The Beach House

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by James Patterson


  Light flashing but no siren, we pulled out of the deserted lot and sped westward through the quiet center of town.

  "Last night was the big Memorial Day weekend party," said my grandfather, breaking the awful silence, "and Peter was parking cars as usual. About nine he grabs some supper. But when the party breaks up and it's time to retrieve the cars, Peter's nowhere to be found.

  "His absence is noted, but since it's not exactly unheard-of, no one gives it much mind. Two hours ago, Dr. Elizabeth Possidente is walking her rottweiler. The dog starts acting crazy. She runs after him and almost trips over Peter's body where it washed up at the edge of the Neubauer property. He's still there, Jack. I wouldn't let them move the body till you got here."

  I listened to my grandfather's low, gravelly voice. To me, it's the most comforting, intelligible voice in the world, but I could barely take in a word.

  I felt equally disconnected from the passing scenes outside the window. Plaza Sporting Goods, the Memory Motel, John's Drive-Inn, and Puff 'n' Putt looked nothing like I remembered. The colors were wrong, too bright and hot. The whole town looked radioactive.

  For the rest of the trip, I sat on the hump of the transmission between my father, John Samuel Sanders Mullen, and my grandfather, Macklin Reid Mullen, feeling the heartbroken sadness of one and the heartbroken rage of the other. We didn't move, didn't speak. Images of Peter were flashing in my head as though there were a projector there.

  Belnap's cruiser finally swerved off Bluff Road and sped through the open gates of the Neubauer compound, where it turned away from the house and made its way slowly down an unpaved road. It stopped a hundred yards from where the surf, whitecapped and furious, pounded the shore. The place where my brother had died.

  Chapter 6

  THE PLATFORM at the train station had been too crowded. The beach was just the opposite. I stepped unsteadily onto a lovely stretch of moonlit sand. There were no police photographers documenting the scene, no investigators sifting for clues. Only the crashing waves showed any urgency.

  My chest was tight. My vision was warped, as if I were taking in this scene through a long, thin tunnel. "Let me see Peter," I said.

  My grandfather led me across the sand to the ambulance. Hank Lauricella, a close friend who volunteered for EMS two nights a week, opened the rear door and I stepped in.

  There was Peter. . . .

  The back of the van was as bright as an operating room, but all the light in the world isn't enough to see your kid brother stretched out naked and dead on a steel gurney. Aside from husband and wife, there's more bad blood between brothers than any other familial pairing. But there wasn't any between us, and that's not rosy, revisionist history. The seven-year age difference, and the even bigger difference in our natures, made us less competitive; and because our mother died so young and a lot of our father died with her, there wasn't much to compete for anyway.

  The power of beauty is as absurd as it is undeniable. I stared at his body on the stretcher. Even in death it was obvious why every girl Peter ever smiled at since the age of fourteen smiled back. He looked like one of those Renaissance sculptures. His hair and eyes were jet black. He had our mother's chain of Saint Nicholas around his neck, and in his left earlobe was a small gold hoop he'd worn since he was eleven.

  I was so intent on finding some enduring trace of Peter in his face that it took a while to see how battered his body was. When Hank saw it finally register, he silently guided me through the damage. Large bruises on Peter's chest, ribs, arms, and legs; discoloration on his forehead and the back of his neck. Hank showed me the twisted broken fingers and how the knuckles on both hands were scraped raw.

  By the time Hank was done, I felt sick to my stomach and so dizzy that I had to grab the rail of the gurney to keep from falling.

  Chapter 7

  WHEN I FINALLY STEPPED BACK out onto the beach, I felt as if I had spent the night in that ambulance. The train ride from the city seemed like a memory from a previous life.

  Dana sat alone on the sand, looking weirdly out of place on her own property. I bent over and she put her arms around me. "I really want to stay with you tonight," she said. "Please let me, Jack."

  I was glad she did. I held on to her hand as we followed my father and grandfather back toward Belnap's cruiser.

  As we were about to get in, Frank Volpi, East Hampton's longtime chief detective, walked toward us from the direction of the house.

