Eléna came out behind me. "I recognize him. One of Luis's servants set to spy on me."
She left without further word. Concerned for her reputation, I did not try to stop her. Under ordinary circumstances, I would soon be receiving Luis's seconds to deliver the challenge for a duel, and I would welcome the opportunity to kill him. I suspected, though, that the challenge would not come. Not because Luis feared me, but because of the scandal it would create so soon after I had saved Eléna.
I stood for a moment in the courtyard and closed my eyes, listening again to her saying that she loved me. But who did she love? The martyr-hero Don Carlos? Or the poor lépero boy grown into a notorious bandit?
ONE HUNDRED AND TWENTY
We used the hired coach to pick up the old caballero and take him to the party. I was very nervous, more than I had been in any other social situation in my life. Mateo had thoroughly investigated the arrangements for the party and had a plan for every contingency. He was still caught up in the idea that we were all actors in a play that he had written. He even had written in a part for the lépero boy, Jaime, to play that night.
"If the old man recognizes that I am not Don Carlos, what will we do?" I asked, as the carriage wheels brought us closer and closer to Don Silvestre's door. I already knew his answers. I had bemoaned the questions over and over, and finally he was just responding with curtness.
"Murder him."
"And Isabella? If we encounter the Bitch of Babylon?"
"Murder her."
Fine advice, none of which he and I were mentally capable of carrying out, although I would be sorely tempted in regard to Isabella. Mateo had learned that the Church had agreed to annul her marriage to Don Julio, and the woman had married a Zacatecas silver king within a year of the don's death. Naturally, she had a house, not only in the City of Silver, but in the capital. As best as Mateo could discover, she had the Ciudad Mexico house torn down and was in the process of building a palace built to rival the viceroy's. He assumed that she would stay in Zacatecas during the renovations, but he was not certain. As for myself, I was certain that she would be in the party's reception line, ready to clutch her chest and scream the moment she saw us.
Mateo doubted she would recognize either of us. He had removed his beard and left only a rather large mustache. Like me, his hair was closely cropped. The putas at the tavern where we had been staying had dyed his hair and mustache red. With a red eye patch, red hat, red doublet, and red pants, he was as inconspicuous as a peacock in a flock of pigeons.
"Flamboyance defines my disguise," he said earlier, as I gawked at the clothes he intended to wear to the viceroy's ball. "I learned the art of disguise when I had to play several roles in the same play. If Isabella sees me, she will not recognize me for the don's friend."
"You will hide in plain sight?"
"Exactly so."
Eh, we had seen Mateo on stage, had we not, amigos? He is a fine actor—sometimes. Other times he commits the actor's sin of overdramatizing his role. Like everything else about Mateo, there was no middle ground. When he was good on stage, he was the best. And when he was bad, Dios mio, he incited riots.
If the Book of Fates determined that Isabella would be at the party, I hoped Isabella would, as usual, be too caught up in herself to recognize us.
"I will kill myself if I am exposed before Eléna."
Mateo twirled one of the ends of his mustache. "Compadre, your problem is that you do not accept women for what we really need them for. You want her to be puta and angel. I'm happy with just the woman of sin."
When we pulled up in front of the gate to Don Silvestre's house, I waited inside the coach while Mateo went to fetch the don. I tapped my knee nervously with the tip of my dagger, more inclined to cut my own throat than the old man's if he exposed me.
The only light at the gate was a large candle in a bronze and glass holder. It threw no light more than a couple of feet, but I skulked inside the dark coach anyway.
Despite my apprehensions, there had been one encouraging event. Miguel de Soto had shown up unexpectedly at my door. Profusely begging my pardon, he said his unnamed associates were cutting me in as a partner. But the ante had risen: I needed fifty thousand pesos to buy in.
Provoking Luis had tipped the scale. Realizing the viceroy would never permit him to kill me in a duel, he wanted to break me financially then put a dagger in my back. It was an enormous amount of money, and I agreed to only thirty thousand. I gave him three thousand pesos in gold ducats to show good faith and told him I would have the rest in a few days. Handing over the gold, I asked for more details concerning my investment.
"The price of maize is soaring," he said.
