Psychology at the Movies

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Psychology at the Movies Page 27

by Skip Dine Young


  Liebes, T. and Katz, E. (1990) The Export of Meaning: Cross-Cultural Readings of Dallas. Oxford University Press, New York, NY.

  Lieblich, A., McAdams, D.P., and Josselson, R. (eds) (2004) Healing Plots: The Narrative Basis of Psychotherapy. American Psychological Association, Washington, DC.

  Lincoln, A.E. and Allen, M.P. (2004) Double jeopardy in Hollywood: Age and gender in the careers of film actors, 1926-1999. Sociological Forum, 19 (4), 611–631.

  Linz, D. and Donnerstein, E. (1994) Sex and violence in slasher films: A reinterpretation. Journal of Broadcasting & Electronic Media, 38 (12), 243–246.

  Linz, D., Donnerstein, E., and Penrod, S. (1988) Effects of long-term exposure to violent and sexually degrading depictions of women. Journal of Personality and Social Psychology, 55 (5), 758–768.

  LoBrutto, V. (2008) Martin Scorsese: A Biography. Praeger, Westport, CT.

  Madison, R.J. and Schmidt, C. (2001) Talking Pictures: A Parents’ Guide to Using Movies to Discuss Ethics, Values, and Everyday Problems with Children. Running Press, Philadelphia, PA.

  Mar, R.A. and Oatley, K. (2008) The function of fiction is the abstraction and simulation of social experience. Perspectives on Psychological Science, 3 (3), 173–192.

  Marich, R. (2005) Marketing to Moviegoers: A Handbook of Strategies Used by Major Studios and Independents. Focal Press, Burlington, MA.

  Martin, N.K. (2007) Sexy Thrills: Undressing the Erotic Thriller. University of Illinois Press, Chicago, IL.

  Mastro, D. (2009) Effects of racial and ethnic stereotyping, in Media Effects: Advances in Theory and Research, 3rd edn (eds J. Bryant and M.B. Oliver), Routledge, Taylor & Francis, New York, NY, pp. 325–341.

  Mathai, J. (1983) An acute anxiety state in an adolescent precipitated by viewing a horror movie. Journal of Adolescence, 6, 197–200.

  Mauss, I.B., Levenson, R.W., McCarter, L., Wilhem, F.H., and Gross, J.J. (2005) The tie that binds? Coherence among emotion experience, behavior, and physiology. Emotion, 5 (2), 175–190.

  Mayne, J. (1993) Cinema and Spectatorship. Routledge, New York, NY.

  McAdams, D.P. (1993) The Stories We Live By: Personal Myths and the Making of the Self. Guilford Press, New York, NY.

  McDonald, A. and Walter, G. (2009) Hollywood and ECT. International Review of Psychiatry, 21 (3), 200–206.

  McGilligan, P. (1994) Jack's Life: A Biography of Jack Nicholson. W.W. Norton, New York, NY.

  McGinn, C. (2005) The Power of Movies: How Screen and Mind Interact. Pantheon Books, New York, NY.

  McGowan, T. and Kunkle, S. (eds) (2004) Lacan and Contemporary Film. Other Press, New York, NY.

  McIntosh, W.D., Murray, J.D., Murray, R.M., and Manian, S. (2003) What's so funny about a poke in the eye? The prevalence of violence in comedy films and its relation to social and economic threat in the United States, 1951-2000. Mass Communication & Society, 6 (4), 345–360.

  McLuhan, M. (1964) Understanding Media: The Extensions of Man. McGraw-Hill Book, New York, NY.

  McMillan, T. (1991) The Wizard of Oz, in The Movie that Changed my Life (ed. D. Rosenberg), Viking Penguin, New York, pp. 253–265.

  Metz, C. (1974) Film Language: A Semiotics of the Cinema. Oxford University Press, New York, NY.

  Metz, C. (1982) The Imaginary Signifier: Psychoanalysis and the Cinema. Indiana University Press, Bloomington, IN.

  Modleski, T. (1988) The Women who Knew Too Much: Hitchcock and Feminist Theory. Routledge, New York, NY.

  Molitor, F. and Sapolsky, B.S. (1993) Sex, violence, and victimization in slasher films. Journal of Broadcasting & Electronic Media, 37 (2), 233–242.

  Molitor, F. and Sapolsky, B.S. (1994) Violence towards women in slasher films: A reply to Linz and Donnerstein. Journal of Broadcasting & Electronic Media, 38 (12), 247–249.