  "Sam, Macklin, Jack. I'm sorry." "Then why aren't you trying to find out who killed him?" asked Mack, staring at him cold and hard.

  "At the moment, there's nothing to indicate this was anything but a horrible accident, Mack."

  "Have you seen his body, Frank?" I asked softly.

  "A bad storm just went through here, Jack."

  "You think Peter decided to go for a swim in the middle of work?" I asked. "In this kind of surf? C'mon, Detective."

  "Peter was kind of a crazy. So, yes, I think it's possible." With the sanctimonious tone of a social worker, he added, "At the same time, I don't think we can rule out suicide."

  "Peter wouldn't kill himself," said Mack, taking that possibility off the table forever. "You're an asshole to suggest it."

  "Belnap clocked him weaving through traffic at ninety miles per hour just before the party. That sounds like someone with a death wish to me."

  "That's interesting, Frank," said Mack, "because to me it just sounds like more of your bullshit." Macklin looked dangerously close to hitting him.

  "Are you interviewing anyone?" I asked, trying to intercede. "See if there were any witnesses? There must be a guest list. C'mon, Frank, this is Peter who died here."

  "You know the people on that list, Jack. You can't interview their gardeners without a court order."

  "Then get one," said Mack, "and how about Barry and Campion? Do they have anything to say?"

  "They're extremely upset, of course, and extend their condolences. But they left town on business this morning. I can't see what would be accomplished by changing their itinerary."

  "No, I suppose you can't. By the way, Frank, are you still a detective, or have you graduated to full-time messenger boy?"

  Volpi's face and neck flushed red. "What's that supposed to mean, Mack?"

  "What part of the question can't you understand?" said my grandfather.

  Chapter 8

  A YEAR AFTER MY PARENTS ARRIVED in Montauk, my father built the small three-bedroom house halfway between town and the lighthouse. We moved in when I was two, and Peter was born there five years later. Although he'd spent at least half his nights over the past few years at one girlfriend or another's place, he never officially moved out.

  This might have been a problem if my mother, Katherine, had still been around, but for a long time it had been a curfewless house of men.

  My father and Mack staggered off to their beds as soon as we got in the door. Dana and I grabbed the Jameson and a couple of thick glasses. We climbed the steep, wooden stairs to Peter's old bedroom.

  "I'm right behind you," Dana whispered. I reached back and took her hand, held it tight.

  "I'm glad."

  I was struck again by how spare Peter kept the room.

  A pale wooden desk and bureau against one wall faced two twin beds. Except for the tiny and oblique detail of a stamp-size black-and-white photograph of the great bebop alto saxophonist Charlie Parker that Peter had taped above his bed, we could have been in a Motel 6.

  Maybe Peter kept it that way because he didn't want to think of himself as living there anymore. It made me feel even worse, as if he didn't think that he had a real home anywhere.

  Dana put on one of Peter's old Sonny Rollins CDs. I pushed the twin beds together and we stretched out on them. We wrapped our arms around each other.

  "I can't believe any of this," I said in a daze.

  "I know," Dana whispered, and held me tighter. The whiskey had unclenched my brain enough to know that nothing made sense. Zero. There w
as no way my brother chose to go swimming that night. For Peter, staying warm was about the closest thing he had to a religion. Even without the heavy waves, the fifty-degree water was enough to keep him out.

  It was even less likely he'd killed himself. I didn't know how he could have afforded it, but he'd just bought a $19,000 motorcycle. He'd waited six months to get the exact shade of blue he wanted, and it had less than three thousand miles on it. You don't wash a motorcycle twice a day when you're contemplating suicide.

  On top of that, he was scheduled to do a print shoot the next week for Helmut Lang jeans. He had called at work and told me that one of photographer Herb Ritts's assistants had spotted him at the Talkhouse and had sent him a contract. Peter was trying hard to downplay it, but he wasn't fooling anyone, especially not me.

  Dana refilled my glass and kissed me on the forehead.

  I took a long gulp of whiskey. I thought about how as kids, Peter and I used to wrestle in this room, playing a game called king of the bed. I realized now that half the time brothers wrestle, it's just an excuse to hug each other.