It was. Maize had all but vanished in the markets—when the warehouses were full. My new servants grumbled about it. No doubt it cut into the profits they made cheating me on food purchases.
"My partners own the maize in the warehouses. I control its distribution."
They were keeping it out of the marketplace—literally starving people—in order to drive the price up. When the price reached its peak, they would flood their brokers with grain and reap a prodigious profit. I had suspected this, but to hear it put bluntly increased my quandary about harming Eléna. Evil manipulation of the staple could not be done without the knowledge and assent of the viceroy.
When I heard Mateo and the don, I peered out the coach window, tense. Mateo let the old man go through the gate first and hung back to fasten it.
Don Silvestre came alone toward the coach, and I opened the door.
"Carlos—" he began.
Someone shot out of the darkness and pawed at the old man's face. The don tried to grab him and the assailant shoved him back, sending him staggering back on weak knees. Mateo caught the don as he fell backward.
"Thief!" Don Silvestre yelled. "He took my eyepiece!"
I shot out of the carriage and joined Mateo and the carriage driver in a pursuit of the thief. It was hopeless, the thief had disappeared. To my relief Jaime the Lépero had played his role well.
I exchanged looks with Mateo as we hurried back to where the don was waiting by the carriage. This was the test. Taking a deep breath, I walked straight up to the old man and gave him an abrazo, a great hug.
"Don Silvestre," Mateo said, "how regretful it is that you two meet after all these years in the midst of this dreadful theft."
"My eyeglass, he took my eyeglass—and it was my only one. Only God knows when I can get a replacement."
"I heard that an eyeglass grinder had come aboard the last treasure fleet and took samples of glasses to the mining country," Mateo said. "We shall look into it, eh, Carlos."
"Carlos." The old man patted my face with his palm.
"We shall not let this tragic theft ruin the reunion of you and Carlos," Mateo said. "Off to the viceroy's palace," he told the driver, "the entire city is awaiting the guest of honor."
Mateo kept up a continuous flow of chatter all the way to the palace. What little I said was in such soft tones, the half deaf don missed most of it. Along the way, Mateo lit a tobacco twist with a candle kept lit in a glass enclosure on the side of the carriage. He deliberately held the candle up to illuminate my face in the dark coach. The ball would be brilliantly lit, and we were better off testing the don's eyesight here than in front of a hundred people.
"What do you think, Don Silvestre?" Mateo asked. "Has Carlos changed much since you saw him as a teenager?"
The don leaned forward and squinted at me. "The spit and image of his father," the don said. "I would have picked him out of an army of a thousand as his father's son."
I had to resist the impulse to cross myself and thank God aloud for making the old caballero so vain he would not admit to the infirmities of old age.
One test had been passed. But I knew the Dark Sisters who weaved our fates were not to be so easily appeased. A strange feeling gripped me as we passed through the palace gates. I had always wondered who I really was. Telemachu
s, the son of Odysseus, asks in the Odyssey: "Does any man truly know who his father is?" I had asked such questions my whole life long, about my father, my mother, and a loco old matrone who dressed in black and sought to drink my blood.
Well, the fray often said God's greatest gift was unanswered prayers, and at last I understood the wisdom in that dictum.
Now I feared God would answer those questions.
ONE HUNDRED AND TWENTY-ONE
I had attended the ribald parties of Seville's theater people, but this was the first grand society ball I had attended. We were greeted by an officer of the guard who stepped smartly in his magnificent uniform as he escorted us to the palace entrance. There, aides to the viceroy were waiting to accompany us to the ballroom. Both aides looked askance at Mateo's crimson garb and eye patch. Mateo's hard-edged swordsman comportment shined through the silk clothes. Had he not been with me, the guest of honor, no doubt they would have been more inclined to call the capitán of the guard before permitting him into the ballroom.
The hall mirrors leading to the ballroom glittered from the candlelight and torches as well as reflecting the brightly trimmed uniforms of the honor guards lining the way.
At the end of the hall, we passed through open doors into a three-story ballroom that could have housed several residences comparable to my rented one, grounds included. Like the mirrored hallway, it blazed with candlelight and torches. The ceiling, fittings, and moldings glistened with silver and gilt, and for a moment I was stunned by the ballroom's magnificence. I found it hard to feign the arrogant indifference of a hidalgo.
