by Paula Guran
With a crescendo of crackings the floor sagged fully three spans more in the center before arriving at a new temporary stability.
Edges of centrally tortured minds noted details: that Vlana’s silver-hilted dagger skewered to the floor a rat, which, likely enough, overeager had approached too closely before the night-smog had done its magic work. That her belt and pouch were gone. That the blue-enameled box inlaid with silver, in which Ivrian had put the Mouser’s share of the highjacked jewels, was gone too.
The Mouser and Fafhrd lifted to each other white, drawn faces which were quite mad, yet completely joined in understanding and purpose. No need to tell each other what must have happened here when the two nooses of black vapor had jerked tight in Hristomilo’s receiver, or why Slivikin had bounced and squeaked in glee, or the significance of such phrases as “an ample sufficiency of feasters,” or “forget not the loot,” or “that business we spoke of.” No need for Fafhrd to explain why he now stripped off his robe and hood, or why he jerked up Vlana’s dagger, snapped the rat off it with a wrist-flick, and thrust it in his belt. No need for the Mouser to tell why he searched out a half dozen jars of oil and after smashing three of them in front of the flaming stove, paused, thought, and stuck the other three in the sack at his waist, adding to them the remaining kindlers and the fire-pot, brimmed with red coals, its top lashed down tight.
Then, still without word exchanged, the Mouser muffled his hand with a small rug and reaching into the fireplace deliberately tipped the flaming stove forward, so that it fell door-down on oil-soaked rugs. Yellow flames sprang up around him.
They turned and raced for the door. With louder crackings than any before, the floor collapsed. They desperately scrambled their way up a steep hill of sliding carpets and reached door and porch just before all behind them gave way and the flaming rugs and stove and all the firewood and candles and the golden couch and all the little tables and boxes and jars—and the unthinkably mutilated bodies of their first loves—cascaded into the dry, dusty, cobweb-choked room below, and the great flames of a cleansing or at least obliterating cremation began to flare upward.
They plunged down the stairs, which tore away from the wall and collapsed and dully crashed in the dark just as they reached the ground. They had to fight their way over the wreckage to get to Bones Alley.
By then flames were darting their bright lizard-tongues out of the shuttered attic windows and the boarded-up ones in the story just below. By the time they reached Plague Court, running side by side at top speed, the Silver Eel’s fire-alarm was clanging cacophonously behind them.
They were still sprinting when they took the Death Alley fork. Then the Mouser grappled Fafhrd and forced him to a halt. The big man struck out, cursing insanely, and only desisted—his white face still a lunatic’s—when the Mouser cried, panting, “Only ten heartbeats to arm us!”
He pulled the sack from his belt and, keeping tight hold of its neck, crashed it on the cobbles—hard enough to smash not only the bottles of oil, but also the fire-pot, for the sack was soon flaming a little at its base.
Then he drew gleaming Scalpel and Fafhrd Graywand and they raced on, the Mouser swinging his sack in a great circle beside him to fan its flames. It was a veritable ball of fire burning his left hand as they dashed across Cheap Street and into Thieves’ House, and the Mouser, leaping high, swung it up into the great niche above the doorway and let go of it.
The niche-guards screeched in surprise and pain at the fiery invader of their hidey hole and had no time to do anything with their swords, or whatever weapons else they had, against the other two invaders.
Student thieves poured out of the doors ahead at the screeching and foot-pounding, and then poured back as they saw the fierce point of flames and the two demon-faced oncomers brandishing their long, shining swords.
One skinny little apprentice—he could hardly have been ten years old—lingered too long. Graywand thrust him pitilessly through as his big eyes bulged and his small mouth gaped in horror and plea to Fafhrd for mercy.
Now from ahead of them there came a weird, wailing call, hollow and hair-raising, and doors began to thus shut instead of spewing forth the armed guards they almost prayed would appear to be skewered by their swords. Also, despite the long, bracketed torches looking newly renewed, the corridor was dark.
The reason for this last became clear as they plunged up the stairs. Strands of night-smog were appearing in the well, materializing from nothing or the air.