  Then I told Dana about a fall afternoon, maybe twelve years ago. I was probably babbling, but she let me go on.

  "On Saturdays a group of us would play touch football in the field behind the middle school. That day I brought along Peter for the first time.

  "Even though he was about five years younger than anyone else, I vouched for him. Bill Conway, one of the two teenagers who ran the game, grudgingly consented to let him play.

  "Anyway, Peter was the last guy taken on our side, and our quarterback never threw the ball anywhere near him all afternoon. Peter was so grateful to be included in the big-kids game, he never complained.

  "With the sun fading fast, the game was tied. We were down to our last possession. In the huddle I told Livolsi to throw the ball to Peter. The other team had stopped covering him an hour ago. For some reason, Livolsi actually listened to me. On the last play of the game, he sent all the other receivers one way and Peter the other. Then he dropped back and hurled the ball half the length of the field. Peter was this tiny figure standing all alone in the dusk on one side of the end zone.

  "Unfortunately, Livolsi himself was not a future Hall of Famer. His pass was way off. Peter chased after it and, at the last instant, left his feet and stretched out parallel to the ground like some dude in one of those slow-motion NFL films. I swear to you, not one person who was there will ever forget it. Livolsi mentions it every time I see him. Dana, he was nine. He weighed fifty-eight pounds. The guy could do anything he ever tried. He could have been anything he wanted to be, Dana. He had it all."

  "I know, Jack," she whispered.

  "Dana, that wasn't the best part. The best part was the ride home. Peter was so happy, I could feel it. Neither of us said a word. We didn't have to. His big brother said he could do it, and Peter did it. I don't care what anyone says, it never gets any better than that. The whole way home we shared that peace and lightness you get only after doing something really hard. Our bikes floated. We hardly had to pedal."

  I barely got out the last few words. I started to cry, and once I got started I couldn't stop for twenty minutes. Then I got so cold, my teeth chattered. I couldn't believe I was never going to see Peter again.

  Chapter 9

  STANDING IN THE FRAGRANT SHADOW of a tall evergreen, a large man with a nasty scar, Rory Hoffman watched as the EMS van led the caravan of vehicles off the beach. As the red taillights snaked through the trees, he clucked his tongue and softly shook his head. What a fucking mess. A disaster of the first order.

  His official title was head of security, but he had attended to these delicate matters for so long and with such efficiency that he was referred to as "the Fixer." Hoffman considered the moniker grandiose and misleading. He was more like the maid, or the cleaning service.

  And now here I am to clean up this nasty-ass mess.

  He knew this wouldn't be easy. It never was. Among the petty insights he'd culled in his tenure was that violence always leaves a stain. And while with skill and diligence you might be able to get the stain out, the effort will leave its own telltale residue. It meant your work was never quite done.

  The Fixer left the cover of the trees for the gravel driveway, the white stones pushing through the thin soles of his driving shoes. He snuffed out a laugh at the marketing élan of that one. Need to hawk a pair of shoes so flimsy that you can barely walk in them? Call them driving shoes. Genius. And he was wearing them.

  He reached the point where the cars had gotten on the driveway. Then he followed their tracks back onto the sand. Half the beach seemed to have spilled into his silk socks. Under the full moon, the ocean was putting on quite a show. Very Shakespearean, as if the whole planet were caught up in the momentum of the so-called tragedy on the beach.

  Although the moon was bright, he flipped on a flashlight and searched among the dunes for footprints. The beaches themselves were public. There was no way you could keep people off them entirely. Although for the most part the NO TRESPASSING signs were observed, you never knew who might have intruded.

  The north side looked good. Perhaps tonight would be the exception to the rule. The scene might actually be clean.

  The first ten yards of dunes turned up empty. Then he saw a cigarette butt, and another. Not good. Very bad, actually.

  He had the sense of being watched, and when he closed his eyes his prominent nose picked up the scent of sulfur still hanging in the air from a struck match. Oh, Jesus.

  Boot-shaped footprints led him to a stand of bushes in the dunes. Behind them were more prints, and more cigarette butts. Whoever had been there had been camping out awhile.