Several hundred people drank and talked and strolled around the floor. Still, every eye turned to me as I paused at the top of the sweeping marble staircase leading down to the ballroom floor. I had never in my life felt so out of place, and I was sweating from every pore.
The viceroy came up beside me. With a grand gesture, he proclaimed, "Señoras, señoritas, and caballeros, I present Don Carlos Vasquez de Monterey, the hero of Veracruz."
The audience lined up on two sides of the room, leaving only a narrow walkway between. The orchestra struck up music. The viceroy took my arm and guided me down the steps. I was to be paraded through the party so that everyone could get a close look at me.
Ay, how many in the room could identify me? Was one of the fat merchants I had robbed along the Jalapa road waiting to greet me? A bishop whose clothes I had stolen, along with his purse and mule? A lady from whose neck I had ripped a pearl necklace?
Life is a circle and as I listened to the applause from the audience, I had the terrible feeling that the victim of every evil deed I had ever committed had assembled in the ballroom to expose me before the woman I loved.
I moved stiffly down the steps, a frozen smile on my face, my mind a shambles. I kept a tight hold on Don Silvestre's arm to slow our step. My eye had caught a familiar figure on the other side of the room and I almost stumbled.
Isabella.
I saw a flash of red out of the corner of my eye. I assumed the red caballero, my compadre, had just fled the room.
Fighting the impulse to run, walking down the aisle, nodding at the smiling people on both sides, I knew it would soon turn ugly. I feared it in my bones. Isabella was on the far end of the receiving line. When I reached her, all hell would break loose. I did not care what Mateo said about her not recognizing me without a beard. She was nothing if not cunning. My eyes would give her pause. She would put her Chinese fan up to her face and her eyes would narrow as she searched my face. There would be a moment of puzzlement, then astonishment, and horror that brought forth a scream.
Even my friend, Mateo, who had faced a thousand heathen swords, or so he said, had fled the witch.
Eléna stood next to Luis. She smiled her love. Luis' face held no expression, but I did not need a sorcerer to divine his thoughts. When Isabella began screaming and the party goers turned rabid against me, Luis would be the first to unsheathe his dagger.
My worse nightmare was that I was to be exposed in front of Eléna. What would she think when her hero was dragged to the dungeon by palace guards? The next time she saw my head it would be impaled atop the city gate.
My instinct to run was overwhelming but my knees were buckling. All the while I drew closer to Isabella. Thoughts raced through my mind. Was this how it would end? Instead of bringing down Luis and Ramon, I would end up being exposed and arrested? Where was Ramon? No doubt he was in the audience somewhere. Would he recognize the mestizo boy he had tried to kill half a lifetime ago. Would he join Isabella in exposing my frauds?
A woman screamed.
Isabella dashed into the open aisle I was coming down with Don Silvestre and the viceroy.
I nearly jumped out of my skin.
Her dress was on fire.
As men beat at the flames, I saw a figure in red disappearing into the back of the crowd. I grinned like a monkey, most impolite considering the lady's distress, but I could not suppress it.
Eh, amigos, did you really think that my old compadre would abandon me?
Sadly, the fire did not consume Isabella, merely the back of her dress and some petticoats. However, it did require that she retire from the party. She left in a state of hysterics. The assumption was that she had gotten too close to a candle.
"Music," the viceroy instructed an aide, "tell the orchestra to play gay music. I want people to dance, to forget this unfortunate incident."
He apologized profusely and spoke darkly of Isabella. "That woman will not be invited again to the palace." He leaned closer and whispered. "Her former husband was a marrano."
As the dancing began, with Luis and Eléna leading the procession, I left Don Silvestre with friends of his and faded back against a wall. The silly grin had faded from my face. My nerves were raw, and I struggled to get my breath back. I looked around to see if there was anyone else I recognized. Ramon was not present as far as I could tell.
I grabbed a goblet of wine to calm my nerves and then another. And another. Soon my head felt lighter. But my heart was still heavy from watching Luis and Eléna dance time and again. She glanced at me once and I smiled. I knew he was deliberately monopolizing her dancing.