The strands grew longer and more numerous and tangible. They touched and clung nastily. In the corridor above they were forming from wall to wall and from ceiling to floor, like a gigantic cobweb, and were becoming so substantial that the Mouser and Fafhrd had to slash them to get through, or so their two maniac minds believed. The black web muffled a little a repetition of the eerie, wailing call, which came from the seventh door ahead and this time ended in a gleeful chittering and cackling insane as the emotions of the two attackers.
Here too doors were thudding shut. In an ephemeral flash of rationality, it occurred to the Mouser that it was not he and Fafhrd the thieves feared, for they had not been seen yet, but rather Hristomilo and his magic, even though working in defense of Thieves’ House.
Even the map room, whence counter-attack would most likely erupt, was closed off by a huge oaken, iron-studded door.
They were now twice slashing black, clinging, rope-thick spiderweb for every single step they drove themselves forward. Midway between the map and magic rooms, there was forming on the inky web, ghostly at first but swiftly growing more substantial, a black spider big as a wolf.
The Mouser slashed heavy cobweb before it, dropped back two steps, then hurled himself at it in a high leap. Scalpel thrust through it, striking amidst its eight new-formed jet eyes, and it collapsed like a daggered bladder, loosing a vile stink.
Then he and Fafhrd were looking into the magic room, the alchemist’s chamber. It was much as they had seen it before, except some things were doubled, or multiplied even further.
On the long table two blue-boiled cucurbits bubbled and roiled, their heads shooting out a solid, writhing rope more swiftly than moves the black swamp-cobra, which can run down a man—and not into twin receivers, but into the open air of the room (if any of the air in Thieves’ House could have been called open then) to weave a barrier between their swords and Hristomilo, who once more stood tall though hunchbacked over his sorcerous, brown parchment, though this time his exultant gaze was chiefly fixed on Fafhrd and the Mouser, with only an occasional downward glance at the text of the spell he drummingly intoned.
At the other end of the table, in the web-free space, there bounced not only Slivikin, but also a huge rat matching him in size in all members except the head.
From the ratholes at the foot of the walls red eyes glittered and gleamed in pairs.
With a bellow of rage Fafhrd began slashing at the black barrier, but the ropes were replaced from the cucurbit heads as swiftly as he sliced them, while the cut ends, instead of drooping slackly, now began to strain hungrily toward him like constrictive snakes or strangle-vines.
He suddenly shifted Graywand to his left hand, drew his long knife and hurled it at the sorcerer. Flashing toward its mark, it cut through three strands, was deflected and slowed by a fourth and fifth, almost halted by a sixth, and ended hanging futilely in the curled grip of a seventh.
Hristomilo laughed cacklingly and grinned, showing his huge upper incisors, while Slivikin chittered in ecstasy and bounded the higher.
The Mouser hurled Cat’s Claw with no better result—worse, indeed, since his action gave two darting smog-strands time to curl hamperingly around his sword-hand and stranglingly around his neck. Black rats came racing out of the big holes at the cluttered base of the walls.
Meanwhile other strands snaked around Fafhrd’s ankles, knees and left arm, almost toppling him. But even as he fought for balance, he jerked Vlana’s dagger from his belt and raised it over
his shoulder, its silver hilt glowing, its blade brown with dried rat’s-blood.
The grin left Hristomilo’s face as he saw it. The sorcerer screamed strangely and importuningly then and drew back from his parchment and the table, and raised clawed clubhands to ward off doom.
Vlana’s dagger sped unimpeded through the black web—its strands even seemed to part for it—and betwixt the sorcerer’s warding hands, to bury itself to the hilt in his right eye.
He screamed thinly in dire agony and clawed at his face.
The black web writhed as if in death spasm.
The cucurbits shattered as one, spilling their lava on the scarred table, putting out the blue flames even as the thick wood of the table began to smoke a little at the lava’s edge. Lava dropped with plops on the dark marble floor.
With a faint, final scream Hristomilo pitched forward, hands still clutched to his eyes above his jutting nose, silver dagger-hilt still protruding between his fingers.