  He crouched and scooped three of the butts into a little plastic Baggie, the kind cops used — or were supposed to anyway.

  That's when his flashlight picked out a crushed bright yellow box in the sand. Kodak.

  Christ, someone had been shooting film!

  Chapter 10

  THE NEXT MORNING my eyeballs hurt. So did everything else above and below. What didn't actually ache just felt lousy. And that was in the two-second reprieve before I remembered what had happened to my brother.

  I rubbed my eyes. That's when I saw that Dana was gone. There was a note taped to the lamp: "Jack, I didn't want to wake you. Thanks for letting me stay. It meant a lot to me. I miss you already. Love, Dana." She was smart and beautiful, and I was lucky to have her. It's just that I was having a little trouble feeling lucky that morning.

  I walked gingerly downstairs and took my place at the kitchen table with two grieving old men in bathrobes. We weren't a pretty sight.

  "Dana's gone."

  "I had coffee with her," said Mack. "She was crying a lot."

  I looked at my father, and there was almost no reaction. One look at him in the morning light and it was clear to me he'd never be the same. It was as if he had aged twenty years overnight.

  Mack seemed as steady as ever, almost stronger, as if fortified by the tragic turn of events. "I'll make you some eggs," he said, springing from his chair.

  It's not that my grandfather wasn't devastated by Peter's death. If anything, Peter had been his favorite. But to my grandfather, life, for better or worse, is a holy war, and he was girding himself for another battle.

  He peeled off five pieces of bacon and dropped them in a cast-iron skillet as old and gnarly as he was. Soon the room was filled with greasy music.

  That morning I realized that my father had never really gotten over the death of my mother. His heart wasn't in his construction company, and he had no desire to chase the biggest building boom in Hamptons history. He watched his fellow tradesmen move from pickups to Tahoes and leave him in the dust. Not that he cared.

  My grandfather, on the other hand, had actually gained momentum as he got older. After retiring as an iron-worker in his early sixties, he spent a summer reading and farting around. Then he went back to school and became a paralegal. In the past twent
y years he had become something of a legend in courtrooms and firms all over the eastern half of Long Island. A lot of people believed he knew the law better than most circuit judges. He insisted that this wasn't nearly as impressive as it sounded.

  His love of the law was half the reason I was at Columbia, and he was immensely proud I'd come that far. Sharing a couple of pints with him at the Shagwong included the repeated embarrassment of his introducing me as "the most overeducated Mullen in the history of Ireland and America." I could see by the way he looked at me that morning, however, that he considered all that hypothetical schoolboy stuff compared to this.

  "There is no way Peter killed himself," I said. "Volpi is a moron."

  "Or doesn't give a shit," said Mack. To my father, the issue of how Peter died was almost moot. His last moments would have been less terrifying if it was suicide. To Macklin, it was everything.

  "The kid got laid more than God. Why would he kill himself?"

  Mack broke three eggs on top of the bacon and let them sizzle sunny-side up. When they started to blacken around the edges, he skillfully worked a spatula under it all and flipped the whole thing without spilling a yellow drop. He let it fry for another thirty seconds before sliding the whole greasy construct onto my plate.

  It was approaching summer, but this was cold, blustery, off-season food. It was exactly what I needed. After three cups of black coffee, I pushed my chair from the table and announced that I was going to talk to Volpi.

  "You want me to come with you?"

  "No, thanks, Mack."

  "Well, don't do anything stupid. Keep your head. You hear me, Jack?"

  "Listen to him," said my father, "the bleeding voice of reason."

  For a second, I almost thought he was going to smile.

  Chapter 11

  SOMEONE MUST HAVE DRIVEN Peter's motorcycle to the house during the night. It sat in the driveway like a giant lizard warming itself in the sun. It was typical of Peter to go into hock for a rolling sculpture. Even if we got a fair price for it, we'd owe the bank a couple of thousand. But I had to admit, it was a thing of beauty, and the license plate got a smile out of me: 4NIC8. Yep, that was Peter.

 

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