  Morley, D. (1980) The Nationwide Audience: Structure and Decoding. British Film Institute, London.

  Morton, A. (2010) Angelina: An Unauthorized Biography. St. Martin's Press, New York, NY.

  Mulvey, L. (1986) Visual pleasure and narrative cinema, in Narrative, Apparatus, Ideology (ed. P. Rosen), Columbia University Press, New York, NY (pp. 198–209).

  Munsterberg, H. (1970, 1916) The Film: A Psychological Study. Dover Publications, Inc., New York, NY. (1916, The Photoplay).

  Murphy, M. (1996) ‘The Wizard of Oz’ as cultural narrative and conceptual model for psychotherapy. Psychotherapy, 33 (4), 531–538.

  Murray, L. (1979) The Celluloid Persuasion: Movies and the Liberal Arts. William B. Eerdmans, Grand Rapids, MI.

  Murray, R.L. and Heumann, J.K. (2009) Ecology and Popular Film: Cinema on the Edge. State University of New York Press, Albany, NY.

  Nabi, R.L. and Oliver, M.B. (eds) (2009) The Sage Handbook of Media Processes and Effects. Sage, Thousand Oaks, CA.

  Nasar, S. (2001) A Beautiful Mind: The Life of Mathematical Genius and Nobel Laureate John Nash. Touchstone, New York.

  Nettle, D. (2001) Strong Imagination: Madness, Creativity, and Human Nature. Oxford University Press, New York, NY.

  Niemiec, R.M. and Wedding, D. (2008) Positive Psychology at the Movies: Using Film to Build Virtues and Character Strengths. Hogrefe & Huber, Cambridge, MA.

  Oliver, M.B. (1993) Adolescents’ enjoyment of graphic horror: Effects of viewers’ attitudes and portrayals of victim. Communication Research, 20 (1), 30–50.

  Oliver, M.B. (2008) Tender affective states as predictors or entertainment preferences. Journal of Communication, 58, 40–61.

  Oliver, M.B. and Woolley, J.K. (2011) Tragic and poignant entertainment: The gratifications of meaningfulness as emotional response, in The Routledge Handbook of Emotions and Mass Media (eds K. Döveling, C. von Scheve, and E.A. Konijn), Routledge, Taylor & Francis, New York, NY, pp. 134–147.

  Orchowski, L.M., Spickard, B.A., and McNamara, J.R. (2006) Cinema and the valuing of psychotherapy: Implications for clinical practice. Professional Psychology: Research and Practice, 37 (5), 506–514.

  Packer, S. (2007) Movies and the Modern Psyche. Praeger, Westport, CT.

  Paddock, J.R., Terranova, S., and Giles, L. (2001) SASB goes Hollywood: Teaching personality theories through movies. Teaching of Psychology, 28 (2), 117–121.

  Page, J. and Plant, R. (1971) Stairway to Heaven. On Led Zeppelin IV [CD]. New York: Atlantic.

  Pardeck, J.T. (1993) Using Bibliotherapy in Clinical Practice: A Guide to Self-Help Books. Greenwood Press, Westport, CT.

  Payne, D. (1989a) Coping with Failure: The Therapeutic Use of Rhetoric. University of South Carolina Press, Columbia, SC.

  Payne, D. (1989b) The Wizard of Oz: Therapeutic rhetoric in a contemporary media ritual. Quarterly Journal of Speech, 75, 25–39.

  Perlin, M.L. (1991) Power imbalances in therapeutic relationships, in The Hatherleigh Guide to Psychotherapy. Hatherleigh Press, New York, NY, pp. 215–229.

  Perloff, R.M. (2009) Mass media, social perception, and the third-person effect, in Media Effects: Advances in Theory and Research, 3rd edn (eds J. Bryant and M.B. Oliver), Routledge, Taylor & Francis, New York, pp. 252–268.

  Perse, E.M. (2001) Media Effects and Society. Lawrence Erlbaum, Mahwah, NJ.

  Perse, E.M. and Rubin, A.M. (1990) Chronic loneliness and television use. Journal of Broadcasting & Electronic Media, 34 (1), 37–53.

  Peterson, C. and Seligman, M. (2004) Character Strengths and Virtues: A Handbook and Classification. Oxford University Press, New York, NY.

  Philaretou, A.G. (2006) Learning and laughing about gender and sexuality through humor: The Woody Allen case. The Journal of Men's Studies, 14 (2), 133–144.