The web grew faint, like wet ink washed with a gush of clear water.
The Mouser raced forward and transfixed Slivikin and the huge rat with one thrust of Scalpel before the beasts knew what was happening. They too died swiftly with thin screams, while all the other rats turned tail and fled back down their holes swift almost as black lightning.
Then the last trace of night-smog or sorcery-smoke vanished and Fafhrd and the Mouser found themselves standing alone with three dead bodies and a profound silence that seemed to fill not only this room but all Thieves’ House. Even the cucurbit-lava had ceased to move, was hardening, and the wood of the table no longer smoked.
Their madness was gone and all their rage too—vented to the last red atomy and glutted to more than satiety. They had no more urge to kill Krovas or any other of the thieves than to swat flies. With horrified inner eye Fafhrd saw the pitiful face of the child-thief he’d skewered in his lunatic anger.
Only their grief remained with them, diminished not one whit, but rather growing greater—that and an ever more swiftly growing revulsion from all that was around them: the dead, the disordered magic room, all Thieves’ House, all of the city of Lankhmar to its last stinking alleyway and smog-wreathed spire.
With a hiss of disgust the Mouser jerked Scalpel from the rodent cadavers, wiped it on the nearest cloth, and returned it to its scabbard. Fafhrd likewise sketchily cleansed and sheathed Graywand. Then the two men picked up their knife and dirk from where they’d dropped to the floor when the web had dematerialized, though neither so much as glanced at Vlana’s dagger where it was buried. But on the sorcerer’s table they did notice Vlana’s black velvet, silver-worked pouch and belt, the latter half overrun by the hardened black lava, and Ivrian’s blue-enameled box inlaid with silver. From these they took the gems of Jengao.
With no more word than they had exchanged back at the Mouser’s burned nest behind the Eel, but with a continuing sense of their unity of purpose, their identity of intent, and of their comradeship, they made their way with shoulders bowed and with slow, weary steps which only very gradually quickened out of the magic room and down the thick-carpeted corridor, past the map room’s wide door still barred with oak and iron, and past all the other shut, silent doors—clearly the entire Guild was terrified of Hristomilo, his spells, and his rats; down the echoing stairs, their footsteps speeding a little; down the bare-floored lower corridor past its closed, quiet doors, their footsteps resounding loudly no matter how softly they sought to tread; under the deserted, black-scorched guard-niche, and so out into Cheap Street, turning left and north because that was the nearest way to the Street of the Gods, and there turning right and east—not a waking soul in the wide street except for one skinny, bent-backed apprentice lad unhappily swabbing the flagstones in front of a wine shop in the dim pink light beginning to seep from the east, although there were many forms asleep, a-snore and a-dream in the gutters and under the dark porticos—yes, turning right and east down the Street of the Gods, for that way was the Marsh Gate, leading to Causey Road across the Great Salt Marsh, and the Marsh Gate was the nearest way out of the great and glamorous city that was now loathsome to them, indeed, not to be endured for one more stabbing, leaden heartbeat than was necessary—a city of beloved, unfaceable ghosts.
If Leiber deconstructed Conan-style sword and sorcery and Tolkienesque heroic fantasy with Fafhrd and the Gray Mouser, Michael Moorcock annihilated both with Elric of Melniboné. Moorcock’s settings are volatile and saturated with dangerous magic. There is no fight between good and evil; there is the struggle of Law and Chaos, maintained in equilibrium by Cosmic Balance. A sorcerer and philosopher, Elric hates his role as emperor of what he sees as a decadent people who live in a land which “fell, in spirit, five hundred years ago.” An albino, he is far from rugged and muscle bound. Moorcock’s description:
It is the color of a bleached skull, his flesh; and the long hair which flows below his shoulders is milk-white. From the tapering, beautiful head stare two slanting eyes, crimson and moody, and from the loose sleeves of his yellow gown emerge two slender hands, also the color of bone.
Elric relies on his malevolent, sentient, soul-devouring black sword, Stormbringer, for his strength and vitality.
