by Mark Frost
The self-satisfied grin on Rymer's face froze like a flower in a hail of sleet; his brain locked to a dead stop.
This one will be easier, realized Day, than taking candy from a dead baby.
Eileen appreciated the Reverend's jab, but as he sat down beside her and she got a first good look at him, the breath caught in her throat.
Her first thought: This man is dying.
The Reverend moved like an insect, stiff and mechanical, as if a steel rod had assumed the place of his spine. A dark suit hung on his thin body like limp masted sails. A spiny hump rounded his left shoulder and his left leg appeared to have withered. His hands were long and slender, loosely limbed, and covered with coarse black hair; they looked like the hands of an ape. The man's face appeared skeletal: a high domed forehead rising above deep-set luminous green eyes,' cheeks collapsing above a white bony jawline. Black and gray tangles of lank hair fell from the crown of his head to his shoulders. Lumpish blood vessels coiled around the sides of his forehead, pulsating dimly. Bright, livid scars crisscrossed his stark marbled skin, as if he'd been cut apart and inexpertly reassembled.
I know this face, she said to herself. I've seen it before; I don't know where or why, but God knows it's not one you'd soon forget. She thought of bringing it up, but strong instinct warned her not to speak to him.
The Reverend made no attempt at introductions; he knew the names that were important to him, everyone quickly figured out who he was, and the actors all lost their voices the instant he appeared. His voice oozed with a deep southern accent—or was there a hint of British underneath?
Unaware of Eileen's spark of recognition, Jacob realized he had met this man before as well and he remembered where exactly: the Parliament of Religions, last year, in Chicago. But it was clear to Jacob, now shorn of his beard, that the Reverend Day could reclaim no memory of him; his magnetic eyes studied Jacob carefully but without a trace of identification,
His eyes are deadly, realized Jacob, glancing down at the last of his apple pie, heart accelerating. He had encountered people before whose will exerted a palpable force; this man projected it through his eyes like the flex of a muscle. Mustn't look in those eyes; he wanted to warn Eileen.
"And how are you feeling this evening, Mr. Jacob Stern?" asked the Reverend. "I understand you were taken ill somewhere along your journey."
"Much better, thank you," said Jacob, hoping Eileen would look at him; she was fixed on Reverend Day.
"You are obviously not a member of this company; may I ask what brings you to our corner of the world?"
"You could say I was a sort of tourist," said Jacob modestly. "A man enjoying his retirement, setting out to see the West..."
"What sort of community is this anyway?" asked Eileen, unable to stay her curiosity. "I'm assuming you're in charge here, so I mean, what's the point of it all? What's the purpose?"
Reverend Day turned to her for the first time, and she felt the force of his gaze hit her like a physical blow; his expression appeared casual, even friendly, but the power in his eyes sickened her, turning her stomach. The blood drained from her face; she had to look away.
"To serve God, Miss Temple," said the Reverend modestly. "And his son and Savior, Jesus Christ. As should we all. I'm sorry, weren't you given a copy of our flier? It contains all the basic information one should know about us. We hand one out to each of our visitors when they arrive."
He wants me to look at him, realized Eileen; he wants me to and I mustn't; I can feel his mind scratching at me like a spider trying to find a way to crawl inside my head.
"Forgive me for making the observation," said Jacob, keenly aware of her distress, trying to pull the man's attention off her, "but it seemed to me your flier was more concerned with the many things one shouldn't do."
Day turned slowly back to Jacob; his look hardened, just short of anger. "You might recall, sir, that even God gave us his thou-shalt-nots."
Doesn't like to be contradicted, thought Jacob. Certainly he's not used to anyone taking exception with him—and with eyes like those in his head, who in his right mind would want to? Well, go ahead and do your worst to an old man, you monster, but harm a hair on this woman's head and I'll make you regret the day you were born.
"Only ten of them," said Jacob. "You've got fifty."
"Strict obedience to God's will is a difficult and challenging path for any man to follow," said Day. "We make no claims of perfection, Mr. Stern, we merely strive for it."
"The world would applaud you for it. Why hide yourself away like this?"
"The world... is a wicked place, as I am sure in your travels you have not failed to notice. Our hope is to build a better world for ourselves within the confines of our City. That's why I call my home the House of Hope. And we expect visitors to respect our efforts, and our values, even if they don't necessarily agree with them."
"Respect, certainly," said Jacob.
Don't provoke him, Jacob; ease up.
The Reverend's eyes stayed fixed on Jacob, kindling a realization and deeper interest. "Are you by any chance a man of God yourself, Mr. Stern?"
Jacob's eyes met Eileen's briefly; now she was trying to warn him off.
"You might say so," said Jacob. "I'm a rabbi."
"Of course, now it makes sense to me," said Reverend Day. "We have more than a few of your Israelite brethren among our number here, along with all the other failed faiths—converted, of course, to our way—but at one time sharing your beliefs."
"Win a few, lose a few," said Jacob, with a shrug.
The Reverend smiled patiently. "I would not wish to impose upon my guests the rigor of a theological debate, but perhaps you would care to sit with me, tomorrow, Rabbi Jacob Stern, and discuss our ... differences."