  Philo, G. (1996) Media and Mental Distress. Addison Wesley Longman, New York, NY.

  Pirkis, J., Blood, R.W., Francis, C., and McCallum, K. (2006) On-screen portrayals of mental illness: Extent, nature, and impacts. Journal of Health Communication, 11 (5), 523–541.

  Plantinga, C. (1999) The scene of empathy and the human face on film, in Passionate Views: Film, Cognition, and Emotion (eds C. Plantinga, and G.
M. Smith), The John Hopkins University Press, Baltimore, MD, pp. 239–255.

  Plantinga, C. (2009) Moving Viewers: American Film and the Spectator's Experience. University of California Press, Berkeley, CA.

  Plantinga, C. and Smith, G.M. (eds) (1999) Passionate Views: Film, Cognition, and Emotion. The John Hopkins University Press, Baltimore, MD.

  Pope, K.S. and Vasquez, M.J.T. (1998) Ethics in Psychotherapy and Counseling: A Practical Guide, 2nd edn. Jossey-Bass, San Francisco, CA.

  Postman, N. (1984) Amusing Ourselves to Death: Public Discourse in the Age of Show Business. Viking Penguin, New York, NY.

  Potter, W.J. and Riddle, K. (2007) A content analysis of the media effects literature. Journalism & Mass Communication Quarterly, 84 (1), 90–104.

  Pouliot, L. and Cowen, P.S. (2007) Does perceived realism really matter in media effects? Media Psychology, 9, 241–259.

  Pritzker, S.R. (2009) Marketing movies: An introduction to the special issue. Psychology & Marketing, 26 (5), 397–399.

  Rabkin, L.Y. (1998) The Celluloid Couch: An Annotated International Filmography of the Mental Health Professional in the Movies and Television from the Beginning to 1990. Scarecrow Press, Lanham, MD.

  Radway, J. (1984) Reading the Romance: Women, Patriarchy and Popular Literature, 1st edn. University of North Carolina Press, Chapel Hill, NC.

  Radway, J. (1991) Reading the Romance: Women, Patriarchy and Popular Literature, 2nd edn. University of North Carolina Press, Chapel Hill, NC.

  Ray, R.B. (1985) A Certain Tendency of the Hollywood Cinema, 1930-1980. Princeton University Press, Princeton, NJ.

  Rebello, S. (1990) Alfred Hitchcock and the Making of Psycho. Harper Perennial, New York, NY.

  Rendleman, T. (2008) ‘I know y’all think I'm pretty square, but I believe what I believe’: Images of Evangelicals in American film. Journal of Media and Religion, 7, 271–291.

  Ricoeur, P. (1970) Freud and Philosophy: An Essay on Interpretation. Yale University Press, New Haven, CT.

  Ricoeur, P. (1974) The Conflict of Interpretations. Northwestern University Press, Evanston, IL.

  Ringel, S. (2004) Talk therapy: The representation of insight in the cinema, in Celluloid Couches, Cinematic Clients: Psychoanalysis and Psychotherapy in the Movies (ed. J. Brandell), State University of New York Press, Albany, NY, pp. 169–190.

  Roberts, D.F. and Foehr, U.G. (2004) Kids and Media in America. Cambridge University Press, Cambridge.

  Robinson, D.J. (2003) Reel Psychiatry: Movie Portrayals of Psychiatric Conditions. Rapid Psychler Press, Port Huron, MI.

  Robinson, D.J. (2009) Reel psychiatry. International Review of Psychiatry, 21 (3), 245–260.

  Rosengren, K.E., Wenner, L.A., and Palmgreen, P. (eds) (1985) Media Gratifications Research: Current Perspectives. Sage, Beverly Hills, CA.

  Roskos-Ewoldsen, D.R. and Roskos-Ewoldsen, B. (2009) Current research in media priming, in The Sage Handbook of Media Processes and Effects (eds R.L. Nabi and M.B. Oliver), Sage, Thousand Oaks, CA, pp. 177–192.

  Rothenberg, A. (1990) Creativity and Madness: New Findings and Old Stereotypes. The Johns Hopkins University Press, Baltimore, MD.

  Rottenberg, J., Ray, R.D., and Gross, J.J. (2007) Emotion elicitation using films, in Handbook of Emotion Elicitation and Assessment (eds J.A. Coan and J.B. Allen), Oxford University Press, New York, NY, pp. 9–28.

