike me on the forehead. My gun slipped on to the grass, I forgot everything, I devoured with my eyes the graceful shape and neck and lovely arms and the slightly disordered fair hair under the white kerchief, and the half - closed clever eye, and the eyelashes and the soft cheek beneath them….
Masters of the Novella Page 44