Stepping aside to avoid servants with a food cart, I brushed against a man.
"Perdón!" I said.
"It is I who should beg for pardon," the man said. "Like Agesilan of Colchos who mounted a hippogriff to save the beauteous Diana, you deserve all of the praise Constantinople can reap upon you."
The man looked vaguely familiar to me. Not as if I knew him, but as if I should have known him. There was something about his features, his eyes, that stirred a memory in me.
"Thank you, señor, but I'm afraid that I'm not as lucky as Agesilan or any of the other caballeros of old. You see, in the tales of old, the hero always wed the beautiful woman that he had saved. In my case..."
"You're right. Instead of the hero, the princess will wed a villain."
The wine and the man's sympathetic remark loosened my tongue.
"Truer words were never spoken. Eléna must marry a man who believes a woman should be broken like a horse."
"I see you know Don Luis well despite your short time in the city. And I'm afraid your assessment of him is correct. Poor Eléna. She was willing to hide away in a convent to avoid marriage him because he will never permit her the freedom to read and write. And she's a fine poet. The words that are smothered inside her will be a loss to the world. But you must not put the entire blame on Luis. He was raised poorly for the heir of a great name and title. People believe it is his father's fault. The father is a notoriously bad gambler. A bad poet. Even a drunk. If it wasn't for Luis, the family coat of arms would be for sale to swine merchants."
"Eh, I've heard the father was a bad one, a man who squandered his wealth on gambling and women. Only his title has kept him from the poorhouse. But that is no excuse for the son. There are those of us who were born with so much less and who have had to deal with so mu
ch more adversity than a father who was a ne'er-do-well."
"Of course, and you are one of them. Eléna has told me how you sacrificed yourself for your older brother."
"I—you know Eléna?"
"I am also a writer of poetry. Though unlike Eléna, I am a writer of bad poetry. But our mutual interest over the years has given us the opportunity to speak many times. To the point where I count her as a friend."
"Then as a friend, how do we keep her from marrying that blackguard Luis?"
"Ah, amigo, you are new to the city. Be here awhile and you will find out that what Luis wants, he gets. He performed many services for the viceroy to gain Eléna's hand after she refused him repeatedly. No, I am afraid nothing can be done. Hopefully Eléna will have the courage and determination to insist upon writing her poetry after marriage."
"If there is a marriage," I said, darkly.
The man patted me on the shoulder. "You should not speak in such terms. If it gets back to Luis, he will have to challenge you. You showed great courage in Veracruz, but dueling is another sport. Besides being a fine swordsman, Luis is a scoundrel who doesn't always play fair. If he could not beat you honorably, he would have you murdered by assailants. I speak now as a friend and admirer of Eléna's and a man grateful for your services."
"You must know Luis well," I said.
"Very well. I'm his father."
I sipped my wine slowly, watching the dancers. I knew of him, of course. Don Eduardo Montez de la Cerda. After a moment I turned back to him.
"Don't take offense," he said, "I truly am Eléna's friend. I love her like the daughter I never had." He looked away from me. "I love her like the son I wish I had, instead of the one I deserved."
What I heard in his voice was not pity for himself but regret—and recrimination toward himself.
"I speak to you as a friend, Don Carlos, because I know Eléna is your friend." He locked eyes with me. "Perhaps in a way that must remain unspoken, she is more than a friend. And because of your own sad family situation"—he saluted me with his goblet—"my lips are also no doubt steered by the wine I've imbibed this day. I feel I can reveal a little of the troubles in my heart. I truly do wish that something would happen to prevent the marriage, but it is impossible. And I do not blame Luis for all that he became. Luis never had the father he deserved. Nor mother. His mother died while he was relatively young. His grandmother, my mother, dominated the household. My own father had been weak and produced a weak son. My mother made up for my weaknesses by instilling her ruthless ambitions on Luis when she failed to drive them into me. While this was happening, I hid my head deeper in the wine keg and the card tables. Each year as Luis became stronger, I became weaker." He saluted me again with his goblet. "And that, Don Carlos, is the sad story of my life."
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