  Rubin, A.M. (2009) Uses-and-gratifications perspective on media effects, in Media Effects: Advances in Theory and Research, 3rd edn. (eds J. Bryant and M.B. Oliver), Routledge, Taylor & Francis, New York, NY, pp. 165–184.

  Rubin, D.C. (1996) Remembering our Past: Studies in Autobiographical Memory. Cambridge University Press, Cambridge.

  Rubin, L.C. (2008) Popular Culture in Counseling, Psychotherapy, and Play-Based Interventions. Springer, New York, NY.

  Ryan, M. (2008) Cultural Studies: An Anthology. John Wiley & Sons, Inc., Malden, MA.

  Sacks, O. (1987) The Man Who Mistook his Wife for a Hat. Harper Perennial, New York, NY.

  Sacks, O. (2009) The Mind's Eye. Knopf, New York, NY.

  Sarafino, E.P. (2008) Health Psychology: Biopsychosocial Interactions. John Wiley & Sons, Inc., Hoboken, NJ.

  Schank, R.C. and Abelson, R. (1977) Scripts, Plans, Goals, and Understanding: An Inquiry into Human Knowledge Structures. Lawrence Erlbaum, Hillsdale, NJ.

  Schill, T., Harsch, J., and Ritter, K. (1990) Countertranference in the movies: Effects on beliefs about psychiatric treatment. Psychological Reports, 67, 399–402.

  Schneider, I. (1987) The theory and practice of movie psychiatry. American Journal of Psychiatry, 144 (8), 996–1002.

  Schore, A.N. (2003) Affect Regulation and the Repair of the Self. W.W. Norton, New York, NY.

  Schultz, H.T. (2005) Hollywood's portrayal of psychologists and psychiatrists: Gender and professional training differences, in Featuring Females: Feminist Analyses of Media (eds E. Cole and J.H. Daniel), APA Books, Washington, DC, pp. 101–112.

  Seligman, M. and Csikzentmihalyi, M. (2000) Positive psychology: An introduction. American Psychologist, 55 (1), 5–14.

  Shaw, R.L. (2004) Making sense of violence: A study of narrative meaning. Qualitative Research in Psychology, 1, 131–151.

  Shedler, J. (2010) The efficacy of psychodynamic psychotherapy. American Psychologist, 65 (2), 98–109.

  Siegel, J. (1999) Political correctness run amok? APA Monitor, 30 (1).

  Silverman, K. (1986) Suture, in Narrative, apparatus, ideology: A film theory reader (ed. P. Rosen), Columbia University Press, New York, NY, pp. 219–235.

  Simonton, D.K. (2011) Great Flicks: Scientific Studies of Cinematic Creativity and Aesthetics. Oxford University Press, New York, NY.

  Singer, D.G. and Singer, J.L. (eds) (2001) Handbook of Children and the Media. Sage, Thousand Oaks, CA.

  Singer, D.G. and Singer, J.L. (2005) Imagination and Play in the Electronic Age. Harvard University Press, Cambridge, MA.

  Singh, G. (2009) Film after Jung: Post-Jungian Approaches to Film Theory. Routledge/Taylor & Francis, New York, NY.

  Sleek, S. (1998) How are psychologists portrayed on screen? APA Monitor, 29 (11).

  Smith, J.M. (1974) The movie as medium for the message (or movies, dreams, and schizophrenic thinking). Perspectives in Psychiatric Care, 12 (4), 157–164.

  Smith, S.L. and Granados, A.D. (2009) Content patterns and effects surrounding sex-role stereotyping on television and film, in Media Effects: Advances in Theory and Research, 3rd edn (eds J. Bryant and M.B. Oliver), Routledge, Taylor & Francis, New York, NY, pp. 342–361.

  Solomon, G. (2001) Reel Therapy: How Movies Inspire You to Overcome Life's Problems. Lebhar-Friedman Books, New York, NY.

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  Sparks, G.G., Sparks, C.W., and Sparks, E. A. (2009) Media violence, in Media Effects: Advances in Theory and Research, 3rd edn. (eds J. Bryant and M.B. Oliver), Routledge, Taylor & Francis Group, New York, NY, pp. 269–286.

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  Staiger, J. (2000) Perverse Spectators: The Practices of Film Reception. New York University Press, New York, NY.

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  Stein, H.H. (2003) Good psychoanalytic psychotherapy in film: Three unorthodox examples. Psychoanalytic Psychology, 20 (4), 701–709.

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