"I welcome the opportunity, Reverend. But I must warn you that converting to Judaism is a very serious undertaking."
"In the service of God's Holy Work," said Day with a smile, "that is a risk one must always be willing to embrace."
Reverend Day turned back to Bendigo Rymer, who had been sitting motionless throughout and who now, blinking his eyes rapidly, appeared to emerge from a deep hypnotic trance.
"I trust you found our humble theater to your liking, Mr. Rymer," said Day, rising to his feet.
"Yes; wonderful, sir," said Rymer, deeply moved by the man's solicitude. "Marvelous facilities; thank you ever so much."
"Splendid. I cannot tell you how greatly we look forward to your performance tomorrow night," said Day.
Reverend Day bowed stiffly and quickly left the room. Jacob put a hand to his forehead, trying to contain the throbbing pain that suddenly collected there; Eileen moved to him in concern.
The rest of the Players, who felt as if they'd been holding their breath for an hour, let out a collective sigh of relief.
Walks Alone knocked softly on the train compartment door. No answer. She reached to knock again, and Jack Sparks threw open the door, a pistol in his hand, furious at the intrusion. She remained calm and waited for him to speak.
"What do you want?"
"May I come in?" she asked.
"Why?"
She looked at him, pushing gently through the wall of anger he had built around himself. Jack dropped his look, tucking the gun back in his belt. He held the door open for her; closed and locked it after she entered.
She sat, carefully controlling her breathing in order to send no harsh signals into the room; after a few tense moments, Jack sat across from her.
"I want to tell you about my dream," she said.
After a few moments: "Go ahead."
He watched her with a cold, impatient scowl. She took another deep breath; how she began was most important.
"In my dream the earth is my mother; my father is the sky. They are apart but they live side by side, touching each other along the horizon, in balance. Because they are in harmony, the animals are born into the world, each in the image of the gods who share the heavens and the earth. The people ar
e the last creatures to appear; they take the longest to create."
"Why?"
"They carry the most responsibility...."
"What does that mean?"
"They are the only ones who are given both light and darkness. Animals obey their gods without questioning; they know only goodness; the people are the only ones who must listen to both sides. They are the only ones who must decide."
"Decide what?"
"Which side is stronger in them."
She met his eyes briefly; anger flashed in him before she looked away.
"Did he send you here?" said Jack, jerking his head at the wall he shared with Doyle's compartment.
"I am only telling you my dream," she said simply, waiting.
"All right," he said finally.
"In my dream, the people have fallen from balance; they have forgotten that they were born from both earth and sky. Their minds grow strong but their hearts are closed; they have lost respect for the other animals and their gods. The people now believe they found their own way to the earth and that they are here alone, separate from the rest of creation. Their minds are strong, but by deciding to follow this path they have turned away from truth.
"This creates an emptiness in them. Into this emptiness come thoughts from the mind, thoughts that speak without the voice of the heart. Thoughts of power and controlling others. Darkness. This is how the wound begins to open."
"The wound?"
"The wound in the earth. The wound we have seen in our dream."
"In the desert."
She nodded. "What the people need is a healing, to bring the heart and mind together; what the mind tells them is that they need more power, and in this way the wound grows deeper. I am only telling you my dream."
Jack's look softened, interest creeping into his eyes, fighting the pain.
"In the dream we share, a tower has been built in the desert," she said, feeling confident enough to include him now. "My people use the medicine wheel to open their hearts and hear the voices of our gods; although we call out to the sky to hear them, we know the gods live inside us and that is where we must listen."
"And the tower?"
"This tower is like our medicine wheel, except it calls out to the darkness. A wound is open beneath it in the earth and the Black Crow Man asks the darkness to rise out of the wound and send its power over the earth."
"And this is how the darkness wins," said Jack.
"This is how time ends. This is how the people are destroyed; because they have opened the wound and allowed the Black Crow Man to invite this darkness into the world." "Who is this man?"
"In each of us, the false voice of the mind. In the dream he is the one who leads the people to the wrong path and calls out the darkness from deep inside the earth."
"And in the real world," said Jack, "he is my brother."
She hesitated. "I believe that is so."
"Who are the Six?"
"The ones who are called to stop him."
"Called by whom?"
"That is not for us to say."
"But you and I are among them."
"We were given the dream. Yes, I believe that was the reason."
Jack sat silently, face contorting as he struggled with waves of emotion. She watched compassionately but made no movement toward him; he would have to reach for her.
"How? How can we stop him?" asked Jack, raw fear on his face, voice breaking. "I've tried before and I've failed. I've failed myself as well. I've let the darkness in." His voice fell to a whisper. "I'm afraid. Afraid that I'm not strong enough."
Walks Alone took another breath and looked at him directly for the first time; this was the moment.
"You must heal yourself. Before you try again," she said. He stared at her, the last armor of protective rage melting away, vulnerable and real, tears pooling in his eyes. "I don't know how to begin," he whispered. "But you will try to stop him, anyway." "Yes."
"Then you will fail again. Is that what you want?" "No."
"You have no choice then."