Elric’s first appearance, “The Dreaming City” (Science Fantasy, June 1961), ends in utter defeat and bleakness. The second story, “While the Gods Laugh” (Science Fantasy #49, October 1961), is set a year later. A young woman’s simple mission becomes, for Elric, an existential quest that ends in doom and gloom. Luckily, our anti-hero finds a cheerful companion (who Elric will come to value as his sole true friend) to lighten the angst and melancholy.
While the Gods Laugh
Michael Moorcock
I, while the gods laugh, the world’s vortex am;
Maelstrom of passions in that hidden sea
Whose waves of all-time lap the coasts of me,
And in small compass the dark waters cram.
—Mervyn Peake, “Shapes and Sounds,” 1941
One
One night, as Elric sat moodily drinking alone in a tavern, a wingless woman of Myyrrhn came gliding out of the storm and rested her lithe body against him.
Her face was thin and frail-boned, almost as white as Elric’s own albino skin, and she wore flimsy pale green robes which contrasted well with her dark red hair.
The tavern was ablaze with candle-flame and alive with droning argument and gusty laughter, but the words of the woman of Myyrrhn came clear and liquid, carrying over the zesty din.
“I have sought you twenty days,” she said to Elric who regarded her insolently through hooded crimson eyes and lazed in a high-backed chair; a silver wine-cup in his long-fingered right hand and his left on the pommel of his sorcerous runesword Stormbringer.
“Twenty days,” murmured the Melnibonéan softly, speaking as if to himself; deliberately rude. “A longtime for a beautiful and lonely woman to be wandering the world.” He opened his eyes a trifle wider and spoke to her directly: “I am Elric of Melniboné, as you evidently know. I grant no favors and ask none. Bearing this in mind, tell me why you have sought me for twenty days.”
Equably, the woman replied, undaunted by the albino supercilious tone. “You are a bitter man, Elric; I know this also-and you are grief-haunted for reasons which are already legend. I ask you no favors but bring you myself and a proposition. What do you desire most in the world?”
“Peace,” Elric told her simply. Then he smiled ironically and said: “I am an evil man, lady, and my destiny is hell-doomed, but I am not unwise, nor unfair. Let me remind you a little of the truth. Call this legend if you prefer—I do not care.
“A woman died a year ago, on the blade of my trusty sword.” He patted the blade sharply and his eyes were suddenly hard and self-mocking. “Since then I have courted no woman and desired none. Why should I break such secure habits? If asked, I grant you that I could speak poetry to you, and that you have a grace and beauty which moves me to interesting speculation, but I woul
d not load any part of my dark burden upon one as exquisite as you. Any relationship between us, other than formal, would necessitate my unwilling shifting of part of that burden.” He paused for an instant and then said slowly: “I should admit that I scream in my sleep sometimes and am often tortured by incommunicable self-loathing. Go while you can, lady, and forget Elric for he can bring only grief to your soul.”
With a quick movement he turned his gaze from her and lifted the silver wine-cup, draining it and replenishing it from a jug at his side.
“No,” said the wingless woman of Myyrrhn calmly, “I will not. Come with me.”
She rose and gently took Elric’s hand. Without knowing why, Elric allowed himself to be led from the tavern and out into the wild, rainless storm which howled around the Filkharian city of Raschil. A protective and cynical smile hovered about his mouth as she drew him towards the sea-lashed quayside where she told him her name. Shaarilla of the Dancing Mist, wingless daughter of a dead necromancer—a cripple in her own strange land, and an outcast.
Elric felt uncomfortably drawn to this calm-eyed woman who wasted few words. He felt a great surge of emotion well within him; emotion, he had never thought to experience again, and he wanted to take her finely molded shoulders and press her slim body to his. But he quelled the urge and studied her marble delicacy and her wild hair which flowed in the wind about her head.
Silence rested comfortably between them while the chaotic wind howled mournfully over the sea. Here, Elric could ignore the warm stink of the city and he felt almost relaxed. At last, looking away from him towards the swirling sea, her green robe curling in the wind, she said: “You have heard, of course, of the Dead Gods’ Book?”