He shook his head, agreeing. Tears ran freely down his cheeks.
She took his hands and held them tight. He looked at her. "I will help you," she said.
The first scream from the adjoining berth woke Doyle instantly from a restless sleep. He rushed out his door, followed quickly by Innes; both men paused and listened at the door to Jack's compartment. A rhythmic chanting reached them, the woman's voice, and the musky odor of burning sage. Falling and rising above the chant they could hear low moaning, then another protracted scream that stood their hair on end.
"Good Christ," said Doyle.
"Sounds like he's being roast on a spit," said Innes.
Doyle pushed through the door; the sight greeting them stopped them in their tracks.
The cramped room blisteringly hot. Jack lay flat in the narrow space between seats, Walks Alone kneeling beside him. Jack unconscious, naked to the waist, his torso daubed with diagonal streaks of red and white paint; Mary Williams, wearing a loincloth and halter top, displayed some of the same colors patterned on her face. Smoke from two smudge pots, burning sage, choked the close air. A long wooden pipe lay on one of the seats and a four-foot length of willow stick, topped with an eagle feather, rested on the floor near Jack's head.
Both of them drenched with sweat, Jack writhed in agonizing pain as she rotated her hands, as if rapidly kneading dough, above his rib cage. Lost in fevered concentration, her features tense and sculpted, repeating over and over again the same incomprehensible incantation, she did not even glance up at the Doyles' arrival.
Another dreadful scream broke Jack's lips and his body bridged off the floor, taut as a bowstring. Realizing his cries could be heard up and down the length of the car, Doyle thought to close the compartment door, but he could not respond to the impulse when he saw something appear in her hands as she quickly raised them from Jack's chest:
A wobbly transparent mass of pink-and-red tissues about the size of an oblong grapefruit, a hot black jellied nugget burning in its center, mottled all around with curved bands of a sickly gray substance that like ribs seemed to give the object structure.
Something fetal, a larva, more insectoid than human, thought Doyle. He turned to Innes; his face had gone white as an egg. Doyle felt strangely reassured; at least Innes was seeing it, too.
The woman's hands continued to agitate, vibrating at such an impossibly high rate it made it difficult for them to determine whether the queasy handful was being shaken by her or animated by its own odious energy. Part of their minds questioned whether she held anything in her hands at all.
Jack's body collapsed hard onto the floor.
Doyle grabbed Innes and pulled him back out into the hall, closing the door quickly behind them. They stared at each other in shock, Innes blinking rapidly, his mouth working but producing no words.
Doyle raised a finger to his lips and shook his head. Innes walked immediately back to their cabin and retrieved a bottle of whiskey from his bag. Sitting down across from each other on their bunks, the brothers plied themselves with measured, medicinal doses and waited for the whiskey to expunge the repellent memory from their brains.
They said nothing further about it; no more cries were heard from next door during what little remained of the night.
SKULL CANYON, ARIZONA
The posse had already spend one hell-raising evening overrunning the Skull Canyon Hotel, and as the liquor began to flow on this second night, it seemed unlikely the town could contain them much longer.
The group was currently suffering a heated division about which menace to society they should hunt down first: the Chinaman or that back-stabbing, snake-eyed, double-dealing, son-of-a-whore convict Buckskin Frank McQuethy. But they were agreed that whichever one of these running dogs they caught up with first would get fitted for a hemp necktie pronto and swing from the nearest tree.
Sheriff Tommy Butterfield felt the most personal sense of betrayal; he'd gon
e to bat with the governor about Frank, for Christ's sake. Put his trust in the man, laid his own political future on the line, and this was how Buckskin repaid him: a note pinned to a stable wall and vanishing into the night. The rat bastard could be halfway to Guadalajara by now. Tommy had been able to persuade the posse to ride on to Skull Canyon according to Frank's instructions that morning, but when they got there and found him gone again, the call for retribution turned into a chorus.
Throughout the next day, the talk grew meaner and the interrogation of the hotel staff rougher, until finally one of the clerks admitted that Frank had not gone off toward Prescott as they'd originally told the posse—according to Frank's orders under a severe threat of death, he was fast to add—but had been seen riding west toward that religious settlement. Where the actors and Chop-Chop the Chinaman had been headed in the first place. Now the room really fell into an uproar.
We'll ride there tonight, went the prevailing sentiment, ride in shooting and root out both of 'em; God take pity on anybody who stands in our way. All that remained was figuring out how to find the place.
That's when the gentleman who'd been sitting quietly in the corner with his four traveling companions spoke up for the first time.
We know that road, offered the gentleman. In fact, we're headed that way ourselves, and we would be more than happy to show you the way.
Right now?
Yes, we were planning to leave tonight, the man explained. And we know a good campsite along the way should you decide to break up the ride.
What's your business in this religious place? somebody asked.
We're Bible salesmen, said the man, and sure enough one of his companions showed them a valise that was chock-full of holy books.
A caucus ensued among the posse's elders; these fellas looked legit, sharply dressed and groomed, obviously Godfearing men, and they seemed to know the territory. The verdict came back fast and unanimous: The posse would ride with them at once.
